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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17F30B it is the complementary color #E80CF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17F30B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17F30B shade: #1CF306, #2DFF19, #3EFF2C, #4FFF3F and #60FF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17F30B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17F30B shade: #17F30B, #06E100, #00CF00, #00BD00 and #00AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17F30B shade: #17F30B, #56F30B, #94F30B, #D3F30B and #F3D50B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17F30B shade: #17F30B, #0BF33E, #0BF37C, #0BF3BB and #0BEDF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17F30B shade matches the following richer shades: #17F30B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17F30B shade: #17F30B, #29DE20, #3CCA34, #4EB549 and #61A15D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17F30B shade: #96F30B, #58F30B, #1AF30B, #0BF339 and #0BF377

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17F30B shade: #0FA407, #13CC09, #17F30B, #3CF532 and #62F75A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17F30B shade: #17F30B, #0BD4F3 and #F30B77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17F30B shade: #17F30B, #0B1AF3 and #F30B1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17F30B shade: #17F30B, #0BD4F3, #E40BF3 and #F32A0B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17F30B shade: #17F30B, #0B8EF3, #E40BF3 and #F3700B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 95 / 5

HEX #17F30B

RGB 23 243 11

HSL 116.9, 0.91%, 0.5%

LAB 84.13, -82.07, 79.43

 

Complementary color

CMYK 5 / 95 / 0 / 4

HEX #E80CF4

RGB 232 12 244

HSL 296.9, 0.91%, 0.5%

LAB 56.04, 92.42, -61.8

 

CMYK 88 / 0 / 98 / 5

HEX #1CF306

RGB 28 243 6

HSL 114.43, 0.95%, 0.49%

LAB 84.15, -81.83, 79.87

 

CMYK 82 / 0 / 90 / 0

HEX #2DFF19

RGB 45 255 25

HSL 114.78, 1%, 0.55%

LAB 88.04, -83.31, 81.16

 

CMYK 76 / 0 / 83 / 0

HEX #3EFF2C

RGB 62 255 44

HSL 114.88, 1%, 0.59%

LAB 88.32, -80.65, 77.94

 

CMYK 69 / 0 / 75 / 0

HEX #4FFF3F

RGB 79 255 63

HSL 115, 1%, 0.62%

LAB 88.71, -76.99, 73.27

 

CMYK 62 / 0 / 68 / 0

HEX #60FF52

RGB 96 255 82

HSL 115.14, 1%, 0.66%

LAB 89.21, -72.34, 67.4

 

CMYK 91 / 0 / 95 / 5

HEX #17F30B

RGB 23 243 11

HSL 116.9, 0.91%, 0.5%

LAB 84.13, -82.07, 79.43

 

CMYK 97 / 0 / 100 / 12

HEX #06E100

RGB 6 225 0

HSL 118.4, 1%, 0.44%

LAB 78.4, -78.2, 75.7

 

CMYK 100 / 0 / 100 / 19

HEX #00CF00

RGB 0 207 0

HSL 120, 1%, 0.41%

LAB 72.64, -73.65, 71.08

 

CMYK 100 / 0 / 100 / 26

HEX #00BD00

RGB 0 189 0

HSL 120, 1%, 0.37%

LAB 66.82, -68.81, 66.41

 

CMYK 100 / 0 / 100 / 33

HEX #00AB00

RGB 0 171 0

HSL 120, 1%, 0.34%

LAB 60.89, -63.88, 61.66

 

CMYK 91 / 0 / 95 / 5

HEX #17F30B

RGB 23 243 11

HSL 116.9, 0.91%, 0.5%

LAB 84.13, -82.07, 79.43

 

CMYK 65 / 0 / 95 / 5

HEX #56F30B

RGB 86 243 11

HSL 100.6, 0.91%, 0.5%

LAB 85.05, -73.97, 80.57

 

CMYK 39 / 0 / 95 / 5

HEX #94F30B

RGB 148 243 11

HSL 84.57, 0.91%, 0.5%

LAB 87.2, -57.1, 83.2

 

CMYK 13 / 0 / 95 / 5

HEX #D3F30B

RGB 211 243 11

HSL 68.28, 0.91%, 0.5%

LAB 90.77, -33.75, 87.51

 

CMYK 0 / 12 / 95 / 5

HEX #F3D50B

RGB 243 213 11

HSL 52.24, 0.91%, 0.5%

LAB 85.34, -5.94, 84.54

 

CMYK 91 / 0 / 95 / 5

HEX #17F30B

RGB 23 243 11

HSL 116.9, 0.91%, 0.5%

LAB 84.13, -82.07, 79.43

 

CMYK 95 / 0 / 74 / 5

HEX #0BF33E

RGB 11 243 62

HSL 133.19, 0.91%, 0.5%

LAB 84.24, -80.42, 68.91

 

CMYK 95 / 0 / 49 / 5

HEX #0BF37C

RGB 11 243 124

HSL 149.22, 0.91%, 0.5%

LAB 84.81, -73.33, 43.88

 

CMYK 95 / 0 / 23 / 5

HEX #0BF3BB

RGB 11 243 187

HSL 165.52, 0.91%, 0.5%

LAB 85.89, -60.89, 13.61

 

CMYK 95 / 2 / 0 / 5

HEX #0BEDF3

RGB 11 237 243

HSL 181.55, 0.91%, 0.5%

LAB 85.56, -43.5, -16.2

 

CMYK 91 / 0 / 95 / 5

HEX #17F30B

RGB 23 243 11

HSL 116.9, 0.91%, 0.5%

LAB 84.13, -82.07, 79.43

 

CMYK 91 / 0 / 95 / 5

HEX #17F30B

RGB 23 243 11

HSL 116.9, 0.91%, 0.5%

LAB 84.13, -82.07, 79.43

 

