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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F93C7 it is the complementary color #606C38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F93C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F93C7 shade: #A493C2, #B5A5D5, #C6B7E8, #D7C9FB and #E8DBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F93C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F93C7 shade: #9F93C7, #8E81B4, #7D6FA1, #6C5D8E and #5B4B7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F93C7 shade: #9F93C7, #AD93C7, #BB93C7, #C793C5 and #C793B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F93C7 shade: #9F93C7 and #9393C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F93C7 shade matches the following richer shades: #9F93C7, #9886D4, #9178E1, #8A6BEF and #825EFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F93C7 shade: #9F93C7, #A6A0BA, #ADADAD, #B4BA9F and #BBC892

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F93C7 shade: #93A3C7, #9395C7, #9E93C7, #AC93C7 and #BA93C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F93C7 shade: #6E5CAB, #8778B9, #9F93C7, #B7AED5 and #CFC9E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F93C7 shade: #9F93C7, #C793B1 and #9CC793

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F93C7 shade: #9F93C7, #C79E93 and #93C79E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F93C7 shade: #9F93C7, #C793B1, #BCC793 and #93C7A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F93C7 shade: #9F93C7, #C793A2, #BCC793 and #93C7B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 26 / 0 / 22

HEX #9F93C7

RGB 159 147 199

HSL 253.85, 0.32%, 0.68%

LAB 63.64, 15.24, -25.22

 

Complementary color

CMYK 11 / 0 / 48 / 58

HEX #606C38

RGB 96 108 56

HSL 73.85, 0.32%, 0.32%

LAB 43.5, -13.56, 27.46

 

CMYK 15 / 24 / 0 / 24

HEX #A493C2

RGB 164 147 194

HSL 261.7, 0.28%, 0.67%

LAB 63.88, 15.7, -22.01

 

CMYK 15 / 23 / 0 / 16

HEX #B5A5D5

RGB 181 165 213

HSL 260, 0.36%, 0.74%

LAB 70.55, 15.25, -22.25

 

CMYK 15 / 21 / 0 / 9

HEX #C6B7E8

RGB 198 183 232

HSL 258.37, 0.52%, 0.81%

LAB 77.1, 14.82, -22.5

 

CMYK 14 / 20 / 0 / 2

HEX #D7C9FB

RGB 215 201 251

HSL 256.8, 0.86%, 0.89%

LAB 83.54, 14.43, -22.76

 

CMYK 9 / 14 / 0 / 0

HEX #E8DBFF

RGB 232 219 255

HSL 261.67, 1%, 0.93%

LAB 89.41, 11.06, -15.88

 

CMYK 20 / 26 / 0 / 22

HEX #9F93C7

RGB 159 147 199

HSL 253.85, 0.32%, 0.68%

LAB 63.64, 15.24, -25.22

 

CMYK 21 / 28 / 0 / 29

HEX #8E81B4

RGB 142 129 180

HSL 255.29, 0.25%, 0.61%

LAB 56.83, 15.76, -25.07

 

CMYK 22 / 31 / 0 / 37

HEX #7D6FA1

RGB 125 111 161

HSL 256.8, 0.21%, 0.53%

LAB 49.86, 16.34, -24.96

 

CMYK 24 / 35 / 0 / 44

HEX #6C5D8E

RGB 108 93 142

HSL 258.37, 0.21%, 0.46%

LAB 42.72, 16.99, -24.88

 

CMYK 26 / 39 / 0 / 52

HEX #5B4B7B

RGB 91 75 123

HSL 260, 0.24%, 0.39%

LAB 35.37, 17.76, -24.86

 

CMYK 20 / 26 / 0 / 22

HEX #9F93C7

RGB 159 147 199

HSL 253.85, 0.32%, 0.68%

LAB 63.64, 15.24, -25.22

 

CMYK 13 / 26 / 0 / 22

HEX #AD93C7

RGB 173 147 199

HSL 270, 0.32%, 0.68%

LAB 64.86, 19.72, -23.24

 

