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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E77CE it is the complementary color #618831. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E77CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E77CE shade: #A377C9, #B489DC, #C59BEF, #D6ADFF and #E7BFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E77CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E77CE shade: #9E77CE, #8D65BB, #7C53A8, #6B4195 and #5A2F82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E77CE shade: #9E78CE, #B678CE, #CD78CE, #CE78B8 and #CE78A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E77CE shade: #9E78CE, #8778CE and #7878CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E77CE shade matches the following richer shades: #9E78CE, #9D69DD, #9B5AEC and #9A4BFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E77CE shade: #9E78CE, #A086BF, #A195B0, #A3A4A1 and #A4B392

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E77CE shade: #7880CE, #8678CE, #9D78CE, #B478CE and #CB78CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E77CE shade: #7440B3, #8959C3, #9E78CE, #B496D9 and #CAB4E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E77CE shade: #9E77CE, #CE7897 and #78CE7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E77CE shade: #9E77CE, #CE9D78 and #78CE9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E77CE shade: #9E77CE, #CE7897, #A8CE78 and #78CEAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E77CE shade: #9E77CE, #CE787D, #A8CE78 and #78CEC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 42 / 0 / 19

HEX #9E77CE

RGB 158 119 206

HSL 266.9, 0.47%, 0.64%

LAB 57, 32.61, -39.49

 

Complementary color

CMYK 29 / 0 / 64 / 47

HEX #618831

RGB 97 136 49

HSL 86.9, 0.47%, 0.36%

LAB 52.25, -28.34, 41.22

 

CMYK 19 / 41 / 0 / 21

HEX #A377C9

RGB 163 119 201

HSL 272.2, 0.43%, 0.63%

LAB 57.27, 32.91, -36.2

 

CMYK 18 / 38 / 0 / 14

HEX #B489DC

RGB 180 137 220

HSL 271.08, 0.54%, 0.7%

LAB 63.97, 32.14, -36.28

 

CMYK 18 / 35 / 0 / 6

HEX #C59BEF

RGB 197 155 239

HSL 270, 0.72%, 0.77%

LAB 70.56, 31.42, -36.37

 

CMYK 16 / 32 / 0 / 0

HEX #D6ADFF

RGB 214 173 255

HSL 270, 1%, 0.84%

LAB 76.92, 30.11, -35.05

 

CMYK 9 / 25 / 0 / 0

HEX #E7BFFF

RGB 231 191 255

HSL 277.5, 1%, 0.87%

LAB 82.63, 25.62, -26.15

 

CMYK 23 / 42 / 0 / 19

HEX #9E77CE

RGB 158 119 206

HSL 266.9, 0.47%, 0.64%

LAB 57, 32.61, -39.49

 

CMYK 25 / 46 / 0 / 27

HEX #8D65BB

RGB 141 101 187

HSL 267.91, 0.39%, 0.56%

LAB 50.17, 33.48, -39.5

 

CMYK 26 / 51 / 0 / 34

HEX #7C53A8

RGB 124 83 168

HSL 268.94, 0.34%, 0.49%

LAB 43.21, 34.41, -39.51

 

CMYK 28 / 56 / 0 / 42

HEX #6B4195

RGB 107 65 149

HSL 270, 0.39%, 0.42%

LAB 36.13, 35.39, -39.51

 

CMYK 31 / 64 / 0 / 49

HEX #5A2F82

RGB 90 47 130

HSL 271.08, 0.47%, 0.35%

LAB 28.95, 36.34, -39.42

 

CMYK 23 / 42 / 0 / 19

HEX #9E78CE

RGB 158 120 206

HSL 266.51, 0.47%, 0.64%

LAB 57.23, 32.04, -39.12

 

CMYK 12 / 42 / 0 / 19

HEX #B678CE

RGB 182 120 206

HSL 283.26, 0.47%, 0.64%

LAB 59.74, 39.11, -35.01

 

