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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 203 224 it is the complementary color RGB 20 52 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 203 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 235 203 224 shade: RGB 240 203 219, RGB 255 221 238 and RGB 255 239 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 203 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 235 203 224 shade: RGB 235 203 224, RGB 218 185 205, RGB 201 167 186, RGB 184 149 167 and RGB 167 131 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 235 203 224 shade: RGB 235 203 224, RGB 235 203 215, RGB 235 203 207 and RGB 235 203 203

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 235 203 224 shade: RGB 235 203 224, RGB 235 203 232, RGB 228 203 235, RGB 220 203 235 and RGB 211 203 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 235 203 224 shade matches the following richer shades: RGB 235 203 224, RGB 240 197 226, RGB 246 192 227 and RGB 252 186 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 235 203 224 shade: RGB 235 203 224, RGB 229 209 222, RGB 223 215 220, RGB 217 220 218 and RGB 211 226 216

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 235 203 224 shade: RGB 228 203 235, RGB 235 203 232, RGB 235 203 224, RGB 235 203 216 and RGB 235 203 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 235 203 224 shade: RGB 211 144 188, RGB 223 173 206, RGB 235 203 224 and RGB 246 233 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 235 203 224 shade: RGB 235 203 224, RGB 235 220 203 and RGB 203 235 232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 235 203 224 shade: RGB 235 203 224, RGB 224 235 203 and RGB 203 224 235

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 235 203 224 shade: RGB 235 203 224, RGB 235 220 203, RGB 203 235 214 and RGB 203 218 235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 235 203 224 shade: RGB 235 203 224, RGB 235 229 203, RGB 203 235 214 and RGB 203 208 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 5 / 8

HEX #EBCBE0

RGB 235 203 224

HSL 320.63, 0.44%, 0.86%

LAB 84.87, 14.74, -6.23

 

Complementary color

CMYK 62 / 0 / 40 / 80

HEX #14341F

RGB 20 52 31

HSL 140.63, 0.44%, 0.14%

LAB 18.82, -17.69, 9.79

 

CMYK 0 / 15 / 9 / 6

HEX #F0CBDB

RGB 240 203 219

HSL 334.05, 0.55%, 0.87%

LAB 85.18, 15.6, -3.07

 

CMYK 0 / 13 / 7 / 0

HEX #FFDDEE

RGB 255 221 238

HSL 330, 1%, 0.93%

LAB 91.3, 14.51, -3.95

 

CMYK 0 / 6 / 0 / 0

HEX #FFEFFF

RGB 255 239 255

HSL 300, 1%, 0.97%

LAB 96.09, 8.15, -5.76

 

CMYK 0 / 14 / 5 / 8

HEX #EBCBE0

RGB 235 203 224

HSL 320.63, 0.44%, 0.86%

LAB 84.87, 14.74, -6.23

 

CMYK 0 / 15 / 6 / 15

HEX #DAB9CD

RGB 218 185 205

HSL 323.64, 0.31%, 0.79%

LAB 78.47, 15.15, -5.67

 

CMYK 0 / 17 / 7 / 21

HEX #C9A7BA

RGB 201 167 186

HSL 326.47, 0.24%, 0.72%

LAB 71.96, 15.6, -5.08

 

CMYK 0 / 19 / 9 / 28

HEX #B895A7

RGB 184 149 167

HSL 329.14, 0.2%, 0.65%

LAB 65.34, 16.09, -4.46

 

CMYK 0 / 22 / 11 / 35

HEX #A78394

RGB 167 131 148

HSL 331.67, 0.17%, 0.58%

LAB 58.59, 16.63, -3.81

 

CMYK 0 / 14 / 5 / 8

HEX #EBCBE0

RGB 235 203 224

HSL 320.63, 0.44%, 0.86%

LAB 84.87, 14.74, -6.23

 

CMYK 0 / 14 / 9 / 8

HEX #EBCBD7

RGB 235 203 215

HSL 337.5, 0.44%, 0.86%

LAB 84.63, 13.19, -1.8

 

