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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0ED68D it is the complementary color #F12972. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0ED68D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0ED68D shade: #13D688, #24E89B, #35FAAE, #46FFC1 and #57FFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0ED68D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0ED68D shade: #0ED68D, #00C47A, #00B267, #00A054 and #008E41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0ED68D shade: #0DD78E, #0DD757, #0DD721, #30D70D and #67D70D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0ED68D shade: #0DD78E, #0DD7C4, #0DB4D7, #0D7ED7 and #0D47D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0ED68D shade matches the following richer shades: #0DD78E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0ED68D shade: #0DD78E, #20C589, #32B283, #45A07E and #588D79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0ED68D shade: #0DD721, #0DD757, #0DD78D, #0DD7C3 and #0DB6D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0ED68D shade: #088A5A, #0BB074, #0DD78E, #1EF0A3 and #44F3B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0ED68D shade: #0ED68D, #0D2FD7 and #D73C0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0ED68D shade: #0ED68D, #8D0DD7 and #D78D0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0ED68D shade: #0ED68D, #0D2FD7, #D70D57 and #D7B60D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0ED68D shade: #0ED68D, #280DD7, #D70D57 and #BCD70D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 34 / 16

HEX #0ED68D

RGB 14 214 141

HSL 158.1, 0.88%, 0.45%

LAB 76.14, -60.4, 24.05

 

Complementary color

CMYK 0 / 83 / 53 / 5

HEX #F12972

RGB 241 41 114

HSL 338.1, 0.88%, 0.55%

LAB 53.49, 75.48, 10.14

 

CMYK 91 / 0 / 36 / 16

HEX #13D688

RGB 19 214 136

HSL 156, 0.84%, 0.46%

LAB 76.07, -61.2, 26.57

 

CMYK 84 / 0 / 33 / 9

HEX #24E89B

RGB 36 232 155

HSL 156.43, 0.81%, 0.53%

LAB 82.08, -62.7, 24.91

 

CMYK 79 / 0 / 30 / 2

HEX #35FAAE

RGB 53 250 174

HSL 156.85, 0.95%, 0.59%

LAB 88.06, -63.81, 23.38

 

CMYK 73 / 0 / 24 / 0

HEX #46FFC1

RGB 70 255 193

HSL 159.89, 1%, 0.64%

LAB 90.17, -59.7, 16.64

 

CMYK 66 / 0 / 17 / 0

HEX #57FFD4

RGB 87 255 212

HSL 164.64, 1%, 0.67%

LAB 90.92, -53.03, 7.96

 

CMYK 93 / 0 / 34 / 16

HEX #0ED68D

RGB 14 214 141

HSL 158.1, 0.88%, 0.45%

LAB 76.14, -60.4, 24.05

 

CMYK 100 / 0 / 38 / 23

HEX #00C47A

RGB 0 196 122

HSL 157.35, 1%, 0.38%

LAB 70.1, -58.39, 25.84

 

CMYK 100 / 0 / 42 / 30

HEX #00B267

RGB 0 178 103

HSL 154.72, 1%, 0.35%

LAB 64.01, -55.81, 27.79

 

CMYK 100 / 0 / 48 / 37

HEX #00A054

RGB 0 160 84

HSL 151.5, 1%, 0.31%

LAB 57.83, -53.1, 29.79

 

CMYK 100 / 0 / 54 / 44

HEX #008E41

RGB 0 142 65

HSL 147.46, 1%, 0.28%

LAB 51.53, -50.19, 31.8

 

CMYK 94 / 0 / 34 / 16

HEX #0DD78E

RGB 13 215 142

HSL 158.32, 0.89%, 0.45%

LAB 76.46, -60.58, 23.97

 

CMYK 94 / 0 / 60 / 16

HEX #0DD757

RGB 13 215 87

HSL 141.98, 0.89%, 0.45%

LAB 75.68, -69.84, 50.03

 

CMYK 94 / 0 / 85 / 16

HEX #0DD721

RGB 13 215 33

HSL 125.94, 0.89%, 0.45%

LAB 75.32, -74.39, 68.58

 

CMYK 78 / 0 / 94 / 16

HEX #30D70D

RGB 48 215 13

HSL 109.6, 0.89%, 0.45%

LAB 75.61, -72.01, 72.34

 

CMYK 52 / 0 / 94 / 16

HEX #67D70D

RGB 103 215 13

HSL 93.27, 0.89%, 0.45%

LAB 76.99, -60.51, 74.04

 

CMYK 94 / 0 / 34 / 16

HEX #0DD78E

RGB 13 215 142

HSL 158.32, 0.89%, 0.45%

LAB 76.46, -60.58, 23.97

 

CMYK 94 / 0 / 9 / 16

HEX #0DD7C4

RGB 13 215 196

HSL 174.36, 0.89%, 0.45%

LAB 77.68, -47.37, -2.97

 

CMYK 94 / 16 / 0 / 16

HEX #0DB4D7

RGB 13 180 215

HSL 190.4, 0.89%, 0.45%

LAB 67.75, -25.34, -28.25

 

CMYK 94 / 41 / 0 / 16

HEX #0D7ED7

RGB 13 126 215

HSL 206.44, 0.89%, 0.45%

LAB 51.74, 4.88, -53.39

 

CMYK 94 / 67 / 0 / 16

HEX #0D47D7

RGB 13 71 215

HSL 222.77, 0.89%, 0.45%

LAB 36.93, 40.16, -77.45

 

CMYK 94 / 0 / 34 / 16

HEX #0DD78E

RGB 13 215 142

HSL 158.32, 0.89%, 0.45%

LAB 76.46, -60.58, 23.97

 

CMYK 94 / 0 / 34 / 16

HEX #0DD78E

RGB 13 215 142

HSL 158.32, 0.89%, 0.45%

LAB 76.46, -60.58, 23.97

 

