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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #123749 it is the complementary color #EDC8B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #123749. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #123749 shade: #173744, #284957, #395B6A, #4A6D7D and #5B7F90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #123749. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #123749 shade: #123749, #012536, #001323 and #000110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #123749 shade: #123749, #122849, #121949, #191249 and #281249

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #123749 shade: #123749, #122849, #121949 and #121249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #123749 shade matches the following richer shades: #123749, #0A3950 and #033C58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #123749 shade: #123749, #193442, #21323A, #282F33 and #302D2B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #123749 shade: #12493D, #124649, #123749, #122949 and #121A49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #123749 shade: #010507, #0A1E28, #123749, #1A506A and #22698B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #123749 shade: #123749, #2E1249 and #494412

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #123749 shade: #123749, #491237 and #374912

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #123749 shade: #123749, #2E1249, #492312 and #2C4912

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #123749 shade: #123749, #3F1249, #492312 and #1C4912

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 25 / 0 / 71

HEX #123749

RGB 18 55 73

HSL 199.64, 0.6%, 0.18%

LAB 21.36, -6.3, -14.93

 

Complementary color

CMYK 0 / 16 / 23 / 7

HEX #EDC8B6

RGB 237 200 182

HSL 19.64, 0.6%, 0.82%

LAB 83.28, 10.37, 13.86

 

CMYK 66 / 19 / 0 / 73

HEX #173744

RGB 23 55 68

HSL 197.33, 0.49%, 0.18%

LAB 21.33, -7.15, -11.61

 

CMYK 54 / 16 / 0 / 66

HEX #284957

RGB 40 73 87

HSL 197.87, 0.37%, 0.25%

LAB 29.17, -7.63, -12.04

 

CMYK 46 / 14 / 0 / 58

HEX #395B6A

RGB 57 91 106

HSL 198.37, 0.3%, 0.32%

LAB 36.73, -7.89, -12.44

 

CMYK 41 / 13 / 0 / 51

HEX #4A6D7D

RGB 74 109 125

HSL 198.82, 0.26%, 0.39%

LAB 44.05, -8.05, -12.83

 

CMYK 37 / 12 / 0 / 44

HEX #5B7F90

RGB 91 127 144

HSL 199.25, 0.23%, 0.46%

LAB 51.17, -8.16, -13.22

 

CMYK 75 / 25 / 0 / 71

HEX #123749

RGB 18 55 73

HSL 199.64, 0.6%, 0.18%

LAB 21.36, -6.3, -14.93

 

CMYK 98 / 31 / 0 / 79

HEX #012536

RGB 1 37 54

HSL 199.25, 0.96%, 0.11%

LAB 13.21, -5.1, -14.59

 

CMYK 100 / 46 / 0 / 86

HEX #001323

RGB 0 19 35

HSL 207.43, 1%, 0.07%

LAB 5.3, -0.89, -13.01

 

CMYK 100 / 94 / 0 / 94

HEX #000110

RGB 0 1 16

HSL 236.25, 1%, 0.03%

LAB 0.53, 1.97, -6.18

 

CMYK 75 / 25 / 0 / 71

HEX #123749

RGB 18 55 73

HSL 199.64, 0.6%, 0.18%

LAB 21.36, -6.3, -14.93

 

CMYK 75 / 45 / 0 / 71

HEX #122849

RGB 18 40 73

HSL 216, 0.6%, 0.18%

LAB 16.14, 4.19, -23.14

 

CMYK 75 / 66 / 0 / 71

HEX #121949

RGB 18 25 73

HSL 232.36, 0.6%, 0.18%

LAB 11.31, 15.55, -30.92

 

CMYK 66 / 75 / 0 / 71

HEX #191249

RGB 25 18 73

HSL 247.64, 0.6%, 0.18%

LAB 9.96, 21.88, -33.11

 

CMYK 45 / 75 / 0 / 71

HEX #281249

RGB 40 18 73

HSL 264, 0.6%, 0.18%

LAB 11.72, 25.01, -30.15

 

CMYK 75 / 25 / 0 / 71

HEX #123749

RGB 18 55 73

HSL 199.64, 0.6%, 0.18%

LAB 21.36, -6.3, -14.93

 

CMYK 75 / 45 / 0 / 71

HEX #122849

RGB 18 40 73

HSL 216, 0.6%, 0.18%

LAB 16.14, 4.19, -23.14

 

CMYK 75 / 66 / 0 / 71

HEX #121949

RGB 18 25 73

HSL 232.36, 0.6%, 0.18%

LAB 11.31, 15.55, -30.92

 

CMYK 75 / 75 / 0 / 71

HEX #121249

RGB 18 18 73

HSL 240, 0.6%, 0.18%

LAB 9.34, 20.73, -34.14

 

CMYK 75 / 25 / 0 / 71

HEX #123749

RGB 18 55 73

HSL 199.64, 0.6%, 0.18%

LAB 21.36, -6.3, -14.93

 

CMYK 88 / 29 / 0 / 69

HEX #0A3950

RGB 10 57 80

HSL 199.71, 0.78%, 0.18%

LAB 22.2, -5.99, -18.32

 

CMYK 97 / 32 / 0 / 65

HEX #033C58

RGB 3 60 88

HSL 199.76, 0.93%, 0.18%

LAB 23.52, -5.38, -21.53

 

CMYK 75 / 25 / 0 / 71

HEX #123749

RGB 18 55 73

HSL 199.64, 0.6%, 0.18%

LAB 21.36, -6.3, -14.93

 