CMYK 0 / 14 / 12 / 8

HEX #EBCBCF

RGB 235 203 207

HSL 352.5, 0.44%, 0.86%

LAB 84.42, 11.87, 2.16

 

CMYK 0 / 14 / 14 / 8

HEX #EBCBCB

RGB 235 203 203

HSL 0, 0.44%, 0.86%

LAB 84.32, 11.23, 4.15

 

CMYK 0 / 14 / 5 / 8

HEX #EBCBE0

RGB 235 203 224

HSL 320.63, 0.44%, 0.86%

LAB 84.87, 14.74, -6.23

 

CMYK 0 / 14 / 1 / 8

HEX #EBCBE8

RGB 235 203 232

HSL 305.63, 0.44%, 0.86%

LAB 85.1, 16.16, -10.15

 

CMYK 3 / 14 / 0 / 8

HEX #E4CBEB

RGB 228 203 235

HSL 286.88, 0.44%, 0.86%

LAB 84.59, 14.38, -12.57

 

CMYK 6 / 14 / 0 / 8

HEX #DCCBEB

RGB 220 203 235

HSL 271.88, 0.44%, 0.86%

LAB 83.93, 11.74, -13.63

 

CMYK 10 / 14 / 0 / 8

HEX #D3CBEB

RGB 211 203 235

HSL 255, 0.44%, 0.86%

LAB 83.21, 8.82, -14.78

 

CMYK 0 / 14 / 5 / 8

HEX #EBCBE0

RGB 235 203 224

HSL 320.63, 0.44%, 0.86%

LAB 84.87, 14.74, -6.23

 

CMYK 0 / 18 / 6 / 6

HEX #F0C5E2

RGB 240 197 226

HSL 319.53, 0.59%, 0.86%

LAB 83.94, 19.96, -8.63

 

CMYK 0 / 22 / 8 / 4

HEX #F6C0E3

RGB 246 192 227

HSL 321.11, 0.75%, 0.86%

LAB 83.36, 24.81, -9.97

 

CMYK 0 / 26 / 9 / 1

HEX #FCBAE5

RGB 252 186 229

HSL 320.91, 0.92%, 0.86%

LAB 82.63, 30.34, -12.06

 

CMYK 0 / 14 / 5 / 8

HEX #EBCBE0

RGB 235 203 224

HSL 320.63, 0.44%, 0.86%

LAB 84.87, 14.74, -6.23

 

CMYK 0 / 9 / 3 / 10

HEX #E5D1DE

RGB 229 209 222

HSL 321, 0.28%, 0.86%

LAB 85.77, 9.17, -3.9

 

CMYK 0 / 4 / 1 / 13

HEX #DFD7DC

RGB 223 215 220

HSL 322.5, 0.11%, 0.86%

LAB 86.73, 3.62, -1.49

 

CMYK 1 / 0 / 1 / 14

HEX #D9DCDA

RGB 217 220 218

HSL 140, 0.04%, 0.86%

LAB 87.49, -1.37, 0.62

 

CMYK 7 / 0 / 4 / 11

HEX #D3E2D8

RGB 211 226 216

HSL 140, 0.21%, 0.86%

LAB 88.54, -6.84, 3.15

 

CMYK 3 / 14 / 0 / 8

HEX #E4CBEB

RGB 228 203 235

HSL 286.88, 0.44%, 0.86%

LAB 84.59, 14.38, -12.57

 

CMYK 0 / 14 / 1 / 8

HEX #EBCBE8

RGB 235 203 232

HSL 305.63, 0.44%, 0.86%

LAB 85.1, 16.16, -10.15

 

CMYK 0 / 14 / 5 / 8

HEX #EBCBE0

RGB 235 203 224

HSL 320.63, 0.44%, 0.86%

LAB 84.87, 14.74, -6.23

 

CMYK 0 / 14 / 8 / 8

HEX #EBCBD8

RGB 235 203 216

HSL 335.63, 0.44%, 0.86%

LAB 84.65, 13.36, -2.29

 

