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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F664C it is the complementary color #F099B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F664C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F664C shade: #146647, #25785A, #368A6D, #479C80 and #58AE93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F664C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F664C shade: #0F664C, #005439, #004226, #003013 and #001E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F664C shade: #0F664C, #0F6634, #0F661D, #18660F and #30660F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F664C shade: #0F664C, #0F6663, #0F5166, #0F3966 and #0F2266

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F664C shade matches the following richer shades: #0F664C and #056F4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F664C shade: #0F664C, #185C48, #225344, #2B4940 and #35403C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F664C shade: #0F661D, #0F6634, #0F664C, #0F6663 and #0F5166

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F664C shade: #041E16, #094231, #0F664C, #148966 and #19AD81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F664C shade: #0F664C, #0F1766 and #66290F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F664C shade: #0F664C, #4C0F66 and #664C0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F664C shade: #0F664C, #0F1766, #660F29 and #665D0F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F664C shade: #0F664C, #200F66, #660F29 and #54660F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 25 / 60

HEX #0F664C

RGB 15 102 76

HSL 162.07, 0.74%, 0.23%

LAB 38.07, -31.21, 7.87

 

Complementary color

CMYK 0 / 36 / 25 / 6

HEX #F099B3

RGB 240 153 179

HSL 342.07, 0.74%, 0.77%

LAB 72.6, 35.91, 0.2

 

CMYK 80 / 0 / 30 / 60

HEX #146647

RGB 20 102 71

HSL 157.32, 0.67%, 0.24%

LAB 38.03, -31.87, 10.86

 

CMYK 69 / 0 / 25 / 53

HEX #25785A

RGB 37 120 90

HSL 158.31, 0.53%, 0.31%

LAB 45.03, -32.46, 9.36

 

CMYK 61 / 0 / 21 / 46

HEX #368A6D

RGB 54 138 109

HSL 159.29, 0.44%, 0.38%

LAB 51.91, -32.68, 8.07

 

CMYK 54 / 0 / 18 / 39

HEX #479C80

RGB 71 156 128

HSL 160.24, 0.37%, 0.45%

LAB 58.67, -32.71, 6.93

 

CMYK 49 / 0 / 16 / 32

HEX #58AE93

RGB 88 174 147

HSL 161.16, 0.35%, 0.51%

LAB 65.32, -32.63, 5.91

 

CMYK 85 / 0 / 25 / 60

HEX #0F664C

RGB 15 102 76

HSL 162.07, 0.74%, 0.23%

LAB 38.07, -31.21, 7.87

 

CMYK 100 / 0 / 32 / 67

HEX #005439

RGB 0 84 57

HSL 160.71, 1%, 0.16%

LAB 30.96, -29.84, 9.61

 

CMYK 100 / 0 / 42 / 74

HEX #004226

RGB 0 66 38

HSL 154.55, 1%, 0.13%

LAB 23.79, -26.93, 11.82

 

CMYK 100 / 0 / 60 / 81

HEX #003013

RGB 0 48 19

HSL 143.75, 1%, 0.09%

LAB 16.31, -23.67, 14.23

 

CMYK 100 / 0 / 100 / 88

HEX #001E00

RGB 0 30 0

HSL 120, 1%, 0.06%

LAB 8.38, -17.11, 12.24

 

CMYK 85 / 0 / 25 / 60

HEX #0F664C

RGB 15 102 76

HSL 162.07, 0.74%, 0.23%

LAB 38.07, -31.21, 7.87

 

CMYK 85 / 0 / 49 / 60

HEX #0F6634

RGB 15 102 52

HSL 145.52, 0.74%, 0.23%

LAB 37.58, -36.74, 21.44

 

CMYK 85 / 0 / 72 / 60

HEX #0F661D

RGB 15 102 29

HSL 129.66, 0.74%, 0.23%

LAB 37.29, -40.23, 33.12

 

CMYK 76 / 0 / 85 / 60

HEX #18660F

RGB 24 102 15

HSL 113.79, 0.74%, 0.23%

LAB 37.36, -40, 38.74

 

CMYK 53 / 0 / 85 / 60

HEX #30660F

RGB 48 102 15

HSL 97.24, 0.74%, 0.23%

LAB 38.14, -33.64, 39.75

 

CMYK 85 / 0 / 25 / 60

HEX #0F664C

RGB 15 102 76

HSL 162.07, 0.74%, 0.23%

LAB 38.07, -31.21, 7.87

 

CMYK 85 / 0 / 3 / 60

HEX #0F6663

RGB 15 102 99

HSL 177.93, 0.74%, 0.23%

LAB 38.73, -24.36, -5.24

 

CMYK 85 / 21 / 0 / 60

HEX #0F5166

RGB 15 81 102

HSL 194.48, 0.74%, 0.23%

LAB 31.68, -11.69, -17.81

 

CMYK 85 / 44 / 0 / 60

HEX #0F3966

RGB 15 57 102

HSL 211.03, 0.74%, 0.23%

LAB 23.63, 3.95, -30.47

 

CMYK 85 / 67 / 0 / 60

HEX #0F2266

RGB 15 34 102

HSL 226.9, 0.74%, 0.23%

LAB 16.53, 20.69, -41.97

 

CMYK 85 / 0 / 25 / 60

HEX #0F664C

RGB 15 102 76

HSL 162.07, 0.74%, 0.23%

LAB 38.07, -31.21, 7.87

 

CMYK 95 / 0 / 29 / 56

HEX #056F4F

RGB 5 111 79

HSL 161.89, 0.91%, 0.23%

LAB 41.16, -35.23, 10.38

 

