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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BA259 it is the complementary color #F45DA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BA259. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BA259 shade: #10A254, #21B467, #32C67A, #43D88D and #54EAA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BA259. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BA259 shade: #0BA259, #009046, #007E33, #006C20 and #005A0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BA259 shade: #0BA259, #0BA230, #0EA20B, #37A20B and #60A20B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BA259 shade: #0BA259, #0BA281, #0B99A2, #0B71A2 and #0B48A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BA259 shade matches the following richer shades: #0BA259

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BA259 shade: #0BA259, #199458, #278658, #357857 and #436A57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BA259 shade: #10A20B, #0BA22E, #0BA256, #0BA27E and #0B9DA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BA259 shade: #05542E, #087B43, #0BA259, #0DC86E and #11EE83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BA259 shade: #0BA259, #0B38A2 and #A21A0B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BA259 shade: #0BA259, #560BA2 and #A2560B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BA259 shade: #0BA259, #0B38A2, #A20B56 and #A2740B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BA259 shade: #0BA259, #0B0BA2, #A20B56 and #A2A20B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 45 / 36

HEX #0BA259

RGB 11 162 89

HSL 150.99, 0.87%, 0.34%

LAB 58.63, -52.33, 28.19

 

Complementary color

CMYK 0 / 62 / 32 / 4

HEX #F45DA6

RGB 244 93 166

HSL 330.99, 0.87%, 0.66%

LAB 61.49, 64.44, -8.78

 

CMYK 90 / 0 / 48 / 36

HEX #10A254

RGB 16 162 84

HSL 147.95, 0.82%, 0.35%

LAB 58.59, -52.93, 30.78

 

CMYK 82 / 0 / 43 / 29

HEX #21B467

RGB 33 180 103

HSL 148.57, 0.69%, 0.42%

LAB 64.92, -54.41, 29.02

 

CMYK 75 / 0 / 38 / 22

HEX #32C67A

RGB 50 198 122

HSL 149.19, 0.6%, 0.49%

LAB 71.19, -55.38, 27.39

 

CMYK 69 / 0 / 35 / 15

HEX #43D88D

RGB 67 216 141

HSL 149.8, 0.66%, 0.55%

LAB 77.42, -55.99, 25.9

 

CMYK 64 / 0 / 32 / 8

HEX #54EAA0

RGB 84 234 160

HSL 150.4, 0.78%, 0.62%

LAB 83.58, -56.35, 24.52

 

CMYK 93 / 0 / 45 / 36

HEX #0BA259

RGB 11 162 89

HSL 150.99, 0.87%, 0.34%

LAB 58.63, -52.33, 28.19

 

CMYK 100 / 0 / 51 / 44

HEX #009046

RGB 0 144 70

HSL 149.17, 1%, 0.28%

LAB 52.27, -50.04, 30.12

 

CMYK 100 / 0 / 60 / 51

HEX #007E33

RGB 0 126 51

HSL 144.29, 1%, 0.25%

LAB 45.85, -46.96, 32.12

 

CMYK 100 / 0 / 70 / 58

HEX #006C20

RGB 0 108 32

HSL 137.78, 1%, 0.21%

LAB 39.29, -43.5, 33.87

 

CMYK 100 / 0 / 86 / 65

HEX #005A0D

RGB 0 90 13

HSL 128.67, 1%, 0.18%

LAB 32.57, -39.47, 34.74

 

CMYK 93 / 0 / 45 / 36

HEX #0BA259

RGB 11 162 89

HSL 150.99, 0.87%, 0.34%

LAB 58.63, -52.33, 28.19

 

CMYK 93 / 0 / 70 / 36

HEX #0BA230

RGB 11 162 48

HSL 134.7, 0.87%, 0.34%

LAB 58.16, -58.17, 47.27

 

CMYK 91 / 0 / 93 / 36

HEX #0EA20B

RGB 14 162 11

HSL 118.81, 0.87%, 0.34%

LAB 58, -60.27, 57.76

 

CMYK 66 / 0 / 93 / 36

HEX #37A20B

RGB 55 162 11

HSL 102.52, 0.87%, 0.34%

LAB 58.67, -54.36, 58.6

 

CMYK 41 / 0 / 93 / 36

HEX #60A20B

RGB 96 162 11

HSL 86.23, 0.87%, 0.34%

LAB 60.21, -42.38, 60.49

 

CMYK 93 / 0 / 45 / 36

HEX #0BA259

RGB 11 162 89

HSL 150.99, 0.87%, 0.34%

LAB 58.63, -52.33, 28.19

 

CMYK 93 / 0 / 20 / 36

HEX #0BA281

RGB 11 162 129

HSL 166.89, 0.87%, 0.34%

LAB 59.43, -43.31, 7.29

 

CMYK 93 / 6 / 0 / 36

HEX #0B99A2

RGB 11 153 162

HSL 183.58, 0.87%, 0.34%

LAB 57.52, -29.51, -14.23

 

CMYK 93 / 30 / 0 / 36

HEX #0B71A2

RGB 11 113 162

HSL 199.47, 0.87%, 0.34%

LAB 44.93, -7.91, -33.65

 

CMYK 93 / 56 / 0 / 36

HEX #0B48A2

RGB 11 72 162

HSL 215.76, 0.87%, 0.34%

LAB 32.51, 18.6, -53.52

 

CMYK 93 / 0 / 45 / 36

HEX #0BA259

RGB 11 162 89

HSL 150.99, 0.87%, 0.34%

LAB 58.63, -52.33, 28.19

 

CMYK 93 / 0 / 45 / 36

HEX #0BA259

RGB 11 162 89

HSL 150.99, 0.87%, 0.34%

LAB 58.63, -52.33, 28.19

 

