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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FF53F it is the complementary color #F00AC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FF53F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FF53F shade: #14F53A, #25FF4D, #36FF60, #47FF73 and #58FF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FF53F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FF53F shade: #0FF53F, #00E32C, #00D119, #00BF06 and #00AD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FF53F shade: #0FF53F, #1DF50F, #5BF50F, #99F50F and #D7F50F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FF53F shade: #0FF53F, #0FF57D, #0FF5BB, #0FF0F5 and #0FB2F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FF53F shade matches the following richer shades: #0FF53F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FF53F shade: #0FF53F, #23E04A, #37CC56, #4BB862 and #5FA46E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FF53F shade: #5BF50F, #1EF50F, #0FF53D, #0FF57A and #0FF5B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FF53F shade: #07AA29, #08D232, #0FF53F, #36F65E and #5EF87E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FF53F shade: #0FF53F, #0F99F5 and #F50F3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FF53F shade: #0FF53F, #3D0FF5 and #F53D0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FF53F shade: #0FF53F, #0F99F5, #F50FC7 and #F56B0F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FF53F shade: #0FF53F, #0F54F5, #F50FC7 and #F5B00F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 74 / 4

HEX #0FF53F

RGB 15 245 63

HSL 132.52, 0.92%, 0.51%

LAB 84.88, -80.76, 69.23

 

Complementary color

CMYK 0 / 96 / 20 / 6

HEX #F00AC0

RGB 240 10 192

HSL 312.52, 0.92%, 0.49%

LAB 54.6, 86.98, -34.42

 

CMYK 92 / 0 / 76 / 4

HEX #14F53A

RGB 20 245 58

HSL 130.13, 0.92%, 0.52%

LAB 84.87, -80.89, 70.81

 

CMYK 85 / 0 / 70 / 0

HEX #25FF4D

RGB 37 255 77

HSL 131.01, 1%, 0.57%

LAB 88.18, -81.17, 67.85

 

CMYK 79 / 0 / 62 / 0

HEX #36FF60

RGB 54 255 96

HSL 132.54, 1%, 0.61%

LAB 88.52, -77.72, 60.91

 

CMYK 72 / 0 / 55 / 0

HEX #47FF73

RGB 71 255 115

HSL 134.35, 1%, 0.64%

LAB 88.97, -73.27, 53.29

 

CMYK 65 / 0 / 47 / 0

HEX #58FF86

RGB 88 255 134

HSL 136.53, 1%, 0.67%

LAB 89.54, -67.87, 45.27

 

CMYK 94 / 0 / 74 / 4

HEX #0FF53F

RGB 15 245 63

HSL 132.52, 0.92%, 0.51%

LAB 84.88, -80.76, 69.23

 

CMYK 100 / 0 / 81 / 11

HEX #00E32C

RGB 0 227 44

HSL 131.63, 1%, 0.45%

LAB 79.11, -77.57, 69.31

 

CMYK 100 / 0 / 88 / 18

HEX #00D119

RGB 0 209 25

HSL 127.18, 1%, 0.41%

LAB 73.33, -73.58, 68.46

 

CMYK 100 / 0 / 97 / 25

HEX #00BF06

RGB 0 191 6

HSL 121.88, 1%, 0.37%

LAB 67.48, -69.22, 66.24

 

CMYK 100 / 0 / 100 / 32

HEX #00AD00

RGB 0 173 0

HSL 120, 1%, 0.34%

LAB 61.56, -64.43, 62.19

 

CMYK 94 / 0 / 74 / 4

HEX #0FF53F

RGB 15 245 63

HSL 132.52, 0.92%, 0.51%

LAB 84.88, -80.76, 69.23

 

CMYK 88 / 0 / 94 / 4

HEX #1DF50F

RGB 29 245 15

HSL 116.35, 0.92%, 0.51%

LAB 84.79, -82.16, 79.62

 

CMYK 63 / 0 / 94 / 4

HEX #5BF50F

RGB 91 245 15

HSL 100.17, 0.92%, 0.51%

LAB 85.79, -73.48, 80.85

 

CMYK 38 / 0 / 94 / 4

HEX #99F50F

RGB 153 245 15

HSL 84, 0.92%, 0.51%

LAB 88.02, -56.16, 83.58

 

CMYK 12 / 0 / 94 / 4

HEX #D7F50F

RGB 215 245 15

HSL 67.83, 0.92%, 0.51%

LAB 91.59, -33.02, 87.91

 

CMYK 94 / 0 / 74 / 4

HEX #0FF53F

RGB 15 245 63

HSL 132.52, 0.92%, 0.51%

LAB 84.88, -80.76, 69.23

 

CMYK 94 / 0 / 49 / 4

HEX #0FF57D

RGB 15 245 125

HSL 148.7, 0.92%, 0.51%

LAB 85.45, -73.67, 44.21

 

CMYK 94 / 0 / 24 / 4

HEX #0FF5BB

RGB 15 245 187

HSL 164.87, 0.92%, 0.51%

LAB 86.5, -61.53, 14.48

 

CMYK 94 / 2 / 0 / 4

HEX #0FF0F5

RGB 15 240 245

HSL 181.3, 0.92%, 0.51%

LAB 86.51, -44.13, -15.82

 

CMYK 94 / 27 / 0 / 4

HEX #0FB2F5

RGB 15 178 245

HSL 197.48, 0.92%, 0.51%

LAB 68.41, -13.86, -43.61

 

CMYK 94 / 0 / 74 / 4

HEX #0FF53F

RGB 15 245 63

HSL 132.52, 0.92%, 0.51%

LAB 84.88, -80.76, 69.23

 

