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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0968CF it is the complementary color #F69730. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0968CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0968CF shade: #0E68CA, #1F7ADD, #308CF0, #419EFF and #52B0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0968CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0968CF shade: #0968CF, #0056BC, #0044A9, #003296 and #002083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0968CF shade: #0867CD, #0831CD, #1408CD, #4908CD and #7E08CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0968CF shade: #0867CD, #0831CD and #0808CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0968CF shade matches the following richer shades: #0867CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0968CF shade: #0867CD, #1967BC, #2B68AA, #3C6999 and #4D6988

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0968CF shade: #08CDCA, #089CCD, #0867CD, #0833CD and #1208CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0968CF shade: #053F7E, #0653A6, #0867CD, #0A7BF4 and #3290F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0968CF shade: #0968CF, #9508CD and #B6CD08

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0968CF shade: #0968CF, #CD0867 and #67CD08

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0968CF shade: #0968CF, #9508CD, #CD6E08 and #40CD08

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0968CF shade: #0968CF, #CD08CA, #CD6E08 and #08CD0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 50 / 0 / 19

HEX #0968CF

RGB 9 104 207

HSL 211.21, 0.92%, 0.42%

LAB 44.89, 15.48, -59.86

 

Complementary color

CMYK 0 / 39 / 80 / 4

HEX #F69730

RGB 246 151 48

HSL 31.21, 0.92%, 0.58%

LAB 70.83, 28.3, 64.98

 

CMYK 93 / 49 / 0 / 21

HEX #0E68CA

RGB 14 104 202

HSL 211.28, 0.87%, 0.42%

LAB 44.6, 13.66, -57.45

 

CMYK 86 / 45 / 0 / 13

HEX #1F7ADD

RGB 31 122 221

HSL 211.26, 0.75%, 0.49%

LAB 51.19, 10.62, -57.65

 

CMYK 80 / 42 / 0 / 6

HEX #308CF0

RGB 48 140 240

HSL 211.25, 0.86%, 0.56%

LAB 57.73, 8.13, -57.76

 

CMYK 75 / 38 / 0 / 0

HEX #419EFF

RGB 65 158 255

HSL 210.63, 1%, 0.63%

LAB 64, 4.67, -55.98

 

CMYK 68 / 31 / 0 / 0

HEX #52B0FF

RGB 82 176 255

HSL 207.4, 1%, 0.66%

LAB 69.52, -3.34, -47.22

 

CMYK 96 / 50 / 0 / 19

HEX #0968CF

RGB 9 104 207

HSL 211.21, 0.92%, 0.42%

LAB 44.89, 15.48, -59.86

 

CMYK 100 / 54 / 0 / 26

HEX #0056BC

RGB 0 86 188

HSL 212.55, 1%, 0.37%

LAB 38.35, 19.35, -59.46

 

CMYK 100 / 60 / 0 / 34

HEX #0044A9

RGB 0 68 169

HSL 215.86, 1%, 0.33%

LAB 31.8, 23.76, -58.88

 

CMYK 100 / 67 / 0 / 41

HEX #003296

RGB 0 50 150

HSL 220, 1%, 0.29%

LAB 25.21, 28.36, -58.17

 

CMYK 100 / 76 / 0 / 49

HEX #002083

RGB 0 32 131

HSL 225.34, 1%, 0.26%

LAB 18.68, 32.91, -57.11

 

CMYK 96 / 50 / 0 / 20

HEX #0867CD

RGB 8 103 205

HSL 211.07, 0.92%, 0.42%

LAB 44.46, 15.29, -59.4

 

CMYK 96 / 76 / 0 / 20

HEX #0831CD

RGB 8 49 205

HSL 227.51, 0.92%, 0.42%

LAB 31.01, 49.71, -81.44

 

CMYK 90 / 96 / 0 / 20

HEX #1408CD

RGB 20 8 205

HSL 243.65, 0.92%, 0.42%

LAB 25.95, 65.72, -89.86

 

CMYK 64 / 96 / 0 / 20

HEX #4908CD

RGB 73 8 205

HSL 259.8, 0.92%, 0.42%

LAB 29.41, 67.42, -84.01

 

CMYK 39 / 96 / 0 / 20

HEX #7E08CD

RGB 126 8 205

HSL 275.94, 0.92%, 0.42%

LAB 36.02, 71.74, -72.87

 

CMYK 96 / 50 / 0 / 20

HEX #0867CD

RGB 8 103 205

HSL 211.07, 0.92%, 0.42%

LAB 44.46, 15.29, -59.4

 

CMYK 96 / 76 / 0 / 20

HEX #0831CD

RGB 8 49 205

HSL 227.51, 0.92%, 0.42%

LAB 31.01, 49.71, -81.44

 

CMYK 96 / 96 / 0 / 20

HEX #0808CD

RGB 8 8 205

HSL 240, 0.92%, 0.42%

LAB 25.66, 65.6, -90.35

 

CMYK 96 / 50 / 0 / 20

HEX #0867CD

RGB 8 103 205

HSL 211.07, 0.92%, 0.42%

LAB 44.46, 15.29, -59.4

 

CMYK 96 / 50 / 0 / 20

HEX #0867CD

RGB 8 103 205

HSL 211.07, 0.92%, 0.42%

LAB 44.46, 15.29, -59.4

 

CMYK 87 / 45 / 0 / 26

HEX #1967BC

RGB 25 103 188

HSL 211.29, 0.77%, 0.42%

LAB 43.56, 9.37, -51.02

 