CMYK 83 / 0 / 41 / 42

HEX #199458

RGB 25 148 88

HSL 150.73, 0.71%, 0.34%

LAB 54.12, -46.29, 22.87

 

CMYK 71 / 0 / 34 / 47

HEX #278658

RGB 39 134 88

HSL 150.95, 0.55%, 0.34%

LAB 49.72, -38.71, 17.01

 

CMYK 56 / 0 / 28 / 53

HEX #357857

RGB 53 120 87

HSL 150.45, 0.39%, 0.34%

LAB 45.47, -29.65, 11.81

 

CMYK 37 / 0 / 18 / 58

HEX #436A57

RGB 67 106 87

HSL 150.77, 0.23%, 0.34%

LAB 41.52, -18.43, 6.34

 

CMYK 90 / 0 / 93 / 36

HEX #10A20B

RGB 16 162 11

HSL 118.01, 0.87%, 0.34%

LAB 58.01, -60.13, 57.78

 

CMYK 93 / 0 / 72 / 36

HEX #0BA22E

RGB 11 162 46

HSL 133.91, 0.87%, 0.34%

LAB 58.14, -58.36, 48.05

 

CMYK 93 / 0 / 47 / 36

HEX #0BA256

RGB 11 162 86

HSL 149.8, 0.87%, 0.34%

LAB 58.59, -52.88, 29.72

 

CMYK 93 / 0 / 22 / 36

HEX #0BA27E

RGB 11 162 126

HSL 165.7, 0.87%, 0.34%

LAB 59.36, -44.09, 8.88

 

CMYK 93 / 3 / 0 / 36

HEX #0B9DA2

RGB 11 157 162

HSL 181.99, 0.87%, 0.34%

LAB 58.78, -31.45, -12.33

 

CMYK 94 / 0 / 45 / 67

HEX #05542E

RGB 5 84 46

HSL 151.14, 0.89%, 0.17%

LAB 30.81, -31.9, 16.18

 

CMYK 93 / 0 / 46 / 52

HEX #087B43

RGB 8 123 67

HSL 150.78, 0.88%, 0.26%

LAB 45.11, -42.52, 22.66

 

CMYK 93 / 0 / 45 / 36

HEX #0BA259

RGB 11 162 89

HSL 150.99, 0.87%, 0.34%

LAB 58.63, -52.33, 28.19

 

CMYK 94 / 0 / 45 / 22

HEX #0DC86E

RGB 13 200 110

HSL 151.12, 0.88%, 0.42%

LAB 71.23, -61.56, 33.55

 

CMYK 93 / 0 / 45 / 7

HEX #11EE83

RGB 17 238 131

HSL 150.95, 0.87%, 0.5%

LAB 83.39, -70.37, 38.71

 

CMYK 93 / 0 / 45 / 36

HEX #0BA259

RGB 11 162 89

HSL 150.99, 0.87%, 0.34%

LAB 58.63, -52.33, 28.19

 

CMYK 93 / 65 / 0 / 36

HEX #0B38A2

RGB 11 56 162

HSL 222.12, 0.87%, 0.34%

LAB 28.14, 29.55, -60.67

 

CMYK 0 / 84 / 93 / 36

HEX #A21A0B

RGB 162 26 11

HSL 5.96, 0.87%, 0.34%

LAB 34.89, 52.81, 44.01

 

CMYK 93 / 0 / 45 / 36

HEX #0BA259

RGB 11 162 89

HSL 150.99, 0.87%, 0.34%

LAB 58.63, -52.33, 28.19

 

CMYK 47 / 93 / 0 / 36

HEX #560BA2

RGB 86 11 162

HSL 269.8, 0.87%, 0.34%

LAB 26.23, 57.71, -63.61

 

CMYK 0 / 47 / 93 / 36

HEX #A2560B

RGB 162 86 11

HSL 29.8, 0.87%, 0.34%

LAB 44.75, 26.82, 50.89

 

CMYK 93 / 0 / 45 / 36

HEX #0BA259

RGB 11 162 89

HSL 150.99, 0.87%, 0.34%

LAB 58.63, -52.33, 28.19

 

CMYK 93 / 65 / 0 / 36

HEX #0B38A2

RGB 11 56 162

HSL 222.12, 0.87%, 0.34%

LAB 28.14, 29.55, -60.67

 

CMYK 0 / 93 / 47 / 36

HEX #A20B56

RGB 162 11 86

HSL 330.2, 0.87%, 0.34%

LAB 35.19, 59.41, -0.71

 

CMYK 0 / 28 / 93 / 36

HEX #A2740B

RGB 162 116 11

HSL 41.72, 0.87%, 0.34%

LAB 52.06, 9.9, 56.29

 

CMYK 93 / 0 / 45 / 36

HEX #0BA259

RGB 11 162 89

HSL 150.99, 0.87%, 0.34%

LAB 58.63, -52.33, 28.19

 

CMYK 93 / 93 / 0 / 36

HEX #0B0BA2

RGB 11 11 162

HSL 240, 0.87%, 0.34%

LAB 19.72, 53.4, -74.62

 

CMYK 0 / 93 / 47 / 36

HEX #A20B56

RGB 162 11 86

HSL 330.2, 0.87%, 0.34%

LAB 35.19, 59.41, -0.71

 

CMYK 0 / 0 / 93 / 36

HEX #A2A20B

RGB 162 162 11

HSL 60, 0.87%, 0.34%

LAB 64.6, -15.2, 65.84

 

Description

Color code: HEX #0BA259 | qconv.com Color code: HEX #0BA259 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 162 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 162 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 45 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 45% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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