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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10E44D it is the complementary color #EF1BB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10E44D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10E44D shade: #15E448, #26F65B, #37FF6E, #48FF81 and #59FF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10E44D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10E44D shade: #10E44D, #00D23A, #00C027, #00AE14 and #009C01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10E44D shade: #0FE44D, #0FE413, #45E40F, #7EE40F and #B8E40F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10E44D shade: #0FE44D, #0FE486, #0FE4C0, #0FD0E4 and #0F96E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10E44D shade matches the following richer shades: #0FE44D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10E44D shade: #0FE44D, #23D155, #37BD5D, #4BA966 and #5F956E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10E44D shade: #45E40F, #0FE413, #0FE44C, #0FE485 and #0FE4BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10E44D shade: #0A9733, #0DBE40, #0FE44D, #2DF065 and #54F381

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10E44D shade: #10E44D, #0F7DE4 and #E40F28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10E44D shade: #10E44D, #4C0FE4 and #E44C0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10E44D shade: #10E44D, #0F7DE4, #E40FA8 and #E4760F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10E44D shade: #10E44D, #0F3EE4, #E40FA8 and #E4B60F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 66 / 11

HEX #10E44D

RGB 16 228 77

HSL 137.26, 0.87%, 0.48%

LAB 79.69, -74.7, 58.76

 

Complementary color

CMYK 0 / 89 / 26 / 6

HEX #EF1BB2

RGB 239 27 178

HSL 317.26, 0.87%, 0.52%

LAB 54.4, 83.43, -26.62

 

CMYK 91 / 0 / 68 / 11

HEX #15E448

RGB 21 228 72

HSL 134.78, 0.83%, 0.49%

LAB 79.68, -74.94, 60.71

 

CMYK 85 / 0 / 63 / 4

HEX #26F65B

RGB 38 246 91

HSL 135.29, 0.92%, 0.56%

LAB 85.54, -77.12, 59.58

 

CMYK 78 / 0 / 57 / 0

HEX #37FF6E

RGB 55 255 110

HSL 136.5, 1%, 0.61%

LAB 88.67, -75.98, 55.1

 

CMYK 72 / 0 / 49 / 0

HEX #48FF81

RGB 72 255 129

HSL 138.69, 1%, 0.64%

LAB 89.15, -71.21, 47.07

 

CMYK 65 / 0 / 42 / 0

HEX #59FF94

RGB 89 255 148

HSL 141.33, 1%, 0.67%

LAB 89.76, -65.51, 38.79

 

CMYK 93 / 0 / 66 / 11

HEX #10E44D

RGB 16 228 77

HSL 137.26, 0.87%, 0.48%

LAB 79.69, -74.7, 58.76

 

CMYK 100 / 0 / 72 / 18

HEX #00D23A

RGB 0 210 58

HSL 136.57, 1%, 0.41%

LAB 73.8, -71.89, 59.74

 

CMYK 100 / 0 / 80 / 25

HEX #00C027

RGB 0 192 39

HSL 132.19, 1%, 0.38%

LAB 67.91, -68.21, 60.17

 

CMYK 100 / 0 / 89 / 32

HEX #00AE14

RGB 0 174 20

HSL 126.9, 1%, 0.34%

LAB 61.93, -64.14, 59.5

 

CMYK 100 / 0 / 99 / 39

HEX #009C01

RGB 0 156 1

HSL 120.38, 1%, 0.31%

LAB 55.87, -59.68, 57.47

 

CMYK 93 / 0 / 66 / 11

HEX #0FE44D

RGB 15 228 77

HSL 137.46, 0.88%, 0.48%

LAB 79.68, -74.75, 58.75

 

CMYK 93 / 0 / 92 / 11

HEX #0FE413

RGB 15 228 19

HSL 121.13, 0.88%, 0.48%

LAB 79.41, -78.31, 74.63

 

CMYK 70 / 0 / 93 / 11

HEX #45E40F

RGB 69 228 15

HSL 104.79, 0.88%, 0.48%

LAB 80.06, -72.55, 75.94

 

CMYK 45 / 0 / 93 / 11

HEX #7EE40F

RGB 126 228 15

HSL 88.73, 0.88%, 0.48%

LAB 81.81, -58.4, 78.1

 

CMYK 19 / 0 / 93 / 11

HEX #B8E40F

RGB 184 228 15

HSL 72.39, 0.88%, 0.48%

LAB 84.85, -37.64, 81.79

 

CMYK 93 / 0 / 66 / 11

HEX #0FE44D

RGB 15 228 77

HSL 137.46, 0.88%, 0.48%

LAB 79.68, -74.75, 58.75

 

CMYK 93 / 0 / 41 / 11

HEX #0FE486

RGB 15 228 134

HSL 153.52, 0.88%, 0.48%

LAB 80.35, -66.6, 33.27

 

CMYK 93 / 0 / 16 / 11

HEX #0FE4C0

RGB 15 228 192

HSL 169.86, 0.88%, 0.48%

LAB 81.51, -53.72, 4.73

 

CMYK 93 / 9 / 0 / 11

HEX #0FD0E4

RGB 15 208 228

HSL 185.63, 0.88%, 0.48%

LAB 76.57, -34.71, -21.82

 

CMYK 93 / 34 / 0 / 11

HEX #0F96E4

RGB 15 150 228

HSL 201.97, 0.88%, 0.48%

LAB 59.45, -4.39, -48.4

 

CMYK 93 / 0 / 66 / 11

HEX #0FE44D

RGB 15 228 77

HSL 137.46, 0.88%, 0.48%

LAB 79.68, -74.75, 58.75

 

CMYK 93 / 0 / 66 / 11

HEX #0FE44D

RGB 15 228 77

HSL 137.46, 0.88%, 0.48%

LAB 79.68, -74.75, 58.75

 

