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Color name
HEX #F7B732

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7B732 it is the complementary color #0848CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7B732. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7B732 shade: #FCB72D, #FFC940, #FFDB53, #FFED66 and #FFFF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7B732. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7B732 shade: #F7B732, #E6A51F, #D5930C, #C48100 and #B36F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7B732 shade: #F6B631, #F68131, #F64C31 and #F63131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7B732 shade: #F6B631, #F6EB31, #CCF631, #97F631 and #61F631

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7B732 shade matches the following richer shades: #F6B631

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7B732 shade: #F6B631, #E5B042, #D3AA54, #C2A465 and #B19E76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7B732 shade: #F64B31, #F68031, #F6B431, #F6E931 and #CFF631

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7B732 shade: #CC8D08, #F4A80A, #F6B631, #F8C458 and #F9D280

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7B732 shade: #F7B732, #4BF631 and #6531F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7B732 shade: #F7B732, #31F6B4 and #B431F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7B732 shade: #F7B732, #4BF631, #3173F6 and #DC31F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7B732 shade: #F7B732, #31F652, #3173F6 and #F631D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 80 / 3

HEX #F7B732

RGB 247 183 50

HSL 40.51, 0.92%, 0.58%

LAB 78.39, 12, 71.1

 

Complementary color

CMYK 96 / 65 / 0 / 20

HEX #0848CD

RGB 8 72 205

HSL 220.51, 0.92%, 0.42%

LAB 36.16, 35.62, -72.93

 

CMYK 0 / 27 / 82 / 1

HEX #FCB72D

RGB 252 183 45

HSL 40, 0.97%, 0.58%

LAB 78.9, 13.96, 73.33

 

CMYK 0 / 21 / 75 / 0

HEX #FFC940

RGB 255 201 64

HSL 43.04, 1%, 0.63%

LAB 83.65, 6.53, 71.44

 

CMYK 0 / 14 / 67 / 0

HEX #FFDB53

RGB 255 219 83

HSL 47.44, 1%, 0.66%

LAB 88.23, -1.79, 68.75

 

CMYK 0 / 7 / 60 / 0

HEX #FFED66

RGB 255 237 102

HSL 52.94, 1%, 0.7%

LAB 92.92, -9.67, 65.9

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 0 / 26 / 80 / 3

HEX #F7B732

RGB 247 183 50

HSL 40.51, 0.92%, 0.58%

LAB 78.39, 12, 71.1

 

CMYK 0 / 28 / 87 / 10

HEX #E6A51F

RGB 230 165 31

HSL 40.4, 0.8%, 0.51%

LAB 72.12, 13.7, 70.62

 

CMYK 0 / 31 / 94 / 16

HEX #D5930C

RGB 213 147 12

HSL 40.3, 0.89%, 0.44%

LAB 65.78, 15.65, 68.85

 

CMYK 0 / 34 / 100 / 23

HEX #C48100

RGB 196 129 0

HSL 39.49, 1%, 0.38%

LAB 59.38, 17.85, 65.28

 

CMYK 0 / 38 / 100 / 30

HEX #B36F00

RGB 179 111 0

HSL 37.21, 1%, 0.35%

LAB 52.9, 20.26, 60

 

CMYK 0 / 26 / 80 / 4

HEX #F6B631

RGB 246 182 49

HSL 40.51, 0.92%, 0.58%

LAB 78.03, 12.06, 71.08

 

CMYK 0 / 48 / 80 / 4

HEX #F68131

RGB 246 129 49

HSL 24.37, 0.92%, 0.58%

LAB 66.15, 39.64, 60.33

 

CMYK 0 / 69 / 80 / 4

HEX #F64C31

RGB 246 76 49

HSL 8.22, 0.92%, 0.58%

LAB 57.06, 63.32, 51.77

 

CMYK 0 / 80 / 80 / 4

HEX #F63131

RGB 246 49 49

HSL 0, 0.92%, 0.58%

LAB 54.04, 71.73, 48.83

 

CMYK 0 / 26 / 80 / 4

HEX #F6B631

RGB 246 182 49

HSL 40.51, 0.92%, 0.58%

LAB 78.03, 12.06, 71.08

 

CMYK 0 / 4 / 80 / 4

HEX #F6EB31

RGB 246 235 49

HSL 56.65, 0.92%, 0.58%

LAB 91.34, -14.89, 82.7

 

CMYK 17 / 0 / 80 / 4

HEX #CCF631

RGB 204 246 49

HSL 72.79, 0.92%, 0.58%

LAB 91.22, -37.06, 81.41

 

CMYK 39 / 0 / 80 / 4

HEX #97F631

RGB 151 246 49

HSL 88.93, 0.92%, 0.58%

LAB 88.31, -56.28, 77.71

 

CMYK 61 / 0 / 80 / 4

HEX #61F631

RGB 97 246 49

HSL 105.38, 0.92%, 0.58%

LAB 86.34, -71.37, 75.18

 

CMYK 0 / 26 / 80 / 4

HEX #F6B631

RGB 246 182 49

HSL 40.51, 0.92%, 0.58%

LAB 78.03, 12.06, 71.08

 

CMYK 0 / 26 / 80 / 4

HEX #F6B631

RGB 246 182 49

HSL 40.51, 0.92%, 0.58%

LAB 78.03, 12.06, 71.08

 

CMYK 0 / 23 / 71 / 10

HEX #E5B042

RGB 229 176 66

HSL 40.49, 0.76%, 0.58%

LAB 74.89, 8.67, 61.18

 