CMYK 0 / 42 / 0 / 19

HEX #CD78CE

RGB 205 120 206

HSL 299.3, 0.47%, 0.64%

LAB 62.4, 46.02, -30.68

 

CMYK 0 / 42 / 11 / 19

HEX #CE78B8

RGB 206 120 184

HSL 315.35, 0.47%, 0.64%

LAB 61.67, 42.47, -19.34

 

CMYK 0 / 42 / 22 / 19

HEX #CE78A0

RGB 206 120 160

HSL 332.09, 0.47%, 0.64%

LAB 60.86, 38.69, -6.84

 

CMYK 23 / 42 / 0 / 19

HEX #9E78CE

RGB 158 120 206

HSL 266.51, 0.47%, 0.64%

LAB 57.23, 32.04, -39.12

 

CMYK 34 / 42 / 0 / 19

HEX #8778CE

RGB 135 120 206

HSL 250.47, 0.47%, 0.64%

LAB 55.11, 25.57, -42.6

 

CMYK 42 / 42 / 0 / 19

HEX #7878CE

RGB 120 120 206

HSL 240, 0.47%, 0.64%

LAB 53.9, 21.61, -44.59

 

CMYK 23 / 42 / 0 / 19

HEX #9E78CE

RGB 158 120 206

HSL 266.51, 0.47%, 0.64%

LAB 57.23, 32.04, -39.12

 

CMYK 29 / 52 / 0 / 13

HEX #9D69DD

RGB 157 105 221

HSL 266.9, 0.63%, 0.64%

LAB 54.54, 43.79, -51.85

 

CMYK 34 / 62 / 0 / 7

HEX #9B5AEC

RGB 155 90 236

HSL 266.71, 0.79%, 0.64%

LAB 52.22, 54.93, -64.04

 

CMYK 38 / 70 / 0 / 2

HEX #9A4BFA

RGB 154 75 250

HSL 267.09, 0.95%, 0.64%

LAB 50.46, 65.31, -74.72

 

CMYK 23 / 42 / 0 / 19

HEX #9E78CE

RGB 158 120 206

HSL 266.51, 0.47%, 0.64%

LAB 57.23, 32.04, -39.12

 

CMYK 16 / 30 / 0 / 25

HEX #A086BF

RGB 160 134 191

HSL 267.37, 0.31%, 0.64%

LAB 60.15, 21.16, -26.08

 

CMYK 9 / 15 / 0 / 31

HEX #A195B0

RGB 161 149 176

HSL 266.67, 0.15%, 0.64%

LAB 63.51, 9.69, -12.47

 

CMYK 1 / 0 / 2 / 36

HEX #A3A4A1

RGB 163 164 161

HSL 80, 0.02%, 0.64%

LAB 67.21, -0.92, 1.42

 

CMYK 8 / 0 / 18 / 30

HEX #A4B392

RGB 164 179 146

HSL 87.27, 0.18%, 0.64%

LAB 71.01, -11.24, 15.13

 

CMYK 42 / 38 / 0 / 19

HEX #7880CE

RGB 120 128 206

HSL 234.42, 0.47%, 0.64%

LAB 55.98, 16.84, -41.32

 

CMYK 35 / 42 / 0 / 19

HEX #8678CE

RGB 134 120 206

HSL 249.77, 0.47%, 0.64%

LAB 55.03, 25.3, -42.74

 

CMYK 24 / 42 / 0 / 19

HEX #9D78CE

RGB 157 120 206

HSL 265.81, 0.47%, 0.64%

LAB 57.13, 31.75, -39.28

 

CMYK 13 / 42 / 0 / 19

HEX #B478CE

RGB 180 120 206

HSL 281.86, 0.47%, 0.64%

LAB 59.52, 38.51, -35.37

 

CMYK 1 / 42 / 0 / 19

HEX #CB78CE

RGB 203 120 206

HSL 297.91, 0.47%, 0.64%

LAB 62.16, 45.42, -31.07

 

