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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EA20B it is the complementary color #F15DF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EA20B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EA20B shade: #13A206, #24B419, #35C62C, #46D83F and #57EA52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EA20B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EA20B shade: #0EA20B, #009000, #007E00, #006C00 and #005A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EA20B shade: #0EA20B, #36A20B, #5FA20B, #88A20B and #A2930B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EA20B shade: #0EA20B, #0BA230, #0BA259, #0BA282 and #0B99A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EA20B shade matches the following richer shades: #0EA20B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EA20B shade: #0EA20B, #1B9419, #298627, #367835 and #446A43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EA20B shade: #60A20B, #38A20B, #10A20B, #0BA22E and #0BA256

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EA20B shade: #075405, #0A7B08, #0EA20B, #11C80D and #15EE11

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EA20B shade: #0EA20B, #0B88A2 and #A20B4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EA20B shade: #0EA20B, #0B10A2 and #A20B10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EA20B shade: #0EA20B, #0B88A2, #9D0BA2 and #A2240B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EA20B shade: #0EA20B, #0B5BA2, #9D0BA2 and #A2510B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 93 / 36

HEX #0EA20B

RGB 14 162 11

HSL 118.81, 0.87%, 0.34%

LAB 58, -60.27, 57.76

 

Complementary color

CMYK 1 / 62 / 0 / 4

HEX #F15DF4

RGB 241 93 244

HSL 298.81, 0.87%, 0.66%

LAB 64.21, 74.72, -48.7

 

CMYK 88 / 0 / 96 / 36

HEX #13A206

RGB 19 162 6

HSL 115, 0.93%, 0.33%

LAB 58.03, -60.02, 58.53

 

CMYK 80 / 0 / 86 / 29

HEX #24B419

RGB 36 180 25

HSL 115.74, 0.76%, 0.4%

LAB 64.23, -62.88, 60.57

 

CMYK 73 / 0 / 78 / 22

HEX #35C62C

RGB 53 198 44

HSL 116.49, 0.64%, 0.47%

LAB 70.4, -64.89, 61.23

 

CMYK 68 / 0 / 71 / 15

HEX #46D83F

RGB 70 216 63

HSL 117.25, 0.66%, 0.55%

LAB 76.54, -66.28, 61

 

CMYK 63 / 0 / 65 / 8

HEX #57EA52

RGB 87 234 82

HSL 118.03, 0.78%, 0.62%

LAB 82.64, -67.2, 60.27

 

CMYK 91 / 0 / 93 / 36

HEX #0EA20B

RGB 14 162 11

HSL 118.81, 0.87%, 0.34%

LAB 58, -60.27, 57.76

 

CMYK 100 / 0 / 100 / 44

HEX #009000

RGB 0 144 0

HSL 120, 1%, 0.28%

LAB 51.78, -56.31, 54.35

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 91 / 0 / 93 / 36

HEX #0EA20B

RGB 14 162 11

HSL 118.81, 0.87%, 0.34%

LAB 58, -60.27, 57.76

 

CMYK 67 / 0 / 93 / 36

HEX #36A20B

RGB 54 162 11

HSL 102.91, 0.87%, 0.34%

LAB 58.65, -54.58, 58.57

 

CMYK 41 / 0 / 93 / 36

HEX #5FA20B

RGB 95 162 11

HSL 86.62, 0.87%, 0.34%

LAB 60.16, -42.73, 60.43

 

CMYK 16 / 0 / 93 / 36

HEX #88A20B

RGB 136 162 11

HSL 70.33, 0.87%, 0.34%

LAB 62.59, -26.57, 63.41

 

CMYK 0 / 9 / 93 / 36

HEX #A2930B

RGB 162 147 11

HSL 54.04, 0.87%, 0.34%

LAB 60.4, -7.29, 62.62

 

CMYK 91 / 0 / 93 / 36

HEX #0EA20B

RGB 14 162 11

HSL 118.81, 0.87%, 0.34%

LAB 58, -60.27, 57.76

 

CMYK 93 / 0 / 70 / 36

HEX #0BA230

RGB 11 162 48

HSL 134.7, 0.87%, 0.34%

LAB 58.16, -58.17, 47.27

 

CMYK 93 / 0 / 45 / 36

HEX #0BA259

RGB 11 162 89

HSL 150.99, 0.87%, 0.34%

LAB 58.63, -52.33, 28.19

 

CMYK 93 / 0 / 20 / 36

HEX #0BA282

RGB 11 162 130

HSL 167.28, 0.87%, 0.34%

LAB 59.46, -43.04, 6.77

 

CMYK 93 / 6 / 0 / 36

HEX #0B99A2

RGB 11 153 162

HSL 183.58, 0.87%, 0.34%

LAB 57.52, -29.51, -14.23

 

CMYK 91 / 0 / 93 / 36

HEX #0EA20B

RGB 14 162 11

HSL 118.81, 0.87%, 0.34%

LAB 58, -60.27, 57.76

 

CMYK 91 / 0 / 93 / 36

HEX #0EA20B

RGB 14 162 11

HSL 118.81, 0.87%, 0.34%

LAB 58, -60.27, 57.76

 

CMYK 82 / 0 / 83 / 42

HEX #1B9419

RGB 27 148 25

HSL 119.02, 0.71%, 0.34%

LAB 53.47, -54.2, 50.76

 

