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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FE9D0 it is the complementary color #60162F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FE9D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FE9D0 shade: #A4E9CB, #B5FBDE, #C6FFF1, #D7FFFF and #E8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FE9D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FE9D0 shade: #9FE9D0, #8ED7BD, #7DC5AA, #6CB397 and #5BA184

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FE9D0 shade: #9FE9D0, #9FE9BC, #9FE9A8, #AAE99F and #BEE99F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FE9D0 shade: #9FE9D0, #9FE9E4, #9FDAE9, #9FC6E9 and #9FB2E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FE9D0 shade matches the following richer shades: #9FE9D0, #95F2D3 and #8CFCD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FE9D0 shade: #9FE9D0, #A8DFCD, #B2D6CA, #BBCCC7 and #C5C3C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FE9D0 shade: #9FE9A8, #9FE9BB, #9FE9CF, #9FE9E3 and #9FDBE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FE9D0 shade: #5CDAAF, #7DE1BF, #9FE9D0, #C1F0E0 and #E2F8F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FE9D0 shade: #9FE9D0, #9FAAE9 and #E9B19F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FE9D0 shade: #9FE9D0, #CF9FE9 and #E9CF9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FE9D0 shade: #9FE9D0, #9FAAE9, #E99FB9 and #E9DE9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FE9D0 shade: #9FE9D0, #AA9FE9, #E99FB9 and #DEE99F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 11 / 9

HEX #9FE9D0

RGB 159 233 208

HSL 159.73, 0.63%, 0.77%

LAB 87.1, -28.17, 4.86

 

Complementary color

CMYK 0 / 77 / 51 / 62

HEX #60162F

RGB 96 22 47

HSL 339.73, 0.63%, 0.23%

LAB 21.08, 35.01, 3.37

 

CMYK 30 / 0 / 13 / 9

HEX #A4E9CB

RGB 164 233 203

HSL 153.91, 0.61%, 0.78%

LAB 87.23, -27.74, 7.71

 

CMYK 28 / 0 / 12 / 2

HEX #B5FBDE

RGB 181 251 222

HSL 155.14, 0.9%, 0.85%

LAB 93.49, -27.53, 6.95

 

CMYK 22 / 0 / 5 / 0

HEX #C6FFF1

RGB 198 255 241

HSL 165.26, 1%, 0.89%

LAB 95.95, -20.64, 0.82

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 32 / 0 / 11 / 9

HEX #9FE9D0

RGB 159 233 208

HSL 159.73, 0.63%, 0.77%

LAB 87.1, -28.17, 4.86

 

CMYK 34 / 0 / 12 / 16

HEX #8ED7BD

RGB 142 215 189

HSL 158.63, 0.48%, 0.7%

LAB 80.75, -28.38, 5.64

 

CMYK 37 / 0 / 14 / 23

HEX #7DC5AA

RGB 125 197 170

HSL 157.5, 0.38%, 0.63%

LAB 74.31, -28.6, 6.45

 

CMYK 40 / 0 / 16 / 30

HEX #6CB397

RGB 108 179 151

HSL 156.34, 0.32%, 0.56%

LAB 67.77, -28.83, 7.33

 

CMYK 43 / 0 / 18 / 37

HEX #5BA184

RGB 91 161 132

HSL 155.14, 0.28%, 0.49%

LAB 61.12, -29.05, 8.27

 

CMYK 32 / 0 / 11 / 9

HEX #9FE9D0

RGB 159 233 208

HSL 159.73, 0.63%, 0.77%

LAB 87.1, -28.17, 4.86

 

CMYK 32 / 0 / 19 / 9

HEX #9FE9BC

RGB 159 233 188

HSL 143.51, 0.63%, 0.77%

LAB 86.64, -32.14, 14.67

 

CMYK 32 / 0 / 28 / 9

HEX #9FE9A8

RGB 159 233 168

HSL 127.3, 0.63%, 0.77%

LAB 86.24, -35.73, 24.49

 

