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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00AC50 it is the complementary color #FF53AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00AC50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00AC50 shade: #05AC4B, #16BE5E, #27D071, #38E284 and #49F497

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00AC50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00AC50 shade: #00AC50, #009A3D, #00882A, #007617 and #006404

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00AC50 shade: #00AD50, #00AD21, #0CAD00, #3BAD00 and #6AAD00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00AC50 shade: #00AD50, #00AD7F, #00ACAD, #007DAD and #004FAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00AC50 shade matches the following richer shades: #00AD50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00AC50 shade: #00AD50, #0E9F51, #1C9152, #2A8353 and #387554

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00AC50 shade: #0EAD00, #00AD1F, #00AD4E, #00AD7C and #00ADAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00AC50 shade: #005A2A, #00843D, #00AD50, #00D663 and #00FF77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00AC50 shade: #00AC50, #003CAD and #AD0800

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00AC50 shade: #00AC50, #4E00AD and #AD4E00

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00AC50 shade: #00AC50, #003CAD, #AD005F and #AD7000

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00AC50 shade: #00AC50, #0008AD, #AD005F and #ADA400

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 53 / 33

HEX #00AC50

RGB 0 172 80

HSL 147.91, 1%, 0.34%

LAB 61.73, -57.8, 36.7

 

Complementary color

CMYK 0 / 67 / 31 / 0

HEX #FF53AF

RGB 255 83 175

HSL 327.91, 1%, 0.66%

LAB 62.12, 72.41, -12.85

 

CMYK 97 / 0 / 56 / 33

HEX #05AC4B

RGB 5 172 75

HSL 145.15, 0.94%, 0.35%

LAB 61.69, -58.32, 39.12

 

CMYK 88 / 0 / 51 / 25

HEX #16BE5E

RGB 22 190 94

HSL 145.71, 0.79%, 0.42%

LAB 67.88, -60.4, 37.36

 

CMYK 81 / 0 / 46 / 18

HEX #27D071

RGB 39 208 113

HSL 146.27, 0.68%, 0.48%

LAB 74.02, -61.9, 35.66

 

CMYK 75 / 0 / 42 / 11

HEX #38E284

RGB 56 226 132

HSL 146.82, 0.75%, 0.55%

LAB 80.12, -62.93, 34.05

 

CMYK 70 / 0 / 38 / 4

HEX #49F497

RGB 73 244 151

HSL 147.37, 0.89%, 0.62%

LAB 86.18, -63.62, 32.55

 

CMYK 100 / 0 / 53 / 33

HEX #00AC50

RGB 0 172 80

HSL 147.91, 1%, 0.34%

LAB 61.73, -57.8, 36.7

 

CMYK 100 / 0 / 60 / 40

HEX #009A3D

RGB 0 154 61

HSL 143.77, 1%, 0.3%

LAB 55.53, -54.75, 38.57

 

CMYK 100 / 0 / 69 / 47

HEX #00882A

RGB 0 136 42

HSL 138.53, 1%, 0.27%

LAB 49.22, -51.38, 40.19

 

CMYK 100 / 0 / 81 / 54

HEX #007617

RGB 0 118 23

HSL 131.69, 1%, 0.23%

LAB 42.79, -47.56, 41.13

 

CMYK 100 / 0 / 96 / 61

HEX #006404

RGB 0 100 4

HSL 122.4, 1%, 0.2%

LAB 36.22, -43.15, 40.7

 

CMYK 100 / 0 / 54 / 32

HEX #00AD50

RGB 0 173 80

HSL 147.75, 1%, 0.34%

LAB 62.05, -58.13, 37.1

 

CMYK 100 / 0 / 81 / 32

HEX #00AD21

RGB 0 173 33

HSL 131.45, 1%, 0.34%

LAB 61.65, -63.2, 56.01

 

CMYK 93 / 0 / 100 / 32

HEX #0CAD00

RGB 12 173 0

HSL 115.84, 1%, 0.34%

LAB 61.62, -63.82, 62.27

 

CMYK 66 / 0 / 100 / 32

HEX #3BAD00

RGB 59 173 0

HSL 99.54, 1%, 0.34%

LAB 62.35, -57.42, 63.16

 

CMYK 39 / 0 / 100 / 32

HEX #6AAD00

RGB 106 173 0

HSL 83.24, 1%, 0.34%

LAB 64.12, -43.62, 65.3

 

CMYK 100 / 0 / 54 / 32

HEX #00AD50

RGB 0 173 80

HSL 147.75, 1%, 0.34%

LAB 62.05, -58.13, 37.1

 

CMYK 100 / 0 / 27 / 32

HEX #00AD7F

RGB 0 173 127

HSL 164.05, 1%, 0.34%

LAB 62.86, -48.72, 13.25

 

CMYK 100 / 1 / 0 / 32

HEX #00ACAD

RGB 0 172 173

HSL 180.35, 1%, 0.34%

LAB 63.77, -35.48, -11.04

 

CMYK 100 / 28 / 0 / 32

HEX #007DAD

RGB 0 125 173

HSL 196.65, 1%, 0.34%

LAB 49.11, -11.19, -33.52

 

CMYK 100 / 54 / 0 / 32

HEX #004FAD

RGB 0 79 173

HSL 212.6, 1%, 0.34%

LAB 35.22, 17.9, -55.7

 

CMYK 100 / 0 / 54 / 32

HEX #00AD50

RGB 0 173 80

HSL 147.75, 1%, 0.34%

LAB 62.05, -58.13, 37.1

 

CMYK 100 / 0 / 54 / 32

HEX #00AD50

RGB 0 173 80

HSL 147.75, 1%, 0.34%

LAB 62.05, -58.13, 37.1

 

