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Color name
HEX #0AF482

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AF482 it is the complementary color #F50B7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AF482. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AF482 shade: #0FF47D, #20FF90, #31FFA3, #42FFB6 and #53FFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AF482. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AF482 shade: #0AF482, #00E26F, #00D05C, #00BE49 and #00AC36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AF482 shade: #0AF482, #0AF443, #10F40A, #4FF40A and #8EF40A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AF482 shade: #0AF482, #0AF4C1, #0AE8F4, #0AA9F4 and #0A6AF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AF482 shade matches the following richer shades: #0AF482

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AF482 shade: #0AF482, #1EE081, #33CB81, #48B680 and #5CA280

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AF482 shade: #12F40A, #0AF440, #0AF47F, #0AF4BE and #0AECF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AF482 shade: #06A558, #08CD6D, #0AF482, #31F696 and #59F8AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AF482 shade: #0AF482, #0A50F4 and #F4210A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AF482 shade: #0AF482, #7F0AF4 and #F47F0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AF482 shade: #0AF482, #0A50F4, #F40A7F and #F4AE0A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AF482 shade: #0AF482, #0A0AF4, #F40A7F and #F4F40A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 47 / 4

HEX #0AF482

RGB 10 244 130

HSL 150.77, 0.92%, 0.5%

LAB 85.19, -72.71, 41.48

 

Complementary color

CMYK 0 / 96 / 49 / 4

HEX #F50B7D

RGB 245 11 125

HSL 330.77, 0.92%, 0.5%

LAB 53.09, 81.43, 3.04

 

CMYK 94 / 0 / 49 / 4

HEX #0FF47D

RGB 15 244 125

HSL 148.82, 0.91%, 0.51%

LAB 85.14, -73.36, 43.83

 

CMYK 87 / 0 / 44 / 0

HEX #20FF90

RGB 32 255 144

HSL 150.13, 1%, 0.56%

LAB 88.85, -72.94, 39.4

 

CMYK 81 / 0 / 36 / 0

HEX #31FFA3

RGB 49 255 163

HSL 153.2, 1%, 0.6%

LAB 89.31, -68.19, 30.64

 

CMYK 74 / 0 / 29 / 0

HEX #42FFB6

RGB 66 255 182

HSL 156.83, 1%, 0.63%

LAB 89.89, -62.56, 21.86

 

CMYK 67 / 0 / 21 / 0

HEX #53FFC9

RGB 83 255 201

HSL 161.16, 1%, 0.66%

LAB 90.59, -56.15, 13.15

 

CMYK 96 / 0 / 47 / 4

HEX #0AF482

RGB 10 244 130

HSL 150.77, 0.92%, 0.5%

LAB 85.19, -72.71, 41.48

 

CMYK 100 / 0 / 51 / 11

HEX #00E26F

RGB 0 226 111

HSL 149.47, 1%, 0.44%

LAB 79.35, -70.32, 43.29

 

CMYK 100 / 0 / 56 / 18

HEX #00D05C

RGB 0 208 92

HSL 146.54, 1%, 0.41%

LAB 73.47, -67.49, 45.12

 

CMYK 100 / 0 / 62 / 25

HEX #00BE49

RGB 0 190 73

HSL 143.05, 1%, 0.37%

LAB 67.51, -64.47, 46.85

 

CMYK 100 / 0 / 69 / 33

HEX #00AC36

RGB 0 172 54

HSL 138.84, 1%, 0.34%

LAB 61.46, -61.17, 48.32

 

CMYK 96 / 0 / 47 / 4

HEX #0AF482

RGB 10 244 130

HSL 150.77, 0.92%, 0.5%

LAB 85.19, -72.71, 41.48

 

CMYK 96 / 0 / 73 / 4

HEX #0AF443

RGB 10 244 67

HSL 134.62, 0.92%, 0.5%

LAB 84.57, -80.35, 67.59

 

CMYK 93 / 0 / 96 / 4

HEX #10F40A

RGB 16 244 10

HSL 118.46, 0.92%, 0.5%

LAB 84.4, -82.68, 79.72

 

CMYK 68 / 0 / 96 / 4

HEX #4FF40A

RGB 79 244 10

HSL 102.31, 0.92%, 0.5%

LAB 85.19, -75.66, 80.7

 

CMYK 42 / 0 / 96 / 4

HEX #8EF40A

RGB 142 244 10

HSL 86.15, 0.92%, 0.5%

LAB 87.23, -59.45, 83.18

 

CMYK 96 / 0 / 47 / 4

HEX #0AF482

RGB 10 244 130

HSL 150.77, 0.92%, 0.5%

LAB 85.19, -72.71, 41.48

 

CMYK 96 / 0 / 21 / 4

HEX #0AF4C1

RGB 10 244 193

HSL 166.92, 0.92%, 0.5%

LAB 86.31, -59.86, 11.1

 

CMYK 96 / 5 / 0 / 4

HEX #0AE8F4

RGB 10 232 244

HSL 183.08, 0.92%, 0.5%

LAB 84.13, -40.99, -18.89

 

CMYK 96 / 31 / 0 / 4

HEX #0AA9F4

RGB 10 169 244

HSL 199.23, 0.92%, 0.5%

LAB 65.73, -9.43, -47.29

 

CMYK 96 / 57 / 0 / 4

HEX #0A6AF4

RGB 10 106 244

HSL 215.38, 0.92%, 0.5%

LAB 48.14, 28.7, -75.51

 

CMYK 96 / 0 / 47 / 4

HEX #0AF482

RGB 10 244 130

HSL 150.77, 0.92%, 0.5%

LAB 85.19, -72.71, 41.48

 