CMYK 27 / 0 / 32 / 9

HEX #AAE99F

RGB 170 233 159

HSL 111.08, 0.63%, 0.77%

LAB 86.67, -33.65, 29.77

 

CMYK 18 / 0 / 32 / 9

HEX #BEE99F

RGB 190 233 159

HSL 94.86, 0.63%, 0.77%

LAB 87.84, -26.84, 31.55

 

CMYK 32 / 0 / 11 / 9

HEX #9FE9D0

RGB 159 233 208

HSL 159.73, 0.63%, 0.77%

LAB 87.1, -28.17, 4.86

 

CMYK 32 / 0 / 2 / 9

HEX #9FE9E4

RGB 159 233 228

HSL 175.95, 0.63%, 0.77%

LAB 87.61, -23.85, -4.89

 

CMYK 32 / 6 / 0 / 9

HEX #9FDAE9

RGB 159 218 233

HSL 192.16, 0.63%, 0.77%

LAB 83.65, -15.22, -13.4

 

CMYK 32 / 15 / 0 / 9

HEX #9FC6E9

RGB 159 198 233

HSL 208.38, 0.63%, 0.77%

LAB 78.25, -4.8, -21.54

 

CMYK 32 / 24 / 0 / 9

HEX #9FB2E9

RGB 159 178 233

HSL 224.59, 0.63%, 0.77%

LAB 72.95, 6.06, -29.64

 

CMYK 32 / 0 / 11 / 9

HEX #9FE9D0

RGB 159 233 208

HSL 159.73, 0.63%, 0.77%

LAB 87.1, -28.17, 4.86

 

CMYK 38 / 0 / 13 / 5

HEX #95F2D3

RGB 149 242 211

HSL 160, 0.78%, 0.77%

LAB 89.2, -34.54, 6.28

 

CMYK 44 / 0 / 15 / 1

HEX #8CFCD6

RGB 140 252 214

HSL 159.64, 0.95%, 0.77%

LAB 91.71, -40.74, 8.27

 

CMYK 32 / 0 / 11 / 9

HEX #9FE9D0

RGB 159 233 208

HSL 159.73, 0.63%, 0.77%

LAB 87.1, -28.17, 4.86

 

CMYK 25 / 0 / 8 / 13

HEX #A8DFCD

RGB 168 223 205

HSL 160.36, 0.46%, 0.77%

LAB 84.74, -21.27, 3.1

 

CMYK 17 / 0 / 6 / 16

HEX #B2D6CA

RGB 178 214 202

HSL 160, 0.31%, 0.77%

LAB 82.82, -14.23, 1.96

 

CMYK 8 / 0 / 2 / 20

HEX #BBCCC7

RGB 187 204 199

HSL 162.35, 0.14%, 0.77%

LAB 80.67, -6.7, 0.51

 

CMYK 0 / 1 / 1 / 23

HEX #C5C3C4

RGB 197 195 196

HSL 330, 0.02%, 0.77%

LAB 78.98, 0.88, -0.26

 

CMYK 32 / 0 / 28 / 9

HEX #9FE9A8

RGB 159 233 168

HSL 127.3, 0.63%, 0.77%

LAB 86.24, -35.73, 24.49

 

CMYK 32 / 0 / 20 / 9

HEX #9FE9BB

RGB 159 233 187

HSL 142.7, 0.63%, 0.77%

LAB 86.62, -32.33, 15.17

 

CMYK 32 / 0 / 11 / 9

HEX #9FE9CF

RGB 159 233 207

HSL 158.92, 0.63%, 0.77%

LAB 87.07, -28.38, 5.35

 

CMYK 32 / 0 / 3 / 9

HEX #9FE9E3

RGB 159 233 227

HSL 175.14, 0.63%, 0.77%

LAB 87.58, -24.07, -4.4

 

CMYK 32 / 6 / 0 / 9

HEX #9FDBE9

RGB 159 219 233

HSL 191.35, 0.63%, 0.77%

LAB 83.92, -15.72, -13

 