CMYK 62 / 21 / 0 / 74

HEX #193442

RGB 25 52 66

HSL 200.49, 0.45%, 0.18%

LAB 20.27, -5.43, -11.88

 

CMYK 43 / 14 / 0 / 77

HEX #21323A

RGB 33 50 58

HSL 199.2, 0.27%, 0.18%

LAB 19.68, -4.47, -7.28

 

CMYK 22 / 8 / 0 / 80

HEX #282F33

RGB 40 47 51

HSL 201.82, 0.12%, 0.18%

LAB 18.9, -1.95, -3.58

 

CMYK 0 / 6 / 10 / 81

HEX #302D2B

RGB 48 45 43

HSL 24, 0.05%, 0.18%

LAB 18.71, 0.91, 1.77

 

CMYK 75 / 0 / 16 / 71

HEX #12493D

RGB 18 73 61

HSL 166.91, 0.6%, 0.18%

LAB 27.38, -21.05, 2.04

 

CMYK 75 / 4 / 0 / 71

HEX #124649

RGB 18 70 73

HSL 183.27, 0.6%, 0.18%

LAB 26.71, -15.51, -6.77

 

CMYK 75 / 25 / 0 / 71

HEX #123749

RGB 18 55 73

HSL 199.64, 0.6%, 0.18%

LAB 21.36, -6.3, -14.93

 

CMYK 75 / 44 / 0 / 71

HEX #122949

RGB 18 41 73

HSL 214.91, 0.6%, 0.18%

LAB 16.48, 3.45, -22.6

 

CMYK 75 / 64 / 0 / 71

HEX #121A49

RGB 18 26 73

HSL 231.27, 0.6%, 0.18%

LAB 11.61, 14.79, -30.43

 

CMYK 86 / 29 / 0 / 97

HEX #010507

RGB 1 5 7

HSL 200, 0.75%, 0.02%

LAB 1.18, -0.77, -1.13

 

CMYK 75 / 25 / 0 / 84

HEX #0A1E28

RGB 10 30 40

HSL 200, 0.6%, 0.1%

LAB 10.15, -4.19, -9.19

 

CMYK 75 / 25 / 0 / 71

HEX #123749

RGB 18 55 73

HSL 199.64, 0.6%, 0.18%

LAB 21.36, -6.3, -14.93

 

CMYK 75 / 25 / 0 / 58

HEX #1A506A

RGB 26 80 106

HSL 199.5, 0.61%, 0.26%

LAB 31.8, -8.11, -20.13

 

CMYK 76 / 24 / 0 / 45

HEX #22698B

RGB 34 105 139

HSL 199.43, 0.61%, 0.34%

LAB 41.7, -9.78, -25

 

CMYK 75 / 25 / 0 / 71

HEX #123749

RGB 18 55 73

HSL 199.64, 0.6%, 0.18%

LAB 21.36, -6.3, -14.93

 

CMYK 37 / 75 / 0 / 71

HEX #2E1249

RGB 46 18 73

HSL 270.55, 0.6%, 0.18%

LAB 12.57, 26.44, -28.73

 

CMYK 0 / 7 / 75 / 71

HEX #494412

RGB 73 68 18

HSL 54.55, 0.6%, 0.18%

LAB 28.37, -4.84, 29.72

 

CMYK 75 / 25 / 0 / 71

HEX #123749

RGB 18 55 73

HSL 199.64, 0.6%, 0.18%

LAB 21.36, -6.3, -14.93

 

CMYK 0 / 75 / 25 / 71

HEX #491237

RGB 73 18 55

HSL 319.64, 0.6%, 0.18%

LAB 16.13, 30.25, -10.15

 

CMYK 25 / 0 / 75 / 71

HEX #374912

RGB 55 73 18

HSL 79.64, 0.6%, 0.18%

LAB 28.44, -16.64, 29.28

 

CMYK 75 / 25 / 0 / 71

HEX #123749

RGB 18 55 73

HSL 199.64, 0.6%, 0.18%

LAB 21.36, -6.3, -14.93

 

CMYK 37 / 75 / 0 / 71

HEX #2E1249

RGB 46 18 73

HSL 270.55, 0.6%, 0.18%

LAB 12.57, 26.44, -28.73

 

CMYK 0 / 52 / 75 / 71

HEX #492312

RGB 73 35 18

HSL 18.55, 0.6%, 0.18%

LAB 18.64, 16.38, 19.2

 

CMYK 40 / 0 / 75 / 71

HEX #2C4912

RGB 44 73 18

HSL 91.64, 0.6%, 0.18%

LAB 27.69, -21.51, 28.28

 

CMYK 75 / 25 / 0 / 71

HEX #123749

RGB 18 55 73

HSL 199.64, 0.6%, 0.18%

LAB 21.36, -6.3, -14.93

 

CMYK 14 / 75 / 0 / 71

HEX #3F1249

RGB 63 18 73

HSL 289.09, 0.6%, 0.18%

LAB 15.33, 30.8, -24.15

 

CMYK 0 / 52 / 75 / 71

HEX #492312

RGB 73 35 18

HSL 18.55, 0.6%, 0.18%

LAB 18.64, 16.38, 19.2

 

CMYK 62 / 0 / 75 / 71

HEX #1C4912

RGB 28 73 18

HSL 109.09, 0.6%, 0.18%

LAB 26.89, -27.39, 27.19

 

Description

Color code: HEX #123749 | qconv.com Color code: HEX #123749 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 55 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 55 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 25 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 25% 0% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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