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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #148952 it is the complementary color #EB76AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #148952. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #148952 shade: #19894D, #2A9B60, #3BAD73, #4CBF86 and #5DD199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #148952. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #148952 shade: #148952, #03773F, #00652C, #005319 and #004106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #148952 shade: #138A52, #138A32, #148A13, #348A13 and #548A13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #148952 shade: #138A52, #138A72, #13828A, #13628A and #13428A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #148952 shade matches the following richer shades: #138A52 and #069753

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #148952 shade: #138A52, #207D51, #2D7051, #3A6350 and #46574F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #148952 shade: #158A13, #138A31, #138A51, #138A70 and #13848A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #148952 shade: #094227, #0E663D, #138A52, #18AE68 and #1ED27D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #148952 shade: #148952, #13358A and #8A2113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #148952 shade: #148952, #51138A and #8A5113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #148952 shade: #148952, #13358A, #8A134D and #8A6813

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #148952 shade: #148952, #15138A, #8A134D and #888A13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 40 / 46

HEX #148952

RGB 20 137 82

HSL 151.79, 0.75%, 0.31%

LAB 50.27, -43.81, 21.07

 

Complementary color

CMYK 0 / 50 / 26 / 8

HEX #EB76AD

RGB 235 118 173

HSL 331.79, 0.75%, 0.69%

LAB 64.67, 51.22, -8.19

 

CMYK 82 / 0 / 44 / 46

HEX #19894D

RGB 25 137 77

HSL 147.86, 0.69%, 0.32%

LAB 50.26, -44.26, 23.84

 

CMYK 73 / 0 / 38 / 39

HEX #2A9B60

RGB 42 155 96

HSL 148.67, 0.57%, 0.39%

LAB 56.86, -45.13, 22.17

 

CMYK 66 / 0 / 34 / 32

HEX #3BAD73

RGB 59 173 115

HSL 149.47, 0.49%, 0.45%

LAB 63.39, -45.58, 20.66

 

CMYK 60 / 0 / 30 / 25

HEX #4CBF86

RGB 76 191 134

HSL 150.26, 0.47%, 0.52%

LAB 69.84, -45.77, 19.3

 

CMYK 56 / 0 / 27 / 18

HEX #5DD199

RGB 93 209 153

HSL 151.03, 0.56%, 0.59%

LAB 76.21, -45.8, 18.06

 

CMYK 85 / 0 / 40 / 46

HEX #148952

RGB 20 137 82

HSL 151.79, 0.75%, 0.31%

LAB 50.27, -43.81, 21.07

 

CMYK 97 / 0 / 47 / 53

HEX #03773F

RGB 3 119 63

HSL 151.03, 0.95%, 0.24%

LAB 43.61, -42.19, 22.95

 

CMYK 100 / 0 / 56 / 60

HEX #00652C

RGB 0 101 44

HSL 146.14, 1%, 0.2%

LAB 36.91, -39.37, 25.04

 

CMYK 100 / 0 / 70 / 67

HEX #005319

RGB 0 83 25

HSL 138.07, 1%, 0.16%

LAB 30.05, -35.9, 27.03

 

CMYK 100 / 0 / 91 / 75

HEX #004106

RGB 0 65 6

HSL 125.54, 1%, 0.13%

LAB 22.98, -31.76, 28.13

 

CMYK 86 / 0 / 41 / 46

HEX #138A52

RGB 19 138 82

HSL 151.76, 0.76%, 0.31%

LAB 50.6, -44.29, 21.5

 

CMYK 86 / 0 / 64 / 46

HEX #138A32

RGB 19 138 50

HSL 135.63, 0.76%, 0.31%

LAB 50.15, -49.62, 37.64

 

CMYK 86 / 0 / 86 / 46

HEX #148A13

RGB 20 138 19

HSL 119.5, 0.76%, 0.31%

LAB 49.95, -52.25, 49.14

 

CMYK 62 / 0 / 86 / 46

HEX #348A13

RGB 52 138 19

HSL 103.36, 0.76%, 0.31%

LAB 50.63, -46.37, 50.02

 

CMYK 39 / 0 / 86 / 46

HEX #548A13

RGB 84 138 19

HSL 87.23, 0.76%, 0.31%

LAB 51.96, -36.23, 51.7

 

CMYK 86 / 0 / 41 / 46

HEX #138A52

RGB 19 138 82

HSL 151.76, 0.76%, 0.31%

LAB 50.6, -44.29, 21.5

 

CMYK 86 / 0 / 17 / 46

HEX #138A72

RGB 19 138 114

HSL 167.9, 0.76%, 0.31%

LAB 51.3, -36.54, 4.21

 

CMYK 86 / 6 / 0 / 46

HEX #13828A

RGB 19 130 138

HSL 184.03, 0.76%, 0.31%

LAB 49.42, -25.44, -12.59

 

CMYK 86 / 29 / 0 / 46

HEX #13628A

RGB 19 98 138

HSL 200.17, 0.76%, 0.31%

LAB 39.09, -7.67, -28.51

 

CMYK 86 / 52 / 0 / 46

HEX #13428A

RGB 19 66 138

HSL 216.3, 0.76%, 0.31%

LAB 29.08, 13.29, -44.45

 

CMYK 86 / 0 / 41 / 46

HEX #138A52

RGB 19 138 82

HSL 151.76, 0.76%, 0.31%

LAB 50.6, -44.29, 21.5

 

CMYK 96 / 0 / 45 / 41

HEX #069753

RGB 6 151 83

HSL 151.86, 0.92%, 0.31%

LAB 54.86, -49.8, 26.52

 

