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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E77B3 it is the complementary color #F1884C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E77B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E77B3 shade: #1377AE, #2489C1, #359BD4, #46ADE7 and #57BFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E77B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E77B3 shade: #0E77B3, #0065A0, #00538D, #00417A and #002F67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E77B3 shade: #0E77B3, #0E4AB3, #0E1EB3, #2A0EB3 and #570EB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E77B3 shade: #0E77B3, #0E4AB3, #0E1EB3 and #0E0EB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E77B3 shade matches the following richer shades: #0E77B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E77B3 shade: #0E77B3, #1E73A3, #2D6E93, #3D6A84 and #4D6674

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E77B3 shade: #0EB395, #0EA5B3, #0E79B3, #0E4DB3 and #0E21B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E77B3 shade: #084466, #0B5D8D, #0E77B3, #1190D9 and #26A5ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E77B3 shade: #0E77B3, #690EB3 and #B3AB0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E77B3 shade: #0E77B3, #B30E79 and #79B30E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E77B3 shade: #0E77B3, #690EB3, #B3480E and #58B30E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E77B3 shade: #0E77B3, #9A0EB3, #B3480E and #27B30E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 34 / 0 / 30

HEX #0E77B3

RGB 14 119 179

HSL 201.82, 0.85%, 0.38%

LAB 47.68, -4.78, -39.25

 

Complementary color

CMYK 0 / 44 / 68 / 5

HEX #F1884C

RGB 241 136 76

HSL 21.82, 0.85%, 0.62%

LAB 67.15, 35.25, 48.82

 

CMYK 89 / 32 / 0 / 32

HEX #1377AE

RGB 19 119 174

HSL 201.29, 0.8%, 0.38%

LAB 47.48, -6.42, -36.65

 

CMYK 81 / 29 / 0 / 24

HEX #2489C1

RGB 36 137 193

HSL 201.4, 0.69%, 0.45%

LAB 54.15, -8.49, -37.07

 

CMYK 75 / 27 / 0 / 17

HEX #359BD4

RGB 53 155 212

HSL 201.51, 0.65%, 0.52%

LAB 60.74, -10.1, -37.42

 

CMYK 70 / 25 / 0 / 9

HEX #46ADE7

RGB 70 173 231

HSL 201.61, 0.77%, 0.59%

LAB 67.25, -11.37, -37.73

 

CMYK 65 / 24 / 0 / 2

HEX #57BFFA

RGB 87 191 250

HSL 201.72, 0.94%, 0.66%

LAB 73.67, -12.38, -38.01

 

CMYK 92 / 34 / 0 / 30

HEX #0E77B3

RGB 14 119 179

HSL 201.82, 0.85%, 0.38%

LAB 47.68, -4.78, -39.25

 

CMYK 100 / 37 / 0 / 37

HEX #0065A0

RGB 0 101 160

HSL 202.13, 1%, 0.31%

LAB 40.97, -1.9, -38.73

 

CMYK 100 / 41 / 0 / 45

HEX #00538D

RGB 0 83 141

HSL 204.68, 1%, 0.28%

LAB 34.21, 1.79, -38.06

 

CMYK 100 / 47 / 0 / 52

HEX #00417A

RGB 0 65 122

HSL 208.03, 1%, 0.24%

LAB 27.26, 5.8, -37.43

 

CMYK 100 / 54 / 0 / 60

HEX #002F67

RGB 0 47 103

HSL 212.62, 1%, 0.2%

LAB 20.09, 10.21, -36.83

 

CMYK 92 / 34 / 0 / 30

HEX #0E77B3

RGB 14 119 179

HSL 201.82, 0.85%, 0.38%

LAB 47.68, -4.78, -39.25

 

CMYK 92 / 59 / 0 / 30

HEX #0E4AB3

RGB 14 74 179

HSL 218.18, 0.85%, 0.38%

LAB 34.49, 24.3, -60.44

 

CMYK 92 / 83 / 0 / 30

HEX #0E1EB3

RGB 14 30 179

HSL 234.18, 0.85%, 0.38%

LAB 24.57, 51.19, -76.81

 

CMYK 77 / 92 / 0 / 30

HEX #2A0EB3

RGB 42 14 179

HSL 250.18, 0.85%, 0.38%

LAB 23.87, 58.11, -77.93

 

CMYK 51 / 92 / 0 / 30

HEX #570EB3

RGB 87 14 179

HSL 266.55, 0.85%, 0.38%

LAB 28.37, 61.15, -70.34

 

CMYK 92 / 34 / 0 / 30

HEX #0E77B3

RGB 14 119 179

HSL 201.82, 0.85%, 0.38%

LAB 47.68, -4.78, -39.25

 

CMYK 92 / 59 / 0 / 30

HEX #0E4AB3

RGB 14 74 179

HSL 218.18, 0.85%, 0.38%

LAB 34.49, 24.3, -60.44

 

CMYK 92 / 83 / 0 / 30

HEX #0E1EB3

RGB 14 30 179

HSL 234.18, 0.85%, 0.38%

LAB 24.57, 51.19, -76.81

 

CMYK 92 / 92 / 0 / 30

HEX #0E0EB3

RGB 14 14 179

HSL 240, 0.85%, 0.38%

LAB 22.52, 57.33, -80.21

 

CMYK 92 / 34 / 0 / 30

HEX #0E77B3

RGB 14 119 179

HSL 201.82, 0.85%, 0.38%

LAB 47.68, -4.78, -39.25

 

CMYK 92 / 34 / 0 / 30

HEX #0E77B3

RGB 14 119 179

HSL 201.82, 0.85%, 0.38%

LAB 47.68, -4.78, -39.25

 

