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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14341F it is the complementary color #EBCBE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14341F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14341F shade: #19341A, #2A462D, #3B5840, #4C6A53 and #5D7C66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14341F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14341F shade: #14341F, #03220C and #001000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14341F shade: #13331E, #133316, #1A3313, #223313 and #2B3313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14341F shade: #13331E, #133327, #13332F, #132E33 and #132633

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14341F shade matches the following richer shades: #13331E, #0E391C, #083E1B and #024419

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14341F shade: #13331E, #192D20, #1F2722, #252224 and #2B1C26

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14341F shade: #1A3313, #133316, #13331E, #133326 and #13332F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14341F shade: #14341F, #132233 and #331316

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14341F shade: #14341F, #1E1333 and #331E13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14341F shade: #14341F, #132233, #331328 and #332413

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14341F shade: #14341F, #131933, #331328 and #332E13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 40 / 80

HEX #14341F

RGB 20 52 31

HSL 140.63, 0.44%, 0.14%

LAB 18.82, -17.69, 9.79

 

Complementary color

CMYK 0 / 14 / 5 / 8

HEX #EBCBE0

RGB 235 203 224

HSL 320.63, 0.44%, 0.86%

LAB 84.87, 14.74, -6.23

 

CMYK 52 / 0 / 50 / 80

HEX #19341A

RGB 25 52 26

HSL 122.22, 0.35%, 0.15%

LAB 18.96, -17.03, 13.31

 

CMYK 40 / 0 / 36 / 73

HEX #2A462D

RGB 42 70 45

HSL 126.43, 0.25%, 0.22%

LAB 26.91, -16.75, 11.82

 

CMYK 33 / 0 / 27 / 65

HEX #3B5840

RGB 59 88 64

HSL 130.34, 0.2%, 0.29%

LAB 34.56, -16.45, 10.55

 

CMYK 28 / 0 / 22 / 58

HEX #4C6A53

RGB 76 106 83

HSL 134, 0.16%, 0.36%

LAB 41.95, -16.17, 9.44

 

CMYK 25 / 0 / 18 / 51

HEX #5D7C66

RGB 93 124 102

HSL 137.42, 0.14%, 0.43%

LAB 49.13, -15.93, 8.45

 

CMYK 62 / 0 / 40 / 80

HEX #14341F

RGB 20 52 31

HSL 140.63, 0.44%, 0.14%

LAB 18.82, -17.69, 9.79

 

CMYK 91 / 0 / 65 / 87

HEX #03220C

RGB 3 34 12

HSL 137.42, 0.84%, 0.07%

LAB 10.48, -17.5, 10.32

 

CMYK 100 / 0 / 100 / 94

HEX #001000

RGB 0 16 0

HSL 120, 1%, 0.03%

LAB 3.35, -6.84, 4.89

 

CMYK 63 / 0 / 41 / 80

HEX #13331E

RGB 19 51 30

HSL 140.63, 0.46%, 0.14%

LAB 18.36, -17.7, 9.84

 

CMYK 63 / 0 / 57 / 80

HEX #133316

RGB 19 51 22

HSL 125.63, 0.46%, 0.14%

LAB 18.21, -19.37, 14.84

 

CMYK 49 / 0 / 63 / 80

HEX #1A3313

RGB 26 51 19

HSL 106.88, 0.46%, 0.14%

LAB 18.52, -17.32, 17.16

 

CMYK 33 / 0 / 63 / 80

HEX #223313

RGB 34 51 19

HSL 91.88, 0.46%, 0.14%

LAB 19.03, -13.87, 17.91

 

CMYK 16 / 0 / 63 / 80

HEX #2B3313

RGB 43 51 19

HSL 75, 0.46%, 0.14%

LAB 19.75, -9.54, 18.94

 

CMYK 63 / 0 / 41 / 80

HEX #13331E

RGB 19 51 30

HSL 140.63, 0.46%, 0.14%

LAB 18.36, -17.7, 9.84

 

CMYK 63 / 0 / 24 / 80

HEX #133327

RGB 19 51 39

HSL 157.5, 0.46%, 0.14%

LAB 18.6, -15.38, 4.08

 

CMYK 63 / 0 / 8 / 80

HEX #13332F

RGB 19 51 47

HSL 172.5, 0.46%, 0.14%

LAB 18.85, -12.97, -1.05

 

CMYK 63 / 10 / 0 / 80

HEX #132E33

RGB 19 46 51

HSL 189.38, 0.46%, 0.14%

LAB 17.14, -8.51, -6.36

 

CMYK 63 / 25 / 0 / 80

HEX #132633

RGB 19 38 51

HSL 204.38, 0.46%, 0.14%

LAB 14.19, -3.1, -10.86

 

CMYK 63 / 0 / 41 / 80

HEX #13331E

RGB 19 51 30

HSL 140.63, 0.46%, 0.14%

LAB 18.36, -17.7, 9.84

 

CMYK 75 / 0 / 51 / 78

HEX #0E391C

RGB 14 57 28

HSL 139.53, 0.61%, 0.14%

LAB 20.45, -22.54, 13.86

 

