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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA93C7 it is the complementary color #456C38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA93C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA93C7 shade: #BF93C2, #D0A5D5, #E1B7E8, #F2C9FB and #FFDBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA93C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA93C7 shade: #BA93C7, #A981B4, #986FA1, #875D8E and #764B7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA93C7 shade: #BA93C7, #C793C6, #C793B8, #C793AA and #C7939C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA93C7 shade: #BA93C7, #AC93C7, #9E93C7 and #9393C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA93C7 shade matches the following richer shades: #BA93C7, #C186D4, #C778E1, #CE6BEF and #D45EFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA93C7 shade: #BA93C7, #B3A0BA, #ADADAD, #A6BA9F and #A0C892

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA93C7 shade: #9E93C7, #AC93C7, #BA93C7, #C793C6 and #C793B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA93C7 shade: #975CAB, #A978B9, #BA93C7, #CBAED5 and #DDC9E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA93C7 shade: #BA93C7, #C79395 and #93C7A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA93C7 shade: #BA93C7, #C7BA93 and #93C7BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA93C7 shade: #BA93C7, #C79395, #A0C793 and #93C7C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA93C7 shade: #BA93C7, #C7A093, #A0C793 and #93BAC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 26 / 0 / 22

HEX #BA93C7

RGB 186 147 199

HSL 285, 0.32%, 0.68%

LAB 66.08, 23.97, -21.26

 

Complementary color

CMYK 36 / 0 / 48 / 58

HEX #456C38

RGB 69 108 56

HSL 105, 0.32%, 0.32%

LAB 41.65, -24.63, 24.75

 

CMYK 2 / 24 / 0 / 24

HEX #BF93C2

RGB 191 147 194

HSL 296.17, 0.28%, 0.67%

LAB 66.4, 24.64, -17.95

 

CMYK 2 / 23 / 0 / 16

HEX #D0A5D5

RGB 208 165 213

HSL 293.75, 0.36%, 0.74%

LAB 72.97, 24.06, -18.34

 

CMYK 3 / 21 / 0 / 9

HEX #E1B7E8

RGB 225 183 232

HSL 291.43, 0.52%, 0.81%

LAB 79.44, 23.52, -18.73

 

CMYK 4 / 20 / 0 / 2

HEX #F2C9FB

RGB 242 201 251

HSL 289.2, 0.86%, 0.89%

LAB 85.81, 23.01, -19.1

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 7 / 26 / 0 / 22

HEX #BA93C7

RGB 186 147 199

HSL 285, 0.32%, 0.68%

LAB 66.08, 23.97, -21.26

 

CMYK 6 / 28 / 0 / 29

HEX #A981B4

RGB 169 129 180

HSL 287.06, 0.25%, 0.61%

LAB 59.37, 24.59, -20.95

 

CMYK 6 / 31 / 0 / 37

HEX #986FA1

RGB 152 111 161

HSL 289.2, 0.21%, 0.53%

LAB 52.53, 25.26, -20.62

 

CMYK 5 / 35 / 0 / 44

HEX #875D8E

RGB 135 93 142

HSL 291.43, 0.21%, 0.46%

LAB 45.54, 26, -20.29

 

CMYK 4 / 39 / 0 / 52

HEX #764B7B

RGB 118 75 123

HSL 293.75, 0.24%, 0.39%

LAB 38.4, 26.8, -19.92

 

CMYK 7 / 26 / 0 / 22

HEX #BA93C7

RGB 186 147 199

HSL 285, 0.32%, 0.68%

LAB 66.08, 23.97, -21.26

 

CMYK 0 / 26 / 1 / 22

HEX #C793C6

RGB 199 147 198

HSL 301.15, 0.32%, 0.68%

LAB 67.34, 28.08, -18.67

 

CMYK 0 / 26 / 8 / 22

HEX #C793B8

RGB 199 147 184

HSL 317.31, 0.32%, 0.68%

LAB 66.88, 25.53, -11.55

 