CMYK 35 / 64 / 0 / 30

HEX #7440B3

RGB 116 64 179

HSL 267.13, 0.47%, 0.48%

LAB 38.96, 45.78, -52.88

 

CMYK 30 / 54 / 0 / 24

HEX #8959C3

RGB 137 89 195

HSL 267.17, 0.47%, 0.56%

LAB 47.5, 41.18, -48.38

 

CMYK 23 / 42 / 0 / 19

HEX #9E78CE

RGB 158 120 206

HSL 266.51, 0.47%, 0.64%

LAB 57.23, 32.04, -39.12

 

CMYK 17 / 31 / 0 / 15

HEX #B496D9

RGB 180 150 217

HSL 266.87, 0.47%, 0.72%

LAB 66.92, 24.19, -30.03

 

CMYK 11 / 21 / 0 / 11

HEX #CAB4E4

RGB 202 180 228

HSL 267.5, 0.47%, 0.8%

LAB 76.56, 16.89, -21.13

 

CMYK 23 / 42 / 0 / 19

HEX #9E77CE

RGB 158 119 206

HSL 266.9, 0.47%, 0.64%

LAB 57, 32.61, -39.49

 

CMYK 0 / 42 / 27 / 19

HEX #CE7897

RGB 206 120 151

HSL 338.37, 0.47%, 0.64%

LAB 60.6, 37.4, -2.07

 

CMYK 42 / 0 / 41 / 19

HEX #78CE7A

RGB 120 206 122

HSL 121.4, 0.47%, 0.64%

LAB 75.79, -43.04, 33.83

 

CMYK 23 / 42 / 0 / 19

HEX #9E77CE

RGB 158 119 206

HSL 266.9, 0.47%, 0.64%

LAB 57, 32.61, -39.49

 

CMYK 0 / 24 / 42 / 19

HEX #CE9D78

RGB 206 157 120

HSL 25.81, 0.47%, 0.64%

LAB 68.45, 13.46, 26.39

 

CMYK 42 / 0 / 24 / 19

HEX #78CE9D

RGB 120 206 157

HSL 145.81, 0.47%, 0.64%

LAB 76.42, -36.91, 16.38

 

CMYK 23 / 42 / 0 / 19

HEX #9E77CE

RGB 158 119 206

HSL 266.9, 0.47%, 0.64%

LAB 57, 32.61, -39.49

 

CMYK 0 / 42 / 27 / 19

HEX #CE7897

RGB 206 120 151

HSL 338.37, 0.47%, 0.64%

LAB 60.6, 37.4, -2.07

 

CMYK 18 / 0 / 42 / 19

HEX #A8CE78

RGB 168 206 120

HSL 86.51, 0.47%, 0.64%

LAB 78.36, -27.06, 38.66

 

CMYK 42 / 0 / 16 / 19

HEX #78CEAE

RGB 120 206 174

HSL 157.67, 0.47%, 0.64%

LAB 76.79, -33.4, 7.83

 

CMYK 23 / 42 / 0 / 19

HEX #9E77CE

RGB 158 119 206

HSL 266.9, 0.47%, 0.64%

LAB 57, 32.61, -39.49

 

CMYK 0 / 42 / 39 / 19

HEX #CE787D

RGB 206 120 125

HSL 356.51, 0.47%, 0.64%

LAB 59.92, 34.09, 11.92

 

CMYK 18 / 0 / 42 / 19

HEX #A8CE78

RGB 168 206 120

HSL 86.51, 0.47%, 0.64%

LAB 78.36, -27.06, 38.66

 

CMYK 42 / 0 / 3 / 19

HEX #78CEC8

RGB 120 206 200

HSL 175.81, 0.47%, 0.64%

LAB 77.46, -27.41, -5.18

 

Description

Color code: HEX #9E77CE | qconv.com Color code: HEX #9E77CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 119 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 119 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 42 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 42% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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