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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1382A4 it is the complementary color #EC7D5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1382A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1382A4 shade: #18829F, #2994B2, #3AA6C5, #4BB8D8 and #5CCAEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1382A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1382A4 shade: #1382A4, #027091, #005E7E, #004C6B and #003A58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1382A4 shade: #1382A4, #135BA4, #1334A4, #1913A4 and #4013A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1382A4 shade: #1382A4, #135BA4, #1334A4 and #1313A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1382A4 shade matches the following richer shades: #1382A4 and #048AB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1382A4 shade: #1382A4, #227A95, #307286, #3F6A77 and #4E6268

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1382A4 shade: #13A478, #13A49F, #1382A4, #135BA4 and #1335A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1382A4 shade: #0A475A, #0E657F, #1382A4, #179FC9 and #24B8E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1382A4 shade: #1382A4, #5213A4 and #A48C13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1382A4 shade: #1382A4, #A41382 and #82A413

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1382A4 shade: #1382A4, #5213A4, #A43513 and #65A413

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1382A4 shade: #1382A4, #7D13A4, #A43513 and #39A413

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 21 / 0 / 36

HEX #1382A4

RGB 19 130 164

HSL 194.07, 0.79%, 0.36%

LAB 50.43, -16.44, -26.22

 

Complementary color

CMYK 0 / 47 / 61 / 7

HEX #EC7D5B

RGB 236 125 91

HSL 14.07, 0.79%, 0.64%

LAB 64.37, 39.83, 37.6

 

CMYK 85 / 18 / 0 / 38

HEX #18829F

RGB 24 130 159

HSL 192.89, 0.74%, 0.36%

LAB 50.29, -17.85, -23.53

 

CMYK 77 / 17 / 0 / 30

HEX #2994B2

RGB 41 148 178

HSL 193.14, 0.63%, 0.43%

LAB 56.94, -19.32, -24.18

 

CMYK 71 / 16 / 0 / 23

HEX #3AA6C5

RGB 58 166 197

HSL 193.38, 0.55%, 0.5%

LAB 63.51, -20.41, -24.76

 

CMYK 65 / 15 / 0 / 15

HEX #4BB8D8

RGB 75 184 216

HSL 193.62, 0.64%, 0.57%

LAB 69.99, -21.23, -25.27

 

CMYK 61 / 14 / 0 / 8

HEX #5CCAEB

RGB 92 202 235

HSL 193.85, 0.78%, 0.64%

LAB 76.38, -21.87, -25.74

 

CMYK 88 / 21 / 0 / 36

HEX #1382A4

RGB 19 130 164

HSL 194.07, 0.79%, 0.36%

LAB 50.43, -16.44, -26.22

 

CMYK 99 / 23 / 0 / 43

HEX #027091

RGB 2 112 145

HSL 193.85, 0.97%, 0.29%

LAB 43.72, -14.27, -25.49

 

CMYK 100 / 25 / 0 / 51

HEX #005E7E

RGB 0 94 126

HSL 195.24, 1%, 0.25%

LAB 36.95, -11.25, -24.56

 

CMYK 100 / 29 / 0 / 58

HEX #004C6B

RGB 0 76 107

HSL 197.38, 1%, 0.21%

LAB 29.99, -7.94, -23.63

 

CMYK 100 / 34 / 0 / 65

HEX #003A58

RGB 0 58 88

HSL 200.45, 1%, 0.17%

LAB 22.76, -4.38, -22.74

 

CMYK 88 / 21 / 0 / 36

HEX #1382A4

RGB 19 130 164

HSL 194.07, 0.79%, 0.36%

LAB 50.43, -16.44, -26.22

 

CMYK 88 / 45 / 0 / 36

HEX #135BA4

RGB 19 91 164

HSL 210.21, 0.79%, 0.36%

LAB 38.38, 7.12, -45.24

 

CMYK 88 / 68 / 0 / 36

HEX #1334A4

RGB 19 52 164

HSL 226.34, 0.79%, 0.36%

LAB 27.5, 33.39, -62.92

 

CMYK 85 / 88 / 0 / 36

HEX #1913A4

RGB 25 19 164

HSL 242.48, 0.79%, 0.36%

LAB 21.4, 51.64, -73.01

 

CMYK 61 / 88 / 0 / 36

HEX #4013A4

RGB 64 19 164

HSL 258.62, 0.79%, 0.36%

LAB 24.44, 54, -67.89

 

CMYK 88 / 21 / 0 / 36

HEX #1382A4

RGB 19 130 164

HSL 194.07, 0.79%, 0.36%

LAB 50.43, -16.44, -26.22

 

CMYK 88 / 45 / 0 / 36

HEX #135BA4

RGB 19 91 164

HSL 210.21, 0.79%, 0.36%

LAB 38.38, 7.12, -45.24

 

CMYK 88 / 68 / 0 / 36

HEX #1334A4

RGB 19 52 164

HSL 226.34, 0.79%, 0.36%

LAB 27.5, 33.39, -62.92

 

CMYK 88 / 88 / 0 / 36

HEX #1313A4

RGB 19 19 164

HSL 240, 0.79%, 0.36%

LAB 21.15, 51.46, -73.44

 

CMYK 88 / 21 / 0 / 36

HEX #1382A4

RGB 19 130 164

HSL 194.07, 0.79%, 0.36%

LAB 50.43, -16.44, -26.22

 

CMYK 98 / 23 / 0 / 30

HEX #048AB3

RGB 4 138 179

HSL 194.06, 0.96%, 0.36%

LAB 53.45, -16.11, -30.2

 

CMYK 88 / 21 / 0 / 36

HEX #1382A4

RGB 19 130 164

HSL 194.07, 0.79%, 0.36%

LAB 50.43, -16.44, -26.22

 