CMYK 85 / 0 / 25 / 60

HEX #0F664C

RGB 15 102 76

HSL 162.07, 0.74%, 0.23%

LAB 38.07, -31.21, 7.87

 

CMYK 74 / 0 / 22 / 64

HEX #185C48

RGB 24 92 72

HSL 162.35, 0.59%, 0.23%

LAB 34.63, -26.35, 5.49

 

CMYK 59 / 0 / 18 / 67

HEX #225344

RGB 34 83 68

HSL 161.63, 0.42%, 0.23%

LAB 31.68, -20.74, 3.81

 

CMYK 41 / 0 / 12 / 71

HEX #2B4940

RGB 43 73 64

HSL 162, 0.26%, 0.23%

LAB 28.51, -13.63, 1.86

 

CMYK 17 / 0 / 6 / 75

HEX #35403C

RGB 53 64 60

HSL 158.18, 0.09%, 0.23%

LAB 26.01, -5.48, 0.93

 

CMYK 85 / 0 / 72 / 60

HEX #0F661D

RGB 15 102 29

HSL 129.66, 0.74%, 0.23%

LAB 37.29, -40.23, 33.12

 

CMYK 85 / 0 / 49 / 60

HEX #0F6634

RGB 15 102 52

HSL 145.52, 0.74%, 0.23%

LAB 37.58, -36.74, 21.44

 

CMYK 85 / 0 / 25 / 60

HEX #0F664C

RGB 15 102 76

HSL 162.07, 0.74%, 0.23%

LAB 38.07, -31.21, 7.87

 

CMYK 85 / 0 / 3 / 60

HEX #0F6663

RGB 15 102 99

HSL 177.93, 0.74%, 0.23%

LAB 38.73, -24.36, -5.24

 

CMYK 85 / 21 / 0 / 60

HEX #0F5166

RGB 15 81 102

HSL 194.48, 0.74%, 0.23%

LAB 31.68, -11.69, -17.81

 

CMYK 87 / 0 / 27 / 88

HEX #041E16

RGB 4 30 22

HSL 161.54, 0.76%, 0.07%

LAB 9.09, -12.19, 2.52

 

CMYK 86 / 0 / 26 / 74

HEX #094231

RGB 9 66 49

HSL 162.11, 0.76%, 0.15%

LAB 24.25, -22.52, 5.35

 

CMYK 85 / 0 / 25 / 60

HEX #0F664C

RGB 15 102 76

HSL 162.07, 0.74%, 0.23%

LAB 38.07, -31.21, 7.87

 

CMYK 85 / 0 / 26 / 46

HEX #148966

RGB 20 137 102

HSL 162.05, 0.75%, 0.31%

LAB 50.69, -39.2, 10.27

 

CMYK 86 / 0 / 25 / 32

HEX #19AD81

RGB 25 173 129

HSL 162.16, 0.75%, 0.39%

LAB 63.08, -46.93, 12.47

 

CMYK 85 / 0 / 25 / 60

HEX #0F664C

RGB 15 102 76

HSL 162.07, 0.74%, 0.23%

LAB 38.07, -31.21, 7.87

 

CMYK 85 / 77 / 0 / 60

HEX #0F1766

RGB 15 23 102

HSL 234.48, 0.74%, 0.23%

LAB 13.67, 28.37, -46.66

 

CMYK 0 / 60 / 85 / 60

HEX #66290F

RGB 102 41 15

HSL 17.93, 0.74%, 0.23%

LAB 25.09, 25.86, 29.32

 

CMYK 85 / 0 / 25 / 60

HEX #0F664C

RGB 15 102 76

HSL 162.07, 0.74%, 0.23%

LAB 38.07, -31.21, 7.87

 

CMYK 25 / 85 / 0 / 60

HEX #4C0F66

RGB 76 15 102

HSL 282.07, 0.74%, 0.23%

LAB 19.38, 41.47, -37.04

 

CMYK 0 / 25 / 85 / 60

HEX #664C0F

RGB 102 76 15

HSL 42.07, 0.74%, 0.23%

LAB 34.04, 4.79, 37.58

 

CMYK 85 / 0 / 25 / 60

HEX #0F664C

RGB 15 102 76

HSL 162.07, 0.74%, 0.23%

LAB 38.07, -31.21, 7.87

 

CMYK 85 / 77 / 0 / 60

HEX #0F1766

RGB 15 23 102

HSL 234.48, 0.74%, 0.23%

LAB 13.67, 28.37, -46.66

 

CMYK 0 / 85 / 60 / 60

HEX #660F29

RGB 102 15 41

HSL 342.07, 0.74%, 0.23%

LAB 21.31, 38.84, 8.08

 

CMYK 0 / 9 / 85 / 60

HEX #665D0F

RGB 102 93 15

HSL 53.79, 0.74%, 0.23%

LAB 39.05, -5.41, 42.01

 

CMYK 85 / 0 / 25 / 60

HEX #0F664C

RGB 15 102 76

HSL 162.07, 0.74%, 0.23%

LAB 38.07, -31.21, 7.87

 

CMYK 69 / 85 / 0 / 60

HEX #200F66

RGB 32 15 102

HSL 251.72, 0.74%, 0.23%

LAB 13.28, 34.65, -47.27

 

CMYK 0 / 85 / 60 / 60

HEX #660F29

RGB 102 15 41

HSL 342.07, 0.74%, 0.23%

LAB 21.31, 38.84, 8.08

 

CMYK 18 / 0 / 85 / 60

HEX #54660F

RGB 84 102 15

HSL 72.41, 0.74%, 0.23%

LAB 40.28, -19.06, 42.49

 

Description

Color code: HEX #0F664C | qconv.com Color code: HEX #0F664C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 102 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 102 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 25 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 25% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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