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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00AA93 it is the complementary color #FF556C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00AA93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00AA93 shade: #05AA8E, #16BCA1, #27CEB4, #38E0C7 and #49F2DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00AA93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00AA93 shade: #00AA93, #009880, #00866D, #00745A and #006247

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00AA93 shade: #00A891, #00A864, #00A836, #00A809 and #24A800

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00AA93 shade: #00A891, #0091A8, #0064A8, #0036A8 and #0009A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00AA93 shade matches the following richer shades: #00A891

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00AA93 shade: #00A891, #0D9A87, #1B8D7D, #287F73 and #367169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00AA93 shade: #00A835, #00A862, #00A88F, #0094A8 and #0067A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00AA93 shade: #00554A, #007F6D, #00A891, #00D1B5 and #00FAD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00AA93 shade: #00AA93, #0800A8 and #A84B00

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00AA93 shade: #00AA93, #8F00A8 and #A88F00

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00AA93 shade: #00AA93, #0800A8, #A80019 and #9FA800

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00AA93 shade: #00AA93, #3A00A8, #A80019 and #6DA800

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 14 / 33

HEX #00AA93

RGB 0 170 147

HSL 171.88, 1%, 0.33%

LAB 62.39, -42.26, 1.45

 

Complementary color

CMYK 0 / 67 / 58 / 0

HEX #FF556C

RGB 255 85 108

HSL 351.88, 1%, 0.67%

LAB 60.64, 65.59, 23.88

 

CMYK 97 / 0 / 16 / 33

HEX #05AA8E

RGB 5 170 142

HSL 169.82, 0.94%, 0.34%

LAB 62.28, -43.44, 4.1

 

CMYK 88 / 0 / 14 / 26

HEX #16BCA1

RGB 22 188 161

HSL 170.24, 0.79%, 0.41%

LAB 68.54, -45.12, 2.66

 

CMYK 81 / 0 / 13 / 19

HEX #27CEB4

RGB 39 206 180

HSL 170.66, 0.68%, 0.48%

LAB 74.74, -46.42, 1.36

 

CMYK 75 / 0 / 11 / 12

HEX #38E0C7

RGB 56 224 199

HSL 171.07, 0.73%, 0.55%

LAB 80.89, -47.38, 0.18

 

CMYK 70 / 0 / 10 / 5

HEX #49F2DA

RGB 73 242 218

HSL 171.48, 0.87%, 0.62%

LAB 86.99, -48.09, -0.89

 

CMYK 100 / 0 / 14 / 33

HEX #00AA93

RGB 0 170 147

HSL 171.88, 1%, 0.33%

LAB 62.39, -42.26, 1.45

 

CMYK 100 / 0 / 16 / 40

HEX #009880

RGB 0 152 128

HSL 170.53, 1%, 0.3%

LAB 56.1, -39.84, 3.07

 

CMYK 100 / 0 / 19 / 47

HEX #00866D

RGB 0 134 109

HSL 168.81, 1%, 0.26%

LAB 49.68, -37.36, 4.76

 

CMYK 100 / 0 / 22 / 55

HEX #00745A

RGB 0 116 90

HSL 166.55, 1%, 0.23%

LAB 43.11, -34.82, 6.55

 

CMYK 100 / 0 / 28 / 62

HEX #006247

RGB 0 98 71

HSL 163.47, 1%, 0.19%

LAB 36.35, -32.18, 8.47

 

CMYK 100 / 0 / 14 / 34

HEX #00A891

RGB 0 168 145

HSL 171.79, 1%, 0.33%

LAB 61.7, -41.97, 1.57

 

CMYK 100 / 0 / 40 / 34

HEX #00A864

RGB 0 168 100

HSL 155.71, 1%, 0.33%

LAB 60.72, -52.86, 25.04

 

CMYK 100 / 0 / 68 / 34

HEX #00A836

RGB 0 168 54

HSL 139.29, 1%, 0.33%

LAB 60.13, -59.96, 46.89

 

CMYK 100 / 0 / 95 / 34

HEX #00A809

RGB 0 168 9

HSL 123.21, 1%, 0.33%

LAB 59.91, -62.82, 59.61

 

CMYK 79 / 0 / 100 / 34

HEX #24A800

RGB 36 168 0

HSL 107.14, 1%, 0.33%

LAB 60.23, -60.01, 61.27

 

CMYK 100 / 0 / 14 / 34

HEX #00A891

RGB 0 168 145

HSL 171.79, 1%, 0.33%

LAB 61.7, -41.97, 1.57

 

CMYK 100 / 14 / 0 / 34

HEX #0091A8

RGB 0 145 168

HSL 188.21, 1%, 0.33%

LAB 55.15, -23.92, -21.27

 

CMYK 100 / 40 / 0 / 34

HEX #0064A8

RGB 0 100 168

HSL 204.29, 1%, 0.33%

LAB 41.12, 1.97, -43.23

 

CMYK 100 / 68 / 0 / 34

HEX #0036A8

RGB 0 54 168

HSL 220.71, 1%, 0.33%

LAB 28.02, 32.85, -64.49

 

CMYK 100 / 95 / 0 / 34

HEX #0009A8

RGB 0 9 168

HSL 236.79, 1%, 0.33%

LAB 20.13, 55.47, -77.58

 

CMYK 100 / 0 / 14 / 34

HEX #00A891

RGB 0 168 145

HSL 171.79, 1%, 0.33%

LAB 61.7, -41.97, 1.57

 

CMYK 100 / 0 / 14 / 34

HEX #00A891

RGB 0 168 145

HSL 171.79, 1%, 0.33%

LAB 61.7, -41.97, 1.57

 

