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Color name
HEX #15ADF3

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15ADF3 it is the complementary color #EA520C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15ADF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15ADF3 shade: #1AADEE, #2BBFFF, #3CD1FF, #4DE3FF and #5EF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15ADF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15ADF3 shade: #15ADF3, #049BE0, #0089CD, #0077BA and #0065A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15ADF3 shade: #16ADF2, #1671F2, #1636F2, #3116F2 and #6D16F2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15ADF3 shade: #16ADF2, #1671F2, #1636F2 and #1616F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15ADF3 shade matches the following richer shades: #16ADF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15ADF3 shade: #16ADF2, #2AA5DE, #3E9ECB, #5197B7 and #6590A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15ADF3 shade: #16F2BF, #16EBF2, #16B0F2, #1675F2 and #163BF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15ADF3 shade: #0979AD, #0B95D4, #16ADF2, #3DBBF4 and #64C8F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15ADF3 shade: #15ADF3, #8416F2 and #F2DC16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15ADF3 shade: #15ADF3, #F216B0 and #B0F216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15ADF3 shade: #15ADF3, #8416F2, #F25816 and #84F216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15ADF3 shade: #15ADF3, #C616F2, #F25816 and #42F216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 29 / 0 / 5

HEX #15ADF3

RGB 21 173 243

HSL 198.92, 0.9%, 0.52%

LAB 66.91, -11.63, -44.87

 

Complementary color

CMYK 0 / 65 / 95 / 8

HEX #EA520C

RGB 234 82 12

HSL 18.92, 0.9%, 0.48%

LAB 55.64, 56.35, 63.49

 

CMYK 89 / 27 / 0 / 7

HEX #1AADEE

RGB 26 173 238

HSL 198.4, 0.86%, 0.52%

LAB 66.73, -13.17, -42.42

 

CMYK 83 / 25 / 0 / 0

HEX #2BBFFF

RGB 43 191 255

HSL 198.11, 1%, 0.58%

LAB 72.89, -15.85, -41.99

 

CMYK 76 / 18 / 0 / 0

HEX #3CD1FF

RGB 60 209 255

HSL 194.15, 1%, 0.62%

LAB 78.33, -23.63, -33.52

 

CMYK 70 / 11 / 0 / 0

HEX #4DE3FF

RGB 77 227 255

HSL 189.44, 1%, 0.65%

LAB 83.83, -30.52, -25.07

 

CMYK 63 / 4 / 0 / 0

HEX #5EF5FF

RGB 94 245 255

HSL 183.73, 1%, 0.68%

LAB 89.35, -36.63, -16.68

 

CMYK 91 / 29 / 0 / 5

HEX #15ADF3

RGB 21 173 243

HSL 198.92, 0.9%, 0.52%

LAB 66.91, -11.63, -44.87

 

CMYK 98 / 31 / 0 / 12

HEX #049BE0

RGB 4 155 224

HSL 198.82, 0.96%, 0.45%

LAB 60.65, -9.06, -44.29

 

CMYK 100 / 33 / 0 / 20

HEX #0089CD

RGB 0 137 205

HSL 199.9, 1%, 0.4%

LAB 54.34, -5.98, -43.6

 

CMYK 100 / 36 / 0 / 27

HEX #0077BA

RGB 0 119 186

HSL 201.61, 1%, 0.36%

LAB 47.93, -2.62, -42.91

 

CMYK 100 / 40 / 0 / 35

HEX #0065A7

RGB 0 101 167

HSL 203.71, 1%, 0.33%

LAB 41.37, 0.93, -42.24

 

CMYK 91 / 29 / 0 / 5

HEX #16ADF2

RGB 22 173 242

HSL 198.82, 0.89%, 0.52%

LAB 66.88, -11.94, -44.38

 

CMYK 91 / 53 / 0 / 5

HEX #1671F2

RGB 22 113 242

HSL 215.18, 0.89%, 0.52%

LAB 49.97, 23.87, -71.41

 

CMYK 91 / 78 / 0 / 5

HEX #1636F2

RGB 22 54 242

HSL 231.27, 0.89%, 0.52%

LAB 36.4, 59.53, -93.7

 

CMYK 80 / 91 / 0 / 5

HEX #3116F2

RGB 49 22 242

HSL 247.36, 0.89%, 0.52%

LAB 33.22, 72.74, -98.97

 

CMYK 55 / 91 / 0 / 5

HEX #6D16F2

RGB 109 22 242

HSL 263.73, 0.89%, 0.52%

LAB 38.26, 75.97, -90.45

 

CMYK 91 / 29 / 0 / 5

HEX #16ADF2

RGB 22 173 242

HSL 198.82, 0.89%, 0.52%

LAB 66.88, -11.94, -44.38

 

CMYK 91 / 53 / 0 / 5

HEX #1671F2

RGB 22 113 242

HSL 215.18, 0.89%, 0.52%

LAB 49.97, 23.87, -71.41

 

CMYK 91 / 78 / 0 / 5

HEX #1636F2

RGB 22 54 242

HSL 231.27, 0.89%, 0.52%

LAB 36.4, 59.53, -93.7

 

CMYK 91 / 91 / 0 / 5

HEX #1616F2

RGB 22 22 242

HSL 240, 0.89%, 0.52%

LAB 32.16, 72.16, -100.77

 

CMYK 91 / 29 / 0 / 5

HEX #16ADF2

RGB 22 173 242

HSL 198.82, 0.89%, 0.52%

LAB 66.88, -11.94, -44.38

 

CMYK 91 / 29 / 0 / 5

HEX #16ADF2

RGB 22 173 242

HSL 198.82, 0.89%, 0.52%

LAB 66.88, -11.94, -44.38

 