CMYK 0 / 14 / 12 / 8

HEX #EBCBCF

RGB 235 203 207

HSL 352.5, 0.44%, 0.86%

LAB 84.42, 11.87, 2.16

 

CMYK 0 / 32 / 11 / 17

HEX #D390BC

RGB 211 144 188

HSL 320.6, 0.43%, 0.7%

LAB 67.6, 31.99, -12.58

 

CMYK 0 / 22 / 8 / 13

HEX #DFADCE

RGB 223 173 206

HSL 320.4, 0.44%, 0.78%

LAB 76.09, 23.52, -9.69

 

CMYK 0 / 14 / 5 / 8

HEX #EBCBE0

RGB 235 203 224

HSL 320.63, 0.44%, 0.86%

LAB 84.87, 14.74, -6.23

 

CMYK 0 / 5 / 2 / 4

HEX #F6E9F2

RGB 246 233 242

HSL 318.46, 0.42%, 0.94%

LAB 93.57, 5.95, -2.79

 

CMYK 0 / 14 / 5 / 8

HEX #EBCBE0

RGB 235 203 224

HSL 320.63, 0.44%, 0.86%

LAB 84.87, 14.74, -6.23

 

CMYK 0 / 6 / 14 / 8

HEX #EBDCCB

RGB 235 220 203

HSL 31.88, 0.44%, 0.86%

LAB 88.52, 2.36, 10.19

 

CMYK 14 / 0 / 1 / 8

HEX #CBEBE8

RGB 203 235 232

HSL 174.38, 0.44%, 0.86%

LAB 90.75, -10.98, -2.07

 

CMYK 0 / 14 / 5 / 8

HEX #EBCBE0

RGB 235 203 224

HSL 320.63, 0.44%, 0.86%

LAB 84.87, 14.74, -6.23

 

CMYK 5 / 0 / 14 / 8

HEX #E0EBCB

RGB 224 235 203

HSL 80.63, 0.44%, 0.86%

LAB 91.49, -9.18, 14.29

 

CMYK 14 / 5 / 0 / 8

HEX #CBE0EB

RGB 203 224 235

HSL 200.63, 0.44%, 0.86%

LAB 87.97, -4.76, -7.74

 

CMYK 0 / 14 / 5 / 8

HEX #EBCBE0

RGB 235 203 224

HSL 320.63, 0.44%, 0.86%

LAB 84.87, 14.74, -6.23

 

CMYK 0 / 6 / 14 / 8

HEX #EBDCCB

RGB 235 220 203

HSL 31.88, 0.44%, 0.86%

LAB 88.52, 2.36, 10.19

 

CMYK 14 / 0 / 9 / 8

HEX #CBEBD6

RGB 203 235 214

HSL 140.63, 0.44%, 0.86%

LAB 90.31, -14.4, 6.68

 

CMYK 14 / 7 / 0 / 8

HEX #CBDAEB

RGB 203 218 235

HSL 211.88, 0.44%, 0.86%

LAB 86.42, -1.65, -10.04

 

CMYK 0 / 14 / 5 / 8

HEX #EBCBE0

RGB 235 203 224

HSL 320.63, 0.44%, 0.86%

LAB 84.87, 14.74, -6.23

 

CMYK 0 / 3 / 14 / 8

HEX #EBE5CB

RGB 235 229 203

HSL 48.75, 0.44%, 0.86%

LAB 90.79, -2.26, 13.4

 

CMYK 14 / 0 / 9 / 8

HEX #CBEBD6

RGB 203 235 214

HSL 140.63, 0.44%, 0.86%

LAB 90.31, -14.4, 6.68

 

CMYK 14 / 11 / 0 / 8

HEX #CBD0EB

RGB 203 208 235

HSL 230.63, 0.44%, 0.86%

LAB 83.86, 3.6, -13.86

 

Description

Color code: RGB 235 203 224 | qconv.com Color code: RGB 235 203 224 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 203 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 203 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 5 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 5% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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