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Color name
HEX #11AB53

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11AB53 it is the complementary color #EE54AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11AB53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11AB53 shade: #16AB4E, #27BD61, #38CF74, #49E187 and #5AF39A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11AB53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11AB53 shade: #11AB53, #009940, #00872D, #00751A and #006307

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11AB53 shade: #10AB53, #10AB29, #22AB10, #4BAB10 and #75AB10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11AB53 shade: #10AB53, #10AB7D, #10ABA6, #1086AB and #105DAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11AB53 shade matches the following richer shades: #10AB53 and #01BA51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11AB53 shade: #10AB53, #209C55, #2F8D57, #3E7D59 and #4E6E5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11AB53 shade: #23AB10, #10AB28, #10AB51, #10AB7A and #10ABA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11AB53 shade: #09602E, #0D8641, #10AB53, #14D165 and #25E979

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11AB53 shade: #11AB53, #104CAB and #AB1310

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11AB53 shade: #11AB53, #5110AB and #AB5110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11AB53 shade: #11AB53, #104CAB, #AB106B and #AB7010

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11AB53 shade: #11AB53, #101DAB, #AB106B and #AB9E10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 51 / 33

HEX #11AB53

RGB 17 171 83

HSL 145.71, 0.82%, 0.37%

LAB 61.54, -56.12, 34.99

 

Complementary color

CMYK 0 / 65 / 28 / 7

HEX #EE54AC

RGB 238 84 172

HSL 325.71, 0.82%, 0.63%

LAB 59.43, 67.08, -15.44

 

CMYK 87 / 0 / 54 / 33

HEX #16AB4E

RGB 22 171 78

HSL 142.55, 0.77%, 0.38%

LAB 61.52, -56.53, 37.47

 

CMYK 79 / 0 / 49 / 26

HEX #27BD61

RGB 39 189 97

HSL 143.2, 0.66%, 0.45%

LAB 67.79, -57.98, 35.8

 

CMYK 73 / 0 / 44 / 19

HEX #38CF74

RGB 56 207 116

HSL 143.84, 0.61%, 0.52%

LAB 74.02, -58.92, 34.19

 

CMYK 68 / 0 / 40 / 12

HEX #49E187

RGB 73 225 135

HSL 144.47, 0.72%, 0.58%

LAB 80.19, -59.51, 32.69

 

CMYK 63 / 0 / 37 / 5

HEX #5AF39A

RGB 90 243 154

HSL 145.1, 0.86%, 0.65%

LAB 86.31, -59.85, 31.28

 

CMYK 90 / 0 / 51 / 33

HEX #11AB53

RGB 17 171 83

HSL 145.71, 0.82%, 0.37%

LAB 61.54, -56.12, 34.99

 

CMYK 100 / 0 / 58 / 40

HEX #009940

RGB 0 153 64

HSL 145.1, 1%, 0.3%

LAB 55.23, -54, 36.77

 

CMYK 100 / 0 / 67 / 47

HEX #00872D

RGB 0 135 45

HSL 140, 1%, 0.26%

LAB 48.91, -50.71, 38.51

 

CMYK 100 / 0 / 78 / 54

HEX #00751A

RGB 0 117 26

HSL 133.33, 1%, 0.23%

LAB 42.46, -47, 39.7

 

CMYK 100 / 0 / 93 / 61

HEX #006307

RGB 0 99 7

HSL 124.24, 1%, 0.19%

LAB 35.87, -42.68, 39.54

 

CMYK 91 / 0 / 51 / 33

HEX #10AB53

RGB 16 171 83

HSL 145.94, 0.83%, 0.37%

LAB 61.53, -56.19, 34.98

 

CMYK 91 / 0 / 76 / 33

HEX #10AB29

RGB 16 171 41

HSL 129.68, 0.83%, 0.37%

LAB 61.13, -61.2, 52.97

 

