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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C67079 it is the complementary color #398F86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C67079. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C67079 shade: #CB7074, #DC8287, #ED949A, #FEA6AD and #FFB8C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C67079. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C67079 shade: #C67079, #B55E66, #A44C53, #933A40 and #82282D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C67079 shade: #C67079 and #C67070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C67079 shade: #C67079, #C67090, #C670A7, #C670BE and #B670C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C67079 shade matches the following richer shades: #C67079, #D6606D, #E65060 and #F64053

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C67079 shade: #C67079, #B68086, #A69093, #96A19F and #85B1AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C67079 shade: #C670A8, #C67091, #C6707A, #C67D70 and #C69470

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C67079 shade: #A3414B, #BA535E, #C67079, #D28E95 and #DDABB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C67079 shade: #C67079, #BFC670 and #709CC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C67079 shade: #C67079, #7AC670 and #707AC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C67079 shade: #C67079, #BFC670, #70C6BC and #7770C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C67079 shade: #C67079, #A5C670, #70C6BC and #9170C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 39 / 22

HEX #C67079

RGB 198 112 121

HSL 353.72, 0.43%, 0.61%

LAB 57.05, 34.89, 10.04

 

Complementary color

CMYK 60 / 0 / 6 / 44

HEX #398F86

RGB 57 143 134

HSL 173.72, 0.43%, 0.39%

LAB 54.28, -27.92, -2.93

 

CMYK 0 / 45 / 43 / 20

HEX #CB7074

RGB 203 112 116

HSL 357.36, 0.47%, 0.62%

LAB 57.6, 36.2, 13.81

 

CMYK 0 / 41 / 39 / 14

HEX #DC8287

RGB 220 130 135

HSL 356.67, 0.56%, 0.69%

LAB 64.1, 35.17, 12.35

 

CMYK 0 / 38 / 35 / 7

HEX #ED949A

RGB 237 148 154

HSL 355.96, 0.71%, 0.75%

LAB 70.54, 34.22, 11.06

 

CMYK 0 / 35 / 32 / 0

HEX #FEA6AD

RGB 254 166 173

HSL 355.23, 0.98%, 0.82%

LAB 76.9, 33.34, 9.9

 

CMYK 0 / 28 / 25 / 0

HEX #FFB8C0

RGB 255 184 192

HSL 353.24, 1%, 0.86%

LAB 81.48, 26.78, 6.18

 

CMYK 0 / 43 / 39 / 22

HEX #C67079

RGB 198 112 121

HSL 353.72, 0.43%, 0.61%

LAB 57.05, 34.89, 10.04

 

CMYK 0 / 48 / 44 / 29

HEX #B55E66

RGB 181 94 102

HSL 354.48, 0.37%, 0.54%

LAB 50.44, 35.93, 11.59

 

CMYK 0 / 54 / 49 / 36

HEX #A44C53

RGB 164 76 83

HSL 355.23, 0.37%, 0.47%

LAB 43.78, 37, 13.44

 

CMYK 0 / 61 / 56 / 42

HEX #933A40

RGB 147 58 64

HSL 355.96, 0.43%, 0.4%

LAB 37.11, 38.05, 15.72

 

CMYK 0 / 69 / 65 / 49

HEX #82282D

RGB 130 40 45

HSL 356.67, 0.53%, 0.33%

LAB 30.53, 38.89, 18.64

 

CMYK 0 / 43 / 39 / 22

HEX #C67079

RGB 198 112 121

HSL 353.72, 0.43%, 0.61%

LAB 57.05, 34.89, 10.04

 

CMYK 0 / 43 / 43 / 22

HEX #C67070

RGB 198 112 112

HSL 0, 0.43%, 0.61%

LAB 56.84, 33.88, 14.98

 

CMYK 0 / 43 / 39 / 22

HEX #C67079

RGB 198 112 121

HSL 353.72, 0.43%, 0.61%

LAB 57.05, 34.89, 10.04

 

CMYK 0 / 43 / 27 / 22

HEX #C67090

RGB 198 112 144

HSL 337.67, 0.43%, 0.61%

LAB 57.66, 37.83, -2.45

 

CMYK 0 / 43 / 16 / 22

HEX #C670A7

RGB 198 112 167

HSL 321.63, 0.43%, 0.61%

LAB 58.4, 41.27, -14.67

 

CMYK 0 / 43 / 4 / 22

HEX #C670BE

RGB 198 112 190

HSL 305.58, 0.43%, 0.61%

LAB 59.26, 45.15, -26.53

 

CMYK 8 / 43 / 0 / 22

HEX #B670C6

RGB 182 112 198

HSL 288.84, 0.43%, 0.61%

LAB 57.67, 41.81, -33.72

 

CMYK 0 / 43 / 39 / 22

HEX #C67079

RGB 198 112 121

HSL 353.72, 0.43%, 0.61%

LAB 57.05, 34.89, 10.04

 

CMYK 0 / 55 / 49 / 16

HEX #D6606D

RGB 214 96 109

HSL 353.39, 0.59%, 0.61%

LAB 55.85, 47.56, 15.71

 

CMYK 0 / 65 / 58 / 10

HEX #E65060

RGB 230 80 96

HSL 353.6, 0.75%, 0.61%

LAB 55.49, 58.95, 23.28

 

CMYK 0 / 74 / 66 / 4

HEX #F64053

RGB 246 64 83

HSL 353.74, 0.91%, 0.61%

LAB 55.97, 68.8, 32.05

 

CMYK 0 / 43 / 39 / 22

HEX #C67079

RGB 198 112 121

HSL 353.72, 0.43%, 0.61%

LAB 57.05, 34.89, 10.04

 

