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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F70C6 it is the complementary color #608F39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F70C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F70C6 shade: #A470C1, #B582D4, #C694E7, #D7A6FA and #E8B8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F70C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F70C6 shade: #9F70C6, #8E5EB3, #7D4CA0, #6C3A8D and #5B287A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F70C6 shade: #9F70C6, #B670C6, #C670BE, #C670A7 and #C67090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F70C6 shade: #9F70C6, #8870C6, #7170C6 and #7070C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F70C6 shade matches the following richer shades: #9F70C6, #A160D6, #A250E6 and #A440F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F70C6 shade: #9F70C6, #9E80B6, #9C90A6, #9BA196 and #99B185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F70C6 shade: #7070C6, #8770C6, #9E70C6, #B570C6 and #C670C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F70C6 shade: #7641A3, #8B53BA, #9F70C6, #B38ED2 and #C7ABDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F70C6 shade: #9F70C6, #C67087 and #70C67C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F70C6 shade: #9F70C6, #C69E70 and #70C69E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F70C6 shade: #9F70C6, #C67087, #98C670 and #70C6AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F70C6 shade: #9F70C6, #C67370, #98C670 and #70C3C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 43 / 0 / 22

HEX #9F70C6

RGB 159 112 198

HSL 272.79, 0.43%, 0.61%

LAB 55.11, 35, -37.9

 

Complementary color

CMYK 33 / 0 / 60 / 44

HEX #608F39

RGB 96 143 57

HSL 92.79, 0.43%, 0.39%

LAB 54.48, -31.29, 39.94

 

CMYK 15 / 42 / 0 / 24

HEX #A470C1

RGB 164 112 193

HSL 278.52, 0.4%, 0.6%

LAB 55.41, 35.36, -34.53

 

CMYK 15 / 39 / 0 / 17

HEX #B582D4

RGB 181 130 212

HSL 277.32, 0.49%, 0.67%

LAB 62.12, 34.58, -34.68

 

CMYK 14 / 36 / 0 / 9

HEX #C694E7

RGB 198 148 231

HSL 276.14, 0.63%, 0.74%

LAB 68.72, 33.84, -34.83

 

CMYK 14 / 34 / 0 / 2

HEX #D7A6FA

RGB 215 166 250

HSL 275, 0.89%, 0.82%

LAB 75.22, 33.15, -34.99

 

CMYK 9 / 28 / 0 / 0

HEX #E8B8FF

RGB 232 184 255

HSL 280.56, 1%, 0.86%

LAB 81.1, 29.67, -28.48

 

CMYK 20 / 43 / 0 / 22

HEX #9F70C6

RGB 159 112 198

HSL 272.79, 0.43%, 0.61%

LAB 55.11, 35, -37.9

 

CMYK 21 / 47 / 0 / 30

HEX #8E5EB3

RGB 142 94 179

HSL 273.88, 0.36%, 0.54%

LAB 48.27, 35.86, -37.83

 

CMYK 22 / 53 / 0 / 37

HEX #7D4CA0

RGB 125 76 160

HSL 275, 0.36%, 0.46%

LAB 41.32, 36.76, -37.74

 

CMYK 23 / 59 / 0 / 45

HEX #6C3A8D

RGB 108 58 141

HSL 276.14, 0.42%, 0.39%

LAB 34.27, 37.63, -37.59

 

CMYK 25 / 67 / 0 / 52

HEX #5B287A

RGB 91 40 122

HSL 277.32, 0.51%, 0.32%

LAB 27.15, 38.36, -37.28

 

CMYK 20 / 43 / 0 / 22

HEX #9F70C6

RGB 159 112 198

HSL 272.79, 0.43%, 0.61%

LAB 55.11, 35, -37.9

 

CMYK 8 / 43 / 0 / 22

HEX #B670C6

RGB 182 112 198

HSL 288.84, 0.43%, 0.61%

LAB 57.67, 41.81, -33.72

 

