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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E8A83 it is the complementary color #61757C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E8A83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E8A83 shade: #A38A7E, #B49C91, #C5AEA4, #D6C0B7 and #E7D2CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E8A83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E8A83 shade: #9E8A83, #8D7870, #7C665D, #6B544A and #5A4237

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E8A83 shade: #9E8B84 and #9E8484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E8A83 shade: #9E8B84, #9E9284, #9E9984, #9C9E84 and #959E84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E8A83 shade matches the following richer shades: #9E8B84, #B08272, #C17960, #D3714E and #E5683D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E8A83 shade: #9E8B84, #8C9395, #7B9CA7, #69A4B9 and #57ADCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E8A83 shade: #9E848B, #9E8484, #9E8A84, #9E9184 and #9E9884

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E8A83 shade: #74625B, #8B756D, #9E8B84, #B0A09B and #C2B6B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E8A83 shade: #9E8A83, #929E84 and #84889E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E8A83 shade: #9E8A83, #849E8A and #8A849E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E8A83 shade: #9E8A83, #929E84, #84979E and #90849E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E8A83 shade: #9E8A83, #8A9E84, #84979E and #97849E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 17 / 38

HEX #9E8A83

RGB 158 138 131

HSL 15.56, 0.12%, 0.57%

LAB 59.05, 6.34, 6.51

 

Complementary color

CMYK 22 / 6 / 0 / 51

HEX #61757C

RGB 97 117 124

HSL 195.56, 0.12%, 0.43%

LAB 47.9, -5.67, -6.3

 

CMYK 0 / 15 / 23 / 36

HEX #A38A7E

RGB 163 138 126

HSL 19.46, 0.17%, 0.57%

LAB 59.41, 7.5, 9.93

 

CMYK 0 / 13 / 19 / 29

HEX #B49C91

RGB 180 156 145

HSL 18.86, 0.19%, 0.64%

LAB 66.16, 7.05, 9.01

 

CMYK 0 / 12 / 17 / 23

HEX #C5AEA4

RGB 197 174 164

HSL 18.18, 0.22%, 0.71%

LAB 72.78, 6.65, 8.16

 

CMYK 0 / 10 / 14 / 16

HEX #D6C0B7

RGB 214 192 183

HSL 17.42, 0.27%, 0.78%

LAB 79.28, 6.29, 7.35

 

CMYK 0 / 9 / 13 / 9

HEX #E7D2CA

RGB 231 210 202

HSL 16.55, 0.38%, 0.85%

LAB 85.68, 5.97, 6.59

 

CMYK 0 / 13 / 17 / 38

HEX #9E8A83

RGB 158 138 131

HSL 15.56, 0.12%, 0.57%

LAB 59.05, 6.34, 6.51

 

CMYK 0 / 15 / 21 / 45

HEX #8D7870

RGB 141 120 112

HSL 16.55, 0.11%, 0.5%

LAB 52.14, 6.77, 7.4

 

CMYK 0 / 18 / 25 / 51

HEX #7C665D

RGB 124 102 93

HSL 17.42, 0.14%, 0.43%

LAB 45.05, 7.29, 8.38

 

CMYK 0 / 21 / 31 / 58

HEX #6B544A

RGB 107 84 74

HSL 18.18, 0.18%, 0.35%

LAB 37.77, 7.91, 9.47

 

CMYK 0 / 27 / 39 / 65

HEX #5A4237

RGB 90 66 55

HSL 18.86, 0.24%, 0.28%

LAB 30.27, 8.68, 10.74

 

CMYK 0 / 12 / 16 / 38

HEX #9E8B84

RGB 158 139 132

HSL 16.15, 0.12%, 0.57%

LAB 59.34, 5.94, 6.35

 

CMYK 0 / 16 / 16 / 38

HEX #9E8484

RGB 158 132 132

HSL 0, 0.12%, 0.57%

LAB 57.5, 9.9, 3.7

 