CMYK 0 / 30 / 26 / 29

HEX #B68086

RGB 182 128 134

HSL 353.33, 0.27%, 0.61%

LAB 59.07, 21.75, 5.14

 

CMYK 0 / 13 / 11 / 35

HEX #A69093

RGB 166 144 147

HSL 351.82, 0.11%, 0.61%

LAB 61.79, 8.74, 1.44

 

CMYK 7 / 0 / 1 / 37

HEX #96A19F

RGB 150 161 159

HSL 169.09, 0.06%, 0.61%

LAB 65.34, -4.29, -0.31

 

CMYK 25 / 0 / 3 / 31

HEX #85B1AC

RGB 133 177 172

HSL 173.18, 0.22%, 0.61%

LAB 69.05, -15.72, -2.24

 

CMYK 0 / 43 / 15 / 22

HEX #C670A8

RGB 198 112 168

HSL 320.93, 0.43%, 0.61%

LAB 58.43, 41.43, -15.19

 

CMYK 0 / 43 / 27 / 22

HEX #C67091

RGB 198 112 145

HSL 336.98, 0.43%, 0.61%

LAB 57.69, 37.97, -2.99

 

CMYK 0 / 43 / 38 / 22

HEX #C6707A

RGB 198 112 122

HSL 353.02, 0.43%, 0.61%

LAB 57.07, 35, 9.49

 

CMYK 0 / 37 / 43 / 22

HEX #C67D70

RGB 198 125 112

HSL 9.07, 0.43%, 0.61%

LAB 59.75, 26.86, 18.96

 

CMYK 0 / 25 / 43 / 22

HEX #C69470

RGB 198 148 112

HSL 25.12, 0.43%, 0.61%

LAB 65.24, 14.25, 26.35

 

CMYK 0 / 60 / 54 / 36

HEX #A3414B

RGB 163 65 75

HSL 353.88, 0.43%, 0.45%

LAB 41.34, 41.4, 15

 

CMYK 0 / 55 / 49 / 27

HEX #BA535E

RGB 186 83 94

HSL 353.59, 0.43%, 0.53%

LAB 48.8, 42.58, 14.22

 

CMYK 0 / 43 / 39 / 22

HEX #C67079

RGB 198 112 121

HSL 353.72, 0.43%, 0.61%

LAB 57.05, 34.89, 10.04

 

CMYK 0 / 32 / 29 / 18

HEX #D28E95

RGB 210 142 149

HSL 353.82, 0.43%, 0.69%

LAB 65.92, 26.76, 6.85

 

CMYK 0 / 23 / 20 / 13

HEX #DDABB1

RGB 221 171 177

HSL 352.8, 0.42%, 0.77%

LAB 74.62, 19.18, 3.98

 

CMYK 0 / 43 / 39 / 22

HEX #C67079

RGB 198 112 121

HSL 353.72, 0.43%, 0.61%

LAB 57.05, 34.89, 10.04

 

CMYK 4 / 0 / 43 / 22

HEX #BFC670

RGB 191 198 112

HSL 64.88, 0.43%, 0.61%

LAB 77.66, -15.15, 42.13

 

CMYK 43 / 21 / 0 / 22

HEX #709CC6

RGB 112 156 198

HSL 209.3, 0.43%, 0.61%

LAB 62.76, -3.79, -26.29

 

CMYK 0 / 43 / 39 / 22

HEX #C67079

RGB 198 112 121

HSL 353.72, 0.43%, 0.61%

LAB 57.05, 34.89, 10.04

 

CMYK 38 / 0 / 43 / 22

HEX #7AC670

RGB 122 198 112

HSL 113.02, 0.43%, 0.61%

LAB 73.35, -40.41, 35.79

 

CMYK 43 / 38 / 0 / 22

HEX #707AC6

RGB 112 122 198

HSL 233.02, 0.43%, 0.61%

LAB 53.43, 16.04, -40.83

 

CMYK 0 / 43 / 39 / 22

HEX #C67079

RGB 198 112 121

HSL 353.72, 0.43%, 0.61%

LAB 57.05, 34.89, 10.04

 

CMYK 4 / 0 / 43 / 22

HEX #BFC670

RGB 191 198 112

HSL 64.88, 0.43%, 0.61%

LAB 77.66, -15.15, 42.13

 

CMYK 43 / 0 / 5 / 22

HEX #70C6BC

RGB 112 198 188

HSL 173.02, 0.43%, 0.61%

LAB 74.49, -28.42, -3.12

 

CMYK 40 / 43 / 0 / 22

HEX #7770C6

RGB 119 112 198

HSL 244.88, 0.43%, 0.61%

LAB 51.37, 23.86, -44.05

 

CMYK 0 / 43 / 39 / 22

HEX #C67079

RGB 198 112 121

HSL 353.72, 0.43%, 0.61%

LAB 57.05, 34.89, 10.04

 

CMYK 17 / 0 / 43 / 22

HEX #A5C670

RGB 165 198 112

HSL 83.02, 0.43%, 0.61%

LAB 75.8, -25.29, 39.4

 

CMYK 43 / 0 / 5 / 22

HEX #70C6BC

RGB 112 198 188

HSL 173.02, 0.43%, 0.61%

LAB 74.49, -28.42, -3.12

 

CMYK 27 / 43 / 0 / 22

HEX #9170C6

RGB 145 112 198

HSL 263.02, 0.43%, 0.61%

LAB 53.69, 30.96, -40.23

 

Description

Color code: HEX #C67079 | qconv.com Color code: HEX #C67079 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 112 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 112 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 39 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 39% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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