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Color name
HEX #0AB391

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AB391 it is the complementary color #F54C6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AB391. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AB391 shade: #0FB38C, #20C59F, #31D7B2, #42E9C5 and #53FBD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AB391. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AB391 shade: #0AB391, #00A17E, #008F6B, #007D58 and #006B45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AB391 shade: #0AB290, #0AB263, #0AB235, #0CB20A and #39B20A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AB391 shade: #0AB290, #0AA6B2, #0A79B2, #0A4CB2 and #0A1EB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AB391 shade matches the following richer shades: #0AB290

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AB391 shade: #0AB290, #19A387, #28937E, #388475 and #47756C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AB391 shade: #0AB234, #0AB261, #0AB28D, #0AA9B2 and #0A7DB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AB391 shade: #056451, #088B70, #0AB290, #0CD9B0 and #1DF1C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AB391 shade: #0AB391, #0A0DB2 and #B24A0A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AB391 shade: #0AB391, #8D0AB2 and #B28D0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AB391 shade: #0AB391, #0A0DB2, #B20A2E and #B2AF0A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AB391 shade: #0AB391, #390AB2, #B20A2E and #82B20A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 19 / 30

HEX #0AB391

RGB 10 179 145

HSL 167.93, 0.89%, 0.37%

LAB 65.24, -46.2, 6.69

 

Complementary color

CMYK 0 / 69 / 55 / 4

HEX #F54C6E

RGB 245 76 110

HSL 347.93, 0.89%, 0.63%

LAB 57.76, 66.08, 18.54

 

CMYK 92 / 0 / 22 / 30

HEX #0FB38C

RGB 15 179 140

HSL 165.73, 0.85%, 0.38%

LAB 65.15, -47.26, 9.32

 

CMYK 84 / 0 / 19 / 23

HEX #20C59F

RGB 32 197 159

HSL 166.18, 0.72%, 0.45%

LAB 71.38, -48.69, 7.85

 

CMYK 77 / 0 / 17 / 16

HEX #31D7B2

RGB 49 215 178

HSL 166.63, 0.67%, 0.52%

LAB 77.56, -49.73, 6.52

 

CMYK 72 / 0 / 15 / 9

HEX #42E9C5

RGB 66 233 197

HSL 167.07, 0.79%, 0.59%

LAB 83.69, -50.48, 5.32

 

CMYK 67 / 0 / 14 / 2

HEX #53FBD8

RGB 83 251 216

HSL 167.5, 0.95%, 0.65%

LAB 89.76, -51.01, 4.21

 

CMYK 94 / 0 / 19 / 30

HEX #0AB391

RGB 10 179 145

HSL 167.93, 0.89%, 0.37%

LAB 65.24, -46.2, 6.69

 

CMYK 100 / 0 / 22 / 37

HEX #00A17E

RGB 0 161 126

HSL 166.96, 1%, 0.32%

LAB 58.97, -44.17, 8.31

 

CMYK 100 / 0 / 25 / 44

HEX #008F6B

RGB 0 143 107

HSL 164.9, 1%, 0.28%

LAB 52.63, -41.7, 10.1

 

CMYK 100 / 0 / 30 / 51

HEX #007D58

RGB 0 125 88

HSL 162.24, 1%, 0.25%

LAB 46.14, -39.15, 12

 

CMYK 100 / 0 / 36 / 58

HEX #006B45

RGB 0 107 69

HSL 158.69, 1%, 0.21%

LAB 39.49, -36.48, 14.02

 

CMYK 94 / 0 / 19 / 30

HEX #0AB290

RGB 10 178 144

HSL 167.86, 0.89%, 0.37%

LAB 64.9, -46.05, 6.76

 

CMYK 94 / 0 / 44 / 30

HEX #0AB263

RGB 10 178 99

HSL 151.79, 0.89%, 0.37%

LAB 64, -56.14, 29.88

 

CMYK 94 / 0 / 70 / 30

HEX #0AB235

RGB 10 178 53

HSL 135.36, 0.89%, 0.37%

LAB 63.48, -62.59, 50.9

 

CMYK 93 / 0 / 94 / 30

HEX #0CB20A

RGB 12 178 10

HSL 119.29, 0.89%, 0.37%

LAB 63.29, -64.98, 62.33

 

CMYK 68 / 0 / 94 / 30

HEX #39B20A

RGB 57 178 10

HSL 103.21, 0.89%, 0.37%

LAB 63.94, -59.26, 63.13

 

CMYK 94 / 0 / 19 / 30

HEX #0AB290

RGB 10 178 144

HSL 167.86, 0.89%, 0.37%

LAB 64.9, -46.05, 6.76

 

CMYK 94 / 7 / 0 / 30

HEX #0AA6B2

RGB 10 166 178

HSL 184.29, 0.89%, 0.37%

LAB 62.13, -30.71, -16.31

 

CMYK 94 / 32 / 0 / 30

HEX #0A79B2

RGB 10 121 178

HSL 200.36, 0.89%, 0.37%

LAB 48.2, -6.54, -37.84

 

CMYK 94 / 57 / 0 / 30

HEX #0A4CB2

RGB 10 76 178

HSL 216.43, 0.89%, 0.37%

LAB 34.9, 22.38, -59.19

 

CMYK 94 / 83 / 0 / 30

HEX #0A1EB2

RGB 10 30 178

HSL 232.86, 0.89%, 0.37%

LAB 24.35, 50.79, -76.58

 

CMYK 94 / 0 / 19 / 30

HEX #0AB290

RGB 10 178 144

HSL 167.86, 0.89%, 0.37%

LAB 64.9, -46.05, 6.76

 

CMYK 94 / 0 / 19 / 30

HEX #0AB290

RGB 10 178 144

HSL 167.86, 0.89%, 0.37%

LAB 64.9, -46.05, 6.76

 