CMYK 0 / 12 / 16 / 38

HEX #9E8B84

RGB 158 139 132

HSL 16.15, 0.12%, 0.57%

LAB 59.34, 5.94, 6.35

 

CMYK 0 / 8 / 16 / 38

HEX #9E9284

RGB 158 146 132

HSL 32.31, 0.12%, 0.57%

LAB 61.21, 2.02, 9.02

HEX #9E9284

CMYK 0 / 3 / 16 / 38

HEX #9E9984

RGB 158 153 132

HSL 48.46, 0.12%, 0.57%

LAB 63.11, -1.86, 11.7

HEX #9E9984

CMYK 1 / 0 / 16 / 38

HEX #9C9E84

RGB 156 158 132

HSL 64.62, 0.12%, 0.57%

LAB 64.31, -5.36, 13.37

HEX #9C9E84

CMYK 6 / 0 / 16 / 38

HEX #959E84

RGB 149 158 132

HSL 80.77, 0.12%, 0.57%

LAB 63.76, -8.02, 12.51

HEX #959E84

CMYK 0 / 12 / 16 / 38

HEX #9E8B84

RGB 158 139 132

HSL 16.15, 0.12%, 0.57%

LAB 59.34, 5.94, 6.35

 

CMYK 0 / 26 / 35 / 31

HEX #B08272

RGB 176 130 114

HSL 15.48, 0.28%, 0.57%

LAB 58.42, 15.52, 15.6

 

CMYK 0 / 37 / 50 / 24

HEX #C17960

RGB 193 121 96

HSL 15.46, 0.44%, 0.57%

LAB 57.9, 25.42, 25.46

 

CMYK 0 / 46 / 63 / 17

HEX #D3714E

RGB 211 113 78

HSL 15.79, 0.6%, 0.57%

LAB 58.24, 35.46, 36.37

 

CMYK 0 / 55 / 73 / 10

HEX #E5683D

RGB 229 104 61

HSL 15.36, 0.76%, 0.57%

LAB 58.88, 45.94, 46.76

 

CMYK 0 / 12 / 16 / 38

HEX #9E8B84

RGB 158 139 132

HSL 16.15, 0.12%, 0.57%

LAB 59.34, 5.94, 6.35

 

CMYK 6 / 1 / 0 / 42

HEX #8C9395

RGB 140 147 149

HSL 193.33, 0.04%, 0.57%

LAB 60.44, -2.12, -1.94

 

CMYK 26 / 7 / 0 / 35

HEX #7B9CA7

RGB 123 156 167

HSL 195, 0.2%, 0.57%

LAB 62.32, -8.77, -9.48

 

CMYK 43 / 11 / 0 / 27

HEX #69A4B9

RGB 105 164 185

HSL 195.75, 0.36%, 0.57%

LAB 64.21, -13.59, -16.84

 

CMYK 57 / 15 / 0 / 20

HEX #57ADCB

RGB 87 173 203

HSL 195.52, 0.53%, 0.57%

LAB 66.69, -17.31, -23.14

 

CMYK 0 / 16 / 12 / 38

HEX #9E848B

RGB 158 132 139

HSL 343.85, 0.12%, 0.57%

LAB 57.69, 11.1, -0.06

 

CMYK 0 / 16 / 16 / 38

HEX #9E8484

RGB 158 132 132

HSL 0, 0.12%, 0.57%

LAB 57.5, 9.9, 3.7

 

CMYK 0 / 13 / 16 / 38

HEX #9E8A84

RGB 158 138 132

HSL 13.85, 0.12%, 0.57%

LAB 59.08, 6.5, 5.97

 

CMYK 0 / 8 / 16 / 38

HEX #9E9184

RGB 158 145 132

HSL 30, 0.12%, 0.57%

LAB 60.95, 2.57, 8.64

 

CMYK 0 / 4 / 16 / 38

HEX #9E9884

RGB 158 152 132

HSL 46.15, 0.12%, 0.57%

LAB 62.84, -1.31, 11.32

 

