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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15CF7B it is the complementary color #EA3084. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15CF7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15CF7B shade: #1ACF76, #2BE189, #3CF39C, #4DFFAF and #5EFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15CF7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15CF7B shade: #15CF7B, #04BD68, #00AB55, #009942 and #00872F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15CF7B shade: #14D07B, #14D049, #14D016, #45D014 and #78D014

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15CF7B shade: #14D07B, #14D0AE, #14C0D0, #148DD0 and #145AD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15CF7B shade matches the following richer shades: #14D07B and #02E37D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15CF7B shade: #14D07B, #27BE7A, #39AB78, #4C9976 and #5E8674

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15CF7B shade: #14D014, #14D046, #14D079, #14D0AB and #14C4D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15CF7B shade: #0D854F, #10AB65, #14D07B, #25E990 and #4AEDA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15CF7B shade: #15CF7B, #1446D0 and #D02D14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15CF7B shade: #15CF7B, #7914D0 and #D07914

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15CF7B shade: #15CF7B, #1446D0, #D0146C and #D09E14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15CF7B shade: #15CF7B, #1A14D0, #D0146C and #CAD014

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 41 / 19

HEX #15CF7B

RGB 21 207 123

HSL 152.9, 0.82%, 0.45%

LAB 73.68, -61.18, 30.11

 

Complementary color

CMYK 0 / 79 / 44 / 8

HEX #EA3084

RGB 234 48 132

HSL 332.9, 0.82%, 0.55%

LAB 53.25, 73.56, -1.21

 

CMYK 87 / 0 / 43 / 19

HEX #1ACF76

RGB 26 207 118

HSL 150.5, 0.78%, 0.46%

LAB 73.64, -61.79, 32.62

 

CMYK 81 / 0 / 39 / 12

HEX #2BE189

RGB 43 225 137

HSL 150.99, 0.75%, 0.53%

LAB 79.71, -63.13, 30.95

 

CMYK 75 / 0 / 36 / 5

HEX #3CF39C

RGB 60 243 156

HSL 151.48, 0.88%, 0.59%

LAB 85.74, -64.09, 29.39

 

CMYK 70 / 0 / 31 / 0

HEX #4DFFAF

RGB 77 255 175

HSL 153.03, 1%, 0.65%

LAB 89.95, -62.53, 25.53

 

CMYK 63 / 0 / 24 / 0

HEX #5EFFC2

RGB 94 255 194

HSL 157.27, 1%, 0.68%

LAB 90.69, -55.92, 16.92

 

CMYK 90 / 0 / 41 / 19

HEX #15CF7B

RGB 21 207 123

HSL 152.9, 0.82%, 0.45%

LAB 73.68, -61.18, 30.11

 

CMYK 98 / 0 / 45 / 26

HEX #04BD68

RGB 4 189 104

HSL 152.43, 0.96%, 0.38%

LAB 67.59, -59.26, 31.92

 

CMYK 100 / 0 / 50 / 33

HEX #00AB55

RGB 0 171 85

HSL 149.82, 1%, 0.34%

LAB 61.47, -56.67, 33.86

 

CMYK 100 / 0 / 57 / 40

HEX #009942

RGB 0 153 66

HSL 145.88, 1%, 0.3%

LAB 55.25, -53.71, 35.81

 

CMYK 100 / 0 / 65 / 47

HEX #00872F

RGB 0 135 47

HSL 140.89, 1%, 0.26%

LAB 48.92, -50.47, 37.61

 

CMYK 90 / 0 / 41 / 18

HEX #14D07B

RGB 20 208 123

HSL 152.87, 0.82%, 0.45%

LAB 73.99, -61.58, 30.51

 

CMYK 90 / 0 / 65 / 18

HEX #14D049

RGB 20 208 73

HSL 136.91, 0.82%, 0.45%

LAB 73.38, -69.01, 53.48

 