CMYK 58 / 0 / 20 / 15

HEX #5CDAAF

RGB 92 218 175

HSL 159.52, 0.63%, 0.61%

LAB 79.34, -45.12, 10.78

 

CMYK 44 / 0 / 15 / 12

HEX #7DE1BF

RGB 125 225 191

HSL 159.6, 0.63%, 0.69%

LAB 82.9, -37.21, 7.56

 

CMYK 32 / 0 / 11 / 9

HEX #9FE9D0

RGB 159 233 208

HSL 159.73, 0.63%, 0.77%

LAB 87.1, -28.17, 4.86

 

CMYK 20 / 0 / 7 / 6

HEX #C1F0E0

RGB 193 240 224

HSL 159.57, 0.61%, 0.85%

LAB 91.25, -18.18, 2.76

 

CMYK 9 / 0 / 3 / 3

HEX #E2F8F1

RGB 226 248 241

HSL 160.91, 0.61%, 0.93%

LAB 95.85, -8.46, 0.9

 

CMYK 32 / 0 / 11 / 9

HEX #9FE9D0

RGB 159 233 208

HSL 159.73, 0.63%, 0.77%

LAB 87.1, -28.17, 4.86

 

CMYK 32 / 27 / 0 / 9

HEX #9FAAE9

RGB 159 170 233

HSL 231.08, 0.63%, 0.77%

LAB 70.87, 10.51, -32.85

 

CMYK 0 / 24 / 32 / 9

HEX #E9B19F

RGB 233 177 159

HSL 14.59, 0.63%, 0.77%

LAB 76.84, 17.94, 17.11

 

CMYK 32 / 0 / 11 / 9

HEX #9FE9D0

RGB 159 233 208

HSL 159.73, 0.63%, 0.77%

LAB 87.1, -28.17, 4.86

 

CMYK 11 / 32 / 0 / 9

HEX #CF9FE9

RGB 207 159 233

HSL 278.92, 0.63%, 0.77%

LAB 72.19, 30.99, -30.49

 

CMYK 0 / 11 / 32 / 9

HEX #E9CF9F

RGB 233 207 159

HSL 38.92, 0.63%, 0.77%

LAB 84.2, 2.14, 27.21

 

CMYK 32 / 0 / 11 / 9

HEX #9FE9D0

RGB 159 233 208

HSL 159.73, 0.63%, 0.77%

LAB 87.1, -28.17, 4.86

 

CMYK 32 / 27 / 0 / 9

HEX #9FAAE9

RGB 159 170 233

HSL 231.08, 0.63%, 0.77%

LAB 70.87, 10.51, -32.85

 

CMYK 0 / 32 / 21 / 9

HEX #E99FB9

RGB 233 159 185

HSL 338.92, 0.63%, 0.77%

LAB 73.3, 31.13, -2.18

 

CMYK 0 / 5 / 32 / 9

HEX #E9DE9F

RGB 233 222 159

HSL 51.08, 0.63%, 0.77%

LAB 88, -5.56, 32.31

 

CMYK 32 / 0 / 11 / 9

HEX #9FE9D0

RGB 159 233 208

HSL 159.73, 0.63%, 0.77%

LAB 87.1, -28.17, 4.86

 

CMYK 27 / 32 / 0 / 9

HEX #AA9FE9

RGB 170 159 233

HSL 248.92, 0.63%, 0.77%

LAB 68.91, 19.85, -35.82

 

CMYK 0 / 32 / 21 / 9

HEX #E99FB9

RGB 233 159 185

HSL 338.92, 0.63%, 0.77%

LAB 73.3, 31.13, -2.18

 

CMYK 5 / 0 / 32 / 9

HEX #DEE99F

RGB 222 233 159

HSL 68.92, 0.63%, 0.77%

LAB 90, -15.22, 34.81

 

Description

Color code: HEX #9FE9D0 | qconv.com Color code: HEX #9FE9D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 233 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 233 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 11 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 11% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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