CMYK 0 / 19 / 60 / 17

HEX #D3AA54

RGB 211 170 84

HSL 40.63, 0.59%, 0.58%

LAB 71.72, 5.27, 49.16

 

CMYK 0 / 15 / 48 / 24

HEX #C2A465

RGB 194 164 101

HSL 40.65, 0.43%, 0.58%

LAB 68.72, 2.75, 36.64

 

CMYK 0 / 11 / 33 / 31

HEX #B19E76

RGB 177 158 118

HSL 40.68, 0.27%, 0.58%

LAB 65.83, 0.91, 23.48

 

CMYK 0 / 70 / 80 / 4

HEX #F64B31

RGB 246 75 49

HSL 7.92, 0.92%, 0.58%

LAB 56.93, 63.69, 51.64

 

CMYK 0 / 48 / 80 / 4

HEX #F68031

RGB 246 128 49

HSL 24.06, 0.92%, 0.58%

LAB 65.95, 40.15, 60.14

 

CMYK 0 / 27 / 80 / 4

HEX #F6B431

RGB 246 180 49

HSL 39.9, 0.92%, 0.58%

LAB 77.55, 13.11, 70.65

 

CMYK 0 / 5 / 80 / 4

HEX #F6E931

RGB 246 233 49

HSL 56.04, 0.92%, 0.58%

LAB 90.82, -13.91, 82.25

 

CMYK 16 / 0 / 80 / 4

HEX #CFF631

RGB 207 246 49

HSL 71.88, 0.92%, 0.58%

LAB 91.41, -35.89, 81.65

 

CMYK 0 / 31 / 96 / 20

HEX #CC8D08

RGB 204 141 8

HSL 40.71, 0.92%, 0.42%

LAB 63.26, 14.91, 67.15

 

CMYK 0 / 31 / 96 / 4

HEX #F4A80A

RGB 244 168 10

HSL 40.51, 0.92%, 0.5%

LAB 74.36, 17.8, 76.82

 

CMYK 0 / 26 / 80 / 4

HEX #F6B631

RGB 246 182 49

HSL 40.51, 0.92%, 0.58%

LAB 78.03, 12.06, 71.08

 

CMYK 0 / 21 / 65 / 3

HEX #F8C458

RGB 248 196 88

HSL 40.5, 0.92%, 0.66%

LAB 81.91, 7.38, 59.73

 

CMYK 0 / 16 / 49 / 2

HEX #F9D280

RGB 249 210 128

HSL 40.66, 0.91%, 0.74%

LAB 85.9, 3.55, 45.51

 

CMYK 0 / 26 / 80 / 3

HEX #F7B732

RGB 247 183 50

HSL 40.51, 0.92%, 0.58%

LAB 78.39, 12, 71.1

 

CMYK 70 / 0 / 80 / 4

HEX #4BF631

RGB 75 246 49

HSL 112.08, 0.92%, 0.58%

LAB 85.82, -75.74, 74.51

 

CMYK 59 / 80 / 0 / 4

HEX #6531F6

RGB 101 49 246

HSL 255.84, 0.92%, 0.58%

LAB 40.6, 68.06, -88.86

 

CMYK 0 / 26 / 80 / 3

HEX #F7B732

RGB 247 183 50

HSL 40.51, 0.92%, 0.58%

LAB 78.39, 12, 71.1

 

CMYK 80 / 0 / 27 / 4

HEX #31F6B4

RGB 49 246 180

HSL 159.9, 0.92%, 0.58%

LAB 86.93, -61.43, 18.74

 

CMYK 27 / 80 / 0 / 4

HEX #B431F6

RGB 180 49 246

HSL 279.9, 0.92%, 0.58%

LAB 50.16, 78.44, -72.82

 

CMYK 0 / 26 / 80 / 3

HEX #F7B732

RGB 247 183 50

HSL 40.51, 0.92%, 0.58%

LAB 78.39, 12, 71.1

 

CMYK 70 / 0 / 80 / 4

HEX #4BF631

RGB 75 246 49

HSL 112.08, 0.92%, 0.58%

LAB 85.82, -75.74, 74.51

 

CMYK 80 / 53 / 0 / 4

HEX #3173F6

RGB 49 115 246

HSL 219.9, 0.92%, 0.58%

LAB 51.35, 25.89, -71.37

 

CMYK 11 / 80 / 0 / 4

HEX #DC31F6

RGB 220 49 246

HSL 292.08, 0.92%, 0.58%

LAB 56.15, 85.07, -62.84

 

CMYK 0 / 26 / 80 / 3

HEX #F7B732

RGB 247 183 50

HSL 40.51, 0.92%, 0.58%

LAB 78.39, 12, 71.1

 

CMYK 80 / 0 / 67 / 4

HEX #31F652

RGB 49 246 82

HSL 130.05, 0.92%, 0.58%

LAB 85.59, -76.99, 63.27

 

CMYK 80 / 53 / 0 / 4

HEX #3173F6

RGB 49 115 246

HSL 219.9, 0.92%, 0.58%

LAB 51.35, 25.89, -71.37

 

CMYK 0 / 80 / 13 / 4

HEX #F631D5

RGB 246 49 213

HSL 310.05, 0.92%, 0.58%

LAB 58.6, 85.07, -40.12

 

Description

Color code: HEX #F7B732 | qconv.com Color code: HEX #F7B732 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 183 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 183 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 80 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 80% 3% C M Y K

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