CMYK 0 / 26 / 15 / 22

HEX #C793AA

RGB 199 147 170

HSL 333.46, 0.32%, 0.68%

LAB 66.45, 23.14, -4.33

 

CMYK 0 / 26 / 22 / 22

HEX #C7939C

RGB 199 147 156

HSL 349.62, 0.32%, 0.68%

LAB 66.07, 20.92, 2.97

 

CMYK 7 / 26 / 0 / 22

HEX #BA93C7

RGB 186 147 199

HSL 285, 0.32%, 0.68%

LAB 66.08, 23.97, -21.26

 

CMYK 14 / 26 / 0 / 22

HEX #AC93C7

RGB 172 147 199

HSL 268.85, 0.32%, 0.68%

LAB 64.77, 19.39, -23.38

 

CMYK 21 / 26 / 0 / 22

HEX #9E93C7

RGB 158 147 199

HSL 252.69, 0.32%, 0.68%

LAB 63.56, 14.93, -25.35

 

CMYK 26 / 26 / 0 / 22

HEX #9393C7

RGB 147 147 199

HSL 240, 0.32%, 0.68%

LAB 62.67, 11.52, -26.79

 

CMYK 7 / 26 / 0 / 22

HEX #BA93C7

RGB 186 147 199

HSL 285, 0.32%, 0.68%

LAB 66.08, 23.97, -21.26

 

CMYK 9 / 37 / 0 / 17

HEX #C186D4

RGB 193 134 212

HSL 285.38, 0.48%, 0.68%

LAB 64.28, 36.03, -31.24

 

CMYK 12 / 47 / 0 / 12

HEX #C778E1

RGB 199 120 225

HSL 285.14, 0.64%, 0.68%

LAB 62.52, 47.94, -41.18

 

CMYK 14 / 55 / 0 / 6

HEX #CE6BEF

RGB 206 107 239

HSL 285, 0.8%, 0.68%

LAB 61.54, 59.16, -50.45

 

CMYK 16 / 63 / 0 / 1

HEX #D45EFC

RGB 212 94 252

HSL 284.81, 0.96%, 0.68%

LAB 60.81, 69.09, -58.77

 

CMYK 7 / 26 / 0 / 22

HEX #BA93C7

RGB 186 147 199

HSL 285, 0.32%, 0.68%

LAB 66.08, 23.97, -21.26

 

CMYK 4 / 14 / 0 / 27

HEX #B3A0BA

RGB 179 160 186

HSL 283.85, 0.16%, 0.68%

LAB 68.22, 11.75, -10.86

 

CMYK 0 / 0 / 0 / 32

HEX #ADADAD

RGB 173 173 173

HSL 0, 0%, 0.68%

LAB 70.72, 0, -0.01

 

CMYK 11 / 0 / 15 / 27

HEX #A6BA9F

RGB 166 186 159

HSL 104.44, 0.16%, 0.68%

LAB 73.37, -11.95, 11.39

 

CMYK 20 / 0 / 27 / 22

HEX #A0C892

RGB 160 200 146

HSL 104.44, 0.33%, 0.68%

LAB 76.59, -23.35, 22.79

 

CMYK 21 / 26 / 0 / 22

HEX #9E93C7

RGB 158 147 199

HSL 252.69, 0.32%, 0.68%

LAB 63.56, 14.93, -25.35

 

CMYK 14 / 26 / 0 / 22

HEX #AC93C7

RGB 172 147 199

HSL 268.85, 0.32%, 0.68%

LAB 64.77, 19.39, -23.38

 

CMYK 7 / 26 / 0 / 22

HEX #BA93C7

RGB 186 147 199

HSL 285, 0.32%, 0.68%

LAB 66.08, 23.97, -21.26

 

CMYK 0 / 26 / 1 / 22

HEX #C793C6

RGB 199 147 198

HSL 301.15, 0.32%, 0.68%

LAB 67.34, 28.08, -18.67

 