CMYK 69 / 0 / 71 / 47

HEX #298627

RGB 41 134 39

HSL 118.74, 0.55%, 0.34%

LAB 49.09, -46.06, 41.51

 

CMYK 55 / 0 / 56 / 53

HEX #367835

RGB 54 120 53

HSL 119.1, 0.39%, 0.34%

LAB 44.91, -35.64, 30.22

 

CMYK 36 / 0 / 37 / 58

HEX #446A43

RGB 68 106 67

HSL 118.46, 0.23%, 0.34%

LAB 41.12, -22.18, 17.75

 

CMYK 41 / 0 / 93 / 36

HEX #60A20B

RGB 96 162 11

HSL 86.23, 0.87%, 0.34%

LAB 60.21, -42.38, 60.49

 

CMYK 65 / 0 / 93 / 36

HEX #38A20B

RGB 56 162 11

HSL 102.12, 0.87%, 0.34%

LAB 58.7, -54.14, 58.63

 

CMYK 90 / 0 / 93 / 36

HEX #10A20B

RGB 16 162 11

HSL 118.01, 0.87%, 0.34%

LAB 58.01, -60.13, 57.78

 

CMYK 93 / 0 / 72 / 36

HEX #0BA22E

RGB 11 162 46

HSL 133.91, 0.87%, 0.34%

LAB 58.14, -58.36, 48.05

 

CMYK 93 / 0 / 47 / 36

HEX #0BA256

RGB 11 162 86

HSL 149.8, 0.87%, 0.34%

LAB 58.59, -52.88, 29.72

 

CMYK 92 / 0 / 94 / 67

HEX #075405

RGB 7 84 5

HSL 118.48, 0.89%, 0.17%

LAB 30.39, -37.09, 35.42

 

CMYK 92 / 0 / 93 / 52

HEX #0A7B08

RGB 10 123 8

HSL 118.96, 0.88%, 0.26%

LAB 44.59, -49.08, 46.88

 

CMYK 91 / 0 / 93 / 36

HEX #0EA20B

RGB 14 162 11

HSL 118.81, 0.87%, 0.34%

LAB 58, -60.27, 57.76

 

CMYK 92 / 0 / 94 / 22

HEX #11C80D

RGB 17 200 13

HSL 118.72, 0.88%, 0.42%

LAB 70.49, -70.75, 67.96

 

CMYK 91 / 0 / 93 / 7

HEX #15EE11

RGB 21 238 17

HSL 118.91, 0.87%, 0.5%

LAB 82.57, -80.74, 77.54

 

CMYK 91 / 0 / 93 / 36

HEX #0EA20B

RGB 14 162 11

HSL 118.81, 0.87%, 0.34%

LAB 58, -60.27, 57.76

 

CMYK 93 / 16 / 0 / 36

HEX #0B88A2

RGB 11 136 162

HSL 190.33, 0.87%, 0.34%

LAB 52.16, -20.84, -22.4

 

CMYK 0 / 93 / 53 / 36

HEX #A20B4C

RGB 162 11 76

HSL 334.17, 0.87%, 0.34%

LAB 34.89, 58.59, 5.37

 

CMYK 91 / 0 / 93 / 36

HEX #0EA20B

RGB 14 162 11

HSL 118.81, 0.87%, 0.34%

LAB 58, -60.27, 57.76

 

CMYK 93 / 90 / 0 / 36

HEX #0B10A2

RGB 11 16 162

HSL 238.01, 0.87%, 0.34%

LAB 20.24, 51.8, -73.74

 

CMYK 0 / 93 / 90 / 36

HEX #A20B10

RGB 162 11 16

HSL 358.01, 0.87%, 0.34%

LAB 33.9, 55.81, 41.15

 

CMYK 91 / 0 / 93 / 36

HEX #0EA20B

RGB 14 162 11

HSL 118.81, 0.87%, 0.34%

LAB 58, -60.27, 57.76

 

CMYK 93 / 16 / 0 / 36

HEX #0B88A2

RGB 11 136 162

HSL 190.33, 0.87%, 0.34%

LAB 52.16, -20.84, -22.4

 

CMYK 3 / 93 / 0 / 36

HEX #9D0BA2

RGB 157 11 162

HSL 298.01, 0.87%, 0.34%

LAB 37.87, 67.87, -44.17

 

CMYK 0 / 78 / 93 / 36

HEX #A2240B

RGB 162 36 11

HSL 9.93, 0.87%, 0.34%

LAB 35.92, 49.91, 44.7

 

CMYK 91 / 0 / 93 / 36

HEX #0EA20B

RGB 14 162 11

HSL 118.81, 0.87%, 0.34%

LAB 58, -60.27, 57.76

 

CMYK 93 / 44 / 0 / 36

HEX #0B5BA2

RGB 11 91 162

HSL 208.21, 0.87%, 0.34%

LAB 38.13, 5.83, -44.45

 

CMYK 3 / 93 / 0 / 36

HEX #9D0BA2

RGB 157 11 162

HSL 298.01, 0.87%, 0.34%

LAB 37.87, 67.87, -44.17

 

CMYK 0 / 50 / 93 / 36

HEX #A2510B

RGB 162 81 11

HSL 27.81, 0.87%, 0.34%

LAB 43.64, 29.55, 50.09

 

Description

Color code: HEX #0EA20B | qconv.com Color code: HEX #0EA20B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 162 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 162 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 93 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 93% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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