CMYK 0 / 43 / 4 / 22

HEX #C670BE

RGB 198 112 190

HSL 305.58, 0.43%, 0.61%

LAB 59.26, 45.15, -26.53

 

CMYK 0 / 43 / 16 / 22

HEX #C670A7

RGB 198 112 167

HSL 321.63, 0.43%, 0.61%

LAB 58.4, 41.27, -14.67

 

CMYK 0 / 43 / 27 / 22

HEX #C67090

RGB 198 112 144

HSL 337.67, 0.43%, 0.61%

LAB 57.66, 37.83, -2.45

 

CMYK 20 / 43 / 0 / 22

HEX #9F70C6

RGB 159 112 198

HSL 272.79, 0.43%, 0.61%

LAB 55.11, 35, -37.9

 

CMYK 31 / 43 / 0 / 22

HEX #8870C6

RGB 136 112 198

HSL 256.74, 0.43%, 0.61%

LAB 52.84, 28.44, -41.63

 

CMYK 43 / 43 / 0 / 22

HEX #7170C6

RGB 113 112 198

HSL 240.7, 0.43%, 0.61%

LAB 50.89, 22.33, -44.84

 

CMYK 43 / 43 / 0 / 22

HEX #7070C6

RGB 112 112 198

HSL 240, 0.43%, 0.61%

LAB 50.82, 22.08, -44.96

 

CMYK 20 / 43 / 0 / 22

HEX #9F70C6

RGB 159 112 198

HSL 272.79, 0.43%, 0.61%

LAB 55.11, 35, -37.9

 

CMYK 25 / 55 / 0 / 16

HEX #A160D6

RGB 161 96 214

HSL 273.05, 0.59%, 0.61%

LAB 52.73, 48, -50.76

 

CMYK 30 / 65 / 0 / 10

HEX #A250E6

RGB 162 80 230

HSL 272.8, 0.75%, 0.61%

LAB 50.84, 59.91, -62.84

 

CMYK 33 / 74 / 0 / 4

HEX #A440F6

RGB 164 64 246

HSL 272.97, 0.91%, 0.61%

LAB 49.75, 70.74, -73.58

 

CMYK 20 / 43 / 0 / 22

HEX #9F70C6

RGB 159 112 198

HSL 272.79, 0.43%, 0.61%

LAB 55.11, 35, -37.9

 

CMYK 13 / 30 / 0 / 29

HEX #9E80B6

RGB 158 128 182

HSL 273.33, 0.27%, 0.61%

LAB 58.12, 21.95, -24.1

 

CMYK 6 / 13 / 0 / 35

HEX #9C90A6

RGB 156 144 166

HSL 272.73, 0.11%, 0.61%

LAB 61.45, 8.71, -9.95

 

CMYK 4 / 0 / 7 / 37

HEX #9BA196

RGB 155 161 150

HSL 92.73, 0.06%, 0.61%

LAB 65.48, -4.23, 4.98

 

CMYK 14 / 0 / 25 / 31

HEX #99B185

RGB 153 177 133

HSL 92.73, 0.22%, 0.61%

LAB 69.41, -16.38, 19.84

 

CMYK 43 / 43 / 0 / 22

HEX #7070C6

RGB 112 112 198

HSL 240, 0.43%, 0.61%

LAB 50.82, 22.08, -44.96

 

CMYK 32 / 43 / 0 / 22

HEX #8770C6

RGB 135 112 198

HSL 256.05, 0.43%, 0.61%

LAB 52.75, 28.16, -41.78

 

CMYK 20 / 43 / 0 / 22

HEX #9E70C6

RGB 158 112 198

HSL 272.09, 0.43%, 0.61%

LAB 55, 34.71, -38.07

 

CMYK 9 / 43 / 0 / 22

HEX #B570C6

RGB 181 112 198

HSL 288.14, 0.43%, 0.61%

LAB 57.55, 41.51, -33.91

 