CMYK 6 / 26 / 0 / 22

HEX #BB93C7

RGB 187 147 199

HSL 286.15, 0.32%, 0.68%

LAB 66.18, 24.29, -21.11

 

CMYK 0 / 26 / 1 / 22

HEX #C793C5

RGB 199 147 197

HSL 302.31, 0.32%, 0.68%

LAB 67.31, 27.9, -18.17

 

CMYK 0 / 26 / 8 / 22

HEX #C793B7

RGB 199 147 183

HSL 318.46, 0.32%, 0.68%

LAB 66.85, 25.35, -11.04

 

CMYK 20 / 26 / 0 / 22

HEX #9F93C7

RGB 159 147 199

HSL 253.85, 0.32%, 0.68%

LAB 63.64, 15.24, -25.22

 

CMYK 26 / 26 / 0 / 22

HEX #9393C7

RGB 147 147 199

HSL 240, 0.32%, 0.68%

LAB 62.67, 11.52, -26.79

 

CMYK 20 / 26 / 0 / 22

HEX #9F93C7

RGB 159 147 199

HSL 253.85, 0.32%, 0.68%

LAB 63.64, 15.24, -25.22

 

CMYK 28 / 37 / 0 / 17

HEX #9886D4

RGB 152 134 212

HSL 253.85, 0.48%, 0.68%

LAB 60.32, 23.73, -37.7

 

CMYK 36 / 47 / 0 / 12

HEX #9178E1

RGB 145 120 225

HSL 254.29, 0.64%, 0.68%

LAB 56.97, 33.26, -50.31

 

CMYK 42 / 55 / 0 / 6

HEX #8A6BEF

RGB 138 107 239

HSL 254.09, 0.8%, 0.68%

LAB 54.19, 42.82, -62.63

 

CMYK 48 / 63 / 0 / 1

HEX #825EFC

RGB 130 94 252

HSL 253.67, 0.96%, 0.68%

LAB 51.59, 52.03, -74.1

 

CMYK 20 / 26 / 0 / 22

HEX #9F93C7

RGB 159 147 199

HSL 253.85, 0.32%, 0.68%

LAB 63.64, 15.24, -25.22

 

CMYK 11 / 14 / 0 / 27

HEX #A6A0BA

RGB 166 160 186

HSL 253.85, 0.16%, 0.68%

LAB 67.12, 7.32, -12.61

 

CMYK 0 / 0 / 0 / 32

HEX #ADADAD

RGB 173 173 173

HSL 0, 0%, 0.68%

LAB 70.72, 0, -0.01

 

CMYK 3 / 0 / 15 / 27

HEX #B4BA9F

RGB 180 186 159

HSL 73.33, 0.16%, 0.68%

LAB 74.4, -6.88, 12.99

 

CMYK 7 / 0 / 27 / 22

HEX #BBC892

RGB 187 200 146

HSL 74.44, 0.33%, 0.68%

LAB 78.43, -13.52, 25.59

 

CMYK 26 / 18 / 0 / 22

HEX #93A3C7

RGB 147 163 199

HSL 221.54, 0.32%, 0.68%

LAB 66.92, 2.48, -20.29

 

CMYK 26 / 25 / 0 / 22

HEX #9395C7

RGB 147 149 199

HSL 237.69, 0.32%, 0.68%

LAB 63.2, 10.38, -25.98

 

CMYK 21 / 26 / 0 / 22

HEX #9E93C7

RGB 158 147 199

HSL 252.69, 0.32%, 0.68%

LAB 63.56, 14.93, -25.35

 

CMYK 14 / 26 / 0 / 22

HEX #AC93C7

RGB 172 147 199

HSL 268.85, 0.32%, 0.68%

LAB 64.77, 19.39, -23.38

 

CMYK 7 / 26 / 0 / 22

HEX #BA93C7

RGB 186 147 199

HSL 285, 0.32%, 0.68%

LAB 66.08, 23.97, -21.26

 

