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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 111 98 it is the complementary color RGB 183 144 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 111 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 72 111 98 shade: RGB 77 111 93, RGB 94 129 112, RGB 111 147 131, RGB 128 165 150 and RGB 145 183 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 111 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 72 111 98 shade: RGB 72 111 98, RGB 55 93 79, RGB 38 75 60, RGB 21 57 41 and RGB 4 39 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 72 111 98 shade: RGB 72 111 98, RGB 72 111 87, RGB 72 111 77, RGB 78 111 72 and RGB 88 111 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 72 111 98 shade: RGB 72 111 98, RGB 72 111 108, RGB 72 103 111, RGB 72 92 111 and RGB 72 82 111

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 72 111 98 shade matches the following richer shades: RGB 72 111 98, RGB 57 125 103, RGB 42 140 108, RGB 27 155 113 and RGB 13 170 118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 72 111 98 shade: RGB 72 111 98, RGB 87 96 93, RGB 102 81 88, RGB 117 66 83 and RGB 131 51 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 72 111 98 shade: RGB 72 111 77, RGB 72 111 87, RGB 72 111 98, RGB 72 111 108 and RGB 72 103 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 72 111 98 shade: RGB 39 61 54, RGB 56 86 76, RGB 72 111 98, RGB 88 136 120 and RGB 107 158 141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 72 111 98 shade: RGB 72 111 98, RGB 72 77 111 and RGB 111 82 72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 72 111 98 shade: RGB 72 111 98, RGB 98 72 111 and RGB 111 98 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 72 111 98 shade: RGB 72 111 98, RGB 72 77 111, RGB 111 72 85 and RGB 111 105 72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 72 111 98 shade: RGB 72 111 98, RGB 78 72 111, RGB 111 72 85 and RGB 104 111 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 12 / 56

HEX #486F62

RGB 72 111 98

HSL 160, 0.21%, 0.36%

LAB 43.7, -16.93, 2.88

 

Complementary color

CMYK 0 / 21 / 14 / 28

HEX #B7909D

RGB 183 144 157

HSL 340, 0.21%, 0.64%

LAB 63.71, 16.79, -1.23

 

CMYK 31 / 0 / 16 / 56

HEX #4D6F5D

RGB 77 111 93

HSL 148.24, 0.18%, 0.37%

LAB 43.85, -16.41, 6.14

 

CMYK 27 / 0 / 13 / 49

HEX #5E8170

RGB 94 129 112

HSL 150.86, 0.16%, 0.44%

LAB 50.98, -16.17, 5.24

 

CMYK 24 / 0 / 11 / 42

HEX #6F9383

RGB 111 147 131

HSL 153.33, 0.14%, 0.51%

LAB 57.93, -15.97, 4.41

 

CMYK 22 / 0 / 9 / 35

HEX #80A596

RGB 128 165 150

HSL 155.68, 0.17%, 0.57%

LAB 64.72, -15.81, 3.64

 

CMYK 21 / 0 / 8 / 28

HEX #91B7A9

RGB 145 183 169

HSL 157.89, 0.21%, 0.64%

LAB 71.39, -15.67, 2.91

 

CMYK 35 / 0 / 12 / 56

HEX #486F62

RGB 72 111 98

HSL 160, 0.21%, 0.36%

LAB 43.7, -16.93, 2.88

 

CMYK 41 / 0 / 15 / 64

HEX #375D4F

RGB 55 93 79

HSL 157.89, 0.26%, 0.29%

LAB 36.38, -17.17, 3.8

 

CMYK 49 / 0 / 20 / 71

HEX #264B3C

RGB 38 75 60

HSL 155.68, 0.33%, 0.22%

LAB 28.83, -17.42, 4.86

 

CMYK 63 / 0 / 28 / 78

HEX #153929

RGB 21 57 41

HSL 153.33, 0.46%, 0.15%

LAB 21, -17.59, 6.13

 

CMYK 90 / 0 / 44 / 85

HEX #042716

RGB 4 39 22

HSL 150.86, 0.81%, 0.08%

LAB 12.83, -17.68, 7.72

 

CMYK 35 / 0 / 12 / 56

HEX #486F62

RGB 72 111 98

HSL 160, 0.21%, 0.36%

LAB 43.7, -16.93, 2.88

 