CMYK 94 / 0 / 74 / 4

HEX #0FF53F

RGB 15 245 63

HSL 132.52, 0.92%, 0.51%

LAB 84.88, -80.76, 69.23

 

CMYK 84 / 0 / 67 / 12

HEX #23E04A

RGB 35 224 74

HSL 132.38, 0.75%, 0.51%

LAB 78.56, -72.58, 58.77

 

CMYK 73 / 0 / 58 / 20

HEX #37CC56

RGB 55 204 86

HSL 132.48, 0.59%, 0.51%

LAB 72.67, -62.51, 47.09

 

CMYK 59 / 0 / 47 / 28

HEX #4BB862

RGB 75 184 98

HSL 132.66, 0.43%, 0.51%

LAB 67.02, -49.71, 34.48

 

CMYK 42 / 0 / 33 / 36

HEX #5FA46E

RGB 95 164 110

HSL 133.04, 0.27%, 0.51%

LAB 61.75, -33.77, 21.38

 

CMYK 63 / 0 / 94 / 4

HEX #5BF50F

RGB 91 245 15

HSL 100.17, 0.92%, 0.51%

LAB 85.79, -73.48, 80.85

 

CMYK 88 / 0 / 94 / 4

HEX #1EF50F

RGB 30 245 15

HSL 116.09, 0.92%, 0.51%

LAB 84.8, -82.09, 79.63

 

CMYK 94 / 0 / 75 / 4

HEX #0FF53D

RGB 15 245 61

HSL 132, 0.92%, 0.51%

LAB 84.87, -80.9, 69.86

 

CMYK 94 / 0 / 50 / 4

HEX #0FF57A

RGB 15 245 122

HSL 147.91, 0.92%, 0.51%

LAB 85.41, -74.13, 45.59

 

CMYK 94 / 0 / 25 / 4

HEX #0FF5B7

RGB 15 245 183

HSL 163.83, 0.92%, 0.51%

LAB 86.42, -62.45, 16.43

 

CMYK 96 / 0 / 76 / 33

HEX #07AA29

RGB 7 170 41

HSL 132.52, 0.92%, 0.35%

LAB 60.74, -61.41, 52.56

 

CMYK 96 / 0 / 76 / 18

HEX #08D232

RGB 8 210 50

HSL 132.48, 0.93%, 0.43%

LAB 73.79, -72.21, 62.46

 

CMYK 94 / 0 / 74 / 4

HEX #0FF53F

RGB 15 245 63

HSL 132.52, 0.92%, 0.51%

LAB 84.88, -80.76, 69.23

 

CMYK 78 / 0 / 62 / 4

HEX #36F65E

RGB 54 246 94

HSL 132.5, 0.91%, 0.59%

LAB 85.76, -75.19, 58.63

 

CMYK 62 / 0 / 49 / 3

HEX #5EF87E

RGB 94 248 126

HSL 132.47, 0.92%, 0.67%

LAB 87.5, -65.41, 46.53

 

CMYK 94 / 0 / 74 / 4

HEX #0FF53F

RGB 15 245 63

HSL 132.52, 0.92%, 0.51%

LAB 84.88, -80.76, 69.23

 

CMYK 94 / 38 / 0 / 4

HEX #0F99F5

RGB 15 153 245

HSL 204, 0.92%, 0.51%

LAB 61.2, 0.21, -55.01

 

CMYK 0 / 94 / 75 / 4

HEX #F50F3D

RGB 245 15 61

HSL 348, 0.92%, 0.51%

LAB 51.94, 77.65, 39.97

 

CMYK 94 / 0 / 74 / 4

HEX #0FF53F

RGB 15 245 63

HSL 132.52, 0.92%, 0.51%

LAB 84.88, -80.76, 69.23

 

CMYK 75 / 94 / 0 / 4

HEX #3D0FF5

RGB 61 15 245

HSL 252, 0.92%, 0.51%

LAB 33.83, 75.39, -99.63

 

CMYK 0 / 75 / 94 / 4

HEX #F53D0F

RGB 245 61 15

HSL 12, 0.92%, 0.51%

LAB 54.85, 67.46, 63.31

 

CMYK 94 / 0 / 74 / 4

HEX #0FF53F

RGB 15 245 63

HSL 132.52, 0.92%, 0.51%

LAB 84.88, -80.76, 69.23

 

CMYK 94 / 38 / 0 / 4

HEX #0F99F5

RGB 15 153 245

HSL 204, 0.92%, 0.51%

LAB 61.2, 0.21, -55.01

 

CMYK 0 / 94 / 19 / 4

HEX #F50FC7

RGB 245 15 199

HSL 312, 0.92%, 0.51%

LAB 55.97, 88.35, -36.26

 

CMYK 0 / 56 / 94 / 4

HEX #F56B0F

RGB 245 107 15

HSL 24, 0.92%, 0.51%

LAB 61.62, 49.26, 67.52

 

CMYK 94 / 0 / 74 / 4

HEX #0FF53F

RGB 15 245 63

HSL 132.52, 0.92%, 0.51%

LAB 84.88, -80.76, 69.23

 

CMYK 94 / 66 / 0 / 4

HEX #0F54F5

RGB 15 84 245

HSL 222, 0.92%, 0.51%

LAB 42.82, 43.13, -84.79

 

CMYK 0 / 94 / 19 / 4

HEX #F50FC7

RGB 245 15 199

HSL 312, 0.92%, 0.51%

LAB 55.97, 88.35, -36.26

 

CMYK 0 / 28 / 94 / 4

HEX #F5B00F

RGB 245 176 15

HSL 42, 0.92%, 0.51%

LAB 76.37, 14.07, 77.68

 

Description

Color code: HEX #0FF53F | qconv.com Color code: HEX #0FF53F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 245 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 245 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 74 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 74% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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