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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A5406 it is the complementary color #F5ABF9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A5406. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A5406 shade: #0F5401, #206614, #317827, #428A3A and #539C4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A5406. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A5406 shade: #0A5406, #004200, #003000, #001E00 and #000C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A5406 shade: #0A5505, #1F5505, #355505, #4A5505 and #554B05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A5406 shade: #0A5505, #055517, #05552C, #055542 and #055355

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A5406 shade matches the following richer shades: #0A5505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A5406 shade: #0A5505, #104E0D, #174614, #1E3F1C and #243823

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A5406 shade: #355505, #205505, #0B5505, #055515 and #05552B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A5406 shade: #010800, #052F03, #0A5505, #0E7C08 and #13A20B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A5406 shade: #0A5406, #054B55 and #55052B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A5406 shade: #0A5406, #050B55 and #55050B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A5406 shade: #0A5406, #054B55, #500555 and #551005

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A5406 shade: #0A5406, #053355, #500555 and #552805

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 93 / 67

HEX #0A5406

RGB 10 84 6

HSL 116.92, 0.87%, 0.18%

LAB 30.44, -36.61, 35.13

 

Complementary color

CMYK 2 / 31 / 0 / 2

HEX #F5ABF9

RGB 245 171 249

HSL 296.92, 0.87%, 0.82%

LAB 79.26, 39.47, -27.98

 

CMYK 82 / 0 / 99 / 67

HEX #0F5401

RGB 15 84 1

HSL 109.88, 0.98%, 0.17%

LAB 30.51, -36.16, 37.02

 

CMYK 69 / 0 / 80 / 60

HEX #206614

RGB 32 102 20

HSL 111.22, 0.67%, 0.24%

LAB 37.59, -37.91, 37.3

 

CMYK 59 / 0 / 68 / 53

HEX #317827

RGB 49 120 39

HSL 112.59, 0.51%, 0.31%

LAB 44.56, -38.79, 36.7

 

CMYK 52 / 0 / 58 / 46

HEX #428A3A

RGB 66 138 58

HSL 114, 0.41%, 0.38%

LAB 51.43, -39.12, 35.54

 

CMYK 47 / 0 / 51 / 39

HEX #539C4D

RGB 83 156 77

HSL 115.44, 0.34%, 0.46%

LAB 58.18, -39.17, 34.23

 

CMYK 88 / 0 / 93 / 67

HEX #0A5406

RGB 10 84 6

HSL 116.92, 0.87%, 0.18%

LAB 30.44, -36.61, 35.13

 

CMYK 100 / 0 / 100 / 74

HEX #004200

RGB 0 66 0

HSL 120, 1%, 0.13%

LAB 23.33, -32.67, 30.93

 

CMYK 100 / 0 / 100 / 81

HEX #003000

RGB 0 48 0

HSL 120, 1%, 0.09%

LAB 16.07, -26.65, 22.67

 

CMYK 100 / 0 / 100 / 88

HEX #001E00

RGB 0 30 0

HSL 120, 1%, 0.06%

LAB 8.38, -17.11, 12.24

 

CMYK 100 / 0 / 100 / 95

HEX #000C00

RGB 0 12 0

HSL 120, 1%, 0.02%

LAB 2.38, -4.85, 3.47

 

CMYK 88 / 0 / 94 / 67

HEX #0A5505

RGB 10 85 5

HSL 116.25, 0.89%, 0.18%

LAB 30.81, -37.02, 35.8

 

CMYK 64 / 0 / 94 / 67

HEX #1F5505

RGB 31 85 5

HSL 100.5, 0.89%, 0.18%

LAB 31.35, -32.49, 36.47

 

CMYK 38 / 0 / 94 / 67

HEX #355505

RGB 53 85 5

HSL 84, 0.89%, 0.18%

LAB 32.4, -24.54, 37.79

 

CMYK 13 / 0 / 94 / 67

HEX #4A5505

RGB 74 85 5

HSL 68.25, 0.89%, 0.18%

LAB 33.91, -14.93, 39.65

 

CMYK 0 / 12 / 94 / 67

HEX #554B05

RGB 85 75 5

HSL 52.5, 0.89%, 0.18%

LAB 31.75, -3.57, 38.34

 

CMYK 88 / 0 / 94 / 67

HEX #0A5505

RGB 10 85 5

HSL 116.25, 0.89%, 0.18%

LAB 30.81, -37.02, 35.8

 

CMYK 94 / 0 / 73 / 67

HEX #055517

RGB 5 85 23

HSL 133.5, 0.89%, 0.18%

LAB 30.86, -36.17, 28.91

 

CMYK 94 / 0 / 48 / 67

HEX #05552C

RGB 5 85 44

HSL 149.25, 0.89%, 0.18%

LAB 31.14, -32.74, 17.81

 

CMYK 94 / 0 / 22 / 67

HEX #055542

RGB 5 85 66

HSL 165.75, 0.89%, 0.18%

LAB 31.63, -27.22, 4.91

 

CMYK 94 / 2 / 0 / 67

HEX #055355

RGB 5 83 85

HSL 181.5, 0.89%, 0.18%

LAB 31.52, -20.07, -7.3

 

CMYK 88 / 0 / 94 / 67

HEX #0A5505

RGB 10 85 5

HSL 116.25, 0.89%, 0.18%

LAB 30.81, -37.02, 35.8

 

CMYK 88 / 0 / 94 / 67

HEX #0A5505

RGB 10 85 5

HSL 116.25, 0.89%, 0.18%

LAB 30.81, -37.02, 35.8

 