CMYK 87 / 0 / 56 / 76

HEX #083E1B

RGB 8 62 27

HSL 141.11, 0.77%, 0.14%

LAB 22.22, -26.22, 16.69

 

CMYK 97 / 0 / 63 / 73

HEX #024419

RGB 2 68 25

HSL 140.91, 0.94%, 0.14%

LAB 24.38, -30.1, 20.48

 

CMYK 63 / 0 / 41 / 80

HEX #13331E

RGB 19 51 30

HSL 140.63, 0.46%, 0.14%

LAB 18.36, -17.7, 9.84

 

CMYK 44 / 0 / 29 / 82

HEX #192D20

RGB 25 45 32

HSL 141, 0.29%, 0.14%

LAB 16.44, -11.7, 5.91

 

CMYK 21 / 0 / 13 / 85

HEX #1F2722

RGB 31 39 34

HSL 142.5, 0.11%, 0.14%

LAB 14.72, -4.84, 2.13

 

CMYK 0 / 8 / 3 / 85

HEX #252224

RGB 37 34 36

HSL 320, 0.04%, 0.14%

LAB 13.62, 1.88, -0.84

 

CMYK 0 / 35 / 12 / 83

HEX #2B1C26

RGB 43 28 38

HSL 320, 0.21%, 0.14%

LAB 12.51, 9.44, -3.86

 

CMYK 49 / 0 / 63 / 80

HEX #1A3313

RGB 26 51 19

HSL 106.88, 0.46%, 0.14%

LAB 18.52, -17.32, 17.16

 

CMYK 63 / 0 / 57 / 80

HEX #133316

RGB 19 51 22

HSL 125.63, 0.46%, 0.14%

LAB 18.21, -19.37, 14.84

 

CMYK 63 / 0 / 41 / 80

HEX #13331E

RGB 19 51 30

HSL 140.63, 0.46%, 0.14%

LAB 18.36, -17.7, 9.84

 

CMYK 63 / 0 / 25 / 80

HEX #133326

RGB 19 51 38

HSL 155.63, 0.46%, 0.14%

LAB 18.57, -15.66, 4.72

 

CMYK 63 / 0 / 8 / 80

HEX #13332F

RGB 19 51 47

HSL 172.5, 0.46%, 0.14%

LAB 18.85, -12.97, -1.05

 

CMYK 62 / 0 / 40 / 80

HEX #14341F

RGB 20 52 31

HSL 140.63, 0.44%, 0.14%

LAB 18.82, -17.69, 9.79

 

CMYK 63 / 33 / 0 / 80

HEX #132233

RGB 19 34 51

HSL 211.88, 0.46%, 0.14%

LAB 12.74, -0.23, -13.11

 

CMYK 0 / 63 / 57 / 80

HEX #331316

RGB 51 19 22

HSL 354.38, 0.46%, 0.14%

LAB 10.76, 16.51, 5.62

 

CMYK 62 / 0 / 40 / 80

HEX #14341F

RGB 20 52 31

HSL 140.63, 0.44%, 0.14%

LAB 18.82, -17.69, 9.79

 

CMYK 41 / 63 / 0 / 80

HEX #1E1333

RGB 30 19 51

HSL 260.63, 0.46%, 0.14%

LAB 8.83, 14.53, -19.22

 

CMYK 0 / 41 / 63 / 80

HEX #331E13

RGB 51 30 19

HSL 20.63, 0.46%, 0.14%

LAB 13.71, 8.77, 11.65

 

CMYK 62 / 0 / 40 / 80

HEX #14341F

RGB 20 52 31

HSL 140.63, 0.44%, 0.14%

LAB 18.82, -17.69, 9.79

 

CMYK 63 / 33 / 0 / 80

HEX #132233

RGB 19 34 51

HSL 211.88, 0.46%, 0.14%

LAB 12.74, -0.23, -13.11

 

CMYK 0 / 63 / 22 / 80

HEX #331328

RGB 51 19 40

HSL 320.63, 0.46%, 0.14%

LAB 11.43, 19.35, -6.83

 

CMYK 0 / 29 / 63 / 80

HEX #332413

RGB 51 36 19

HSL 31.88, 0.46%, 0.14%

LAB 15.55, 4.6, 14.04

 

CMYK 62 / 0 / 40 / 80

HEX #14341F

RGB 20 52 31

HSL 140.63, 0.44%, 0.14%

LAB 18.82, -17.69, 9.79

 

CMYK 63 / 51 / 0 / 80

HEX #131933

RGB 19 25 51

HSL 228.75, 0.46%, 0.14%

LAB 9.58, 6.6, -18.09

 

CMYK 0 / 63 / 22 / 80

HEX #331328

RGB 51 19 40

HSL 320.63, 0.46%, 0.14%

LAB 11.43, 19.35, -6.83

 

CMYK 0 / 10 / 63 / 80

HEX #332E13

RGB 51 46 19

HSL 50.63, 0.46%, 0.14%

LAB 18.82, -2.19, 18.03

 

Description

Color code: HEX #14341F | qconv.com Color code: HEX #14341F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 52 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 52 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 40 yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 40% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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