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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #374912 it is the complementary color #C8B6ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #374912. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #374912 shade: #3C490D, #4D5B20, #5E6D33, #6F7F46 and #809159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #374912. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #374912 shade: #374912, #263700, #152500, #041300 and #000100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #374912 shade: #374912, #464912, #493D12, #492E12 and #492012

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #374912 shade: #374912, #284912, #194912, #124919 and #124928

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #374912 shade matches the following richer shades: #374912, #39500A and #3C5803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #374912 shade: #374912, #344219, #323A21, #2F3328 and #2D2B30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #374912 shade: #493D12, #464912, #374912, #294912 and #1A4912

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #374912 shade: #050701, #1E280A, #374912, #506A1A and #698B22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #374912 shade: #374912, #12492E and #441249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #374912 shade: #374912, #123749 and #491237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #374912 shade: #374912, #12492E, #231249 and #49122C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #374912 shade: #374912, #12493F, #231249 and #49121C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 75 / 71

HEX #374912

RGB 55 73 18

HSL 79.64, 0.6%, 0.18%

LAB 28.44, -16.64, 29.28

 

Complementary color

CMYK 16 / 23 / 0 / 7

HEX #C8B6ED

RGB 200 182 237

HSL 259.64, 0.6%, 0.82%

LAB 77.19, 17.07, -25.05

 

CMYK 18 / 0 / 82 / 71

HEX #3C490D

RGB 60 73 13

HSL 73, 0.7%, 0.17%

LAB 28.79, -14.62, 31.93

 

CMYK 15 / 0 / 65 / 64

HEX #4D5B20

RGB 77 91 32

HSL 74.24, 0.48%, 0.24%

LAB 36.3, -15.22, 31.4

 

CMYK 14 / 0 / 53 / 57

HEX #5E6D33

RGB 94 109 51

HSL 75.52, 0.36%, 0.31%

LAB 43.59, -15.56, 30.25

 

CMYK 13 / 0 / 45 / 50

HEX #6F7F46

RGB 111 127 70

HSL 76.84, 0.29%, 0.39%

LAB 50.69, -15.75, 28.98

 

CMYK 12 / 0 / 39 / 43

HEX #809159

RGB 128 145 89

HSL 78.21, 0.24%, 0.46%

LAB 57.62, -15.86, 27.73

 

CMYK 25 / 0 / 75 / 71

HEX #374912

RGB 55 73 18

HSL 79.64, 0.6%, 0.18%

LAB 28.44, -16.64, 29.28

 

CMYK 31 / 0 / 100 / 78

HEX #263700

RGB 38 55 0

HSL 78.55, 1%, 0.11%

LAB 20.61, -16.07, 28.49

 

CMYK 43 / 0 / 100 / 85

HEX #152500

RGB 21 37 0

HSL 85.95, 1%, 0.07%

LAB 12.5, -14.35, 18.18

 

CMYK 79 / 0 / 100 / 93

HEX #041300

RGB 4 19 0

HSL 107.37, 1%, 0.04%

LAB 4.44, -7.55, 6.51

 

CMYK 100 / 0 / 100 / 100

HEX #000100

RGB 0 1 0

HSL 120, 1%, 0%

LAB 0.2, -0.4, 0.29

 

CMYK 25 / 0 / 75 / 71

HEX #374912

RGB 55 73 18

HSL 79.64, 0.6%, 0.18%

LAB 28.44, -16.64, 29.28

 

CMYK 4 / 0 / 75 / 71

HEX #464912

RGB 70 73 18

HSL 63.27, 0.6%, 0.18%

LAB 29.69, -9.38, 30.97

 

CMYK 0 / 16 / 75 / 71

HEX #493D12

RGB 73 61 18

HSL 46.91, 0.6%, 0.18%

LAB 26.15, -0.46, 27.44

 

CMYK 0 / 37 / 75 / 71

HEX #492E12

RGB 73 46 18

HSL 30.55, 0.6%, 0.18%

LAB 21.63, 9.27, 22.59

 

CMYK 0 / 56 / 75 / 71

HEX #492012

RGB 73 32 18

HSL 15.27, 0.6%, 0.18%

LAB 17.89, 18.25, 18.32

 

CMYK 25 / 0 / 75 / 71

HEX #374912

RGB 55 73 18

HSL 79.64, 0.6%, 0.18%

LAB 28.44, -16.64, 29.28

 

CMYK 45 / 0 / 75 / 71

HEX #284912

RGB 40 73 18

HSL 96, 0.6%, 0.18%

LAB 27.46, -23.13, 27.97

 

CMYK 66 / 0 / 75 / 71

HEX #194912

RGB 25 73 18

HSL 112.36, 0.6%, 0.18%

LAB 26.78, -28.28, 27.04

 

CMYK 75 / 0 / 66 / 71

HEX #124919

RGB 18 73 25

HSL 127.64, 0.6%, 0.18%

LAB 26.63, -29.2, 23.22

 

CMYK 75 / 0 / 45 / 71

HEX #124928

RGB 18 73 40

HSL 144, 0.6%, 0.18%

LAB 26.87, -26.5, 14.72

 

CMYK 25 / 0 / 75 / 71

HEX #374912

RGB 55 73 18

HSL 79.64, 0.6%, 0.18%

LAB 28.44, -16.64, 29.28

 

CMYK 29 / 0 / 88 / 69

HEX #39500A

RGB 57 80 10

HSL 79.71, 0.78%, 0.18%

LAB 30.95, -20, 34.96

 

CMYK 32 / 0 / 97 / 65

HEX #3C5803

RGB 60 88 3

HSL 79.76, 0.93%, 0.18%

LAB 33.87, -23.11, 39.84

 

