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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13C292 it is the complementary color #EC3D6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13C292. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13C292 shade: #18C28D, #29D4A0, #3AE6B3, #4BF8C6 and #5CFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13C292. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13C292 shade: #13C292, #02B07F, #009E6C, #008C59 and #007A46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13C292 shade: #13C292, #13C263, #13C234, #21C213 and #51C213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13C292 shade: #13C292, #13C2C2, #1394C2, #1365C2 and #1335C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13C292 shade matches the following richer shades: #13C292 and #01D49A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13C292 shade: #13C292, #24B18A, #35A083, #478E7B and #587D73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13C292 shade: #13C233, #13C262, #13C291, #13C2BF and #1397C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13C292 shade: #0B775A, #0F9D76, #13C292, #17E8AE and #3CEBBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13C292 shade: #13C292, #1321C2 and #C24A13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13C292 shade: #13C292, #9113C2 and #C29113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13C292 shade: #13C292, #1321C2, #C21345 and #C2B413

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13C292 shade: #13C292, #3913C2, #C21345 and #9CC213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 25 / 24

HEX #13C292

RGB 19 194 146

HSL 163.54, 0.82%, 0.42%

LAB 70.03, -51.55, 12.96

 

Complementary color

CMYK 0 / 74 / 54 / 7

HEX #EC3D6D

RGB 236 61 109

HSL 343.54, 0.82%, 0.58%

LAB 54.32, 68.52, 14.16

 

CMYK 88 / 0 / 27 / 24

HEX #18C28D

RGB 24 194 141

HSL 161.29, 0.78%, 0.43%

LAB 69.97, -52.44, 15.57

 

CMYK 81 / 0 / 25 / 17

HEX #29D4A0

RGB 41 212 160

HSL 161.75, 0.68%, 0.5%

LAB 76.13, -53.66, 14.06

 

CMYK 75 / 0 / 22 / 10

HEX #3AE6B3

RGB 58 230 179

HSL 162.21, 0.77%, 0.56%

LAB 82.24, -54.54, 12.69

 

CMYK 70 / 0 / 20 / 3

HEX #4BF8C6

RGB 75 248 198

HSL 162.66, 0.93%, 0.63%

LAB 88.31, -55.17, 11.44

 

CMYK 64 / 0 / 15 / 0

HEX #5CFFD9

RGB 92 255 217

HSL 166.01, 1%, 0.68%

LAB 91.15, -51.08, 5.72

 

CMYK 90 / 0 / 25 / 24

HEX #13C292

RGB 19 194 146

HSL 163.54, 0.82%, 0.42%

LAB 70.03, -51.55, 12.96

 

CMYK 99 / 0 / 28 / 31

HEX #02B07F

RGB 2 176 127

HSL 163.1, 0.98%, 0.35%

LAB 63.83, -49.81, 14.61

 

CMYK 100 / 0 / 32 / 38

HEX #009E6C

RGB 0 158 108

HSL 161.01, 1%, 0.31%

LAB 57.59, -47.41, 16.46

 

CMYK 100 / 0 / 36 / 45

HEX #008C59

RGB 0 140 89

HSL 158.14, 1%, 0.27%

LAB 51.24, -44.84, 18.42

 

CMYK 100 / 0 / 43 / 52

HEX #007A46

RGB 0 122 70

HSL 154.43, 1%, 0.24%

LAB 44.75, -42.12, 20.48

 

CMYK 90 / 0 / 25 / 24

HEX #13C292

RGB 19 194 146

HSL 163.54, 0.82%, 0.42%

LAB 70.03, -51.55, 12.96

 

CMYK 90 / 0 / 49 / 24

HEX #13C263

RGB 19 194 99

HSL 147.43, 0.82%, 0.42%

LAB 69.2, -61.12, 36.52

 

CMYK 90 / 0 / 73 / 24

HEX #13C234

RGB 19 194 52

HSL 131.31, 0.82%, 0.42%

LAB 68.73, -66.93, 56.74

 

CMYK 83 / 0 / 90 / 24

HEX #21C213

RGB 33 194 19

HSL 115.2, 0.82%, 0.42%

LAB 68.72, -67.59, 65.65

 

CMYK 58 / 0 / 90 / 24

HEX #51C213

RGB 81 194 19

HSL 98.74, 0.82%, 0.42%

LAB 69.74, -58.88, 66.92

 

CMYK 90 / 0 / 25 / 24

HEX #13C292

RGB 19 194 146

HSL 163.54, 0.82%, 0.42%

LAB 70.03, -51.55, 12.96

 

CMYK 90 / 0 / 0 / 24

HEX #13C2C2

RGB 19 194 194

HSL 180, 0.82%, 0.42%

LAB 71.29, -38.51, -11.36

 

CMYK 90 / 24 / 0 / 24

HEX #1394C2

RGB 19 148 194

HSL 195.77, 0.82%, 0.42%

LAB 57.28, -15.55, -32.76

 

CMYK 90 / 48 / 0 / 24

HEX #1365C2

RGB 19 101 194

HSL 211.89, 0.82%, 0.42%

LAB 43.27, 12.66, -54.98

 

CMYK 90 / 73 / 0 / 24

HEX #1335C2

RGB 19 53 194

HSL 228.34, 0.82%, 0.42%

LAB 30.83, 43.85, -75.3

 

CMYK 90 / 0 / 25 / 24

HEX #13C292

RGB 19 194 146

HSL 163.54, 0.82%, 0.42%

LAB 70.03, -51.55, 12.96

 

CMYK 100 / 0 / 27 / 17

HEX #01D49A

RGB 1 212 154

HSL 163.51, 0.99%, 0.42%

LAB 75.72, -57.22, 16.63

 