CMYK 90 / 0 / 89 / 18

HEX #14D016

RGB 20 208 22

HSL 120.64, 0.82%, 0.45%

LAB 73.1, -72.53, 68.84

 

CMYK 67 / 0 / 90 / 18

HEX #45D014

RGB 69 208 20

HSL 104.36, 0.82%, 0.45%

LAB 73.82, -66.22, 70.07

 

CMYK 42 / 0 / 90 / 18

HEX #78D014

RGB 120 208 20

HSL 88.09, 0.82%, 0.45%

LAB 75.55, -52.56, 72.21

 

CMYK 90 / 0 / 41 / 18

HEX #14D07B

RGB 20 208 123

HSL 152.87, 0.82%, 0.45%

LAB 73.99, -61.58, 30.51

 

CMYK 90 / 0 / 16 / 18

HEX #14D0AE

RGB 20 208 174

HSL 169.15, 0.82%, 0.45%

LAB 75.02, -50.09, 4.97

 

CMYK 90 / 8 / 0 / 18

HEX #14C0D0

RGB 20 192 208

HSL 185.11, 0.82%, 0.45%

LAB 71.15, -33.23, -19.22

 

CMYK 90 / 32 / 0 / 18

HEX #148DD0

RGB 20 141 208

HSL 201.38, 0.82%, 0.45%

LAB 55.84, -6.43, -42.92

 

CMYK 90 / 57 / 0 / 18

HEX #145AD0

RGB 20 90 208

HSL 217.66, 0.82%, 0.45%

LAB 41.24, 25.44, -66.35

 

CMYK 90 / 0 / 41 / 18

HEX #14D07B

RGB 20 208 123

HSL 152.87, 0.82%, 0.45%

LAB 73.99, -61.58, 30.51

 

CMYK 99 / 0 / 45 / 11

HEX #02E37D

RGB 2 227 125

HSL 152.8, 0.98%, 0.45%

LAB 79.86, -68.29, 37.11

 

CMYK 90 / 0 / 41 / 18

HEX #14D07B

RGB 20 208 123

HSL 152.87, 0.82%, 0.45%

LAB 73.99, -61.58, 30.51

 

CMYK 79 / 0 / 36 / 25

HEX #27BE7A

RGB 39 190 122

HSL 152.98, 0.66%, 0.45%

LAB 68.51, -53.75, 23.77

 

CMYK 67 / 0 / 30 / 33

HEX #39AB78

RGB 57 171 120

HSL 153.16, 0.5%, 0.45%

LAB 62.8, -44.07, 17.13

 

CMYK 50 / 0 / 23 / 40

HEX #4C9976

RGB 76 153 118

HSL 152.73, 0.34%, 0.45%

LAB 57.68, -32.38, 11.2

 

CMYK 30 / 0 / 13 / 47

HEX #5E8674

RGB 94 134 116

HSL 153, 0.18%, 0.45%

LAB 52.61, -17.97, 5.25

 

CMYK 90 / 0 / 90 / 18

HEX #14D014

RGB 20 208 20

HSL 120, 0.82%, 0.45%

LAB 73.1, -72.59, 69.16

 

CMYK 90 / 0 / 66 / 18

HEX #14D046

RGB 20 208 70

HSL 135.96, 0.82%, 0.45%

LAB 73.35, -69.33, 54.69

 

CMYK 90 / 0 / 42 / 18

HEX #14D079

RGB 20 208 121

HSL 152.23, 0.82%, 0.45%

LAB 73.96, -61.96, 31.49

 

CMYK 90 / 0 / 18 / 18

HEX #14D0AB

RGB 20 208 171

HSL 168.19, 0.82%, 0.45%

LAB 74.95, -50.86, 6.48

 

CMYK 90 / 6 / 0 / 18

HEX #14C4D0

RGB 20 196 208

HSL 183.83, 0.82%, 0.45%

LAB 72.35, -35.12, -17.4

 

