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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13A511 it is the complementary color #EC5AEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13A511. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13A511 shade: #18A50C, #29B71F, #3AC932, #4BDB45 and #5CED58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13A511. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13A511 shade: #13A511, #029300, #008100, #006F00 and #005D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13A511 shade: #13A611, #3BA611, #63A611, #8BA611 and #A69811

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13A511 shade: #13A611, #11A637, #11A65F, #11A687 and #119CA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13A511 shade matches the following richer shades: #13A611 and #04B502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13A511 shade: #13A611, #219720, #30882F, #3E793E and #4D6A4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13A511 shade: #63A611, #3BA611, #13A611, #11A636 and #11A65E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13A511 shade: #0A5B09, #0F800D, #13A611, #17CB15 and #24E722

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13A511 shade: #13A511, #118AA6 and #A6114F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13A511 shade: #13A511, #1113A6 and #A61113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13A511 shade: #13A511, #118AA6, #A311A6 and #A62C11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13A511 shade: #13A511, #115EA6, #A311A6 and #A65911

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 90 / 35

HEX #13A511

RGB 19 165 17

HSL 119.19, 0.81%, 0.36%

LAB 59.06, -60.57, 57.64

 

Complementary color

CMYK 1 / 62 / 0 / 7

HEX #EC5AEE

RGB 236 90 238

HSL 299.19, 0.81%, 0.64%

LAB 62.78, 73.75, -47.69

 

CMYK 85 / 0 / 93 / 35

HEX #18A50C

RGB 24 165 12

HSL 115.29, 0.86%, 0.35%

LAB 59.1, -60.27, 58.57

 

CMYK 78 / 0 / 83 / 28

HEX #29B71F

RGB 41 183 31

HSL 116.05, 0.71%, 0.42%

LAB 65.31, -62.83, 60.11

 

CMYK 71 / 0 / 75 / 21

HEX #3AC932

RGB 58 201 50

HSL 116.82, 0.6%, 0.49%

LAB 71.49, -64.6, 60.38

 

CMYK 66 / 0 / 68 / 14

HEX #4BDB45

RGB 75 219 69

HSL 117.6, 0.68%, 0.56%

LAB 77.63, -65.79, 59.92

 

CMYK 61 / 0 / 63 / 7

HEX #5CED58

RGB 92 237 88

HSL 118.39, 0.81%, 0.64%

LAB 83.73, -66.58, 59.07

 

CMYK 88 / 0 / 90 / 35

HEX #13A511

RGB 19 165 17

HSL 119.19, 0.81%, 0.36%

LAB 59.06, -60.57, 57.64

 

CMYK 99 / 0 / 100 / 42

HEX #029300

RGB 2 147 0

HSL 119.18, 1%, 0.29%

LAB 52.82, -57.03, 55.19

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 100 / 0 / 100 / 56

HEX #006F00

RGB 0 111 0

HSL 120, 1%, 0.22%

LAB 40.19, -46.69, 45.06

 

CMYK 100 / 0 / 100 / 64

HEX #005D00

RGB 0 93 0

HSL 120, 1%, 0.18%

LAB 33.62, -41.23, 39.79

 

CMYK 89 / 0 / 90 / 35

HEX #13A611

RGB 19 166 17

HSL 119.19, 0.81%, 0.36%

LAB 59.39, -60.86, 57.93

 

CMYK 64 / 0 / 90 / 35

HEX #3BA611

RGB 59 166 17

HSL 103.09, 0.81%, 0.36%

LAB 60.11, -54.64, 58.83

 

CMYK 40 / 0 / 90 / 35

HEX #63A611

RGB 99 166 17

HSL 86.98, 0.81%, 0.36%

LAB 61.62, -42.84, 60.72

 

CMYK 16 / 0 / 90 / 35

HEX #8BA611

RGB 139 166 17

HSL 70.87, 0.81%, 0.36%

LAB 64, -27.12, 63.66

 

CMYK 0 / 8 / 90 / 35

HEX #A69811

RGB 166 152 17

HSL 54.36, 0.81%, 0.36%

LAB 62.17, -8.04, 63.1

 

CMYK 89 / 0 / 90 / 35

HEX #13A611

RGB 19 166 17

HSL 119.19, 0.81%, 0.36%

LAB 59.39, -60.86, 57.93

 

CMYK 90 / 0 / 67 / 35

HEX #11A637

RGB 17 166 55

HSL 135.3, 0.81%, 0.36%

LAB 59.59, -58.29, 45.91

 

CMYK 90 / 0 / 43 / 35

HEX #11A65F

RGB 17 166 95

HSL 151.41, 0.81%, 0.36%

LAB 60.09, -52.26, 26.9

 

CMYK 90 / 0 / 19 / 35

HEX #11A687

RGB 17 166 135

HSL 167.52, 0.81%, 0.36%

LAB 60.91, -43.09, 6.04

 

CMYK 90 / 6 / 0 / 35

HEX #119CA6

RGB 17 156 166

HSL 184.03, 0.81%, 0.36%

LAB 58.65, -29.39, -14.8

 

CMYK 89 / 0 / 90 / 35

HEX #13A611

RGB 19 166 17

HSL 119.19, 0.81%, 0.36%

LAB 59.39, -60.86, 57.93

 

CMYK 98 / 0 / 99 / 29

HEX #04B502

RGB 4 181 2

HSL 119.33, 0.98%, 0.36%

LAB 64.22, -66.39, 64.08

 

CMYK 89 / 0 / 90 / 35

HEX #13A611

RGB 19 166 17

HSL 119.19, 0.81%, 0.36%

LAB 59.39, -60.86, 57.93

 

