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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1884C it is the complementary color #0E77B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1884C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1884C shade: #F68847, #FF9A5A, #FFAC6D, #FFBE80 and #FFD093

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1884C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1884C shade: #F1884C, #E07639, #CF6426, #BE5213 and #AD4000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1884C shade: #F0874B, #F05B4B and #F04B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1884C shade: #F0874B, #F0B44B, #F0E04B, #D4F04B and #A7F04B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1884C shade matches the following richer shades: #F0874B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1884C shade: #F0874B, #E08B5B, #D1906B, #C1947A and #B1988A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1884C shade: #F04B69, #F0594B, #F0854B, #F0B14B and #F0DD4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1884C shade: #D85911, #ED6E25, #F0874B, #F3A171 and #F6BA98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1884C shade: #F1884C, #95F04B and #4B53F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1884C shade: #F1884C, #4BF085 and #854BF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1884C shade: #F1884C, #95F04B, #4BB6F0 and #A64BF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1884C shade: #F1884C, #64F04B, #4BB6F0 and #D74BF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 68 / 5

HEX #F1884C

RGB 241 136 76

HSL 21.82, 0.85%, 0.62%

LAB 67.15, 35.25, 48.82

 

Complementary color

CMYK 92 / 34 / 0 / 30

HEX #0E77B3

RGB 14 119 179

HSL 201.82, 0.85%, 0.38%

LAB 47.68, -4.78, -39.25

 

CMYK 0 / 45 / 71 / 4

HEX #F68847

RGB 246 136 71

HSL 22.29, 0.91%, 0.62%

LAB 67.77, 36.97, 52.12

 

CMYK 0 / 40 / 65 / 0

HEX #FF9A5A

RGB 255 154 90

HSL 23.27, 1%, 0.68%

LAB 72.96, 32.28, 48.96

 

CMYK 0 / 33 / 57 / 0

HEX #FFAC6D

RGB 255 172 109

HSL 25.89, 1%, 0.71%

LAB 77.2, 24.19, 44.44

 

CMYK 0 / 25 / 50 / 0

HEX #FFBE80

RGB 255 190 128

HSL 29.29, 1%, 0.75%

LAB 81.65, 16.33, 40.29

 

CMYK 0 / 18 / 42 / 0

HEX #FFD093

RGB 255 208 147

HSL 33.89, 1%, 0.79%

LAB 86.25, 8.8, 36.49

 

CMYK 0 / 44 / 68 / 5

HEX #F1884C

RGB 241 136 76

HSL 21.82, 0.85%, 0.62%

LAB 67.15, 35.25, 48.82

 

CMYK 0 / 47 / 75 / 12

HEX #E07639

RGB 224 118 57

HSL 21.92, 0.73%, 0.55%

LAB 60.87, 36.87, 50.6

 

CMYK 0 / 52 / 82 / 19

HEX #CF6426

RGB 207 100 38

HSL 22.01, 0.69%, 0.48%

LAB 54.57, 38.63, 52.2

 

CMYK 0 / 57 / 90 / 25

HEX #BE5213

RGB 190 82 19

HSL 22.11, 0.82%, 0.41%

LAB 48.3, 40.51, 53.13

 

CMYK 0 / 63 / 100 / 32

HEX #AD4000

RGB 173 64 0

HSL 22.2, 1%, 0.34%

LAB 42.08, 42.36, 53.09

 

CMYK 0 / 44 / 69 / 6

HEX #F0874B

RGB 240 135 75

HSL 21.82, 0.85%, 0.62%

LAB 66.79, 35.32, 48.88

 

CMYK 0 / 62 / 69 / 6

HEX #F05B4B

RGB 240 91 75

HSL 5.82, 0.85%, 0.62%

LAB 58.52, 56.41, 39.42

 

CMYK 0 / 69 / 69 / 6

HEX #F04B4B

RGB 240 75 75

HSL 0, 0.85%, 0.62%

LAB 56.15, 62.82, 36.61

 

CMYK 0 / 44 / 69 / 6

HEX #F0874B

RGB 240 135 75

HSL 21.82, 0.85%, 0.62%

LAB 66.79, 35.32, 48.88

 

CMYK 0 / 25 / 69 / 6

HEX #F0B44B

RGB 240 180 75

HSL 38.18, 0.85%, 0.62%

LAB 77.09, 11.67, 60.01

 

CMYK 0 / 7 / 69 / 6

HEX #F0E04B

RGB 240 224 75

HSL 54.18, 0.85%, 0.62%

LAB 88.13, -10.93, 71.31

 

CMYK 12 / 0 / 69 / 6

HEX #D4F04B

RGB 212 240 75

HSL 70.18, 0.85%, 0.62%

LAB 90.24, -30.02, 72.71

 

CMYK 30 / 0 / 69 / 6

HEX #A7F04B

RGB 167 240 75

HSL 86.55, 0.85%, 0.62%

LAB 87.51, -46.96, 69.06

 

CMYK 0 / 44 / 69 / 6

HEX #F0874B

RGB 240 135 75

HSL 21.82, 0.85%, 0.62%

LAB 66.79, 35.32, 48.88

 

CMYK 0 / 44 / 69 / 6

HEX #F0874B

RGB 240 135 75

HSL 21.82, 0.85%, 0.62%

LAB 66.79, 35.32, 48.88

 

CMYK 0 / 38 / 59 / 12

HEX #E08B5B

RGB 224 139 91

HSL 21.65, 0.68%, 0.62%

LAB 65.8, 27.83, 39

 

