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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #069265 it is the complementary color #F96D9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #069265. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #069265 shade: #0B9260, #1CA473, #2DB686, #3EC899 and #4FDAAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #069265. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #069265 shade: #069265, #008052, #006E3F, #005C2C and #004A19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #069265 shade: #069265, #06923F, #069219, #189206 and #3E9206

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #069265 shade: #069265, #06928B, #067492, #064E92 and #062892

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #069265 shade matches the following richer shades: #069265

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #069265 shade: #069265, #128661, #1E7A5C, #2B6D58 and #376153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #069265 shade: #069218, #06923E, #069263, #069289 and #067692

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #069265 shade: #02432E, #046B4A, #069265, #07BA81 and #09E29C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #069265 shade: #069265, #061892 and #922B06

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #069265 shade: #069265, #630692 and #926306

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #069265 shade: #069265, #061892, #920635 and #928006

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #069265 shade: #069265, #1D0692, #920635 and #7B9206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 31 / 43

HEX #069265

RGB 6 146 101

HSL 160.71, 0.92%, 0.3%

LAB 53.53, -44.07, 14.78

 

Complementary color

CMYK 0 / 56 / 38 / 2

HEX #F96D9A

RGB 249 109 154

HSL 340.71, 0.92%, 0.7%

LAB 64.49, 57.67, 2.61

 

CMYK 92 / 0 / 34 / 43

HEX #0B9260

RGB 11 146 96

HSL 157.78, 0.86%, 0.31%

LAB 53.46, -44.95, 17.51

 

CMYK 83 / 0 / 30 / 36

HEX #1CA473

RGB 28 164 115

HSL 158.38, 0.71%, 0.38%

LAB 59.92, -46.37, 15.82

 

CMYK 75 / 0 / 26 / 29

HEX #2DB686

RGB 45 182 134

HSL 158.98, 0.6%, 0.45%

LAB 66.32, -47.29, 14.31

 

CMYK 69 / 0 / 24 / 22

HEX #3EC899

RGB 62 200 153

HSL 159.57, 0.56%, 0.51%

LAB 72.65, -47.88, 12.96

 

CMYK 64 / 0 / 21 / 15

HEX #4FDAAC

RGB 79 218 172

HSL 160.14, 0.65%, 0.58%

LAB 78.92, -48.22, 11.73

 

CMYK 96 / 0 / 31 / 43

HEX #069265

RGB 6 146 101

HSL 160.71, 0.92%, 0.3%

LAB 53.53, -44.07, 14.78

 

CMYK 100 / 0 / 36 / 50

HEX #008052

RGB 0 128 82

HSL 158.44, 1%, 0.25%

LAB 47.04, -41.79, 16.7

 

CMYK 100 / 0 / 43 / 57

HEX #006E3F

RGB 0 110 63

HSL 154.36, 1%, 0.22%

LAB 40.43, -39.04, 18.79

 

CMYK 100 / 0 / 52 / 64

HEX #005C2C

RGB 0 92 44

HSL 148.7, 1%, 0.18%

LAB 33.64, -36.05, 20.98

 

CMYK 100 / 0 / 66 / 71

HEX #004A19

RGB 0 74 25

HSL 140.27, 1%, 0.15%

LAB 26.64, -32.68, 23.14

 

CMYK 96 / 0 / 31 / 43

HEX #069265

RGB 6 146 101

HSL 160.71, 0.92%, 0.3%

LAB 53.53, -44.07, 14.78

 

CMYK 96 / 0 / 57 / 43

HEX #06923F

RGB 6 146 63

HSL 144.43, 0.92%, 0.3%

LAB 52.9, -51.48, 34.49

 

CMYK 96 / 0 / 83 / 43

HEX #069219

RGB 6 146 25

HSL 128.14, 0.92%, 0.3%

LAB 52.58, -55.48, 49.85

 

CMYK 84 / 0 / 96 / 43

HEX #189206

RGB 24 146 6

HSL 112.29, 0.92%, 0.3%

LAB 52.69, -54.74, 54.14

 

CMYK 58 / 0 / 96 / 43

HEX #3E9206

RGB 62 146 6

HSL 96, 0.92%, 0.3%

LAB 53.59, -47.08, 55.25

 

CMYK 96 / 0 / 31 / 43

HEX #069265

RGB 6 146 101

HSL 160.71, 0.92%, 0.3%

LAB 53.53, -44.07, 14.78

 

CMYK 96 / 0 / 5 / 43

HEX #06928B

RGB 6 146 139

HSL 177, 0.92%, 0.3%

LAB 54.51, -33.65, -5.56

 

CMYK 96 / 21 / 0 / 43

HEX #067492

RGB 6 116 146

HSL 192.86, 0.92%, 0.3%

LAB 45.09, -15.95, -23.95

 

CMYK 96 / 47 / 0 / 43

HEX #064E92

RGB 6 78 146

HSL 209.14, 0.92%, 0.3%

LAB 33.06, 7.57, -42.96

 

CMYK 96 / 73 / 0 / 43

HEX #062892

RGB 6 40 146

HSL 225.43, 0.92%, 0.3%

LAB 22.41, 33.75, -60.31

 

CMYK 96 / 0 / 31 / 43

HEX #069265

RGB 6 146 101

HSL 160.71, 0.92%, 0.3%

LAB 53.53, -44.07, 14.78

 

CMYK 96 / 0 / 31 / 43

HEX #069265

RGB 6 146 101

HSL 160.71, 0.92%, 0.3%

LAB 53.53, -44.07, 14.78

 