CMYK 82 / 29 / 0 / 36

HEX #1E73A3

RGB 30 115 163

HSL 201.65, 0.69%, 0.38%

LAB 45.88, -7.3, -32.72

 

CMYK 69 / 25 / 0 / 42

HEX #2D6E93

RGB 45 110 147

HSL 201.76, 0.53%, 0.38%

LAB 43.97, -8.18, -26.23

 

CMYK 54 / 20 / 0 / 48

HEX #3D6A84

RGB 61 106 132

HSL 201.97, 0.37%, 0.38%

LAB 42.71, -7.62, -19.15

 

CMYK 34 / 12 / 0 / 55

HEX #4D6674

RGB 77 102 116

HSL 201.54, 0.2%, 0.38%

LAB 41.75, -5.54, -10.85

 

CMYK 92 / 0 / 17 / 30

HEX #0EB395

RGB 14 179 149

HSL 169.09, 0.85%, 0.38%

LAB 65.36, -44.98, 4.66

 

CMYK 92 / 8 / 0 / 30

HEX #0EA5B3

RGB 14 165 179

HSL 185.09, 0.85%, 0.38%

LAB 61.88, -29.74, -17.24

 

CMYK 92 / 32 / 0 / 30

HEX #0E79B3

RGB 14 121 179

HSL 201.09, 0.85%, 0.38%

LAB 48.29, -5.98, -38.28

 

CMYK 92 / 57 / 0 / 30

HEX #0E4DB3

RGB 14 77 179

HSL 217.09, 0.85%, 0.38%

LAB 35.31, 22.28, -59.1

 

CMYK 92 / 82 / 0 / 30

HEX #0E21B3

RGB 14 33 179

HSL 233.09, 0.85%, 0.38%

LAB 25.06, 49.73, -75.98

 

CMYK 92 / 33 / 0 / 60

HEX #084466

RGB 8 68 102

HSL 201.7, 0.85%, 0.22%

LAB 27.14, -4.21, -24.9

 

CMYK 92 / 34 / 0 / 45

HEX #0B5D8D

RGB 11 93 141

HSL 202.15, 0.86%, 0.3%

LAB 37.52, -3.99, -32.79

 

CMYK 92 / 34 / 0 / 30

HEX #0E77B3

RGB 14 119 179

HSL 201.82, 0.85%, 0.38%

LAB 47.68, -4.78, -39.25

 

CMYK 92 / 34 / 0 / 15

HEX #1190D9

RGB 17 144 217

HSL 201.9, 0.85%, 0.46%

LAB 57.15, -4.95, -45.91

 

CMYK 84 / 30 / 0 / 7

HEX #26A5ED

RGB 38 165 237

HSL 201.71, 0.85%, 0.54%

LAB 64.51, -8.35, -45.35

 

CMYK 92 / 34 / 0 / 30

HEX #0E77B3

RGB 14 119 179

HSL 201.82, 0.85%, 0.38%

LAB 47.68, -4.78, -39.25

 

CMYK 41 / 92 / 0 / 30

HEX #690EB3

RGB 105 14 179

HSL 273.09, 0.85%, 0.38%

LAB 30.81, 63.03, -66.22

 

CMYK 0 / 4 / 92 / 30

HEX #B3AB0E

RGB 179 171 14

HSL 57.09, 0.85%, 0.38%

LAB 68.56, -12.25, 69.1

 

CMYK 92 / 34 / 0 / 30

HEX #0E77B3

RGB 14 119 179

HSL 201.82, 0.85%, 0.38%

LAB 47.68, -4.78, -39.25

 

CMYK 0 / 92 / 32 / 30

HEX #B30E79

RGB 179 14 121

HSL 321.09, 0.85%, 0.38%

LAB 40.05, 66.34, -15.32

 

CMYK 32 / 0 / 92 / 30

HEX #79B30E

RGB 121 179 14

HSL 81.09, 0.85%, 0.38%

LAB 66.78, -40.4, 65.94

 

CMYK 92 / 34 / 0 / 30

HEX #0E77B3

RGB 14 119 179

HSL 201.82, 0.85%, 0.38%

LAB 47.68, -4.78, -39.25

 

CMYK 41 / 92 / 0 / 30

HEX #690EB3

RGB 105 14 179

HSL 273.09, 0.85%, 0.38%

LAB 30.81, 63.03, -66.22

 

CMYK 0 / 60 / 92 / 30

HEX #B3480E

RGB 179 72 14

HSL 21.09, 0.85%, 0.38%

LAB 44.59, 41.05, 51.17

 

CMYK 51 / 0 / 92 / 30

HEX #58B30E

RGB 88 179 14

HSL 93.09, 0.85%, 0.38%

LAB 65.24, -51.66, 64.04

 

CMYK 92 / 34 / 0 / 30

HEX #0E77B3

RGB 14 119 179

HSL 201.82, 0.85%, 0.38%

LAB 47.68, -4.78, -39.25

 

CMYK 14 / 92 / 0 / 30

HEX #9A0EB3

RGB 154 14 179

HSL 290.91, 0.85%, 0.38%

LAB 38.62, 69.79, -53.16

 

CMYK 0 / 60 / 92 / 30

HEX #B3480E

RGB 179 72 14

HSL 21.09, 0.85%, 0.38%

LAB 44.59, 41.05, 51.17

 

CMYK 78 / 0 / 92 / 30

HEX #27B30E

RGB 39 179 14

HSL 110.91, 0.85%, 0.38%

LAB 63.92, -62.57, 62.41

 

Description

Color code: HEX #0E77B3 | qconv.com Color code: HEX #0E77B3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 119 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 119 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 34 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 34% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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