CMYK 36 / 46 / 0 / 33

HEX #6E5CAB

RGB 110 92 171

HSL 253.67, 0.32%, 0.52%

LAB 44.1, 25.97, -39.95

 

CMYK 27 / 35 / 0 / 27

HEX #8778B9

RGB 135 120 185

HSL 253.85, 0.32%, 0.6%

LAB 54.12, 20.1, -32.18

 

CMYK 20 / 26 / 0 / 22

HEX #9F93C7

RGB 159 147 199

HSL 253.85, 0.32%, 0.68%

LAB 63.64, 15.24, -25.22

 

CMYK 14 / 18 / 0 / 16

HEX #B7AED5

RGB 183 174 213

HSL 253.85, 0.32%, 0.76%

LAB 72.99, 10.91, -18.53

 

CMYK 9 / 11 / 0 / 11

HEX #CFC9E3

RGB 207 201 227

HSL 253.85, 0.32%, 0.84%

LAB 82.15, 6.99, -12.12

 

CMYK 20 / 26 / 0 / 22

HEX #9F93C7

RGB 159 147 199

HSL 253.85, 0.32%, 0.68%

LAB 63.64, 15.24, -25.22

 

CMYK 0 / 26 / 11 / 22

HEX #C793B1

RGB 199 147 177

HSL 325.38, 0.32%, 0.68%

LAB 66.66, 24.31, -7.95

 

CMYK 22 / 0 / 26 / 22

HEX #9CC793

RGB 156 199 147

HSL 109.62, 0.32%, 0.68%

LAB 76.08, -24.09, 21.52

 

CMYK 20 / 26 / 0 / 22

HEX #9F93C7

RGB 159 147 199

HSL 253.85, 0.32%, 0.68%

LAB 63.64, 15.24, -25.22

 

CMYK 0 / 21 / 26 / 22

HEX #C79E93

RGB 199 158 147

HSL 12.69, 0.32%, 0.68%

LAB 68.54, 13.56, 11.53

 

CMYK 26 / 0 / 21 / 22

HEX #93C79E

RGB 147 199 158

HSL 132.69, 0.32%, 0.68%

LAB 75.77, -25.21, 15.14

 

CMYK 20 / 26 / 0 / 22

HEX #9F93C7

RGB 159 147 199

HSL 253.85, 0.32%, 0.68%

LAB 63.64, 15.24, -25.22

 

CMYK 0 / 26 / 11 / 22

HEX #C793B1

RGB 199 147 177

HSL 325.38, 0.32%, 0.68%

LAB 66.66, 24.31, -7.95

 

CMYK 6 / 0 / 26 / 22

HEX #BCC793

RGB 188 199 147

HSL 72.69, 0.32%, 0.68%

LAB 78.25, -12.49, 24.84

 

CMYK 26 / 0 / 15 / 22

HEX #93C7A9

RGB 147 199 169

HSL 145.38, 0.32%, 0.68%

LAB 76.02, -23.13, 9.58

 

CMYK 20 / 26 / 0 / 22

HEX #9F93C7

RGB 159 147 199

HSL 253.85, 0.32%, 0.68%

LAB 63.64, 15.24, -25.22

 

CMYK 0 / 26 / 19 / 22

HEX #C793A2

RGB 199 147 162

HSL 342.69, 0.32%, 0.68%

LAB 66.23, 21.85, -0.17

 

CMYK 6 / 0 / 26 / 22

HEX #BCC793

RGB 188 199 147

HSL 72.69, 0.32%, 0.68%

LAB 78.25, -12.49, 24.84

 

CMYK 26 / 0 / 8 / 22

HEX #93C7B8

RGB 147 199 184

HSL 162.69, 0.32%, 0.68%

LAB 76.38, -20.07, 2.02

 

Description

Color code: HEX #9F93C7 | qconv.com Color code: HEX #9F93C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 147 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 147 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 26 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 26% 0% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - Nutricia: babyvoedin...
Link: http://www.nutricia.nl

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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