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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DAA76 it is the complementary color #F25589. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DAA76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DAA76 shade: #12AA71, #23BC84, #34CE97, #45E0AA and #56F2BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DAA76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DAA76 shade: #0DAA76, #009863, #008650, #00743D and #00622A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DAA76 shade: #0CAA76, #0CAA4B, #0CAA21, #22AA0C and #4DAA0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DAA76 shade: #0CAA76, #0CAAA1, #0C89AA, #0C5FAA and #0C34AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DAA76 shade matches the following richer shades: #0CAA76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DAA76 shade: #0CAA76, #1B9B71, #2A8D6C, #397E67 and #486F62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DAA76 shade: #0CAA21, #0CAA4C, #0CAA76, #0CAAA0 and #0C8BAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DAA76 shade: #075E41, #09845B, #0CAA76, #0FD191 and #1CEDA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DAA76 shade: #0DAA76, #0C21AA and #AA360C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DAA76 shade: #0DAA76, #760CAA and #AA760C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DAA76 shade: #0DAA76, #0C21AA, #AA0C41 and #AA950C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DAA76 shade: #0DAA76, #270CAA, #AA0C41 and #90AA0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 31 / 33

HEX #0DAA76

RGB 13 170 118

HSL 160.13, 0.86%, 0.36%

LAB 61.78, -49.13, 16.71

 

Complementary color

CMYK 0 / 65 / 43 / 5

HEX #F25589

RGB 242 85 137

HSL 340.13, 0.86%, 0.64%

LAB 59.14, 64.02, 4.57

 

CMYK 89 / 0 / 34 / 33

HEX #12AA71

RGB 18 170 113

HSL 157.5, 0.81%, 0.37%

LAB 61.71, -49.96, 19.36

 

CMYK 81 / 0 / 30 / 26

HEX #23BC84

RGB 35 188 132

HSL 158.04, 0.69%, 0.44%

LAB 68.01, -51.27, 17.73

 

CMYK 75 / 0 / 27 / 19

HEX #34CE97

RGB 52 206 151

HSL 158.57, 0.61%, 0.51%

LAB 74.26, -52.15, 16.26

 

CMYK 69 / 0 / 24 / 12

HEX #45E0AA

RGB 69 224 170

HSL 159.1, 0.71%, 0.57%

LAB 80.45, -52.74, 14.92

 

CMYK 64 / 0 / 22 / 5

HEX #56F2BD

RGB 86 242 189

HSL 159.62, 0.86%, 0.64%

LAB 86.58, -53.11, 13.69

 

CMYK 92 / 0 / 31 / 33

HEX #0DAA76

RGB 13 170 118

HSL 160.13, 0.86%, 0.36%

LAB 61.78, -49.13, 16.71

 

CMYK 100 / 0 / 35 / 40

HEX #009863

RGB 0 152 99

HSL 159.08, 1%, 0.3%

LAB 55.44, -47.17, 18.51

 

CMYK 100 / 0 / 40 / 47

HEX #008650

RGB 0 134 80

HSL 155.82, 1%, 0.26%

LAB 49.04, -44.53, 20.53

 

CMYK 100 / 0 / 47 / 55

HEX #00743D

RGB 0 116 61

HSL 151.55, 1%, 0.23%

LAB 42.5, -41.71, 22.63

 

CMYK 100 / 0 / 57 / 62

HEX #00622A

RGB 0 98 42

HSL 145.71, 1%, 0.19%

LAB 35.8, -38.63, 24.78

 

CMYK 93 / 0 / 31 / 33

HEX #0CAA76

RGB 12 170 118

HSL 160.25, 0.87%, 0.36%

LAB 61.77, -49.18, 16.7

 

CMYK 93 / 0 / 56 / 33

HEX #0CAA4B

RGB 12 170 75

HSL 143.92, 0.87%, 0.36%

LAB 61.08, -57.33, 38.39

 

CMYK 93 / 0 / 81 / 33

HEX #0CAA21

RGB 12 170 33

HSL 127.97, 0.87%, 0.36%

LAB 60.73, -61.72, 55.16

 

CMYK 80 / 0 / 93 / 33

HEX #22AA0C

RGB 34 170 12

HSL 111.65, 0.87%, 0.36%

LAB 60.88, -60.59, 60.13

 

CMYK 55 / 0 / 93 / 33

HEX #4DAA0C

RGB 77 170 12

HSL 95.32, 0.87%, 0.36%

LAB 61.96, -51.57, 61.46

 

CMYK 93 / 0 / 31 / 33

HEX #0CAA76

RGB 12 170 118

HSL 160.25, 0.87%, 0.36%

LAB 61.77, -49.18, 16.7

 

CMYK 93 / 0 / 5 / 33

HEX #0CAAA1

RGB 12 170 161

HSL 176.58, 0.87%, 0.36%

LAB 62.84, -37.77, -5.7

 

CMYK 93 / 19 / 0 / 33

HEX #0C89AA

RGB 12 137 170

HSL 192.53, 0.87%, 0.36%

LAB 52.81, -18.5, -26.02

 

CMYK 93 / 44 / 0 / 33

HEX #0C5FAA

RGB 12 95 170

HSL 208.48, 0.87%, 0.36%

LAB 39.86, 6.53, -46.43

 

CMYK 93 / 69 / 0 / 33

HEX #0C34AA

RGB 12 52 170

HSL 224.81, 0.87%, 0.36%

LAB 27.94, 35.36, -65.81

 

CMYK 93 / 0 / 31 / 33

HEX #0CAA76

RGB 12 170 118

HSL 160.25, 0.87%, 0.36%

LAB 61.77, -49.18, 16.7

 

