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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0848CD it is the complementary color #F7B732. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0848CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0848CD shade: #0D48C8, #1E5ADB, #2F6CEE, #407EFF and #5190FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0848CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0848CD shade: #0848CD, #0036BA, #0024A7, #001294 and #000081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0848CD shade: #0848CD, #0813CD, #3208CD, #6708CD and #9D08CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0848CD shade: #0848CD, #0813CD and #0808CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0848CD shade matches the following richer shades: #0848CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0848CD shade: #0848CD, #194EBC, #2B54AA, #3C5A99 and #4D6088

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0848CD shade: #08B3CD, #087ECD, #084ACD, #0815CD and #2F08CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0848CD shade: #052C7E, #063AA6, #0848CD, #0A56F4 and #3271F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0848CD shade: #0848CD, #B308CD and #99CD08

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0848CD shade: #0848CD, #CD084A and #4ACD08

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0848CD shade: #0848CD, #B308CD, #CD8B08 and #22CD08

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0848CD shade: #0848CD, #CD08AC, #CD8B08 and #08CD29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 65 / 0 / 20

HEX #0848CD

RGB 8 72 205

HSL 220.51, 0.92%, 0.42%

LAB 36.16, 35.62, -72.93

 

Complementary color

CMYK 0 / 26 / 80 / 3

HEX #F7B732

RGB 247 183 50

HSL 40.51, 0.92%, 0.58%

LAB 78.39, 12, 71.1

 

CMYK 94 / 64 / 0 / 22

HEX #0D48C8

RGB 13 72 200

HSL 221.07, 0.88%, 0.42%

LAB 35.77, 33.85, -70.67

 

CMYK 86 / 59 / 0 / 14

HEX #1E5ADB

RGB 30 90 219

HSL 220.95, 0.76%, 0.49%

LAB 42.31, 30.25, -70.9

 

CMYK 80 / 55 / 0 / 7

HEX #2F6CEE

RGB 47 108 238

HSL 220.84, 0.85%, 0.56%

LAB 48.89, 27.16, -70.9

 

CMYK 75 / 51 / 0 / 0

HEX #407EFF

RGB 64 126 255

HSL 220.52, 1%, 0.63%

LAB 55.31, 23.83, -69.91

 

CMYK 68 / 44 / 0 / 0

HEX #5190FF

RGB 81 144 255

HSL 218.28, 1%, 0.66%

LAB 60.71, 15.07, -61.2

 

CMYK 96 / 65 / 0 / 20

HEX #0848CD

RGB 8 72 205

HSL 220.51, 0.92%, 0.42%

LAB 36.16, 35.62, -72.93

 

CMYK 100 / 71 / 0 / 27

HEX #0036BA

RGB 0 54 186

HSL 222.58, 1%, 0.36%

LAB 29.87, 39.75, -72.18

 

CMYK 100 / 78 / 0 / 35

HEX #0024A7

RGB 0 36 167

HSL 227.07, 1%, 0.33%

LAB 23.84, 43.73, -70.8

 

CMYK 100 / 88 / 0 / 42

HEX #001294

RGB 0 18 148

HSL 232.7, 1%, 0.29%

LAB 18.24, 46.55, -68.49

 

CMYK 100 / 100 / 0 / 49

HEX #000081

RGB 0 0 129

HSL 240, 1%, 0.25%

LAB 13.14, 47.78, -65.07

 

CMYK 96 / 65 / 0 / 20

HEX #0848CD

RGB 8 72 205

HSL 220.51, 0.92%, 0.42%

LAB 36.16, 35.62, -72.93

 

CMYK 96 / 91 / 0 / 20

HEX #0813CD

RGB 8 19 205

HSL 236.65, 0.92%, 0.42%

LAB 26.52, 62.96, -88.92

 

CMYK 76 / 96 / 0 / 20

HEX #3208CD

RGB 50 8 205

HSL 252.79, 0.92%, 0.42%

LAB 27.46, 66.4, -87.3

 

CMYK 50 / 96 / 0 / 20

HEX #6708CD

RGB 103 8 205

HSL 268.93, 0.92%, 0.42%

LAB 32.84, 69.52, -78.21

 

CMYK 23 / 96 / 0 / 20

HEX #9D08CD

RGB 157 8 205

HSL 285.38, 0.92%, 0.42%

LAB 40.82, 75.51, -64.82

 

CMYK 96 / 65 / 0 / 20

HEX #0848CD

RGB 8 72 205

HSL 220.51, 0.92%, 0.42%

LAB 36.16, 35.62, -72.93

 

CMYK 96 / 91 / 0 / 20

HEX #0813CD

RGB 8 19 205

HSL 236.65, 0.92%, 0.42%

LAB 26.52, 62.96, -88.92

 

CMYK 96 / 96 / 0 / 20

HEX #0808CD

RGB 8 8 205

HSL 240, 0.92%, 0.42%

LAB 25.66, 65.6, -90.35

 

CMYK 96 / 65 / 0 / 20

HEX #0848CD

RGB 8 72 205

HSL 220.51, 0.92%, 0.42%

LAB 36.16, 35.62, -72.93

 

CMYK 96 / 65 / 0 / 20

HEX #0848CD

RGB 8 72 205

HSL 220.51, 0.92%, 0.42%

LAB 36.16, 35.62, -72.93

 

CMYK 87 / 59 / 0 / 26

HEX #194EBC

RGB 25 78 188

HSL 220.49, 0.77%, 0.42%

LAB 36.53, 25.81, -62.41

 

