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Color name
RGB 198 112 190

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 112 190 it is the complementary color RGB 57 143 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 112 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 112 190 shade: RGB 203 112 185, RGB 220 130 204, RGB 237 148 223, RGB 254 166 242 and RGB 255 184 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 112 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 112 190 shade: RGB 198 112 190, RGB 181 94 171, RGB 164 76 152, RGB 147 58 133 and RGB 130 40 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 112 190 shade: RGB 198 112 190, RGB 198 112 167, RGB 198 112 144, RGB 198 112 121 and RGB 198 112 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 112 190 shade: RGB 198 112 190, RGB 183 112 198, RGB 160 112 198, RGB 137 112 198 and RGB 114 112 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 112 190 shade matches the following richer shades: RGB 198 112 190, RGB 214 96 203, RGB 230 80 216 and RGB 246 64 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 112 190 shade: RGB 198 112 190, RGB 182 128 177, RGB 166 144 164, RGB 150 161 151 and RGB 133 177 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 112 190 shade: RGB 159 112 198, RGB 182 112 198, RGB 198 112 191, RGB 198 112 168 and RGB 198 112 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 112 190 shade: RGB 163 65 154, RGB 186 83 176, RGB 198 112 190, RGB 210 142 203 and RGB 221 171 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 112 190 shade: RGB 198 112 190, RGB 198 137 112 and RGB 112 198 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 112 190 shade: RGB 198 112 190, RGB 191 198 112 and RGB 112 191 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 112 190 shade: RGB 198 112 190, RGB 198 137 112, RGB 112 198 119 and RGB 112 174 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 112 190 shade: RGB 198 112 190, RGB 198 162 112, RGB 112 198 119 and RGB 112 148 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 4 / 22

HEX #C670BE

RGB 198 112 190

HSL 305.58, 0.43%, 0.61%

LAB 59.26, 45.15, -26.53

 

Complementary color

CMYK 60 / 0 / 55 / 44

HEX #398F41

RGB 57 143 65

HSL 125.58, 0.43%, 0.39%

LAB 52.84, -42.68, 33.62

 

CMYK 0 / 45 / 9 / 20

HEX #CB70B9

RGB 203 112 185

HSL 311.87, 0.47%, 0.62%

LAB 59.7, 45.84, -22.96

 

CMYK 0 / 41 / 7 / 14

HEX #DC82CC

RGB 220 130 204

HSL 310.67, 0.56%, 0.69%

LAB 66.17, 45.1, -23.6

 

CMYK 0 / 38 / 6 / 7

HEX #ED94DF

RGB 237 148 223

HSL 309.44, 0.71%, 0.75%

LAB 72.57, 44.36, -24.16

 

CMYK 0 / 35 / 5 / 0

HEX #FEA6F2

RGB 254 166 242

HSL 308.18, 0.98%, 0.82%

LAB 78.9, 43.63, -24.67

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 43 / 4 / 22

HEX #C670BE

RGB 198 112 190

HSL 305.58, 0.43%, 0.61%

LAB 59.26, 45.15, -26.53

 

CMYK 0 / 48 / 6 / 29

HEX #B55EAB

RGB 181 94 171

HSL 306.9, 0.37%, 0.54%

LAB 52.7, 45.87, -25.9

 

CMYK 0 / 54 / 7 / 36

HEX #A44C98

RGB 164 76 152

HSL 308.18, 0.37%, 0.47%

LAB 46.08, 46.5, -25.13

 

CMYK 0 / 61 / 10 / 42

HEX #933A85

RGB 147 58 133

HSL 309.44, 0.43%, 0.4%

LAB 39.45, 46.95, -24.13

 

CMYK 0 / 69 / 12 / 49

HEX #822872

RGB 130 40 114

HSL 310.67, 0.53%, 0.33%

LAB 32.87, 46.97, -22.75

 

CMYK 0 / 43 / 4 / 22

HEX #C670BE

RGB 198 112 190

HSL 305.58, 0.43%, 0.61%

LAB 59.26, 45.15, -26.53

 