CMYK 86 / 0 / 41 / 46

HEX #138A52

RGB 19 138 82

HSL 151.76, 0.76%, 0.31%

LAB 50.6, -44.29, 21.5

 

CMYK 74 / 0 / 35 / 51

HEX #207D51

RGB 32 125 81

HSL 151.61, 0.59%, 0.31%

LAB 46.4, -37.64, 16.48

 

CMYK 60 / 0 / 28 / 56

HEX #2D7051

RGB 45 112 81

HSL 152.24, 0.43%, 0.31%

LAB 42.37, -29.22, 11

 

CMYK 41 / 0 / 19 / 61

HEX #3A6350

RGB 58 99 80

HSL 152.2, 0.26%, 0.31%

LAB 38.56, -19.23, 6.32

 

CMYK 20 / 0 / 9 / 66

HEX #46574F

RGB 70 87 79

HSL 151.76, 0.11%, 0.31%

LAB 35.37, -8.43, 2.47

 

CMYK 85 / 0 / 86 / 46

HEX #158A13

RGB 21 138 19

HSL 118.99, 0.76%, 0.31%

LAB 49.96, -52.14, 49.16

 

CMYK 86 / 0 / 64 / 46

HEX #138A31

RGB 19 138 49

HSL 135.13, 0.76%, 0.31%

LAB 50.14, -49.75, 38.09

 

CMYK 86 / 0 / 41 / 46

HEX #138A51

RGB 19 138 81

HSL 151.26, 0.76%, 0.31%

LAB 50.58, -44.5, 22.04

 

CMYK 86 / 0 / 19 / 46

HEX #138A70

RGB 19 138 112

HSL 166.89, 0.76%, 0.31%

LAB 51.25, -37.09, 5.29

 

CMYK 86 / 4 / 0 / 46

HEX #13848A

RGB 19 132 138

HSL 183.03, 0.76%, 0.31%

LAB 50.07, -26.46, -11.62

 

CMYK 86 / 0 / 41 / 74

HEX #094227

RGB 9 66 39

HSL 151.58, 0.76%, 0.15%

LAB 24, -25.19, 11.5

 

CMYK 86 / 0 / 40 / 60

HEX #0E663D

RGB 14 102 61

HSL 152.05, 0.76%, 0.23%

LAB 37.72, -35, 16.4

 

CMYK 86 / 0 / 41 / 46

HEX #138A52

RGB 19 138 82

HSL 151.76, 0.76%, 0.31%

LAB 50.6, -44.29, 21.5

 

CMYK 86 / 0 / 40 / 32

HEX #18AE68

RGB 24 174 104

HSL 152, 0.76%, 0.39%

LAB 62.9, -52.89, 25.82

 

CMYK 86 / 0 / 40 / 18

HEX #1ED27D

RGB 30 210 125

HSL 151.67, 0.75%, 0.47%

LAB 74.73, -61.25, 30.47

 

CMYK 85 / 0 / 40 / 46

HEX #148952

RGB 20 137 82

HSL 151.79, 0.75%, 0.31%

LAB 50.27, -43.81, 21.07

 

CMYK 86 / 62 / 0 / 46

HEX #13358A

RGB 19 53 138

HSL 222.86, 0.76%, 0.31%

LAB 25.32, 22.4, -50.56

 

CMYK 0 / 76 / 86 / 46

HEX #8A2113

RGB 138 33 19

HSL 7.06, 0.76%, 0.31%

LAB 30.73, 43.28, 34.97

 

CMYK 85 / 0 / 40 / 46

HEX #148952

RGB 20 137 82

HSL 151.79, 0.75%, 0.31%

LAB 50.27, -43.81, 21.07

 

CMYK 41 / 86 / 0 / 46

HEX #51138A

RGB 81 19 138

HSL 271.26, 0.76%, 0.31%

LAB 23.84, 49.35, -52.79

 

CMYK 0 / 41 / 86 / 46

HEX #8A5113

RGB 138 81 19

HSL 31.26, 0.76%, 0.31%

LAB 40.14, 19.16, 43.24

 

CMYK 85 / 0 / 40 / 46

HEX #148952

RGB 20 137 82

HSL 151.79, 0.75%, 0.31%

LAB 50.27, -43.81, 21.07

 

CMYK 86 / 62 / 0 / 46

HEX #13358A

RGB 19 53 138

HSL 222.86, 0.76%, 0.31%

LAB 25.32, 22.4, -50.56

 

CMYK 0 / 86 / 44 / 46

HEX #8A134D

RGB 138 19 77

HSL 330.76, 0.76%, 0.31%

LAB 30.41, 51.16, -2.41

 

CMYK 0 / 25 / 86 / 46

HEX #8A6813

RGB 138 104 19

HSL 42.86, 0.76%, 0.31%

LAB 46.11, 5.74, 48.34

 

CMYK 85 / 0 / 40 / 46

HEX #148952

RGB 20 137 82

HSL 151.79, 0.75%, 0.31%

LAB 50.27, -43.81, 21.07

 

CMYK 85 / 86 / 0 / 46

HEX #15138A

RGB 21 19 138

HSL 241.01, 0.76%, 0.31%

LAB 17.74, 43.53, -63.06

 

CMYK 0 / 86 / 44 / 46

HEX #8A134D

RGB 138 19 77

HSL 330.76, 0.76%, 0.31%

LAB 30.41, 51.16, -2.41

 

CMYK 1 / 0 / 86 / 46

HEX #888A13

RGB 136 138 19

HSL 61.01, 0.76%, 0.31%

LAB 55.54, -14.18, 56.18

 

Description

Color code: HEX #148952 | qconv.com Color code: HEX #148952 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 137 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 137 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 40 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 40% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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