CMYK 78 / 0 / 79 / 41

HEX #219720

RGB 33 151 32

HSL 119.5, 0.65%, 0.36%

LAB 54.62, -53.87, 49.7

 

CMYK 65 / 0 / 65 / 47

HEX #30882F

RGB 48 136 47

HSL 119.33, 0.49%, 0.36%

LAB 50.03, -44.41, 39.05

 

CMYK 49 / 0 / 49 / 53

HEX #3E793E

RGB 62 121 62

HSL 120, 0.32%, 0.36%

LAB 45.7, -32.33, 26.44

 

CMYK 27 / 0 / 28 / 58

HEX #4D6A4C

RGB 77 106 76

HSL 118, 0.16%, 0.36%

LAB 41.86, -17.19, 13.51

 

CMYK 40 / 0 / 90 / 35

HEX #63A611

RGB 99 166 17

HSL 86.98, 0.81%, 0.36%

LAB 61.62, -42.84, 60.72

 

CMYK 64 / 0 / 90 / 35

HEX #3BA611

RGB 59 166 17

HSL 103.09, 0.81%, 0.36%

LAB 60.11, -54.64, 58.83

 

CMYK 89 / 0 / 90 / 35

HEX #13A611

RGB 19 166 17

HSL 119.19, 0.81%, 0.36%

LAB 59.39, -60.86, 57.93

 

CMYK 90 / 0 / 67 / 35

HEX #11A636

RGB 17 166 54

HSL 134.9, 0.81%, 0.36%

LAB 59.58, -58.4, 46.32

 

CMYK 90 / 0 / 43 / 35

HEX #11A65E

RGB 17 166 94

HSL 151.01, 0.81%, 0.36%

LAB 60.07, -52.45, 27.41

 

CMYK 89 / 0 / 90 / 64

HEX #0A5B09

RGB 10 91 9

HSL 119.27, 0.82%, 0.2%

LAB 33.06, -38.79, 36.51

 

CMYK 88 / 0 / 90 / 50

HEX #0F800D

RGB 15 128 13

HSL 118.96, 0.82%, 0.28%

LAB 46.4, -49.96, 47.42

 

CMYK 89 / 0 / 90 / 35

HEX #13A611

RGB 19 166 17

HSL 119.19, 0.81%, 0.36%

LAB 59.39, -60.86, 57.93

 

CMYK 89 / 0 / 90 / 20

HEX #17CB15

RGB 23 203 21

HSL 119.34, 0.81%, 0.44%

LAB 71.52, -70.97, 67.66

 

CMYK 84 / 0 / 85 / 9

HEX #24E722

RGB 36 231 34

HSL 119.39, 0.8%, 0.52%

LAB 80.54, -77.24, 73.07

 

CMYK 88 / 0 / 90 / 35

HEX #13A511

RGB 19 165 17

HSL 119.19, 0.81%, 0.36%

LAB 59.06, -60.57, 57.64

 

CMYK 90 / 17 / 0 / 35

HEX #118AA6

RGB 17 138 166

HSL 191.28, 0.81%, 0.36%

LAB 53, -20.19, -23.41

 

CMYK 0 / 90 / 52 / 35

HEX #A6114F

RGB 166 17 79

HSL 335.03, 0.81%, 0.36%

LAB 36.12, 58.9, 5.29

 

CMYK 88 / 0 / 90 / 35

HEX #13A511

RGB 19 165 17

HSL 119.19, 0.81%, 0.36%

LAB 59.06, -60.57, 57.64

 

CMYK 90 / 89 / 0 / 35

HEX #1113A6

RGB 17 19 166

HSL 239.19, 0.81%, 0.36%

LAB 21.35, 52, -74.33

 

CMYK 0 / 90 / 89 / 35

HEX #A61113

RGB 166 17 19

HSL 359.19, 0.81%, 0.36%

LAB 35.11, 56.02, 41.03

 

CMYK 88 / 0 / 90 / 35

HEX #13A511

RGB 19 165 17

HSL 119.19, 0.81%, 0.36%

LAB 59.06, -60.57, 57.64

 

CMYK 90 / 17 / 0 / 35

HEX #118AA6

RGB 17 138 166

HSL 191.28, 0.81%, 0.36%

LAB 53, -20.19, -23.41

 

CMYK 2 / 90 / 0 / 35

HEX #A311A6

RGB 163 17 166

HSL 298.79, 0.81%, 0.36%

LAB 39.48, 68.73, -43.93

 

CMYK 0 / 73 / 90 / 35

HEX #A62C11

RGB 166 44 17

HSL 10.87, 0.81%, 0.36%

LAB 37.75, 48.52, 44

 

CMYK 88 / 0 / 90 / 35

HEX #13A511

RGB 19 165 17

HSL 119.19, 0.81%, 0.36%

LAB 59.06, -60.57, 57.64

 

CMYK 90 / 43 / 0 / 35

HEX #115EA6

RGB 17 94 166

HSL 208.99, 0.81%, 0.36%

LAB 39.37, 5.84, -44.83

 

CMYK 2 / 90 / 0 / 35

HEX #A311A6

RGB 163 17 166

HSL 298.79, 0.81%, 0.36%

LAB 39.48, 68.73, -43.93

 

CMYK 0 / 46 / 90 / 35

HEX #A65911

RGB 166 89 17

HSL 28.99, 0.81%, 0.36%

LAB 46.03, 27.01, 50.42

 

Description

Color code: HEX #13A511 | qconv.com Color code: HEX #13A511 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 165 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 165 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 90 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 90% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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