CMYK 75 / 39 / 0 / 33

HEX #2B68AA

RGB 43 104 170

HSL 211.18, 0.6%, 0.42%

LAB 43.24, 3.62, -40.99

 

CMYK 61 / 31 / 0 / 40

HEX #3C6999

RGB 60 105 153

HSL 210.97, 0.44%, 0.42%

LAB 43.31, -0.25, -30.79

 

CMYK 43 / 23 / 0 / 47

HEX #4D6988

RGB 77 105 136

HSL 211.53, 0.28%, 0.42%

LAB 43.45, -1.58, -20.35

 

CMYK 96 / 0 / 1 / 20

HEX #08CDCA

RGB 8 205 202

HSL 179.09, 0.92%, 0.42%

LAB 74.81, -41.46, -10.46

 

CMYK 96 / 24 / 0 / 20

HEX #089CCD

RGB 8 156 205

HSL 194.92, 0.92%, 0.42%

LAB 60.1, -16.41, -34.56

 

CMYK 96 / 50 / 0 / 20

HEX #0867CD

RGB 8 103 205

HSL 211.07, 0.92%, 0.42%

LAB 44.46, 15.29, -59.4

 

CMYK 96 / 75 / 0 / 20

HEX #0833CD

RGB 8 51 205

HSL 226.9, 0.92%, 0.42%

LAB 31.41, 48.58, -80.78

 

CMYK 91 / 96 / 0 / 20

HEX #1208CD

RGB 18 8 205

HSL 243.05, 0.92%, 0.42%

LAB 25.89, 65.69, -89.96

 

CMYK 96 / 50 / 0 / 51

HEX #053F7E

RGB 5 63 126

HSL 211.24, 0.92%, 0.26%

LAB 27, 9.28, -40.35

 

CMYK 96 / 50 / 0 / 35

HEX #0653A6

RGB 6 83 166

HSL 211.13, 0.93%, 0.34%

LAB 35.94, 12.55, -50.36

 

CMYK 96 / 50 / 0 / 20

HEX #0867CD

RGB 8 103 205

HSL 211.07, 0.92%, 0.42%

LAB 44.46, 15.29, -59.4

 

CMYK 96 / 50 / 0 / 4

HEX #0A7BF4

RGB 10 123 244

HSL 211.03, 0.92%, 0.5%

LAB 52.69, 17.92, -68.12

 

CMYK 80 / 41 / 0 / 4

HEX #3290F6

RGB 50 144 246

HSL 211.22, 0.92%, 0.58%

LAB 59.23, 8.12, -58.67

 

CMYK 96 / 50 / 0 / 19

HEX #0968CF

RGB 9 104 207

HSL 211.21, 0.92%, 0.42%

LAB 44.89, 15.48, -59.86

 

CMYK 27 / 96 / 0 / 20

HEX #9508CD

RGB 149 8 205

HSL 282.94, 0.92%, 0.42%

LAB 39.53, 74.46, -66.97

 

CMYK 11 / 0 / 96 / 20

HEX #B6CD08

RGB 182 205 8

HSL 67.01, 0.92%, 0.42%

LAB 78.24, -27.92, 77.31

 

CMYK 96 / 50 / 0 / 19

HEX #0968CF

RGB 9 104 207

HSL 211.21, 0.92%, 0.42%

LAB 44.89, 15.48, -59.86

 

CMYK 0 / 96 / 50 / 20

HEX #CD0867

RGB 205 8 103

HSL 331.07, 0.92%, 0.42%

LAB 44.42, 71.11, 2.99

 

CMYK 50 / 0 / 96 / 20

HEX #67CD08

RGB 103 205 8

HSL 91.07, 0.92%, 0.42%

LAB 73.91, -56.97, 72.06

 

CMYK 96 / 50 / 0 / 19

HEX #0968CF

RGB 9 104 207

HSL 211.21, 0.92%, 0.42%

LAB 44.89, 15.48, -59.86

 

CMYK 27 / 96 / 0 / 20

HEX #9508CD

RGB 149 8 205

HSL 282.94, 0.92%, 0.42%

LAB 39.53, 74.46, -66.97

 

CMYK 0 / 46 / 96 / 20

HEX #CD6E08

RGB 205 110 8

HSL 31.07, 0.92%, 0.42%

LAB 56.24, 32.06, 62.39

 

CMYK 69 / 0 / 96 / 20

HEX #40CD08

RGB 64 205 8

HSL 102.94, 0.92%, 0.42%

LAB 72.74, -66.52, 70.63

 

CMYK 96 / 50 / 0 / 19

HEX #0968CF

RGB 9 104 207

HSL 211.21, 0.92%, 0.42%

LAB 44.89, 15.48, -59.86

 

CMYK 0 / 96 / 1 / 20

HEX #CD08CA

RGB 205 8 202

HSL 300.91, 0.92%, 0.42%

LAB 48.78, 82.28, -49.82

 

CMYK 0 / 46 / 96 / 20

HEX #CD6E08

RGB 205 110 8

HSL 31.07, 0.92%, 0.42%

LAB 56.24, 32.06, 62.39

 

CMYK 96 / 0 / 95 / 20

HEX #08CD0B

RGB 8 205 11

HSL 120.91, 0.92%, 0.42%

LAB 72.05, -72.58, 69.47

 

Description

Color code: HEX #0968CF | qconv.com Color code: HEX #0968CF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 104 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 104 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 50 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 50% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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