CMYK 79 / 0 / 83 / 69

HEX #104E0D

RGB 16 78 13

HSL 117.23, 0.71%, 0.18%

LAB 28.35, -32.95, 30.74

 

CMYK 67 / 0 / 71 / 73

HEX #174614

RGB 23 70 20

HSL 116.4, 0.56%, 0.18%

LAB 25.6, -27.33, 24.75

 

CMYK 52 / 0 / 56 / 75

HEX #1E3F1C

RGB 30 63 28

HSL 116.57, 0.38%, 0.18%

LAB 23.39, -20.63, 17.72

 

CMYK 36 / 0 / 38 / 78

HEX #243823

RGB 36 56 35

HSL 117.14, 0.23%, 0.18%

LAB 21.3, -13.18, 10.65

 

CMYK 38 / 0 / 94 / 67

HEX #355505

RGB 53 85 5

HSL 84, 0.89%, 0.18%

LAB 32.4, -24.54, 37.79

 

CMYK 62 / 0 / 94 / 67

HEX #205505

RGB 32 85 5

HSL 99.75, 0.89%, 0.18%

LAB 31.38, -32.2, 36.52

 

CMYK 87 / 0 / 94 / 67

HEX #0B5505

RGB 11 85 5

HSL 115.5, 0.89%, 0.18%

LAB 30.83, -36.88, 35.82

 

CMYK 94 / 0 / 75 / 67

HEX #055515

RGB 5 85 21

HSL 132, 0.89%, 0.18%

LAB 30.84, -36.4, 29.82

 

CMYK 94 / 0 / 49 / 67

HEX #05552B

RGB 5 85 43

HSL 148.5, 0.89%, 0.18%

LAB 31.12, -32.94, 18.38

 

CMYK 88 / 0 / 100 / 97

HEX #010800

RGB 1 8 0

HSL 112.5, 1%, 0.02%

LAB 1.63, -2.94, 2.38

 

CMYK 89 / 0 / 94 / 82

HEX #052F03

RGB 5 47 3

HSL 117.27, 0.88%, 0.1%

LAB 15.86, -24.38, 21.22

 

CMYK 88 / 0 / 94 / 67

HEX #0A5505

RGB 10 85 5

HSL 116.25, 0.89%, 0.18%

LAB 30.81, -37.02, 35.8

 

CMYK 89 / 0 / 94 / 51

HEX #0E7C08

RGB 14 124 8

HSL 116.9, 0.88%, 0.26%

LAB 44.98, -49.02, 47.24

 

CMYK 88 / 0 / 93 / 36

HEX #13A20B

RGB 19 162 11

HSL 116.82, 0.87%, 0.34%

LAB 58.04, -59.89, 57.81

 

CMYK 88 / 0 / 93 / 67

HEX #0A5406

RGB 10 84 6

HSL 116.92, 0.87%, 0.18%

LAB 30.44, -36.61, 35.13

 

CMYK 94 / 12 / 0 / 67

HEX #054B55

RGB 5 75 85

HSL 187.5, 0.89%, 0.18%

LAB 28.7, -15.63, -11.57

 

CMYK 0 / 94 / 49 / 67

HEX #55052B

RGB 85 5 43

HSL 331.5, 0.89%, 0.18%

LAB 16.57, 36.88, -0.6

 

CMYK 88 / 0 / 93 / 67

HEX #0A5406

RGB 10 84 6

HSL 116.92, 0.87%, 0.18%

LAB 30.44, -36.61, 35.13

 

CMYK 94 / 87 / 0 / 67

HEX #050B55

RGB 5 11 85

HSL 235.5, 0.89%, 0.18%

LAB 8.37, 28.76, -44.05

 

CMYK 0 / 94 / 87 / 67

HEX #55050B

RGB 85 5 11

HSL 355.5, 0.89%, 0.18%

LAB 15.82, 34.73, 19.96

 

CMYK 88 / 0 / 93 / 67

HEX #0A5406

RGB 10 84 6

HSL 116.92, 0.87%, 0.18%

LAB 30.44, -36.61, 35.13

 

CMYK 94 / 12 / 0 / 67

HEX #054B55

RGB 5 75 85

HSL 187.5, 0.89%, 0.18%

LAB 28.7, -15.63, -11.57

 

CMYK 6 / 94 / 0 / 67

HEX #500555

RGB 80 5 85

HSL 296.25, 0.89%, 0.18%

LAB 17.78, 41.76, -28.25

 

CMYK 0 / 81 / 94 / 67

HEX #551005

RGB 85 16 5

HSL 8.25, 0.89%, 0.18%

LAB 17.05, 30.86, 23.94

 

CMYK 88 / 0 / 93 / 67

HEX #0A5406

RGB 10 84 6

HSL 116.92, 0.87%, 0.18%

LAB 30.44, -36.61, 35.13

 

CMYK 94 / 40 / 0 / 67

HEX #053355

RGB 5 51 85

HSL 205.5, 0.89%, 0.18%

LAB 20.27, -0.33, -24.7

 

CMYK 6 / 94 / 0 / 67

HEX #500555

RGB 80 5 85

HSL 296.25, 0.89%, 0.18%

LAB 17.78, 41.76, -28.25

 

CMYK 0 / 53 / 94 / 67

HEX #552805

RGB 85 40 5

HSL 26.25, 0.89%, 0.18%

LAB 21.8, 18.39, 29.4

 

Description

Color code: HEX #0A5406 | qconv.com Color code: HEX #0A5406 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 84 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 84 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 93 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 93% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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