CMYK 81 / 26 / 0 / 13

HEX #2AA5DE

RGB 42 165 222

HSL 199, 0.73%, 0.52%

LAB 63.9, -13.31, -38.05

 

CMYK 69 / 22 / 0 / 20

HEX #3E9ECB

RGB 62 158 203

HSL 199.15, 0.58%, 0.52%

LAB 61.47, -13.6, -31.24

 

CMYK 56 / 17 / 0 / 28

HEX #5197B7

RGB 81 151 183

HSL 198.82, 0.41%, 0.52%

LAB 59.25, -12.75, -23.37

 

CMYK 38 / 12 / 0 / 36

HEX #6590A3

RGB 101 144 163

HSL 198.39, 0.25%, 0.52%

LAB 57.42, -9.71, -14.7

 

CMYK 91 / 0 / 21 / 5

HEX #16F2BF

RGB 22 242 191

HSL 166.09, 0.89%, 0.52%

LAB 85.72, -59.18, 11.31

 

CMYK 91 / 3 / 0 / 5

HEX #16EBF2

RGB 22 235 242

HSL 181.91, 0.89%, 0.52%

LAB 85, -42.57, -16.52

 

CMYK 91 / 27 / 0 / 5

HEX #16B0F2

RGB 22 176 242

HSL 198, 0.89%, 0.52%

LAB 67.75, -13.57, -43.02

 

CMYK 91 / 52 / 0 / 5

HEX #1675F2

RGB 22 117 242

HSL 214.09, 0.89%, 0.52%

LAB 51.04, 21.33, -69.67

 

CMYK 91 / 76 / 0 / 5

HEX #163BF2

RGB 22 59 242

HSL 229.91, 0.89%, 0.52%

LAB 37.32, 56.91, -92.18

 

CMYK 95 / 30 / 0 / 32

HEX #0979AD

RGB 9 121 173

HSL 199.02, 0.9%, 0.36%

LAB 47.94, -8.5, -35.35

 

CMYK 95 / 30 / 0 / 17

HEX #0B95D4

RGB 11 149 212

HSL 198.81, 0.9%, 0.44%

LAB 58.34, -9.9, -41.23

 

CMYK 91 / 29 / 0 / 5

HEX #16ADF2

RGB 22 173 242

HSL 198.82, 0.89%, 0.52%

LAB 66.88, -11.94, -44.38

 

CMYK 75 / 23 / 0 / 4

HEX #3DBBF4

RGB 61 187 244

HSL 198.69, 0.89%, 0.6%

LAB 71.6, -15.74, -38.05

 

CMYK 59 / 19 / 0 / 4

HEX #64C8F6

RGB 100 200 246

HSL 198.9, 0.89%, 0.68%

LAB 76.48, -16.14, -31.48

 

CMYK 91 / 29 / 0 / 5

HEX #15ADF3

RGB 21 173 243

HSL 198.92, 0.9%, 0.52%

LAB 66.91, -11.63, -44.87

 

CMYK 45 / 91 / 0 / 5

HEX #8416F2

RGB 132 22 242

HSL 270, 0.89%, 0.52%

LAB 41.04, 78, -85.76

 

CMYK 0 / 9 / 91 / 5

HEX #F2DC16

RGB 242 220 22

HSL 54, 0.89%, 0.52%

LAB 87.06, -9.75, 84.51

 

CMYK 91 / 29 / 0 / 5

HEX #15ADF3

RGB 21 173 243

HSL 198.92, 0.9%, 0.52%

LAB 66.91, -11.63, -44.87

 

CMYK 0 / 91 / 27 / 5

HEX #F216B0

RGB 242 22 176

HSL 318, 0.89%, 0.52%

LAB 54.64, 84.45, -25.02

 

CMYK 27 / 0 / 91 / 5

HEX #B0F216

RGB 176 242 22

HSL 78, 0.89%, 0.52%

LAB 88.35, -46.69, 83.53

 

CMYK 91 / 29 / 0 / 5

HEX #15ADF3

RGB 21 173 243

HSL 198.92, 0.9%, 0.52%

LAB 66.91, -11.63, -44.87

 

CMYK 45 / 91 / 0 / 5

HEX #8416F2

RGB 132 22 242

HSL 270, 0.89%, 0.52%

LAB 41.04, 78, -85.76

 

CMYK 0 / 64 / 91 / 5

HEX #F25816

RGB 242 88 22

HSL 18, 0.89%, 0.52%

LAB 57.96, 56.71, 63.08

 

CMYK 45 / 0 / 91 / 5

HEX #84F216

RGB 132 242 22

HSL 90, 0.89%, 0.52%

LAB 86.24, -61.63, 80.94

 

CMYK 91 / 29 / 0 / 5

HEX #15ADF3

RGB 21 173 243

HSL 198.92, 0.9%, 0.52%

LAB 66.91, -11.63, -44.87

 

CMYK 18 / 91 / 0 / 5

HEX #C616F2

RGB 198 22 242

HSL 288, 0.89%, 0.52%

LAB 50.68, 86.05, -69.62

 

CMYK 0 / 64 / 91 / 5

HEX #F25816

RGB 242 88 22

HSL 18, 0.89%, 0.52%

LAB 57.96, 56.71, 63.08

 

CMYK 73 / 0 / 91 / 5

HEX #42F216

RGB 66 242 22

HSL 108, 0.89%, 0.52%

LAB 84.34, -77.06, 78.59

 

Description

Color code: HEX #15ADF3 | qconv.com Color code: HEX #15ADF3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 173 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 173 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 29 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 29% 0% 5% C M Y K

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Provide designers and agencies with accurate color values.

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