CMYK 92 / 0 / 12 / 40

HEX #0D9A87

RGB 13 154 135

HSL 171.91, 0.84%, 0.33%

LAB 57.02, -38.13, 0.42

 

CMYK 81 / 0 / 11 / 45

HEX #1B8D7D

RGB 27 141 125

HSL 171.58, 0.68%, 0.33%

LAB 52.69, -34.05, -0.14

 

CMYK 69 / 0 / 9 / 50

HEX #287F73

RGB 40 127 115

HSL 171.72, 0.52%, 0.33%

LAB 48.09, -28.54, -0.99

 

CMYK 52 / 0 / 7 / 56

HEX #367169

RGB 54 113 105

HSL 171.86, 0.35%, 0.33%

LAB 43.67, -21.36, -1.47

 

CMYK 100 / 0 / 68 / 34

HEX #00A835

RGB 0 168 53

HSL 138.93, 1%, 0.33%

LAB 60.12, -60.07, 47.3

 

CMYK 100 / 0 / 42 / 34

HEX #00A862

RGB 0 168 98

HSL 155, 1%, 0.33%

LAB 60.68, -53.26, 26.07

 

CMYK 100 / 0 / 15 / 34

HEX #00A88F

RGB 0 168 143

HSL 171.07, 1%, 0.33%

LAB 61.64, -42.52, 2.62

 

CMYK 100 / 12 / 0 / 34

HEX #0094A8

RGB 0 148 168

HSL 187.14, 1%, 0.33%

LAB 56.09, -25.45, -19.83

 

CMYK 100 / 39 / 0 / 34

HEX #0067A8

RGB 0 103 168

HSL 203.21, 1%, 0.33%

LAB 42.04, 0.08, -41.76

 

CMYK 100 / 0 / 13 / 67

HEX #00554A

RGB 0 85 74

HSL 172.24, 1%, 0.17%

LAB 31.79, -25.31, 0.08

 

CMYK 100 / 0 / 14 / 50

HEX #007F6D

RGB 0 127 109

HSL 171.5, 1%, 0.25%

LAB 47.34, -34.27, 1.38

 

CMYK 100 / 0 / 14 / 34

HEX #00A891

RGB 0 168 145

HSL 171.79, 1%, 0.33%

LAB 61.7, -41.97, 1.57

 

CMYK 100 / 0 / 13 / 18

HEX #00D1B5

RGB 0 209 181

HSL 171.96, 1%, 0.41%

LAB 75.41, -49.32, 1.76

 

CMYK 100 / 0 / 14 / 2

HEX #00FAD8

RGB 0 250 216

HSL 171.84, 1%, 0.49%

LAB 88.6, -56.67, 2.43

 

CMYK 100 / 0 / 14 / 33

HEX #00AA93

RGB 0 170 147

HSL 171.88, 1%, 0.33%

LAB 62.39, -42.26, 1.45

 

CMYK 95 / 100 / 0 / 34

HEX #0800A8

RGB 8 0 168

HSL 242.86, 1%, 0.33%

LAB 19.55, 58.01, -78.55

 

CMYK 0 / 55 / 100 / 34

HEX #A84B00

RGB 168 75 0

HSL 26.79, 1%, 0.33%

LAB 43.3, 35.04, 53.3

 

CMYK 100 / 0 / 14 / 33

HEX #00AA93

RGB 0 170 147

HSL 171.88, 1%, 0.33%

LAB 62.39, -42.26, 1.45

 

CMYK 15 / 100 / 0 / 34

HEX #8F00A8

RGB 143 0 168

HSL 291.07, 1%, 0.33%

LAB 35.33, 67.95, -51.99

 

CMYK 0 / 15 / 100 / 34

HEX #A88F00

RGB 168 143 0

HSL 51.07, 1%, 0.33%

LAB 59.86, -2.53, 64.14

 

CMYK 100 / 0 / 14 / 33

HEX #00AA93

RGB 0 170 147

HSL 171.88, 1%, 0.33%

LAB 62.39, -42.26, 1.45

 

CMYK 95 / 100 / 0 / 34

HEX #0800A8

RGB 8 0 168

HSL 242.86, 1%, 0.33%

LAB 19.55, 58.01, -78.55

 

CMYK 0 / 100 / 85 / 34

HEX #A80019

RGB 168 0 25

HSL 351.07, 1%, 0.33%

LAB 34.79, 59, 37.79

 

CMYK 5 / 0 / 100 / 34

HEX #9FA800

RGB 159 168 0

HSL 63.21, 1%, 0.33%

LAB 66.04, -19.74, 68.26

 

CMYK 100 / 0 / 14 / 33

HEX #00AA93

RGB 0 170 147

HSL 171.88, 1%, 0.33%

LAB 62.39, -42.26, 1.45

 

CMYK 65 / 100 / 0 / 34

HEX #3A00A8

RGB 58 0 168

HSL 260.71, 1%, 0.33%

LAB 22.75, 59.29, -73.14

 

CMYK 0 / 100 / 85 / 34

HEX #A80019

RGB 168 0 25

HSL 351.07, 1%, 0.33%

LAB 34.79, 59, 37.79

 

CMYK 35 / 0 / 100 / 34

HEX #6DA800

RGB 109 168 0

HSL 81.07, 1%, 0.33%

LAB 62.72, -40.41, 64.29

 

Description

Color code: HEX #00AA93 | qconv.com Color code: HEX #00AA93 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 170 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 170 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 14 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 14% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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