CMYK 77 / 18 / 0 / 42

HEX #227A95

RGB 34 122 149

HSL 194.09, 0.63%, 0.36%

LAB 47.53, -15.94, -21.92

 

CMYK 64 / 15 / 0 / 47

HEX #307286

RGB 48 114 134

HSL 193.95, 0.47%, 0.36%

LAB 44.78, -14.4, -17.22

 

CMYK 47 / 11 / 0 / 53

HEX #3F6A77

RGB 63 106 119

HSL 193.93, 0.31%, 0.36%

LAB 42.3, -11.14, -11.92

 

CMYK 25 / 6 / 0 / 59

HEX #4E6268

RGB 78 98 104

HSL 193.85, 0.14%, 0.36%

LAB 40.17, -6.01, -5.89

 

CMYK 88 / 0 / 27 / 36

HEX #13A478

RGB 19 164 120

HSL 161.79, 0.79%, 0.36%

LAB 59.93, -45.93, 13.04

 

CMYK 88 / 0 / 3 / 36

HEX #13A49F

RGB 19 164 159

HSL 177.93, 0.79%, 0.36%

LAB 60.95, -35.28, -7.38

 

CMYK 88 / 21 / 0 / 36

HEX #1382A4

RGB 19 130 164

HSL 194.07, 0.79%, 0.36%

LAB 50.43, -16.44, -26.22

 

CMYK 88 / 45 / 0 / 36

HEX #135BA4

RGB 19 91 164

HSL 210.21, 0.79%, 0.36%

LAB 38.38, 7.12, -45.24

 

CMYK 88 / 68 / 0 / 36

HEX #1335A4

RGB 19 53 164

HSL 225.93, 0.79%, 0.36%

LAB 27.75, 32.74, -62.51

 

CMYK 89 / 21 / 0 / 65

HEX #0A475A

RGB 10 71 90

HSL 194.25, 0.8%, 0.2%

LAB 27.6, -10.82, -16.47

 

CMYK 89 / 20 / 0 / 50

HEX #0E657F

RGB 14 101 127

HSL 193.81, 0.8%, 0.28%

LAB 39.47, -14.05, -21.25

 

CMYK 88 / 21 / 0 / 36

HEX #1382A4

RGB 19 130 164

HSL 194.07, 0.79%, 0.36%

LAB 50.43, -16.44, -26.22

 

CMYK 89 / 21 / 0 / 21

HEX #179FC9

RGB 23 159 201

HSL 194.16, 0.79%, 0.44%

LAB 60.95, -18.8, -30.98

 

CMYK 84 / 20 / 0 / 10

HEX #24B8E5

RGB 36 184 229

HSL 193.99, 0.79%, 0.52%

LAB 69.69, -21.49, -32.89

 

CMYK 88 / 21 / 0 / 36

HEX #1382A4

RGB 19 130 164

HSL 194.07, 0.79%, 0.36%

LAB 50.43, -16.44, -26.22

 

CMYK 50 / 88 / 0 / 36

HEX #5213A4

RGB 82 19 164

HSL 266.07, 0.79%, 0.36%

LAB 26.56, 55.79, -64.3

 

CMYK 0 / 15 / 88 / 36

HEX #A48C13

RGB 164 140 19

HSL 50.07, 0.79%, 0.36%

LAB 58.69, -2.42, 59.83

 

CMYK 88 / 21 / 0 / 36

HEX #1382A4

RGB 19 130 164

HSL 194.07, 0.79%, 0.36%

LAB 50.43, -16.44, -26.22

 

CMYK 0 / 88 / 21 / 36

HEX #A41382

RGB 164 19 130

HSL 314.07, 0.79%, 0.36%

LAB 37.79, 63.41, -24.64

 

CMYK 21 / 0 / 88 / 36

HEX #82A413

RGB 130 164 19

HSL 74.07, 0.79%, 0.36%

LAB 62.8, -29.89, 62.04

 

CMYK 88 / 21 / 0 / 36

HEX #1382A4

RGB 19 130 164

HSL 194.07, 0.79%, 0.36%

LAB 50.43, -16.44, -26.22

 

CMYK 50 / 88 / 0 / 36

HEX #5213A4

RGB 82 19 164

HSL 266.07, 0.79%, 0.36%

LAB 26.56, 55.79, -64.3

 

CMYK 0 / 68 / 88 / 36

HEX #A43513

RGB 164 53 19

HSL 14.07, 0.79%, 0.36%

LAB 38.7, 44.27, 43.74

 

CMYK 38 / 0 / 88 / 36

HEX #65A413

RGB 101 164 19

HSL 86.07, 0.79%, 0.36%

LAB 61.1, -41.22, 59.93

 

CMYK 88 / 21 / 0 / 36

HEX #1382A4

RGB 19 130 164

HSL 194.07, 0.79%, 0.36%

LAB 50.43, -16.44, -26.22

 

CMYK 24 / 88 / 0 / 36

HEX #7D13A4

RGB 125 19 164

HSL 283.86, 0.79%, 0.36%

LAB 32.93, 61.62, -53.62

 

CMYK 0 / 68 / 88 / 36

HEX #A43513

RGB 164 53 19

HSL 14.07, 0.79%, 0.36%

LAB 38.7, 44.27, 43.74

 

CMYK 65 / 0 / 88 / 36

HEX #39A413

RGB 57 164 19

HSL 104.28, 0.79%, 0.36%

LAB 59.4, -54.34, 57.81

 

Description

Color code: HEX #1382A4 | qconv.com Color code: HEX #1382A4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 130 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 130 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 21 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 21% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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