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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EF07A it is the complementary color #610F85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EF07A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EF07A shade: #A3F075, #B4FF88, #C5FF9B, #D6FFAE and #E7FFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EF07A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EF07A shade: #9EF07A, #8DDE67, #7CCC54, #6BBA41 and #5AA82E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EF07A shade: #9DF079, #BDF079, #DDF079, #F0E279 and #F0C279

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EF07A shade: #9DF079, #7EF079, #79F095, #79F0B5 and #79F0D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EF07A shade matches the following richer shades: #9DF079 and #99FC6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EF07A shade: #9DF079, #A2E485, #A7D891, #ABCC9D and #B0C0A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EF07A shade: #DEF079, #BEF079, #9FF079, #7FF079 and #79F093

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EF07A shade: #67E72F, #82EC54, #9DF079, #B9F49F and #D4F8C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EF07A shade: #9EF07A, #79F0E2 and #F079CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EF07A shade: #9EF07A, #799FF0 and #F0799F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EF07A shade: #9EF07A, #79F0E2, #CA79F0 and #F07987

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EF07A shade: #9EF07A, #79DAF0, #CA79F0 and #F08F79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 49 / 6

HEX #9EF07A

RGB 158 240 122

HSL 101.69, 0.8%, 0.71%

LAB 87.48, -45.74, 48.94

 

Complementary color

CMYK 27 / 89 / 0 / 48

HEX #610F85

RGB 97 15 133

HSL 281.69, 0.8%, 0.29%

LAB 25.49, 51.84, -46.85

 

CMYK 32 / 0 / 51 / 6

HEX #A3F075

RGB 163 240 117

HSL 97.56, 0.8%, 0.7%

LAB 87.67, -44.66, 51.56

 

CMYK 29 / 0 / 47 / 0

HEX #B4FF88

RGB 180 255 136

HSL 97.82, 1%, 0.77%

LAB 93.01, -43.31, 49.4

 

CMYK 23 / 0 / 39 / 0

HEX #C5FF9B

RGB 197 255 155

HSL 94.8, 1%, 0.8%

LAB 94.21, -35.19, 41.98

 

CMYK 16 / 0 / 32 / 0

HEX #D6FFAE

RGB 214 255 174

HSL 90.37, 1%, 0.84%

LAB 95.53, -26.77, 34.52

 

CMYK 9 / 0 / 24 / 0

HEX #E7FFC1

RGB 231 255 193

HSL 83.23, 1%, 0.88%

LAB 96.97, -18.13, 27.11

 

CMYK 34 / 0 / 49 / 6

HEX #9EF07A

RGB 158 240 122

HSL 101.69, 0.8%, 0.71%

LAB 87.48, -45.74, 48.94

 

CMYK 36 / 0 / 54 / 13

HEX #8DDE67

RGB 141 222 103

HSL 100.84, 0.64%, 0.64%

LAB 81.23, -45.79, 50.07

 

CMYK 39 / 0 / 59 / 20

HEX #7CCC54

RGB 124 204 84

HSL 100, 0.54%, 0.56%

LAB 74.89, -45.75, 51.15

 

CMYK 42 / 0 / 65 / 27

HEX #6BBA41

RGB 107 186 65

HSL 99.17, 0.48%, 0.49%

LAB 68.48, -45.59, 52.05

 

CMYK 46 / 0 / 73 / 34

HEX #5AA82E

RGB 90 168 46

HSL 98.36, 0.57%, 0.42%

LAB 61.98, -45.24, 52.6

 

CMYK 35 / 0 / 50 / 6

HEX #9DF079

RGB 157 240 121

HSL 101.85, 0.8%, 0.71%

LAB 87.42, -46.19, 49.32

 

CMYK 21 / 0 / 50 / 6

HEX #BDF079

RGB 189 240 121

HSL 85.71, 0.8%, 0.71%

LAB 89.17, -35.15, 51.85

 