CMYK 90 / 0 / 25 / 24

HEX #13C292

RGB 19 194 146

HSL 163.54, 0.82%, 0.42%

LAB 70.03, -51.55, 12.96

 

CMYK 80 / 0 / 22 / 31

HEX #24B18A

RGB 36 177 138

HSL 163.4, 0.66%, 0.42%

LAB 64.69, -45.34, 9.8

 

CMYK 67 / 0 / 18 / 37

HEX #35A083

RGB 53 160 131

HSL 163.74, 0.5%, 0.42%

LAB 59.47, -37.44, 6.31

 

CMYK 50 / 0 / 13 / 44

HEX #478E7B

RGB 71 142 123

HSL 163.94, 0.33%, 0.42%

LAB 54.15, -27.18, 3.28

 

CMYK 30 / 0 / 8 / 51

HEX #587D73

RGB 88 125 115

HSL 163.78, 0.17%, 0.42%

LAB 49.47, -15.33, 1.26

 

CMYK 90 / 0 / 74 / 24

HEX #13C233

RGB 19 194 51

HSL 130.97, 0.82%, 0.42%

LAB 68.72, -67.01, 57.09

 

CMYK 90 / 0 / 49 / 24

HEX #13C262

RGB 19 194 98

HSL 147.09, 0.82%, 0.42%

LAB 69.19, -61.29, 37

 

CMYK 90 / 0 / 25 / 24

HEX #13C291

RGB 19 194 145

HSL 163.2, 0.82%, 0.42%

LAB 70.01, -51.79, 13.47

 

CMYK 90 / 0 / 2 / 24

HEX #13C2BF

RGB 19 194 191

HSL 178.97, 0.82%, 0.42%

LAB 71.2, -39.41, -9.86

 

CMYK 90 / 22 / 0 / 24

HEX #1397C2

RGB 19 151 194

HSL 194.74, 0.82%, 0.42%

LAB 58.19, -17.19, -31.34

 

CMYK 91 / 0 / 24 / 53

HEX #0B775A

RGB 11 119 90

HSL 163.89, 0.83%, 0.25%

LAB 44.24, -35.35, 8.17

 

CMYK 90 / 0 / 25 / 38

HEX #0F9D76

RGB 15 157 118

HSL 163.52, 0.83%, 0.34%

LAB 57.58, -43.85, 10.86

 

CMYK 90 / 0 / 25 / 24

HEX #13C292

RGB 19 194 146

HSL 163.54, 0.82%, 0.42%

LAB 70.03, -51.55, 12.96

 

CMYK 90 / 0 / 25 / 9

HEX #17E8AE

RGB 23 232 174

HSL 163.35, 0.82%, 0.5%

LAB 82.35, -59.35, 15.41

 

CMYK 74 / 0 / 20 / 8

HEX #3CEBBB

RGB 60 235 187

HSL 163.54, 0.81%, 0.58%

LAB 83.95, -54.43, 10.92

 

CMYK 90 / 0 / 25 / 24

HEX #13C292

RGB 19 194 146

HSL 163.54, 0.82%, 0.42%

LAB 70.03, -51.55, 12.96

 

CMYK 90 / 83 / 0 / 24

HEX #1321C2

RGB 19 33 194

HSL 235.2, 0.82%, 0.42%

LAB 27.08, 54.62, -81.53

 

CMYK 0 / 62 / 90 / 24

HEX #C24A13

RGB 194 74 19

HSL 18.86, 0.82%, 0.42%

LAB 47.51, 45.8, 52.84

 

CMYK 90 / 0 / 25 / 24

HEX #13C292

RGB 19 194 146

HSL 163.54, 0.82%, 0.42%

LAB 70.03, -51.55, 12.96

 

CMYK 25 / 90 / 0 / 24

HEX #9113C2

RGB 145 19 194

HSL 283.2, 0.82%, 0.42%

LAB 38.52, 70.36, -62.24

 

CMYK 0 / 25 / 90 / 24

HEX #C29113

RGB 194 145 19

HSL 43.2, 0.82%, 0.42%

LAB 63.15, 8.44, 64.68

 

CMYK 90 / 0 / 25 / 24

HEX #13C292

RGB 19 194 146

HSL 163.54, 0.82%, 0.42%

LAB 70.03, -51.55, 12.96

 

CMYK 90 / 83 / 0 / 24

HEX #1321C2

RGB 19 33 194

HSL 235.2, 0.82%, 0.42%

LAB 27.08, 54.62, -81.53

 

CMYK 0 / 90 / 64 / 24

HEX #C21345

RGB 194 19 69

HSL 342.86, 0.82%, 0.42%

LAB 41.79, 64.97, 20.38

 

CMYK 0 / 7 / 90 / 24

HEX #C2B413

RGB 194 180 19

HSL 55.2, 0.82%, 0.42%

LAB 72.33, -10.2, 71.8

 

CMYK 90 / 0 / 25 / 24

HEX #13C292

RGB 19 194 146

HSL 163.54, 0.82%, 0.42%

LAB 70.03, -51.55, 12.96

 

CMYK 71 / 90 / 0 / 24

HEX #3913C2

RGB 57 19 194

HSL 253.03, 0.82%, 0.42%

LAB 27.38, 61.43, -80.97

 

CMYK 0 / 90 / 64 / 24

HEX #C21345

RGB 194 19 69

HSL 342.86, 0.82%, 0.42%

LAB 41.79, 64.97, 20.38

 

CMYK 20 / 0 / 90 / 24

HEX #9CC213

RGB 156 194 19

HSL 73.03, 0.82%, 0.42%

LAB 73.35, -33.28, 71.38

 

Description

Color code: HEX #13C292 | qconv.com Color code: HEX #13C292 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 194 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 194 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 25 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 25% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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