CMYK 75 / 51 / 0 / 33

HEX #2B54AA

RGB 43 84 170

HSL 220.63, 0.6%, 0.42%

LAB 37.4, 16.56, -50.34

 

CMYK 61 / 41 / 0 / 40

HEX #3C5A99

RGB 60 90 153

HSL 220.65, 0.44%, 0.42%

LAB 38.85, 9.21, -37.82

 

CMYK 43 / 29 / 0 / 47

HEX #4D6088

RGB 77 96 136

HSL 220.68, 0.28%, 0.42%

LAB 40.77, 3.94, -24.49

 

CMYK 96 / 13 / 0 / 20

HEX #08B3CD

RGB 8 179 205

HSL 187.92, 0.92%, 0.42%

LAB 67.05, -28.32, -23.82

 

CMYK 96 / 39 / 0 / 20

HEX #087ECD

RGB 8 126 205

HSL 204.06, 0.92%, 0.42%

LAB 51.13, 0.83, -48.7

 

CMYK 96 / 64 / 0 / 20

HEX #084ACD

RGB 8 74 205

HSL 219.9, 0.92%, 0.42%

LAB 36.66, 34.32, -72.12

 

CMYK 96 / 90 / 0 / 20

HEX #0815CD

RGB 8 21 205

HSL 236.04, 0.92%, 0.42%

LAB 26.72, 62.34, -88.58

 

CMYK 77 / 96 / 0 / 20

HEX #2F08CD

RGB 47 8 205

HSL 251.88, 0.92%, 0.42%

LAB 27.26, 66.3, -87.65

 

CMYK 96 / 65 / 0 / 51

HEX #052C7E

RGB 5 44 126

HSL 220.66, 0.92%, 0.26%

LAB 21.36, 22.88, -49.53

 

CMYK 96 / 65 / 0 / 35

HEX #063AA6

RGB 6 58 166

HSL 220.5, 0.93%, 0.34%

LAB 28.95, 29.6, -61.76

 

CMYK 96 / 65 / 0 / 20

HEX #0848CD

RGB 8 72 205

HSL 220.51, 0.92%, 0.42%

LAB 36.16, 35.62, -72.93

 

CMYK 96 / 65 / 0 / 4

HEX #0A56F4

RGB 10 86 244

HSL 220.51, 0.92%, 0.5%

LAB 43.14, 41.4, -83.7

 

CMYK 80 / 54 / 0 / 4

HEX #3271F6

RGB 50 113 246

HSL 220.71, 0.92%, 0.58%

LAB 50.85, 27.23, -72.17

 

CMYK 96 / 65 / 0 / 20

HEX #0848CD

RGB 8 72 205

HSL 220.51, 0.92%, 0.42%

LAB 36.16, 35.62, -72.93

 

CMYK 13 / 96 / 0 / 20

HEX #B308CD

RGB 179 8 205

HSL 292.08, 0.92%, 0.42%

LAB 44.47, 78.64, -58.73

 

CMYK 25 / 0 / 96 / 20

HEX #99CD08

RGB 153 205 8

HSL 75.84, 0.92%, 0.42%

LAB 76.35, -39.62, 75.02

 

CMYK 96 / 65 / 0 / 20

HEX #0848CD

RGB 8 72 205

HSL 220.51, 0.92%, 0.42%

LAB 36.16, 35.62, -72.93

 

CMYK 0 / 96 / 64 / 20

HEX #CD084A

RGB 205 8 74

HSL 339.9, 0.92%, 0.42%

LAB 43.72, 69.22, 20.21

 

CMYK 64 / 0 / 96 / 20

HEX #4ACD08

RGB 74 205 8

HSL 99.9, 0.92%, 0.42%

LAB 72.98, -64.47, 70.92

 

CMYK 96 / 65 / 0 / 20

HEX #0848CD

RGB 8 72 205

HSL 220.51, 0.92%, 0.42%

LAB 36.16, 35.62, -72.93

 

CMYK 13 / 96 / 0 / 20

HEX #B308CD

RGB 179 8 205

HSL 292.08, 0.92%, 0.42%

LAB 44.47, 78.64, -58.73

 

CMYK 0 / 32 / 96 / 20

HEX #CD8B08

RGB 205 139 8

HSL 39.9, 0.92%, 0.42%

LAB 62.9, 16.44, 66.95

 

CMYK 83 / 0 / 96 / 20

HEX #22CD08

RGB 34 205 8

HSL 112.08, 0.92%, 0.42%

LAB 72.24, -70.89, 70.02

 

CMYK 96 / 65 / 0 / 20

HEX #0848CD

RGB 8 72 205

HSL 220.51, 0.92%, 0.42%

LAB 36.16, 35.62, -72.93

 

CMYK 0 / 96 / 16 / 20

HEX #CD08AC

RGB 205 8 172

HSL 310.05, 0.92%, 0.42%

LAB 47.15, 78.21, -34.87

 

CMYK 0 / 32 / 96 / 20

HEX #CD8B08

RGB 205 139 8

HSL 39.9, 0.92%, 0.42%

LAB 62.9, 16.44, 66.95

 

CMYK 96 / 0 / 80 / 20

HEX #08CD29

RGB 8 205 41

HSL 130.05, 0.92%, 0.42%

LAB 72.14, -71.4, 63.61

 

Description

Color code: HEX #0848CD | qconv.com Color code: HEX #0848CD | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 72 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 72 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 65 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 65% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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