CMYK 8 / 0 / 50 / 6

HEX #DDF079

RGB 221 240 121

HSL 69.58, 0.8%, 0.71%

LAB 91.27, -23.13, 54.87

 

CMYK 0 / 6 / 50 / 6

HEX #F0E279

RGB 240 226 121

HSL 52.94, 0.8%, 0.71%

LAB 89.06, -8.8, 52.58

 

CMYK 0 / 19 / 50 / 6

HEX #F0C279

RGB 240 194 121

HSL 36.81, 0.8%, 0.71%

LAB 81.01, 7.6, 42.73

 

CMYK 35 / 0 / 50 / 6

HEX #9DF079

RGB 157 240 121

HSL 101.85, 0.8%, 0.71%

LAB 87.42, -46.19, 49.32

 

CMYK 48 / 0 / 50 / 6

HEX #7EF079

RGB 126 240 121

HSL 117.48, 0.8%, 0.71%

LAB 86.07, -55.5, 47.37

 

CMYK 50 / 0 / 38 / 6

HEX #79F095

RGB 121 240 149

HSL 134.12, 0.8%, 0.71%

LAB 86.28, -52.71, 33.92

 

CMYK 50 / 0 / 25 / 6

HEX #79F0B5

RGB 121 240 181

HSL 150.25, 0.8%, 0.71%

LAB 86.86, -46.9, 18.38

 

CMYK 50 / 0 / 11 / 6

HEX #79F0D5

RGB 121 240 213

HSL 166.39, 0.8%, 0.71%

LAB 87.58, -40, 2.74

 

CMYK 35 / 0 / 50 / 6

HEX #9DF079

RGB 157 240 121

HSL 101.85, 0.8%, 0.71%

LAB 87.42, -46.19, 49.32

 

CMYK 39 / 0 / 57 / 1

HEX #99FC6D

RGB 153 252 109

HSL 101.54, 0.96%, 0.71%

LAB 90.55, -53.74, 58.44

 

CMYK 35 / 0 / 50 / 6

HEX #9DF079

RGB 157 240 121

HSL 101.85, 0.8%, 0.71%

LAB 87.42, -46.19, 49.32

 

CMYK 29 / 0 / 42 / 11

HEX #A2E485

RGB 162 228 133

HSL 101.68, 0.64%, 0.71%

LAB 84.41, -37.77, 39.82

 

CMYK 23 / 0 / 33 / 15

HEX #A7D891

RGB 167 216 145

HSL 101.41, 0.48%, 0.71%

LAB 81.5, -28.81, 30

 

CMYK 16 / 0 / 23 / 20

HEX #ABCC9D

RGB 171 204 157

HSL 102.13, 0.32%, 0.71%

LAB 78.62, -19.69, 19.87

 

CMYK 8 / 0 / 12 / 25

HEX #B0C0A9

RGB 176 192 169

HSL 101.74, 0.15%, 0.71%

LAB 75.94, -9.76, 9.73

 

CMYK 8 / 0 / 50 / 6

HEX #DEF079

RGB 222 240 121

HSL 69.08, 0.8%, 0.71%

LAB 91.34, -22.75, 54.97

 

CMYK 21 / 0 / 50 / 6

HEX #BEF079

RGB 190 240 121

HSL 85.21, 0.8%, 0.71%

LAB 89.23, -34.78, 51.93

 

CMYK 34 / 0 / 50 / 6

HEX #9FF079

RGB 159 240 121

HSL 100.84, 0.8%, 0.71%

LAB 87.52, -45.53, 49.46

 

CMYK 47 / 0 / 50 / 6

HEX #7FF079

RGB 127 240 121

HSL 116.97, 0.8%, 0.71%

LAB 86.11, -55.22, 47.42

 

CMYK 50 / 0 / 39 / 6

HEX #79F093

RGB 121 240 147

HSL 133.11, 0.8%, 0.71%

LAB 86.25, -53.04, 34.88

 