CMYK 84 / 0 / 30 / 23

HEX #20C589

RGB 32 197 137

HSL 158.18, 0.72%, 0.45%

LAB 70.9, -53.89, 19.03

 

CMYK 72 / 0 / 26 / 30

HEX #32B283

RGB 50 178 131

HSL 157.97, 0.56%, 0.45%

LAB 65.09, -45.66, 14.25

 

CMYK 57 / 0 / 21 / 37

HEX #45A07E

RGB 69 160 126

HSL 157.58, 0.4%, 0.45%

LAB 59.81, -35.49, 9.67

 

CMYK 38 / 0 / 14 / 45

HEX #588D79

RGB 88 141 121

HSL 157.36, 0.23%, 0.45%

LAB 54.56, -22.42, 5.12

 

CMYK 94 / 0 / 85 / 16

HEX #0DD721

RGB 13 215 33

HSL 125.94, 0.89%, 0.45%

LAB 75.32, -74.39, 68.58

 

CMYK 94 / 0 / 60 / 16

HEX #0DD757

RGB 13 215 87

HSL 141.98, 0.89%, 0.45%

LAB 75.68, -69.84, 50.03

 

CMYK 94 / 0 / 34 / 16

HEX #0DD78D

RGB 13 215 141

HSL 158.02, 0.89%, 0.45%

LAB 76.44, -60.79, 24.47

 

CMYK 94 / 0 / 9 / 16

HEX #0DD7C3

RGB 13 215 195

HSL 174.06, 0.89%, 0.45%

LAB 77.65, -47.65, -2.48

 

CMYK 94 / 15 / 0 / 16

HEX #0DB6D7

RGB 13 182 215

HSL 189.8, 0.89%, 0.45%

LAB 68.35, -26.35, -27.33

 

CMYK 94 / 0 / 35 / 46

HEX #088A5A

RGB 8 138 90

HSL 157.85, 0.89%, 0.29%

LAB 50.65, -43.36, 17.06

 

CMYK 94 / 0 / 34 / 31

HEX #0BB074

RGB 11 176 116

HSL 158.18, 0.88%, 0.37%

LAB 63.66, -51.95, 20.37

 

CMYK 94 / 0 / 34 / 16

HEX #0DD78E

RGB 13 215 142

HSL 158.32, 0.89%, 0.45%

LAB 76.46, -60.58, 23.97

 

CMYK 88 / 0 / 32 / 6

HEX #1EF0A3

RGB 30 240 163

HSL 158, 0.88%, 0.53%

LAB 84.61, -64.32, 24.24

 

CMYK 72 / 0 / 26 / 5

HEX #44F3B3

RGB 68 243 179

HSL 158.06, 0.88%, 0.61%

LAB 86.3, -58.38, 18.42

 

CMYK 93 / 0 / 34 / 16

HEX #0ED68D

RGB 14 214 141

HSL 158.1, 0.88%, 0.45%

LAB 76.14, -60.4, 24.05

 

CMYK 94 / 78 / 0 / 16

HEX #0D2FD7

RGB 13 47 215

HSL 229.9, 0.89%, 0.45%

LAB 31.86, 54.23, -85.82

 

CMYK 0 / 72 / 94 / 16

HEX #D73C0D

RGB 215 60 13

HSL 13.96, 0.89%, 0.45%

LAB 49.14, 58.57, 57.57

 

CMYK 93 / 0 / 34 / 16

HEX #0ED68D

RGB 14 214 141

HSL 158.1, 0.88%, 0.45%

LAB 76.14, -60.4, 24.05

 

CMYK 34 / 94 / 0 / 16

HEX #8D0DD7

RGB 141 13 215

HSL 278.02, 0.89%, 0.45%

LAB 39.34, 74.82, -73.12

 

CMYK 0 / 34 / 94 / 16

HEX #D78D0D

RGB 215 141 13

HSL 38.02, 0.89%, 0.45%

LAB 64.58, 19.77, 67.95

 

CMYK 93 / 0 / 34 / 16

HEX #0ED68D

RGB 14 214 141

HSL 158.1, 0.88%, 0.45%

LAB 76.14, -60.4, 24.05

 

CMYK 94 / 78 / 0 / 16

HEX #0D2FD7

RGB 13 47 215

HSL 229.9, 0.89%, 0.45%

LAB 31.86, 54.23, -85.82

 

CMYK 0 / 94 / 60 / 16

HEX #D70D57

RGB 215 13 87

HSL 338.02, 0.89%, 0.45%

LAB 46.21, 71.87, 15.78

 

CMYK 0 / 15 / 94 / 16

HEX #D7B60D

RGB 215 182 13

HSL 50.2, 0.89%, 0.45%

LAB 74.78, -2.11, 75.38

 

CMYK 93 / 0 / 34 / 16

HEX #0ED68D

RGB 14 214 141

HSL 158.1, 0.88%, 0.45%

LAB 76.14, -60.4, 24.05

 

CMYK 81 / 94 / 0 / 16

HEX #280DD7

RGB 40 13 215

HSL 248.02, 0.89%, 0.45%

LAB 28.5, 67.68, -91.4

 

CMYK 0 / 94 / 60 / 16

HEX #D70D57

RGB 215 13 87

HSL 338.02, 0.89%, 0.45%

LAB 46.21, 71.87, 15.78

 

CMYK 13 / 0 / 94 / 16

HEX #BCD70D

RGB 188 215 13

HSL 68.02, 0.89%, 0.45%

LAB 81.47, -30.1, 79.49

 

Description

Color code: HEX #0ED68D | qconv.com Color code: HEX #0ED68D | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 214 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 214 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 34 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 34% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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