CMYK 0 / 26 / 8 / 22

HEX #C793B8

RGB 199 147 184

HSL 317.31, 0.32%, 0.68%

LAB 66.88, 25.53, -11.55

 

CMYK 12 / 46 / 0 / 33

HEX #975CAB

RGB 151 92 171

HSL 284.81, 0.32%, 0.52%

LAB 48.48, 37.84, -32.76

 

CMYK 9 / 35 / 0 / 27

HEX #A978B9

RGB 169 120 185

HSL 285.23, 0.32%, 0.6%

LAB 57.43, 30.71, -26.78

 

CMYK 7 / 26 / 0 / 22

HEX #BA93C7

RGB 186 147 199

HSL 285, 0.32%, 0.68%

LAB 66.08, 23.97, -21.26

 

CMYK 5 / 18 / 0 / 16

HEX #CBAED5

RGB 203 174 213

HSL 284.62, 0.32%, 0.76%

LAB 74.68, 17.48, -15.81

 

CMYK 3 / 11 / 0 / 11

HEX #DDC9E3

RGB 221 201 227

HSL 286.15, 0.32%, 0.84%

LAB 83.28, 11.61, -10.32

 

CMYK 7 / 26 / 0 / 22

HEX #BA93C7

RGB 186 147 199

HSL 285, 0.32%, 0.68%

LAB 66.08, 23.97, -21.26

 

CMYK 0 / 26 / 25 / 22

HEX #C79395

RGB 199 147 149

HSL 357.69, 0.32%, 0.68%

LAB 65.89, 19.88, 6.64

 

CMYK 26 / 0 / 17 / 22

HEX #93C7A5

RGB 147 199 165

HSL 140.77, 0.32%, 0.68%

LAB 75.93, -23.9, 11.6

 

CMYK 7 / 26 / 0 / 22

HEX #BA93C7

RGB 186 147 199

HSL 285, 0.32%, 0.68%

LAB 66.08, 23.97, -21.26

 

CMYK 0 / 7 / 26 / 22

HEX #C7BA93

RGB 199 186 147

HSL 45, 0.32%, 0.68%

LAB 75.68, -1.53, 21.47

 

CMYK 26 / 0 / 7 / 22

HEX #93C7BA

RGB 147 199 186

HSL 165, 0.32%, 0.68%

LAB 76.43, -19.65, 1.02

 

CMYK 7 / 26 / 0 / 22

HEX #BA93C7

RGB 186 147 199

HSL 285, 0.32%, 0.68%

LAB 66.08, 23.97, -21.26

 

CMYK 0 / 26 / 25 / 22

HEX #C79395

RGB 199 147 149

HSL 357.69, 0.32%, 0.68%

LAB 65.89, 19.88, 6.64

 

CMYK 20 / 0 / 26 / 22

HEX #A0C793

RGB 160 199 147

HSL 105, 0.32%, 0.68%

LAB 76.33, -22.7, 21.9

 

CMYK 26 / 0 / 2 / 22

HEX #93C7C4

RGB 147 199 196

HSL 176.54, 0.32%, 0.68%

LAB 76.7, -17.47, -3.99

 

CMYK 7 / 26 / 0 / 22

HEX #BA93C7

RGB 186 147 199

HSL 285, 0.32%, 0.68%

LAB 66.08, 23.97, -21.26

 

CMYK 0 / 20 / 26 / 22

HEX #C7A093

RGB 199 160 147

HSL 15, 0.32%, 0.68%

LAB 69.03, 12.46, 12.23

 

CMYK 20 / 0 / 26 / 22

HEX #A0C793

RGB 160 199 147

HSL 105, 0.32%, 0.68%

LAB 76.33, -22.7, 21.9

 

CMYK 26 / 7 / 0 / 22

HEX #93BAC7

RGB 147 186 199

HSL 195, 0.32%, 0.68%

LAB 73.18, -10.03, -10.84

 

Description

Color code: HEX #BA93C7 | qconv.com Color code: HEX #BA93C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 147 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 147 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 26 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 26% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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