CMYK 55 / 0 / 80 / 9

HEX #67E72F

RGB 103 231 47

HSL 101.74, 0.79%, 0.55%

LAB 81.97, -64.98, 71.74

 

CMYK 45 / 0 / 64 / 7

HEX #82EC54

RGB 130 236 84

HSL 101.84, 0.8%, 0.63%

LAB 84.68, -56.77, 62.1

 

CMYK 35 / 0 / 50 / 6

HEX #9DF079

RGB 157 240 121

HSL 101.85, 0.8%, 0.71%

LAB 87.42, -46.19, 49.32

 

CMYK 24 / 0 / 35 / 4

HEX #B9F49F

RGB 185 244 159

HSL 101.65, 0.79%, 0.79%

LAB 90.56, -33.71, 35.11

 

CMYK 15 / 0 / 21 / 3

HEX #D4F8C4

RGB 212 248 196

HSL 101.54, 0.79%, 0.87%

LAB 93.93, -20.86, 21.2

 

CMYK 34 / 0 / 49 / 6

HEX #9EF07A

RGB 158 240 122

HSL 101.69, 0.8%, 0.71%

LAB 87.48, -45.74, 48.94

 

CMYK 50 / 0 / 6 / 6

HEX #79F0E2

RGB 121 240 226

HSL 172.94, 0.8%, 0.71%

LAB 87.91, -36.93, -3.58

 

CMYK 0 / 50 / 14 / 6

HEX #F079CE

RGB 240 121 206

HSL 317.14, 0.8%, 0.71%

LAB 67.02, 56.06, -23.19

 

CMYK 34 / 0 / 49 / 6

HEX #9EF07A

RGB 158 240 122

HSL 101.69, 0.8%, 0.71%

LAB 87.48, -45.74, 48.94

 

CMYK 50 / 34 / 0 / 6

HEX #799FF0

RGB 121 159 240

HSL 220.84, 0.8%, 0.71%

LAB 65.87, 8.93, -44.67

 

CMYK 0 / 50 / 34 / 6

HEX #F0799F

RGB 240 121 159

HSL 340.84, 0.8%, 0.71%

LAB 65.52, 49.64, 1.09

 

CMYK 34 / 0 / 49 / 6

HEX #9EF07A

RGB 158 240 122

HSL 101.69, 0.8%, 0.71%

LAB 87.48, -45.74, 48.94

 

CMYK 50 / 0 / 6 / 6

HEX #79F0E2

RGB 121 240 226

HSL 172.94, 0.8%, 0.71%

LAB 87.91, -36.93, -3.58

 

CMYK 16 / 50 / 0 / 6

HEX #CA79F0

RGB 202 121 240

HSL 280.84, 0.8%, 0.71%

LAB 63.77, 51.32, -47.51

 

CMYK 0 / 50 / 44 / 6

HEX #F07987

RGB 240 121 135

HSL 352.94, 0.8%, 0.71%

LAB 64.92, 46.99, 13.89

 

CMYK 34 / 0 / 49 / 6

HEX #9EF07A

RGB 158 240 122

HSL 101.69, 0.8%, 0.71%

LAB 87.48, -45.74, 48.94

 

CMYK 50 / 9 / 0 / 6

HEX #79DAF0

RGB 121 218 240

HSL 191.09, 0.8%, 0.71%

LAB 82.11, -22.83, -19.62

 

CMYK 16 / 50 / 0 / 6

HEX #CA79F0

RGB 202 121 240

HSL 280.84, 0.8%, 0.71%

LAB 63.77, 51.32, -47.51

 

CMYK 0 / 40 / 50 / 6

HEX #F08F79

RGB 240 143 121

HSL 11.09, 0.8%, 0.71%

LAB 69.15, 34.47, 27.47

 

Description

Color code: HEX #9EF07A | qconv.com Color code: HEX #9EF07A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 240 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 240 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 49 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 49% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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