CMYK 0 / 16 / 22 / 55

HEX #74625B

RGB 116 98 91

HSL 16.8, 0.12%, 0.41%

LAB 43.07, 6, 6.66

 

CMYK 0 / 16 / 22 / 45

HEX #8B756D

RGB 139 117 109

HSL 16, 0.12%, 0.49%

LAB 51.05, 7.22, 7.59

 

CMYK 0 / 12 / 16 / 38

HEX #9E8B84

RGB 158 139 132

HSL 16.15, 0.12%, 0.57%

LAB 59.34, 5.94, 6.35

 

CMYK 0 / 9 / 12 / 31

HEX #B0A09B

RGB 176 160 155

HSL 14.29, 0.12%, 0.65%

LAB 67.08, 4.97, 4.71

 

CMYK 0 / 6 / 8 / 24

HEX #C2B6B2

RGB 194 182 178

HSL 15, 0.12%, 0.73%

LAB 74.91, 3.56, 3.55

 

CMYK 0 / 13 / 17 / 38

HEX #9E8A83

RGB 158 138 131

HSL 15.56, 0.12%, 0.57%

LAB 59.05, 6.34, 6.51

 

CMYK 8 / 0 / 16 / 38

HEX #929E84

RGB 146 158 132

HSL 87.69, 0.12%, 0.57%

LAB 63.53, -9.15, 12.16

 

CMYK 16 / 14 / 0 / 38

HEX #84889E

RGB 132 136 158

HSL 230.77, 0.12%, 0.57%

LAB 57.06, 3.27, -12.18

 

CMYK 0 / 13 / 17 / 38

HEX #9E8A83

RGB 158 138 131

HSL 15.56, 0.12%, 0.57%

LAB 59.05, 6.34, 6.51

 

CMYK 16 / 0 / 13 / 38

HEX #849E8A

RGB 132 158 138

HSL 133.85, 0.12%, 0.57%

LAB 62.67, -13.16, 7.44

 

CMYK 13 / 16 / 0 / 38

HEX #8A849E

RGB 138 132 158

HSL 253.85, 0.12%, 0.57%

LAB 56.46, 7.62, -13.03

 

CMYK 0 / 13 / 17 / 38

HEX #9E8A83

RGB 158 138 131

HSL 15.56, 0.12%, 0.57%

LAB 59.05, 6.34, 6.51

 

CMYK 8 / 0 / 16 / 38

HEX #929E84

RGB 146 158 132

HSL 87.69, 0.12%, 0.57%

LAB 63.53, -9.15, 12.16

 

CMYK 16 / 4 / 0 / 38

HEX #84979E

RGB 132 151 158

HSL 196.15, 0.12%, 0.57%

LAB 61.23, -5.19, -5.95

 

CMYK 9 / 16 / 0 / 38

HEX #90849E

RGB 144 132 158

HSL 267.69, 0.12%, 0.57%

LAB 56.98, 9.7, -12.2

 

CMYK 0 / 13 / 17 / 38

HEX #9E8A83

RGB 158 138 131

HSL 15.56, 0.12%, 0.57%

LAB 59.05, 6.34, 6.51

 

CMYK 13 / 0 / 16 / 38

HEX #8A9E84

RGB 138 158 132

HSL 106.15, 0.12%, 0.57%

LAB 62.95, -12.12, 11.25

 

CMYK 16 / 4 / 0 / 38

HEX #84979E

RGB 132 151 158

HSL 196.15, 0.12%, 0.57%

LAB 61.23, -5.19, -5.95

 

CMYK 4 / 16 / 0 / 38

HEX #97849E

RGB 151 132 158

HSL 283.85, 0.12%, 0.57%

LAB 57.61, 12.16, -11.19

 

Description

Color code: HEX #9E8A83 | qconv.com Color code: HEX #9E8A83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 138 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 138 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 17 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 17% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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