CMYK 93 / 0 / 31 / 33

HEX #0CAA76

RGB 12 170 118

HSL 160.25, 0.87%, 0.36%

LAB 61.77, -49.18, 16.7

 

CMYK 83 / 0 / 27 / 39

HEX #1B9B71

RGB 27 155 113

HSL 160.31, 0.7%, 0.36%

LAB 56.95, -43.3, 12.8

 

CMYK 70 / 0 / 23 / 45

HEX #2A8D6C

RGB 42 141 108

HSL 160, 0.54%, 0.36%

LAB 52.54, -36.57, 9.48

 

CMYK 55 / 0 / 18 / 51

HEX #397E67

RGB 57 126 103

HSL 160, 0.38%, 0.36%

LAB 47.97, -27.74, 5.96

 

CMYK 35 / 0 / 12 / 56

HEX #486F62

RGB 72 111 98

HSL 160, 0.21%, 0.36%

LAB 43.7, -16.93, 2.88

 

CMYK 93 / 0 / 81 / 33

HEX #0CAA21

RGB 12 170 33

HSL 127.97, 0.87%, 0.36%

LAB 60.73, -61.72, 55.16

 

CMYK 93 / 0 / 55 / 33

HEX #0CAA4C

RGB 12 170 76

HSL 144.3, 0.87%, 0.36%

LAB 61.09, -57.18, 37.91

 

CMYK 93 / 0 / 31 / 33

HEX #0CAA76

RGB 12 170 118

HSL 160.25, 0.87%, 0.36%

LAB 61.77, -49.18, 16.7

 

CMYK 93 / 0 / 6 / 33

HEX #0CAAA0

RGB 12 170 160

HSL 176.2, 0.87%, 0.36%

LAB 62.82, -38.07, -5.18

 

CMYK 93 / 18 / 0 / 33

HEX #0C8BAA

RGB 12 139 170

HSL 191.77, 0.87%, 0.36%

LAB 53.43, -19.57, -25.05

 

CMYK 93 / 0 / 31 / 63

HEX #075E41

RGB 7 94 65

HSL 160, 0.86%, 0.2%

LAB 34.87, -31.35, 10.09

 

CMYK 93 / 0 / 31 / 48

HEX #09845B

RGB 9 132 91

HSL 160, 0.87%, 0.28%

LAB 48.66, -40.68, 13.76

 

CMYK 93 / 0 / 31 / 33

HEX #0CAA76

RGB 12 170 118

HSL 160.25, 0.87%, 0.36%

LAB 61.77, -49.18, 16.7

 

CMYK 93 / 0 / 31 / 18

HEX #0FD191

RGB 15 209 145

HSL 160.21, 0.87%, 0.44%

LAB 74.66, -57.68, 19.94

 

CMYK 88 / 0 / 29 / 7

HEX #1CEDA8

RGB 28 237 168

HSL 160.19, 0.85%, 0.52%

LAB 83.78, -62.29, 20.52

 

CMYK 92 / 0 / 31 / 33

HEX #0DAA76

RGB 13 170 118

HSL 160.13, 0.86%, 0.36%

LAB 61.78, -49.13, 16.71

 

CMYK 93 / 81 / 0 / 33

HEX #0C21AA

RGB 12 33 170

HSL 232.03, 0.87%, 0.36%

LAB 23.9, 46.71, -72.51

 

CMYK 0 / 68 / 93 / 33

HEX #AA360C

RGB 170 54 12

HSL 15.95, 0.87%, 0.36%

LAB 39.93, 45.84, 47.81

 

CMYK 92 / 0 / 31 / 33

HEX #0DAA76

RGB 13 170 118

HSL 160.13, 0.86%, 0.36%

LAB 61.78, -49.13, 16.71

 

CMYK 31 / 93 / 0 / 33

HEX #760CAA

RGB 118 12 170

HSL 280.25, 0.87%, 0.36%

LAB 31.85, 63.12, -59.06

 

CMYK 0 / 31 / 93 / 33

HEX #AA760C

RGB 170 118 12

HSL 40.25, 0.87%, 0.36%

LAB 53.52, 12.46, 57.61

 

CMYK 92 / 0 / 31 / 33

HEX #0DAA76

RGB 13 170 118

HSL 160.13, 0.86%, 0.36%

LAB 61.78, -49.13, 16.71

 

CMYK 93 / 81 / 0 / 33

HEX #0C21AA

RGB 12 33 170

HSL 232.03, 0.87%, 0.36%

LAB 23.9, 46.71, -72.51

 

CMYK 0 / 93 / 62 / 33

HEX #AA0C41

RGB 170 12 65

HSL 339.87, 0.87%, 0.36%

LAB 36.35, 59.69, 14.81

 

CMYK 0 / 12 / 93 / 33

HEX #AA950C

RGB 170 149 12

HSL 52.03, 0.87%, 0.36%

LAB 61.71, -4.7, 63.79

 

CMYK 92 / 0 / 31 / 33

HEX #0DAA76

RGB 13 170 118

HSL 160.13, 0.86%, 0.36%

LAB 61.78, -49.13, 16.71

 

CMYK 77 / 93 / 0 / 33

HEX #270CAA

RGB 39 12 170

HSL 250.25, 0.87%, 0.36%

LAB 22.29, 56.1, -75.15

 

CMYK 0 / 93 / 62 / 33

HEX #AA0C41

RGB 170 12 65

HSL 339.87, 0.87%, 0.36%

LAB 36.35, 59.69, 14.81

 

CMYK 15 / 0 / 93 / 33

HEX #90AA0C

RGB 144 170 12

HSL 69.87, 0.87%, 0.36%

LAB 65.52, -27.04, 65.82

 

Description

Color code: HEX #0DAA76 | qconv.com Color code: HEX #0DAA76 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 170 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 170 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 31 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 31% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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