CMYK 82 / 0 / 86 / 13

HEX #29DE20

RGB 41 222 32

HSL 117.16, 0.75%, 0.5%

LAB 77.77, -74.29, 71.07

 

CMYK 70 / 0 / 74 / 21

HEX #3CCA34

RGB 60 202 52

HSL 116.8, 0.59%, 0.5%

LAB 71.86, -64.42, 60.08

 

CMYK 57 / 0 / 60 / 29

HEX #4EB549

RGB 78 181 73

HSL 117.22, 0.43%, 0.5%

LAB 65.86, -51.22, 45.29

 

CMYK 40 / 0 / 42 / 37

HEX #61A15D

RGB 97 161 93

HSL 116.47, 0.27%, 0.5%

LAB 60.62, -34.62, 29.08

 

CMYK 38 / 0 / 95 / 5

HEX #96F30B

RGB 150 243 11

HSL 84.05, 0.91%, 0.5%

LAB 87.29, -56.44, 83.31

 

CMYK 64 / 0 / 95 / 5

HEX #58F30B

RGB 88 243 11

HSL 100.09, 0.91%, 0.5%

LAB 85.1, -73.55, 80.63

 

CMYK 89 / 0 / 95 / 5

HEX #1AF30B

RGB 26 243 11

HSL 116.12, 0.91%, 0.5%

LAB 84.15, -81.89, 79.45

 

CMYK 95 / 0 / 77 / 5

HEX #0BF339

RGB 11 243 57

HSL 131.9, 0.91%, 0.5%

LAB 84.21, -80.77, 70.46

 

CMYK 95 / 0 / 51 / 5

HEX #0BF377

RGB 11 243 119

HSL 147.93, 0.91%, 0.5%

LAB 84.74, -74.09, 46.17

 

CMYK 91 / 0 / 96 / 36

HEX #0FA407

RGB 15 164 7

HSL 116.94, 0.92%, 0.34%

LAB 58.67, -60.89, 58.89

 

CMYK 91 / 0 / 96 / 20

HEX #13CC09

RGB 19 204 9

HSL 116.92, 0.92%, 0.42%

LAB 71.79, -71.82, 69.48

 

CMYK 91 / 0 / 95 / 5

HEX #17F30B

RGB 23 243 11

HSL 116.9, 0.91%, 0.5%

LAB 84.13, -82.07, 79.43

 

CMYK 76 / 0 / 80 / 4

HEX #3CF532

RGB 60 245 50

HSL 116.92, 0.91%, 0.58%

LAB 85.25, -77.72, 73.61

 

CMYK 60 / 0 / 64 / 3

HEX #62F75A

RGB 98 247 90

HSL 116.94, 0.91%, 0.66%

LAB 86.93, -68.51, 61.83

 

CMYK 91 / 0 / 95 / 5

HEX #17F30B

RGB 23 243 11

HSL 116.9, 0.91%, 0.5%

LAB 84.13, -82.07, 79.43

 

CMYK 95 / 13 / 0 / 5

HEX #0BD4F3

RGB 11 212 243

HSL 188.02, 0.91%, 0.5%

LAB 78.25, -31.97, -27.3

 

CMYK 0 / 95 / 51 / 5

HEX #F30B77

RGB 243 11 119

HSL 332.07, 0.91%, 0.5%

LAB 52.54, 80.55, 5.81

 

CMYK 91 / 0 / 95 / 5

HEX #17F30B

RGB 23 243 11

HSL 116.9, 0.91%, 0.5%

LAB 84.13, -82.07, 79.43

 

CMYK 95 / 89 / 0 / 5

HEX #0B1AF3

RGB 11 26 243

HSL 236.12, 0.91%, 0.5%

LAB 32.44, 71.18, -100.87

 

CMYK 0 / 95 / 89 / 5

HEX #F30B1A

RGB 243 11 26

HSL 356.12, 0.91%, 0.5%

LAB 51.12, 76.67, 57.03

 

CMYK 91 / 0 / 95 / 5

HEX #17F30B

RGB 23 243 11

HSL 116.9, 0.91%, 0.5%

LAB 84.13, -82.07, 79.43

 

CMYK 95 / 13 / 0 / 5

HEX #0BD4F3

RGB 11 212 243

HSL 188.02, 0.91%, 0.5%

LAB 78.25, -31.97, -27.3

 

CMYK 6 / 95 / 0 / 5

HEX #E40BF3

RGB 228 11 243

HSL 296.12, 0.91%, 0.5%

LAB 55.28, 91.73, -62.49

 

CMYK 0 / 83 / 95 / 5

HEX #F32A0B

RGB 243 42 11

HSL 8.02, 0.91%, 0.5%

LAB 52.66, 71.92, 62.9

 

CMYK 91 / 0 / 95 / 5

HEX #17F30B

RGB 23 243 11

HSL 116.9, 0.91%, 0.5%

LAB 84.13, -82.07, 79.43

 

CMYK 95 / 42 / 0 / 5

HEX #0B8EF3

RGB 11 142 243

HSL 206.12, 0.91%, 0.5%

LAB 57.93, 5.86, -59.13

 

CMYK 6 / 95 / 0 / 5

HEX #E40BF3

RGB 228 11 243

HSL 296.12, 0.91%, 0.5%

LAB 55.28, 91.73, -62.49

 

CMYK 0 / 54 / 95 / 5

HEX #F3700B

RGB 243 112 11

HSL 26.12, 0.91%, 0.5%

LAB 62.23, 46.11, 68.5

 

Description

Color code: HEX #17F30B | qconv.com Color code: HEX #17F30B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 243 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 243 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 95 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 95% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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