CMYK 80 / 0 / 91 / 33

HEX #22AB10

RGB 34 171 16

HSL 113.03, 0.83%, 0.37%

LAB 61.22, -60.77, 59.76

 

CMYK 56 / 0 / 91 / 33

HEX #4BAB10

RGB 75 171 16

HSL 97.16, 0.83%, 0.37%

LAB 62.22, -52.39, 61.01

 

CMYK 32 / 0 / 91 / 33

HEX #75AB10

RGB 117 171 16

HSL 80.9, 0.83%, 0.37%

LAB 64.12, -38.37, 63.36

 

CMYK 91 / 0 / 51 / 33

HEX #10AB53

RGB 16 171 83

HSL 145.94, 0.83%, 0.37%

LAB 61.53, -56.19, 34.98

 

CMYK 91 / 0 / 27 / 33

HEX #10AB7D

RGB 16 171 125

HSL 162.19, 0.83%, 0.37%

LAB 62.27, -47.71, 13.54

 

CMYK 91 / 0 / 3 / 33

HEX #10ABA6

RGB 16 171 166

HSL 178.06, 0.83%, 0.37%

LAB 63.33, -36.55, -7.77

 

CMYK 91 / 22 / 0 / 33

HEX #1086AB

RGB 16 134 171

HSL 194.32, 0.83%, 0.37%

LAB 51.95, -16.3, -27.92

 

CMYK 91 / 46 / 0 / 33

HEX #105DAB

RGB 16 93 171

HSL 210.19, 0.83%, 0.37%

LAB 39.38, 8.46, -47.79

 

CMYK 91 / 0 / 51 / 33

HEX #10AB53

RGB 16 171 83

HSL 145.94, 0.83%, 0.37%

LAB 61.53, -56.19, 34.98

 

CMYK 99 / 0 / 56 / 27

HEX #01BA51

RGB 1 186 81

HSL 145.95, 0.99%, 0.37%

LAB 66.3, -62.12, 41.75

 

CMYK 91 / 0 / 51 / 33

HEX #10AB53

RGB 16 171 83

HSL 145.94, 0.83%, 0.37%

LAB 61.53, -56.19, 34.98

 

CMYK 79 / 0 / 46 / 39

HEX #209C55

RGB 32 156 85

HSL 145.65, 0.66%, 0.37%

LAB 56.82, -49.05, 28.03

 

CMYK 67 / 0 / 38 / 45

HEX #2F8D57

RGB 47 141 87

HSL 145.53, 0.5%, 0.37%

LAB 52.22, -40.35, 20.97

 

CMYK 50 / 0 / 29 / 51

HEX #3E7D59

RGB 62 125 89

HSL 145.71, 0.34%, 0.37%

LAB 47.51, -29.19, 13.53

 

CMYK 29 / 0 / 16 / 57

HEX #4E6E5C

RGB 78 110 92

HSL 146.25, 0.17%, 0.37%

LAB 43.57, -15.73, 6.35

 

CMYK 80 / 0 / 91 / 33

HEX #23AB10

RGB 35 171 16

HSL 112.65, 0.83%, 0.37%

LAB 61.24, -60.64, 59.78

 

CMYK 91 / 0 / 77 / 33

HEX #10AB28

RGB 16 171 40

HSL 129.29, 0.83%, 0.37%

LAB 61.12, -61.27, 53.31

 

CMYK 91 / 0 / 53 / 33

HEX #10AB51

RGB 16 171 81

HSL 145.16, 0.83%, 0.37%

LAB 61.51, -56.51, 35.95

 

CMYK 91 / 0 / 29 / 33

HEX #10AB7A

RGB 16 171 122

HSL 161.03, 0.83%, 0.37%

LAB 62.2, -48.42, 15.1

 

CMYK 91 / 0 / 5 / 33

HEX #10ABA3

RGB 16 171 163

HSL 176.9, 0.83%, 0.37%

LAB 63.24, -37.45, -6.23

 