CMYK 0 / 43 / 3 / 22

HEX #C670C0

RGB 198 112 192

HSL 304.19, 0.43%, 0.61%

LAB 59.34, 45.51, -27.55

 

CMYK 28 / 60 / 0 / 36

HEX #7641A3

RGB 118 65 163

HSL 272.45, 0.43%, 0.45%

LAB 38.33, 41.72, -44.35

 

CMYK 25 / 55 / 0 / 27

HEX #8B53BA

RGB 139 83 186

HSL 272.62, 0.43%, 0.53%

LAB 45.93, 42.82, -45.64

 

CMYK 20 / 43 / 0 / 22

HEX #9F70C6

RGB 159 112 198

HSL 272.79, 0.43%, 0.61%

LAB 55.11, 35, -37.9

 

CMYK 15 / 32 / 0 / 18

HEX #B38ED2

RGB 179 142 210

HSL 272.65, 0.43%, 0.69%

LAB 64.63, 26.83, -29.69

 

CMYK 10 / 23 / 0 / 13

HEX #C7ABDD

RGB 199 171 221

HSL 273.6, 0.42%, 0.77%

LAB 73.86, 19.41, -21.45

 

CMYK 20 / 43 / 0 / 22

HEX #9F70C6

RGB 159 112 198

HSL 272.79, 0.43%, 0.61%

LAB 55.11, 35, -37.9

 

CMYK 0 / 43 / 32 / 22

HEX #C67087

RGB 198 112 135

HSL 343.95, 0.43%, 0.61%

LAB 57.41, 36.62, 2.41

 

CMYK 43 / 0 / 37 / 22

HEX #70C67C

RGB 112 198 124

HSL 128.37, 0.43%, 0.61%

LAB 73.08, -41.6, 29.19

 

CMYK 20 / 43 / 0 / 22

HEX #9F70C6

RGB 159 112 198

HSL 272.79, 0.43%, 0.61%

LAB 55.11, 35, -37.9

 

CMYK 0 / 20 / 43 / 22

HEX #C69E70

RGB 198 158 112

HSL 32.09, 0.43%, 0.61%

LAB 67.75, 8.78, 29.64

 

CMYK 43 / 0 / 20 / 22

HEX #70C69E

RGB 112 198 158

HSL 152.09, 0.43%, 0.61%

LAB 73.74, -35.22, 12.03

 

CMYK 20 / 43 / 0 / 22

HEX #9F70C6

RGB 159 112 198

HSL 272.79, 0.43%, 0.61%

LAB 55.11, 35, -37.9

 

CMYK 0 / 43 / 32 / 22

HEX #C67087

RGB 198 112 135

HSL 343.95, 0.43%, 0.61%

LAB 57.41, 36.62, 2.41

 

CMYK 23 / 0 / 43 / 22

HEX #98C670

RGB 152 198 112

HSL 92.09, 0.43%, 0.61%

LAB 74.97, -30.13, 38.19

 

CMYK 43 / 0 / 12 / 22

HEX #70C6AF

RGB 112 198 175

HSL 163.95, 0.43%, 0.61%

LAB 74.14, -31.49, 3.43

 

CMYK 20 / 43 / 0 / 22

HEX #9F70C6

RGB 159 112 198

HSL 272.79, 0.43%, 0.61%

LAB 55.11, 35, -37.9

 

CMYK 0 / 42 / 43 / 22

HEX #C67370

RGB 198 115 112

HSL 2.09, 0.43%, 0.61%

LAB 57.5, 32.27, 15.88

 

CMYK 23 / 0 / 43 / 22

HEX #98C670

RGB 152 198 112

HSL 92.09, 0.43%, 0.61%

LAB 74.97, -30.13, 38.19

 

CMYK 43 / 2 / 0 / 22

HEX #70C3C6

RGB 112 195 198

HSL 182.09, 0.43%, 0.61%

LAB 73.9, -24.44, -9.41

 

Description

Color code: HEX #9F70C6 | qconv.com Color code: HEX #9F70C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 112 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 112 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 43 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 43% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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