CMYK 90 / 0 / 41 / 48

HEX #0D854F

RGB 13 133 79

HSL 153, 0.82%, 0.29%

LAB 48.79, -43.51, 20.77

 

CMYK 91 / 0 / 41 / 33

HEX #10AB65

RGB 16 171 101

HSL 152.9, 0.83%, 0.37%

LAB 61.81, -52.96, 25.96

 

CMYK 90 / 0 / 41 / 18

HEX #14D07B

RGB 20 208 123

HSL 152.87, 0.82%, 0.45%

LAB 73.99, -61.58, 30.51

 

CMYK 84 / 0 / 38 / 9

HEX #25E990

RGB 37 233 144

HSL 152.76, 0.82%, 0.53%

LAB 82.21, -65.15, 30.7

 

CMYK 69 / 0 / 31 / 7

HEX #4AEDA3

RGB 74 237 163

HSL 152.76, 0.82%, 0.61%

LAB 84.31, -58.57, 23.93

 

CMYK 90 / 0 / 41 / 19

HEX #15CF7B

RGB 21 207 123

HSL 152.9, 0.82%, 0.45%

LAB 73.68, -61.18, 30.11

 

CMYK 90 / 66 / 0 / 18

HEX #1446D0

RGB 20 70 208

HSL 224.04, 0.82%, 0.45%

LAB 36.14, 38.44, -74.7

 

CMYK 0 / 78 / 90 / 18

HEX #D02D14

RGB 208 45 20

HSL 7.98, 0.82%, 0.45%

LAB 46.09, 61.36, 52.62

 

CMYK 90 / 0 / 41 / 19

HEX #15CF7B

RGB 21 207 123

HSL 152.9, 0.82%, 0.45%

LAB 73.68, -61.18, 30.11

 

CMYK 42 / 90 / 0 / 18

HEX #7914D0

RGB 121 20 208

HSL 272.23, 0.82%, 0.45%

LAB 36.21, 69.94, -74.31

 

CMYK 0 / 42 / 90 / 18

HEX #D07914

RGB 208 121 20

HSL 32.23, 0.82%, 0.45%

LAB 59.1, 27.63, 62.11

 

CMYK 90 / 0 / 41 / 19

HEX #15CF7B

RGB 21 207 123

HSL 152.9, 0.82%, 0.45%

LAB 73.68, -61.18, 30.11

 

CMYK 90 / 66 / 0 / 18

HEX #1446D0

RGB 20 70 208

HSL 224.04, 0.82%, 0.45%

LAB 36.14, 38.44, -74.7

 

CMYK 0 / 90 / 48 / 18

HEX #D0146C

RGB 208 20 108

HSL 331.91, 0.82%, 0.45%

LAB 45.62, 70.87, 1.7

 

CMYK 0 / 24 / 90 / 18

HEX #D09E14

RGB 208 158 20

HSL 44.04, 0.82%, 0.45%

LAB 67.96, 7.63, 68.82

 

CMYK 90 / 0 / 41 / 19

HEX #15CF7B

RGB 21 207 123

HSL 152.9, 0.82%, 0.45%

LAB 73.68, -61.18, 30.11

 

CMYK 88 / 90 / 0 / 18

HEX #1A14D0

RGB 26 20 208

HSL 241.91, 0.82%, 0.45%

LAB 27.5, 63.75, -89.02

 

CMYK 0 / 90 / 48 / 18

HEX #D0146C

RGB 208 20 108

HSL 331.91, 0.82%, 0.45%

LAB 45.62, 70.87, 1.7

 

CMYK 3 / 0 / 90 / 18

HEX #CAD014

RGB 202 208 20

HSL 61.91, 0.82%, 0.45%

LAB 80.58, -20.8, 78.37

 

Description

Color code: HEX #15CF7B | qconv.com Color code: HEX #15CF7B | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 207 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 207 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 41 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 41% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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