CMYK 91 / 0 / 49 / 38

HEX #0E9F51

RGB 14 159 81

HSL 147.72, 0.84%, 0.34%

LAB 57.54, -52.54, 31.01

 

CMYK 81 / 0 / 43 / 43

HEX #1C9152

RGB 28 145 82

HSL 147.69, 0.68%, 0.34%

LAB 53.07, -45.98, 24.77

 

CMYK 68 / 0 / 37 / 49

HEX #2A8353

RGB 42 131 83

HSL 147.64, 0.51%, 0.34%

LAB 48.7, -37.95, 18.48

 

CMYK 52 / 0 / 28 / 54

HEX #387554

RGB 56 117 84

HSL 147.54, 0.35%, 0.34%

LAB 44.52, -28.09, 12.28

 

CMYK 92 / 0 / 100 / 32

HEX #0EAD00

RGB 14 173 0

HSL 115.14, 1%, 0.34%

LAB 61.64, -63.7, 62.29

 

CMYK 100 / 0 / 82 / 32

HEX #00AD1F

RGB 0 173 31

HSL 130.75, 1%, 0.34%

LAB 61.64, -63.32, 56.58

 

CMYK 100 / 0 / 55 / 32

HEX #00AD4E

RGB 0 173 78

HSL 147.05, 1%, 0.34%

LAB 62.03, -58.44, 38.06

 

CMYK 100 / 0 / 28 / 32

HEX #00AD7C

RGB 0 173 124

HSL 163.01, 1%, 0.34%

LAB 62.8, -49.44, 14.81

 

CMYK 100 / 0 / 2 / 32

HEX #00ADAA

RGB 0 173 170

HSL 178.96, 1%, 0.34%

LAB 63.99, -36.87, -9.04

 

CMYK 100 / 0 / 53 / 65

HEX #005A2A

RGB 0 90 42

HSL 148, 1%, 0.18%

LAB 32.87, -35.68, 21.17

 

CMYK 100 / 0 / 54 / 48

HEX #00843D

RGB 0 132 61

HSL 147.73, 1%, 0.26%

LAB 48.06, -47.42, 29.62

HEX #00843D

CMYK 100 / 0 / 54 / 32

HEX #00AD50

RGB 0 173 80

HSL 147.75, 1%, 0.34%

LAB 62.05, -58.13, 37.1

HEX #00AD50

CMYK 100 / 0 / 54 / 16

HEX #00D663

RGB 0 214 99

HSL 147.76, 1%, 0.42%

LAB 75.45, -68.36, 44.22

HEX #00D663

CMYK 100 / 0 / 53 / 0

HEX #00FF77

RGB 0 255 119

HSL 148, 1%, 0.5%

LAB 88.38, -78.07, 50.61

HEX #00FF77

CMYK 100 / 0 / 53 / 33

HEX #00AC50

RGB 0 172 80

HSL 147.91, 1%, 0.34%

LAB 61.73, -57.8, 36.7

 

CMYK 100 / 65 / 0 / 32

HEX #003CAD

RGB 0 60 173

HSL 219.19, 1%, 0.34%

LAB 30.03, 30.82, -64.18

 

CMYK 0 / 95 / 100 / 32

HEX #AD0800

RGB 173 8 0

HSL 2.77, 1%, 0.34%

LAB 36.1, 58.92, 50.28

 

CMYK 100 / 0 / 53 / 33

HEX #00AC50

RGB 0 172 80

HSL 147.91, 1%, 0.34%

LAB 61.73, -57.8, 36.7

 

CMYK 55 / 100 / 0 / 32

HEX #4E00AD

RGB 78 0 173

HSL 267.05, 1%, 0.34%

LAB 25.67, 61.68, -71.23

 

CMYK 0 / 55 / 100 / 32

HEX #AD4E00

RGB 173 78 0

HSL 27.05, 1%, 0.34%

LAB 44.71, 35.52, 54.54

 

CMYK 100 / 0 / 53 / 33

HEX #00AC50

RGB 0 172 80

HSL 147.91, 1%, 0.34%

LAB 61.73, -57.8, 36.7

 

CMYK 100 / 65 / 0 / 32

HEX #003CAD

RGB 0 60 173

HSL 219.19, 1%, 0.34%

LAB 30.03, 30.82, -64.18

 

CMYK 0 / 100 / 45 / 32

HEX #AD005F

RGB 173 0 95

HSL 327.05, 1%, 0.34%

LAB 37.32, 64.06, -3.11

 

CMYK 0 / 35 / 100 / 32

HEX #AD7000

RGB 173 112 0

HSL 38.84, 1%, 0.34%

LAB 52.37, 17.02, 59.28

 

CMYK 100 / 0 / 53 / 33

HEX #00AC50

RGB 0 172 80

HSL 147.91, 1%, 0.34%

LAB 61.73, -57.8, 36.7

 

CMYK 100 / 95 / 0 / 32

HEX #0008AD

RGB 0 8 173

HSL 237.23, 1%, 0.34%

LAB 20.79, 57.1, -79.5

 

CMYK 0 / 100 / 45 / 32

HEX #AD005F

RGB 173 0 95

HSL 327.05, 1%, 0.34%

LAB 37.32, 64.06, -3.11

 

CMYK 0 / 5 / 100 / 32

HEX #ADA400

RGB 173 164 0

HSL 56.88, 1%, 0.34%

LAB 66.09, -11.47, 68.82

HEX #ADA400

Description

Color code: HEX #00AC50 | qconv.com Color code: HEX #00AC50 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 172 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 172 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 53 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 53% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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