CMYK 0 / 43 / 16 / 22

HEX #C670A7

RGB 198 112 167

HSL 321.63, 0.43%, 0.61%

LAB 58.4, 41.27, -14.67

 

CMYK 0 / 43 / 27 / 22

HEX #C67090

RGB 198 112 144

HSL 337.67, 0.43%, 0.61%

LAB 57.66, 37.83, -2.45

 

CMYK 0 / 43 / 39 / 22

HEX #C67079

RGB 198 112 121

HSL 353.72, 0.43%, 0.61%

LAB 57.05, 34.89, 10.04

 

CMYK 0 / 43 / 43 / 22

HEX #C67070

RGB 198 112 112

HSL 0, 0.43%, 0.61%

LAB 56.84, 33.88, 14.98

 

CMYK 0 / 43 / 4 / 22

HEX #C670BE

RGB 198 112 190

HSL 305.58, 0.43%, 0.61%

LAB 59.26, 45.15, -26.53

 

CMYK 8 / 43 / 0 / 22

HEX #B770C6

RGB 183 112 198

HSL 289.53, 0.43%, 0.61%

LAB 57.78, 42.11, -33.52

 

CMYK 19 / 43 / 0 / 22

HEX #A070C6

RGB 160 112 198

HSL 273.49, 0.43%, 0.61%

LAB 55.22, 35.29, -37.73

 

CMYK 31 / 43 / 0 / 22

HEX #8970C6

RGB 137 112 198

HSL 257.44, 0.43%, 0.61%

LAB 52.93, 28.71, -41.48

 

CMYK 42 / 43 / 0 / 22

HEX #7270C6

RGB 114 112 198

HSL 241.4, 0.43%, 0.61%

LAB 50.97, 22.58, -44.71

 

CMYK 0 / 43 / 4 / 22

HEX #C670BE

RGB 198 112 190

HSL 305.58, 0.43%, 0.61%

LAB 59.26, 45.15, -26.53

 

CMYK 0 / 55 / 5 / 16

HEX #D660CB

RGB 214 96 203

HSL 305.59, 0.59%, 0.61%

LAB 58.95, 59.86, -34.25

 

CMYK 0 / 65 / 6 / 10

HEX #E650D8

RGB 230 80 216

HSL 305.6, 0.75%, 0.61%

LAB 59.45, 72.67, -40.66

 

CMYK 0 / 74 / 7 / 4

HEX #F640E5

RGB 246 64 229

HSL 305.6, 0.91%, 0.61%

LAB 60.71, 83.43, -45.83

 

CMYK 0 / 43 / 4 / 22

HEX #C670BE

RGB 198 112 190

HSL 305.58, 0.43%, 0.61%

LAB 59.26, 45.15, -26.53

 

CMYK 0 / 30 / 3 / 29

HEX #B680B1

RGB 182 128 177

HSL 305.56, 0.27%, 0.61%

LAB 60.39, 28.93, -17.56

 

CMYK 0 / 13 / 1 / 35

HEX #A690A4

RGB 166 144 164

HSL 305.45, 0.11%, 0.61%

LAB 62.28, 11.85, -7.49

 

CMYK 7 / 0 / 6 / 37

HEX #96A197

RGB 150 161 151

HSL 125.45, 0.06%, 0.61%

LAB 65.13, -5.85, 3.85

 

CMYK 25 / 0 / 23 / 31

HEX #85B189

RGB 133 177 137

HSL 125.45, 0.22%, 0.61%

LAB 68.19, -22.82, 15.79

 

CMYK 20 / 43 / 0 / 22

HEX #9F70C6

RGB 159 112 198

HSL 272.79, 0.43%, 0.61%

LAB 55.11, 35, -37.9

 

CMYK 8 / 43 / 0 / 22

HEX #B670C6

RGB 182 112 198

HSL 288.84, 0.43%, 0.61%

LAB 57.67, 41.81, -33.72

 

CMYK 0 / 43 / 4 / 22

HEX #C670BF

RGB 198 112 191

HSL 304.88, 0.43%, 0.61%

LAB 59.3, 45.33, -27.04

 

CMYK 0 / 43 / 15 / 22

HEX #C670A8

RGB 198 112 168

HSL 320.93, 0.43%, 0.61%

LAB 58.43, 41.43, -15.19

 