CMYK 35 / 0 / 22 / 56

HEX #486F57

RGB 72 111 87

HSL 143.08, 0.21%, 0.36%

LAB 43.41, -19.43, 9.06

 

CMYK 35 / 0 / 31 / 56

HEX #486F4D

RGB 72 111 77

HSL 127.69, 0.21%, 0.36%

LAB 43.19, -21.48, 14.69

 

CMYK 30 / 0 / 35 / 56

HEX #4E6F48

RGB 78 111 72

HSL 110.77, 0.21%, 0.36%

LAB 43.44, -20.21, 18.02

 

CMYK 21 / 0 / 35 / 56

HEX #586F48

RGB 88 111 72

HSL 95.38, 0.21%, 0.36%

LAB 44.11, -16.31, 19.02

 

CMYK 35 / 0 / 12 / 56

HEX #486F62

RGB 72 111 98

HSL 160, 0.21%, 0.36%

LAB 43.7, -16.93, 2.88

 

CMYK 35 / 0 / 3 / 56

HEX #486F6C

RGB 72 111 108

HSL 175.38, 0.21%, 0.36%

LAB 43.99, -14.43, -2.71

 

CMYK 35 / 7 / 0 / 56

HEX #48676F

RGB 72 103 111

HSL 192.31, 0.21%, 0.36%

LAB 41.57, -9.07, -8.12

 

CMYK 35 / 17 / 0 / 56

HEX #485C6F

RGB 72 92 111

HSL 209.23, 0.21%, 0.36%

LAB 38.16, -2.49, -13.27

 

CMYK 35 / 26 / 0 / 56

HEX #48526F

RGB 72 82 111

HSL 224.62, 0.21%, 0.36%

LAB 35.12, 3.75, -17.92

 

CMYK 35 / 0 / 12 / 56

HEX #486F62

RGB 72 111 98

HSL 160, 0.21%, 0.36%

LAB 43.7, -16.93, 2.88

 

CMYK 54 / 0 / 18 / 51

HEX #397D67

RGB 57 125 103

HSL 160.59, 0.37%, 0.36%

LAB 47.64, -27.25, 5.49

 

CMYK 70 / 0 / 23 / 45

HEX #2A8C6C

RGB 42 140 108

HSL 160.41, 0.54%, 0.36%

LAB 52.21, -36.13, 9.02

 

CMYK 83 / 0 / 27 / 39

HEX #1B9B71

RGB 27 155 113

HSL 160.31, 0.7%, 0.36%

LAB 56.95, -43.3, 12.8

 

CMYK 92 / 0 / 31 / 33

HEX #0DAA76

RGB 13 170 118

HSL 160.13, 0.86%, 0.36%

LAB 61.78, -49.13, 16.71

 

CMYK 35 / 0 / 12 / 56

HEX #486F62

RGB 72 111 98

HSL 160, 0.21%, 0.36%

LAB 43.7, -16.93, 2.88

 

CMYK 9 / 0 / 3 / 62

HEX #57605D

RGB 87 96 93

HSL 160, 0.05%, 0.36%

LAB 39.89, -4.15, 0.51

 

CMYK 0 / 21 / 14 / 60

HEX #665158

RGB 102 81 88

HSL 340, 0.11%, 0.36%

LAB 36.77, 10.02, -0.77

 

CMYK 0 / 44 / 29 / 54

HEX #754253

RGB 117 66 83

HSL 340, 0.28%, 0.36%

LAB 34.61, 24.39, -0.56

 

CMYK 0 / 61 / 40 / 49

HEX #83334E

RGB 131 51 78

HSL 339.75, 0.44%, 0.36%

LAB 33.44, 37.16, 1.22

 

CMYK 35 / 0 / 31 / 56

HEX #486F4D

RGB 72 111 77

HSL 127.69, 0.21%, 0.36%

LAB 43.19, -21.48, 14.69

 

CMYK 35 / 0 / 22 / 56

HEX #486F57

RGB 72 111 87

HSL 143.08, 0.21%, 0.36%

LAB 43.41, -19.43, 9.06

 

CMYK 35 / 0 / 12 / 56

HEX #486F62

RGB 72 111 98

HSL 160, 0.21%, 0.36%

LAB 43.7, -16.93, 2.88

 