CMYK 25 / 0 / 75 / 71

HEX #374912

RGB 55 73 18

HSL 79.64, 0.6%, 0.18%

LAB 28.44, -16.64, 29.28

 

CMYK 21 / 0 / 62 / 74

HEX #344219

RGB 52 66 25

HSL 80.49, 0.45%, 0.18%

LAB 25.85, -13.42, 22.77

 

CMYK 14 / 0 / 43 / 77

HEX #323A21

RGB 50 58 33

HSL 79.2, 0.27%, 0.18%

LAB 23.05, -8.5, 14.45

 

CMYK 8 / 0 / 22 / 80

HEX #2F3328

RGB 47 51 40

HSL 81.82, 0.12%, 0.18%

LAB 20.54, -4.2, 6.41

 

CMYK 6 / 10 / 0 / 81

HEX #2D2B30

RGB 45 43 48

HSL 264, 0.05%, 0.18%

LAB 17.91, 2.11, -2.91

 

CMYK 0 / 16 / 75 / 71

HEX #493D12

RGB 73 61 18

HSL 46.91, 0.6%, 0.18%

LAB 26.15, -0.46, 27.44

 

CMYK 4 / 0 / 75 / 71

HEX #464912

RGB 70 73 18

HSL 63.27, 0.6%, 0.18%

LAB 29.69, -9.38, 30.97

 

CMYK 25 / 0 / 75 / 71

HEX #374912

RGB 55 73 18

HSL 79.64, 0.6%, 0.18%

LAB 28.44, -16.64, 29.28

 

CMYK 44 / 0 / 75 / 71

HEX #294912

RGB 41 73 18

HSL 94.91, 0.6%, 0.18%

LAB 27.52, -22.73, 28.04

 

CMYK 64 / 0 / 75 / 71

HEX #1A4912

RGB 26 73 18

HSL 111.27, 0.6%, 0.18%

LAB 26.82, -27.99, 27.09

 

CMYK 29 / 0 / 86 / 97

HEX #050701

RGB 5 7 1

HSL 80, 0.75%, 0.02%

LAB 1.68, -1.36, 2.09

 

CMYK 25 / 0 / 75 / 84

HEX #1E280A

RGB 30 40 10

HSL 80, 0.6%, 0.1%

LAB 14.49, -10.35, 16.88

 

CMYK 25 / 0 / 75 / 71

HEX #374912

RGB 55 73 18

HSL 79.64, 0.6%, 0.18%

LAB 28.44, -16.64, 29.28

 

CMYK 25 / 0 / 75 / 58

HEX #506A1A

RGB 80 106 26

HSL 79.5, 0.61%, 0.26%

LAB 41.36, -22.33, 39.47

 

CMYK 24 / 0 / 76 / 45

HEX #698B22

RGB 105 139 34

HSL 79.43, 0.61%, 0.34%

LAB 53.58, -27.66, 48.97

 

CMYK 25 / 0 / 75 / 71

HEX #374912

RGB 55 73 18

HSL 79.64, 0.6%, 0.18%

LAB 28.44, -16.64, 29.28

 

CMYK 75 / 0 / 37 / 71

HEX #12492E

RGB 18 73 46

HSL 150.55, 0.6%, 0.18%

LAB 26.99, -25.13, 11.13

 

CMYK 7 / 75 / 0 / 71

HEX #441249

RGB 68 18 73

HSL 294.55, 0.6%, 0.18%

LAB 16.22, 32.14, -22.68

 

CMYK 25 / 0 / 75 / 71

HEX #374912

RGB 55 73 18

HSL 79.64, 0.6%, 0.18%

LAB 28.44, -16.64, 29.28

 

CMYK 75 / 25 / 0 / 71

HEX #123749

RGB 18 55 73

HSL 199.64, 0.6%, 0.18%

LAB 21.36, -6.3, -14.93

 

CMYK 0 / 75 / 25 / 71

HEX #491237

RGB 73 18 55

HSL 319.64, 0.6%, 0.18%

LAB 16.13, 30.25, -10.15

 

CMYK 25 / 0 / 75 / 71

HEX #374912

RGB 55 73 18

HSL 79.64, 0.6%, 0.18%

LAB 28.44, -16.64, 29.28

 

CMYK 75 / 0 / 37 / 71

HEX #12492E

RGB 18 73 46

HSL 150.55, 0.6%, 0.18%

LAB 26.99, -25.13, 11.13

 

CMYK 52 / 75 / 0 / 71

HEX #231249

RGB 35 18 73

HSL 258.55, 0.6%, 0.18%

LAB 11.07, 23.88, -31.24

 

CMYK 0 / 75 / 40 / 71

HEX #49122C

RGB 73 18 44

HSL 331.64, 0.6%, 0.18%

LAB 15.65, 28.63, -2.99

 

CMYK 25 / 0 / 75 / 71

HEX #374912

RGB 55 73 18

HSL 79.64, 0.6%, 0.18%

LAB 28.44, -16.64, 29.28

 

CMYK 75 / 0 / 14 / 71

HEX #12493F

RGB 18 73 63

HSL 169.09, 0.6%, 0.18%

LAB 27.44, -20.44, 0.83

 

CMYK 52 / 75 / 0 / 71

HEX #231249

RGB 35 18 73

HSL 258.55, 0.6%, 0.18%

LAB 11.07, 23.88, -31.24

 

CMYK 0 / 75 / 62 / 71

HEX #49121C

RGB 73 18 28

HSL 349.09, 0.6%, 0.18%

LAB 15.13, 26.82, 7.91

 

Description

Color code: HEX #374912 | qconv.com Color code: HEX #374912 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 73 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 73 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 75 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 75% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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