CMYK 96 / 0 / 47 / 4

HEX #0AF482

RGB 10 244 130

HSL 150.77, 0.92%, 0.5%

LAB 85.19, -72.71, 41.48

 

CMYK 87 / 0 / 42 / 12

HEX #1EE081

RGB 30 224 129

HSL 150.62, 0.76%, 0.5%

LAB 79.14, -65.35, 34.22

 

CMYK 75 / 0 / 36 / 20

HEX #33CB81

RGB 51 203 129

HSL 150.79, 0.6%, 0.5%

LAB 72.89, -55.76, 26.01

 

CMYK 60 / 0 / 30 / 29

HEX #48B680

RGB 72 182 128

HSL 150.55, 0.43%, 0.5%

LAB 66.82, -44.06, 18.36

 

CMYK 43 / 0 / 21 / 36

HEX #5CA280

RGB 92 162 128

HSL 150.86, 0.28%, 0.5%

LAB 61.37, -30.13, 10.88

 

CMYK 93 / 0 / 96 / 4

HEX #12F40A

RGB 18 244 10

HSL 117.95, 0.92%, 0.5%

LAB 84.41, -82.6, 79.73

 

CMYK 96 / 0 / 74 / 4

HEX #0AF440

RGB 10 244 64

HSL 133.85, 0.92%, 0.5%

LAB 84.55, -80.58, 68.58

 

CMYK 96 / 0 / 48 / 4

HEX #0AF47F

RGB 10 244 127

HSL 150, 0.92%, 0.5%

LAB 85.15, -73.2, 42.88

 

CMYK 96 / 0 / 22 / 4

HEX #0AF4BE

RGB 10 244 190

HSL 166.15, 0.92%, 0.5%

LAB 86.25, -60.58, 12.56

 

CMYK 96 / 3 / 0 / 4

HEX #0AECF4

RGB 10 236 244

HSL 182.05, 0.92%, 0.5%

LAB 85.29, -42.78, -17.13

 

CMYK 96 / 0 / 47 / 35

HEX #06A558

RGB 6 165 88

HSL 150.94, 0.93%, 0.34%

LAB 59.57, -53.81, 29.93

 

CMYK 96 / 0 / 47 / 20

HEX #08CD6D

RGB 8 205 109

HSL 150.76, 0.92%, 0.42%

LAB 72.77, -63.6, 36.02

 

CMYK 96 / 0 / 47 / 4

HEX #0AF482

RGB 10 244 130

HSL 150.77, 0.92%, 0.5%

LAB 85.19, -72.71, 41.48

 

CMYK 80 / 0 / 39 / 4

HEX #31F696

RGB 49 246 150

HSL 150.76, 0.92%, 0.58%

LAB 86.39, -67.49, 33.25

 

CMYK 64 / 0 / 31 / 3

HEX #59F8AA

RGB 89 248 170

HSL 150.57, 0.92%, 0.66%

LAB 88.05, -58.94, 25.51

 

CMYK 96 / 0 / 47 / 4

HEX #0AF482

RGB 10 244 130

HSL 150.77, 0.92%, 0.5%

LAB 85.19, -72.71, 41.48

 

CMYK 96 / 67 / 0 / 4

HEX #0A50F4

RGB 10 80 244

HSL 222.05, 0.92%, 0.5%

LAB 41.74, 45.12, -86

 

CMYK 0 / 86 / 96 / 4

HEX #F4210A

RGB 244 33 10

HSL 5.9, 0.92%, 0.5%

LAB 52.22, 73.98, 63.02

 

CMYK 96 / 0 / 47 / 4

HEX #0AF482

RGB 10 244 130

HSL 150.77, 0.92%, 0.5%

LAB 85.19, -72.71, 41.48

 

CMYK 48 / 96 / 0 / 4

HEX #7F0AF4

RGB 127 10 244

HSL 270, 0.92%, 0.5%

LAB 40.02, 79.72, -88.6

 

CMYK 0 / 48 / 96 / 4

HEX #F47F0A

RGB 244 127 10

HSL 30, 0.92%, 0.5%

LAB 65.31, 39.11, 70.71

 

CMYK 96 / 0 / 47 / 4

HEX #0AF482

RGB 10 244 130

HSL 150.77, 0.92%, 0.5%

LAB 85.19, -72.71, 41.48

 

CMYK 96 / 67 / 0 / 4

HEX #0A50F4

RGB 10 80 244

HSL 222.05, 0.92%, 0.5%

LAB 41.74, 45.12, -86

 

CMYK 0 / 96 / 48 / 4

HEX #F40A7F

RGB 244 10 127

HSL 330, 0.92%, 0.5%

LAB 52.93, 81.44, 1.57

 

CMYK 0 / 29 / 96 / 4

HEX #F4AE0A

RGB 244 174 10

HSL 42.05, 0.92%, 0.5%

LAB 75.78, 14.65, 77.81

 

CMYK 96 / 0 / 47 / 4

HEX #0AF482

RGB 10 244 130

HSL 150.77, 0.92%, 0.5%

LAB 85.19, -72.71, 41.48

 

CMYK 96 / 96 / 0 / 4

HEX #0A0AF4

RGB 10 10 244

HSL 240, 0.92%, 0.5%

LAB 31.38, 75.06, -103.21

 

CMYK 0 / 96 / 48 / 4

HEX #F40A7F

RGB 244 10 127

HSL 330, 0.92%, 0.5%

LAB 52.93, 81.44, 1.57

 

CMYK 0 / 0 / 96 / 4

HEX #F4F40A

RGB 244 244 10

HSL 60, 0.92%, 0.5%

LAB 93.43, -20.77, 90.65

 

Description

Color code: HEX #0AF482 | qconv.com Color code: HEX #0AF482 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 244 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 244 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 47 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 47% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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