CMYK 85 / 0 / 17 / 36

HEX #19A387

RGB 25 163 135

HSL 167.83, 0.73%, 0.37%

LAB 60.02, -41.25, 4.79

 

CMYK 73 / 0 / 14 / 42

HEX #28937E

RGB 40 147 126

HSL 168.22, 0.57%, 0.37%

LAB 54.89, -34.92, 2.51

 

CMYK 58 / 0 / 11 / 48

HEX #388475

RGB 56 132 117

HSL 168.16, 0.4%, 0.37%

LAB 50.25, -27.33, 1.04

 

CMYK 39 / 0 / 8 / 54

HEX #47756C

RGB 71 117 108

HSL 168.26, 0.24%, 0.37%

LAB 45.83, -18.03, -0.01

 

CMYK 94 / 0 / 71 / 30

HEX #0AB234

RGB 10 178 52

HSL 135, 0.89%, 0.37%

LAB 63.47, -62.69, 51.28

 

CMYK 94 / 0 / 46 / 30

HEX #0AB261

RGB 10 178 97

HSL 151.07, 0.89%, 0.37%

LAB 63.97, -56.5, 30.88

 

CMYK 94 / 0 / 21 / 30

HEX #0AB28D

RGB 10 178 141

HSL 166.79, 0.89%, 0.37%

LAB 64.83, -46.82, 8.31

 

CMYK 94 / 5 / 0 / 30

HEX #0AA9B2

RGB 10 169 178

HSL 183.21, 0.89%, 0.37%

LAB 63.06, -32.15, -14.9

 

CMYK 94 / 30 / 0 / 30

HEX #0A7DB2

RGB 10 125 178

HSL 198.93, 0.89%, 0.37%

LAB 49.43, -8.89, -35.91

 

CMYK 95 / 0 / 19 / 61

HEX #056451

RGB 5 100 81

HSL 168, 0.9%, 0.21%

LAB 37.37, -29.82, 3.81

 

CMYK 94 / 0 / 19 / 45

HEX #088B70

RGB 8 139 112

HSL 167.63, 0.89%, 0.29%

LAB 51.48, -38.25, 5.61

 

CMYK 94 / 0 / 19 / 30

HEX #0AB290

RGB 10 178 144

HSL 167.86, 0.89%, 0.37%

LAB 64.9, -46.05, 6.76

 

CMYK 94 / 0 / 19 / 15

HEX #0CD9B0

RGB 12 217 176

HSL 168, 0.9%, 0.45%

LAB 77.78, -53.51, 7.86

 

CMYK 88 / 0 / 17 / 5

HEX #1DF1C7

RGB 29 241 199

HSL 168.11, 0.88%, 0.53%

LAB 85.65, -56.5, 7.04

 

CMYK 94 / 0 / 19 / 30

HEX #0AB391

RGB 10 179 145

HSL 167.93, 0.89%, 0.37%

LAB 65.24, -46.2, 6.69

 

CMYK 94 / 93 / 0 / 30

HEX #0A0DB2

RGB 10 13 178

HSL 238.93, 0.89%, 0.37%

LAB 22.18, 57.29, -80.18

 

CMYK 0 / 58 / 94 / 30

HEX #B24A0A

RGB 178 74 10

HSL 22.86, 0.89%, 0.37%

LAB 44.78, 39.64, 52.34

 

CMYK 94 / 0 / 19 / 30

HEX #0AB391

RGB 10 179 145

HSL 167.93, 0.89%, 0.37%

LAB 65.24, -46.2, 6.69

 

CMYK 21 / 94 / 0 / 30

HEX #8D0AB2

RGB 141 10 178

HSL 286.79, 0.89%, 0.37%

LAB 36.16, 68.16, -56.64

 

CMYK 0 / 21 / 94 / 30

HEX #B28D0A

RGB 178 141 10

HSL 46.79, 0.89%, 0.37%

LAB 60.37, 3.27, 63.45

 

CMYK 94 / 0 / 19 / 30

HEX #0AB391

RGB 10 179 145

HSL 167.93, 0.89%, 0.37%

LAB 65.24, -46.2, 6.69

 

CMYK 94 / 93 / 0 / 30

HEX #0A0DB2

RGB 10 13 178

HSL 238.93, 0.89%, 0.37%

LAB 22.18, 57.29, -80.18

 

CMYK 0 / 94 / 74 / 30

HEX #B20A2E

RGB 178 10 46

HSL 347.14, 0.89%, 0.37%

LAB 37.62, 61.02, 28.91

 

CMYK 0 / 2 / 94 / 30

HEX #B2AF0A

RGB 178 175 10

HSL 58.93, 0.89%, 0.37%

LAB 69.57, -14.81, 70.36

 

CMYK 94 / 0 / 19 / 30

HEX #0AB391

RGB 10 179 145

HSL 167.93, 0.89%, 0.37%

LAB 65.24, -46.2, 6.69

 

CMYK 68 / 94 / 0 / 30

HEX #390AB2

RGB 57 10 178

HSL 256.79, 0.89%, 0.37%

LAB 24.64, 59.52, -76.01

 

CMYK 0 / 94 / 74 / 30

HEX #B20A2E

RGB 178 10 46

HSL 347.14, 0.89%, 0.37%

LAB 37.62, 61.02, 28.91

 

CMYK 27 / 0 / 94 / 30

HEX #82B20A

RGB 130 178 10

HSL 77.14, 0.89%, 0.37%

LAB 66.98, -36.55, 66.86

 

Description

Color code: HEX #0AB391 | qconv.com Color code: HEX #0AB391 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 179 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 179 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 19 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 19% 30% C M Y K

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Provide designers and agencies with accurate color values.

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