CMYK 35 / 0 / 3 / 56

HEX #486F6C

RGB 72 111 108

HSL 175.38, 0.21%, 0.36%

LAB 43.99, -14.43, -2.71

 

CMYK 35 / 7 / 0 / 56

HEX #48676F

RGB 72 103 111

HSL 192.31, 0.21%, 0.36%

LAB 41.57, -9.07, -8.12

 

CMYK 36 / 0 / 11 / 76

HEX #273D36

RGB 39 61 54

HSL 160.91, 0.22%, 0.2%

LAB 23.79, -10.53, 1.55

 

CMYK 35 / 0 / 12 / 66

HEX #38564C

RGB 56 86 76

HSL 160, 0.21%, 0.28%

LAB 34.02, -13.65, 2.28

 

CMYK 35 / 0 / 12 / 56

HEX #486F62

RGB 72 111 98

HSL 160, 0.21%, 0.36%

LAB 43.7, -16.93, 2.88

 

CMYK 35 / 0 / 12 / 47

HEX #588878

RGB 88 136 120

HSL 160, 0.21%, 0.44%

LAB 52.99, -20.05, 3.44

 

CMYK 32 / 0 / 11 / 38

HEX #6B9E8D

RGB 107 158 141

HSL 160, 0.21%, 0.52%

LAB 61.22, -20.84, 3.47

 

CMYK 35 / 0 / 12 / 56

HEX #486F62

RGB 72 111 98

HSL 160, 0.21%, 0.36%

LAB 43.7, -16.93, 2.88

 

CMYK 35 / 31 / 0 / 56

HEX #484D6F

RGB 72 77 111

HSL 232.31, 0.21%, 0.36%

LAB 33.63, 6.96, -20.23

 

CMYK 0 / 26 / 35 / 56

HEX #6F5248

RGB 111 82 72

HSL 15.38, 0.21%, 0.36%

LAB 37.63, 10.58, 10.58

 

CMYK 35 / 0 / 12 / 56

HEX #486F62

RGB 72 111 98

HSL 160, 0.21%, 0.36%

LAB 43.7, -16.93, 2.88

 

CMYK 12 / 35 / 0 / 56

HEX #62486F

RGB 98 72 111

HSL 280, 0.21%, 0.36%

LAB 34.76, 18.99, -18.28

 

CMYK 0 / 12 / 35 / 56

HEX #6F6248

RGB 111 98 72

HSL 40, 0.21%, 0.36%

LAB 42.13, 0.93, 16.73

 

CMYK 35 / 0 / 12 / 56

HEX #486F62

RGB 72 111 98

HSL 160, 0.21%, 0.36%

LAB 43.7, -16.93, 2.88

 

CMYK 35 / 31 / 0 / 56

HEX #484D6F

RGB 72 77 111

HSL 232.31, 0.21%, 0.36%

LAB 33.63, 6.96, -20.23

 

CMYK 0 / 35 / 23 / 56

HEX #6F4855

RGB 111 72 85

HSL 340, 0.21%, 0.36%

LAB 35.34, 18.71, -0.85

 

CMYK 0 / 5 / 35 / 56

HEX #6F6948

RGB 111 105 72

HSL 50.77, 0.21%, 0.36%

LAB 44.16, -3.19, 19.44

 

CMYK 35 / 0 / 12 / 56

HEX #486F62

RGB 72 111 98

HSL 160, 0.21%, 0.36%

LAB 43.7, -16.93, 2.88

 

CMYK 30 / 35 / 0 / 56

HEX #4E486F

RGB 78 72 111

HSL 249.23, 0.21%, 0.36%

LAB 32.71, 12.14, -21.63

 

CMYK 0 / 35 / 23 / 56

HEX #6F4855

RGB 111 72 85

HSL 340, 0.21%, 0.36%

LAB 35.34, 18.71, -0.85

 

CMYK 6 / 0 / 35 / 56

HEX #686F48

RGB 104 111 72

HSL 70.77, 0.21%, 0.36%

LAB 45.33, -9.66, 20.87

 

Description

Color code: RGB 72 111 98 | qconv.com Color code: RGB 72 111 98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 111 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 111 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 12 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 12% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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