CMYK 87 / 0 / 28 / 47

HEX #128661

RGB 18 134 97

HSL 160.86, 0.76%, 0.3%

LAB 49.55, -39.37, 11.55

 

CMYK 75 / 0 / 25 / 52

HEX #1E7A5C

RGB 30 122 92

HSL 160.43, 0.61%, 0.3%

LAB 45.59, -34.03, 8.94

 

CMYK 61 / 0 / 19 / 57

HEX #2B6D58

RGB 43 109 88

HSL 160.91, 0.43%, 0.3%

LAB 41.46, -26.51, 5.52

 

CMYK 43 / 0 / 14 / 62

HEX #376153

RGB 55 97 83

HSL 160, 0.28%, 0.3%

LAB 37.82, -18.36, 3.4

 

CMYK 96 / 0 / 84 / 43

HEX #069218

RGB 6 146 24

HSL 127.71, 0.92%, 0.3%

LAB 52.58, -55.54, 50.14

 

CMYK 96 / 0 / 58 / 43

HEX #06923E

RGB 6 146 62

HSL 144, 0.92%, 0.3%

LAB 52.89, -51.63, 34.98

 

CMYK 96 / 0 / 32 / 43

HEX #069263

RGB 6 146 99

HSL 159.86, 0.92%, 0.3%

LAB 53.49, -44.54, 15.86

 

CMYK 96 / 0 / 6 / 43

HEX #069289

RGB 6 146 137

HSL 176.14, 0.92%, 0.3%

LAB 54.45, -34.26, -4.5

 

CMYK 96 / 19 / 0 / 43

HEX #067692

RGB 6 118 146

HSL 192, 0.92%, 0.3%

LAB 45.73, -17.06, -22.96

 

CMYK 97 / 0 / 31 / 74

HEX #02432E

RGB 2 67 46

HSL 160.62, 0.94%, 0.14%

LAB 24.4, -24.94, 7.51

 

CMYK 96 / 0 / 31 / 58

HEX #046B4A

RGB 4 107 74

HSL 160.78, 0.93%, 0.22%

LAB 39.64, -34.9, 11.25

 

CMYK 96 / 0 / 31 / 43

HEX #069265

RGB 6 146 101

HSL 160.71, 0.92%, 0.3%

LAB 53.53, -44.07, 14.78

 

CMYK 96 / 0 / 31 / 27

HEX #07BA81

RGB 7 186 129

HSL 160.89, 0.93%, 0.38%

LAB 67.09, -52.97, 18.03

 

CMYK 96 / 0 / 31 / 11

HEX #09E29C

RGB 9 226 156

HSL 160.65, 0.92%, 0.46%

LAB 80.1, -61.69, 21.65

 

CMYK 96 / 0 / 31 / 43

HEX #069265

RGB 6 146 101

HSL 160.71, 0.92%, 0.3%

LAB 53.53, -44.07, 14.78

 

CMYK 96 / 84 / 0 / 43

HEX #061892

RGB 6 24 146

HSL 232.29, 0.92%, 0.3%

LAB 19.09, 43.21, -65.83

 

CMYK 0 / 71 / 96 / 43

HEX #922B06

RGB 146 43 6

HSL 15.86, 0.92%, 0.3%

LAB 33.67, 41.85, 43.54

 

CMYK 96 / 0 / 31 / 43

HEX #069265

RGB 6 146 101

HSL 160.71, 0.92%, 0.3%

LAB 53.53, -44.07, 14.78

 

CMYK 32 / 96 / 0 / 43

HEX #630692

RGB 99 6 146

HSL 279.86, 0.92%, 0.3%

LAB 26.33, 56.7, -53.57

 

CMYK 0 / 32 / 96 / 43

HEX #926306

RGB 146 99 6

HSL 39.86, 0.92%, 0.3%

LAB 45.7, 12.12, 51.78

 

CMYK 96 / 0 / 31 / 43

HEX #069265

RGB 6 146 101

HSL 160.71, 0.92%, 0.3%

LAB 53.53, -44.07, 14.78

 

CMYK 96 / 84 / 0 / 43

HEX #061892

RGB 6 24 146

HSL 232.29, 0.92%, 0.3%

LAB 19.09, 43.21, -65.83

 

CMYK 0 / 96 / 64 / 43

HEX #920635

RGB 146 6 53

HSL 339.86, 0.92%, 0.3%

LAB 30.64, 53.67, 14.14

 

CMYK 0 / 12 / 96 / 43

HEX #928006

RGB 146 128 6

HSL 52.29, 0.92%, 0.3%

LAB 53.56, -4.4, 57.57

 

CMYK 96 / 0 / 31 / 43

HEX #069265

RGB 6 146 101

HSL 160.71, 0.92%, 0.3%

LAB 53.53, -44.07, 14.78

 

CMYK 80 / 96 / 0 / 43

HEX #1D0692

RGB 29 6 146

HSL 249.86, 0.92%, 0.3%

LAB 17.77, 50.85, -68

 

CMYK 0 / 96 / 64 / 43

HEX #920635

RGB 146 6 53

HSL 339.86, 0.92%, 0.3%

LAB 30.64, 53.67, 14.14

 

CMYK 16 / 0 / 96 / 43

HEX #7B9206

RGB 123 146 6

HSL 69.86, 0.92%, 0.3%

LAB 56.86, -24.4, 59.24

 

Description

Color code: HEX #069265 | qconv.com Color code: HEX #069265 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 146 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 146 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 31 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 31% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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