CMYK 0 / 31 / 49 / 18

HEX #D1906B

RGB 209 144 107

HSL 21.76, 0.53%, 0.62%

LAB 65.41, 20.4, 29.52

 

CMYK 0 / 23 / 37 / 24

HEX #C1947A

RGB 193 148 122

HSL 21.97, 0.36%, 0.62%

LAB 64.9, 13.37, 20.27

 

CMYK 0 / 14 / 22 / 31

HEX #B1988A

RGB 177 152 138

HSL 21.54, 0.2%, 0.62%

LAB 64.67, 7.02, 10.79

 

CMYK 0 / 69 / 56 / 6

HEX #F04B69

RGB 240 75 105

HSL 349.09, 0.85%, 0.62%

LAB 56.66, 64.6, 19.85

 

CMYK 0 / 63 / 69 / 6

HEX #F0594B

RGB 240 89 75

HSL 5.09, 0.85%, 0.62%

LAB 58.21, 57.25, 39.05

 

CMYK 0 / 45 / 69 / 6

HEX #F0854B

RGB 240 133 75

HSL 21.09, 0.85%, 0.62%

LAB 66.37, 36.34, 48.41

 

CMYK 0 / 26 / 69 / 6

HEX #F0B14B

RGB 240 177 75

HSL 37.09, 0.85%, 0.62%

LAB 76.36, 13.25, 59.24

 

CMYK 0 / 8 / 69 / 6

HEX #F0DD4B

RGB 240 221 75

HSL 53.09, 0.85%, 0.62%

LAB 87.36, -9.43, 70.54

 

CMYK 0 / 59 / 92 / 15

HEX #D85911

RGB 216 89 17

HSL 21.71, 0.85%, 0.46%

LAB 53.8, 46.96, 59.61

 

CMYK 0 / 54 / 84 / 7

HEX #ED6E25

RGB 237 110 37

HSL 21.9, 0.85%, 0.54%

LAB 61.04, 45.23, 60.02

 

CMYK 0 / 44 / 69 / 6

HEX #F0874B

RGB 240 135 75

HSL 21.82, 0.85%, 0.62%

LAB 66.79, 35.32, 48.88

 

CMYK 0 / 34 / 53 / 5

HEX #F3A171

RGB 243 161 113

HSL 22.15, 0.84%, 0.7%

LAB 73.37, 25.5, 37.32

 

CMYK 0 / 24 / 38 / 4

HEX #F6BA98

RGB 246 186 152

HSL 21.7, 0.84%, 0.78%

LAB 80.17, 17.32, 25.64

 

CMYK 0 / 44 / 68 / 5

HEX #F1884C

RGB 241 136 76

HSL 21.82, 0.85%, 0.62%

LAB 67.15, 35.25, 48.82

 

CMYK 38 / 0 / 69 / 6

HEX #95F04B

RGB 149 240 75

HSL 93.09, 0.85%, 0.62%

LAB 86.61, -53.1, 67.86

 

CMYK 69 / 65 / 0 / 6

HEX #4B53F0

RGB 75 83 240

HSL 237.09, 0.85%, 0.62%

LAB 44.2, 46.24, -79.64

 

CMYK 0 / 44 / 68 / 5

HEX #F1884C

RGB 241 136 76

HSL 21.82, 0.85%, 0.62%

LAB 67.15, 35.25, 48.82

 

CMYK 69 / 0 / 45 / 6

HEX #4BF085

RGB 75 240 133

HSL 141.09, 0.85%, 0.62%

LAB 84.75, -64.95, 39.61

 

CMYK 45 / 69 / 0 / 6

HEX #854BF0

RGB 133 75 240

HSL 261.09, 0.85%, 0.62%

LAB 47.38, 59.18, -74.24

 

CMYK 0 / 44 / 68 / 5

HEX #F1884C

RGB 241 136 76

HSL 21.82, 0.85%, 0.62%

LAB 67.15, 35.25, 48.82

 

CMYK 38 / 0 / 69 / 6

HEX #95F04B

RGB 149 240 75

HSL 93.09, 0.85%, 0.62%

LAB 86.61, -53.1, 67.86

 

CMYK 69 / 24 / 0 / 6

HEX #4BB6F0

RGB 75 182 240

HSL 201.09, 0.85%, 0.62%

LAB 70.35, -12.58, -37.8

 

CMYK 31 / 69 / 0 / 6

HEX #A64BF0

RGB 166 75 240

HSL 273.09, 0.85%, 0.62%

LAB 51.19, 65.23, -67.88

 

CMYK 0 / 44 / 68 / 5

HEX #F1884C

RGB 241 136 76

HSL 21.82, 0.85%, 0.62%

LAB 67.15, 35.25, 48.82

 

CMYK 58 / 0 / 69 / 6

HEX #64F04B

RGB 100 240 75

HSL 110.91, 0.85%, 0.62%

LAB 84.76, -66.99, 65.36

 

CMYK 69 / 24 / 0 / 6

HEX #4BB6F0

RGB 75 182 240

HSL 201.09, 0.85%, 0.62%

LAB 70.35, -12.58, -37.8

 

CMYK 10 / 69 / 0 / 6

HEX #D74BF0

RGB 215 75 240

HSL 290.91, 0.85%, 0.62%

LAB 57.82, 75.14, -56.86

 

Description

Color code: HEX #F1884C | qconv.com Color code: HEX #F1884C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 136 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 136 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 68 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 68% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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