CMYK 91 / 0 / 52 / 62

HEX #09602E

RGB 9 96 46

HSL 145.52, 0.83%, 0.21%

LAB 35.24, -36.21, 21.89

 

CMYK 90 / 0 / 51 / 47

HEX #0D8641

RGB 13 134 65

HSL 145.79, 0.82%, 0.29%

LAB 48.91, -46.55, 28.58

 

CMYK 91 / 0 / 51 / 33

HEX #10AB53

RGB 16 171 83

HSL 145.94, 0.83%, 0.37%

LAB 61.53, -56.19, 34.98

 

CMYK 90 / 0 / 52 / 18

HEX #14D165

RGB 20 209 101

HSL 145.71, 0.83%, 0.45%

LAB 73.99, -65.67, 41.5

 

CMYK 84 / 0 / 48 / 9

HEX #25E979

RGB 37 233 121

HSL 145.71, 0.82%, 0.53%

LAB 81.87, -69.17, 41.67

 

CMYK 90 / 0 / 51 / 33

HEX #11AB53

RGB 17 171 83

HSL 145.71, 0.82%, 0.37%

LAB 61.54, -56.12, 34.99

 

CMYK 91 / 56 / 0 / 33

HEX #104CAB

RGB 16 76 171

HSL 216.77, 0.83%, 0.37%

LAB 34.44, 19.81, -55.78

 

CMYK 0 / 89 / 91 / 33

HEX #AB1310

RGB 171 19 16

HSL 1.16, 0.83%, 0.37%

LAB 36.29, 56.98, 43.8

 

CMYK 90 / 0 / 51 / 33

HEX #11AB53

RGB 17 171 83

HSL 145.71, 0.82%, 0.37%

LAB 61.54, -56.12, 34.99

 

CMYK 53 / 91 / 0 / 33

HEX #5110AB

RGB 81 16 171

HSL 265.16, 0.83%, 0.37%

LAB 26.91, 58.2, -67.97

 

CMYK 0 / 53 / 91 / 33

HEX #AB5110

RGB 171 81 16

HSL 25.16, 0.83%, 0.37%

LAB 45.05, 33.39, 50.31

 

CMYK 90 / 0 / 51 / 33

HEX #11AB53

RGB 17 171 83

HSL 145.71, 0.82%, 0.37%

LAB 61.54, -56.12, 34.99

 

CMYK 91 / 56 / 0 / 33

HEX #104CAB

RGB 16 76 171

HSL 216.77, 0.83%, 0.37%

LAB 34.44, 19.81, -55.78

 

CMYK 0 / 91 / 37 / 33

HEX #AB106B

RGB 171 16 107

HSL 324.77, 0.83%, 0.37%

LAB 38, 62.79, -9.78

 

CMYK 0 / 35 / 91 / 33

HEX #AB7010

RGB 171 112 16

HSL 37.16, 0.83%, 0.37%

LAB 52.16, 16.36, 55.73

 

CMYK 90 / 0 / 51 / 33

HEX #11AB53

RGB 17 171 83

HSL 145.71, 0.82%, 0.37%

LAB 61.54, -56.12, 34.99

 

CMYK 91 / 83 / 0 / 33

HEX #101DAB

RGB 16 29 171

HSL 234.97, 0.83%, 0.37%

LAB 23.44, 49.17, -73.88

 

CMYK 0 / 91 / 37 / 33

HEX #AB106B

RGB 171 16 107

HSL 324.77, 0.83%, 0.37%

LAB 38, 62.79, -9.78

 

CMYK 0 / 8 / 91 / 33

HEX #AB9E10

RGB 171 158 16

HSL 54.97, 0.83%, 0.37%

LAB 64.28, -8.99, 65.14

 

Description

Color code: HEX #11AB53 | qconv.com Color code: HEX #11AB53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 171 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 171 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 51 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 51% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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