CMYK 0 / 43 / 27 / 22

HEX #C67091

RGB 198 112 145

HSL 336.98, 0.43%, 0.61%

LAB 57.69, 37.97, -2.99

 

CMYK 0 / 60 / 6 / 36

HEX #A3419A

RGB 163 65 154

HSL 305.51, 0.43%, 0.45%

LAB 44.09, 51.79, -29.44

 

CMYK 0 / 55 / 5 / 27

HEX #BA53B0

RGB 186 83 176

HSL 305.83, 0.43%, 0.53%

LAB 51.57, 53.61, -30.52

 

CMYK 0 / 43 / 4 / 22

HEX #C670BE

RGB 198 112 190

HSL 305.58, 0.43%, 0.61%

LAB 59.26, 45.15, -26.53

 

CMYK 0 / 32 / 3 / 18

HEX #D28ECB

RGB 210 142 203

HSL 306.18, 0.43%, 0.69%

LAB 67.55, 35.36, -21.04

 

CMYK 0 / 23 / 2 / 13

HEX #DDABD9

RGB 221 171 217

HSL 304.8, 0.42%, 0.77%

LAB 75.77, 25.87, -16.19

 

CMYK 0 / 43 / 4 / 22

HEX #C670BE

RGB 198 112 190

HSL 305.58, 0.43%, 0.61%

LAB 59.26, 45.15, -26.53

 

CMYK 0 / 31 / 43 / 22

HEX #C68970

RGB 198 137 112

HSL 17.44, 0.43%, 0.61%

LAB 62.56, 20.29, 22.77

 

CMYK 43 / 0 / 14 / 22

HEX #70C6AB

RGB 112 198 171

HSL 161.16, 0.43%, 0.61%

LAB 74.04, -32.4, 5.45

 

CMYK 0 / 43 / 4 / 22

HEX #C670BE

RGB 198 112 190

HSL 305.58, 0.43%, 0.61%

LAB 59.26, 45.15, -26.53

 

CMYK 4 / 0 / 43 / 22

HEX #BFC670

RGB 191 198 112

HSL 64.88, 0.43%, 0.61%

LAB 77.66, -15.15, 42.13

 

CMYK 43 / 4 / 0 / 22

HEX #70BFC6

RGB 112 191 198

HSL 184.88, 0.43%, 0.61%

LAB 72.75, -22.44, -11.13

 

CMYK 0 / 43 / 4 / 22

HEX #C670BE

RGB 198 112 190

HSL 305.58, 0.43%, 0.61%

LAB 59.26, 45.15, -26.53

 

CMYK 0 / 31 / 43 / 22

HEX #C68970

RGB 198 137 112

HSL 17.44, 0.43%, 0.61%

LAB 62.56, 20.29, 22.77

 

CMYK 43 / 0 / 40 / 22

HEX #70C677

RGB 112 198 119

HSL 124.88, 0.43%, 0.61%

LAB 73, -42.41, 31.67

 

CMYK 43 / 12 / 0 / 22

HEX #70AEC6

RGB 112 174 198

HSL 196.74, 0.43%, 0.61%

LAB 67.87, -13.63, -18.48

 

CMYK 0 / 43 / 4 / 22

HEX #C670BE

RGB 198 112 190

HSL 305.58, 0.43%, 0.61%

LAB 59.26, 45.15, -26.53

 

CMYK 0 / 18 / 43 / 22

HEX #C6A270

RGB 198 162 112

HSL 34.88, 0.43%, 0.61%

LAB 68.76, 6.61, 30.96

 

CMYK 43 / 0 / 40 / 22

HEX #70C677

RGB 112 198 119

HSL 124.88, 0.43%, 0.61%

LAB 73, -42.41, 31.67

 

CMYK 43 / 25 / 0 / 22

HEX #7094C6

RGB 112 148 198

HSL 214.88, 0.43%, 0.61%

LAB 60.52, 0.74, -29.75

 

Description

Color code: RGB 198 112 190 | qconv.com Color code: RGB 198 112 190 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 112 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 112 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 4 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 4% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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