CMYK 83 / 0 / 59 / 18

HEX #23D155

RGB 35 209 85

HSL 137.24, 0.71%, 0.48%

LAB 73.94, -66.75, 48.95

 

CMYK 71 / 0 / 51 / 26

HEX #37BD5D

RGB 55 189 93

HSL 137.01, 0.55%, 0.48%

LAB 68.02, -56.33, 38.14

 

CMYK 56 / 0 / 40 / 34

HEX #4BA966

RGB 75 169 102

HSL 137.23, 0.39%, 0.48%

LAB 62.36, -42.94, 26.38

 

CMYK 36 / 0 / 26 / 42

HEX #5F956E

RGB 95 149 110

HSL 136.67, 0.22%, 0.48%

LAB 57.13, -26.59, 15.06

 

CMYK 70 / 0 / 93 / 11

HEX #45E40F

RGB 69 228 15

HSL 104.79, 0.88%, 0.48%

LAB 80.06, -72.55, 75.94

 

CMYK 93 / 0 / 92 / 11

HEX #0FE413

RGB 15 228 19

HSL 121.13, 0.88%, 0.48%

LAB 79.41, -78.31, 74.63

 

CMYK 93 / 0 / 67 / 11

HEX #0FE44C

RGB 15 228 76

HSL 137.18, 0.88%, 0.48%

LAB 79.68, -74.85, 59.14

 

CMYK 93 / 0 / 42 / 11

HEX #0FE485

RGB 15 228 133

HSL 153.24, 0.88%, 0.48%

LAB 80.34, -66.78, 33.75

 

CMYK 93 / 0 / 17 / 11

HEX #0FE4BD

RGB 15 228 189

HSL 169.01, 0.88%, 0.48%

LAB 81.44, -54.49, 6.22

 

CMYK 93 / 0 / 66 / 41

HEX #0A9733

RGB 10 151 51

HSL 137.45, 0.88%, 0.32%

LAB 54.49, -54.47, 42.02

 

CMYK 93 / 0 / 66 / 25

HEX #0DBE40

RGB 13 190 64

HSL 137.29, 0.87%, 0.4%

LAB 67.49, -64.94, 50.74

 

CMYK 93 / 0 / 66 / 11

HEX #0FE44D

RGB 15 228 77

HSL 137.46, 0.88%, 0.48%

LAB 79.68, -74.75, 58.75

 

CMYK 81 / 0 / 58 / 6

HEX #2DF065

RGB 45 240 101

HSL 137.23, 0.87%, 0.56%

LAB 83.87, -73.5, 53.41

 

CMYK 65 / 0 / 47 / 5

HEX #54F381

RGB 84 243 129

HSL 136.98, 0.87%, 0.64%

LAB 85.79, -65.1, 42.92

 

CMYK 93 / 0 / 66 / 11

HEX #10E44D

RGB 16 228 77

HSL 137.26, 0.87%, 0.48%

LAB 79.69, -74.7, 58.76

 

CMYK 93 / 45 / 0 / 11

HEX #0F7DE4

RGB 15 125 228

HSL 209.01, 0.88%, 0.48%

LAB 52.25, 10.62, -59.89

 

CMYK 0 / 93 / 82 / 11

HEX #E40F28

RGB 228 15 40

HSL 352.96, 0.88%, 0.48%

LAB 48.25, 72.89, 46.75

 

CMYK 93 / 0 / 66 / 11

HEX #10E44D

RGB 16 228 77

HSL 137.26, 0.87%, 0.48%

LAB 79.69, -74.7, 58.76

 

CMYK 67 / 93 / 0 / 11

HEX #4C0FE4

RGB 76 15 228

HSL 257.18, 0.88%, 0.48%

LAB 32.87, 71.9, -91.53

 

CMYK 0 / 67 / 93 / 11

HEX #E44C0F

RGB 228 76 15

HSL 17.18, 0.88%, 0.48%

LAB 53.7, 56.79, 61.06

 

CMYK 93 / 0 / 66 / 11

HEX #10E44D

RGB 16 228 77

HSL 137.26, 0.87%, 0.48%

LAB 79.69, -74.7, 58.76

 

CMYK 93 / 45 / 0 / 11

HEX #0F7DE4

RGB 15 125 228

HSL 209.01, 0.88%, 0.48%

LAB 52.25, 10.62, -59.89

 

CMYK 0 / 93 / 26 / 11

HEX #E40FA8

RGB 228 15 168

HSL 316.9, 0.88%, 0.48%

LAB 51.45, 81.54, -25.46

 

CMYK 0 / 48 / 93 / 11

HEX #E4760F

RGB 228 118 15

HSL 29.01, 0.88%, 0.48%

LAB 61.21, 37.35, 66.02

 

CMYK 93 / 0 / 66 / 11

HEX #10E44D

RGB 16 228 77

HSL 137.26, 0.87%, 0.48%

LAB 79.69, -74.7, 58.76

 

CMYK 93 / 73 / 0 / 11

HEX #0F3EE4

RGB 15 62 228

HSL 226.76, 0.88%, 0.48%

LAB 36.27, 50.34, -85.98

 

CMYK 0 / 93 / 26 / 11

HEX #E40FA8

RGB 228 15 168

HSL 316.9, 0.88%, 0.48%

LAB 51.45, 81.54, -25.46

 

CMYK 0 / 20 / 93 / 11

HEX #E4B60F

RGB 228 182 15

HSL 47.04, 0.88%, 0.48%

LAB 76.06, 3.59, 76.64

 

Description

Color code: HEX #10E44D | qconv.com Color code: HEX #10E44D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 228 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 228 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 66 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 66% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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