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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17562A it is the complementary color #E8A9D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17562A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17562A shade: #1C5625, #2D6838, #3E7A4B, #4F8C5E and #609E71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17562A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17562A shade: #17562A, #064417, #003204, #002000 and #000E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17562A shade: #165429, #165418, #255416, #365416 and #465416

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17562A shade: #165429, #165439, #16544A, #164D54 and #163C54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17562A shade matches the following richer shades: #165429, #0D5D25 and #056522

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17562A shade: #165429, #1F4B2C, #274330, #303A33 and #393136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17562A shade: #245416, #165418, #165429, #165439 and #16544A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17562A shade: #051309, #0D3419, #165429, #1F7539 and #279548

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17562A shade: #17562A, #163554 and #54161C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17562A shade: #17562A, #291654 and #542916

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17562A shade: #17562A, #163554, #541641 and #543516

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17562A shade: #17562A, #162254, #541641 and #544816

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 51 / 66

HEX #17562A

RGB 23 86 42

HSL 138.1, 0.58%, 0.21%

LAB 31.82, -30.77, 19.92

 

Complementary color

CMYK 0 / 27 / 8 / 9

HEX #E8A9D5

RGB 232 169 213

HSL 318.1, 0.58%, 0.79%

LAB 76.27, 29.93, -13.13

 

CMYK 67 / 0 / 57 / 66

HEX #1C5625

RGB 28 86 37

HSL 129.31, 0.51%, 0.22%

LAB 31.89, -30.49, 22.91

 

CMYK 57 / 0 / 46 / 59

HEX #2D6838

RGB 45 104 56

HSL 131.19, 0.4%, 0.29%

LAB 39.15, -30.68, 21.33

 

CMYK 49 / 0 / 39 / 52

HEX #3E7A4B

RGB 62 122 75

HSL 133, 0.33%, 0.36%

LAB 46.25, -30.57, 19.88

 

CMYK 44 / 0 / 33 / 45

HEX #4F8C5E

RGB 79 140 94

HSL 134.75, 0.28%, 0.43%

LAB 53.2, -30.34, 18.56

 

CMYK 39 / 0 / 28 / 38

HEX #609E71

RGB 96 158 113

HSL 136.45, 0.24%, 0.5%

LAB 60.01, -30.07, 17.37

 

CMYK 73 / 0 / 51 / 66

HEX #17562A

RGB 23 86 42

HSL 138.1, 0.58%, 0.21%

LAB 31.82, -30.77, 19.92

 

CMYK 91 / 0 / 66 / 73

HEX #064417

RGB 6 68 23

HSL 136.45, 0.84%, 0.15%

LAB 24.43, -29.72, 21.69

 

CMYK 100 / 0 / 92 / 80

HEX #003204

RGB 0 50 4

HSL 124.8, 1%, 0.1%

LAB 16.94, -26.79, 22.12

 

CMYK 100 / 0 / 100 / 87

HEX #002000

RGB 0 32 0

HSL 120, 1%, 0.06%

LAB 9.26, -18.77, 13.51

 

CMYK 100 / 0 / 100 / 95

HEX #000E00

RGB 0 14 0

HSL 120, 1%, 0.03%

LAB 2.84, -5.8, 4.14

 

CMYK 74 / 0 / 51 / 67

HEX #165429

RGB 22 84 41

HSL 138.39, 0.58%, 0.21%

LAB 31.05, -30.31, 19.52

 

CMYK 74 / 0 / 71 / 67

HEX #165418

RGB 22 84 24

HSL 121.94, 0.58%, 0.21%

LAB 30.82, -32.89, 28.49

 

CMYK 56 / 0 / 74 / 67

HEX #255416

RGB 37 84 22

HSL 105.48, 0.58%, 0.21%

LAB 31.33, -28.96, 30.14

 

CMYK 36 / 0 / 74 / 67

HEX #365416

RGB 54 84 22

HSL 89.03, 0.58%, 0.21%

LAB 32.22, -22.56, 31.35

 

CMYK 17 / 0 / 74 / 67

HEX #465416

RGB 70 84 22

HSL 73.55, 0.58%, 0.21%

LAB 33.35, -15.41, 32.87

 

CMYK 74 / 0 / 51 / 67

HEX #165429

RGB 22 84 41

HSL 138.39, 0.58%, 0.21%

LAB 31.05, -30.31, 19.52

 

CMYK 74 / 0 / 32 / 67

HEX #165439

RGB 22 84 57

HSL 153.87, 0.58%, 0.21%

LAB 31.36, -26.82, 10.23

 

CMYK 74 / 0 / 12 / 67

HEX #16544A

RGB 22 84 74

HSL 170.32, 0.58%, 0.21%

LAB 31.82, -22.11, 0.17

 

CMYK 74 / 8 / 0 / 67

HEX #164D54

RGB 22 77 84

HSL 186.77, 0.58%, 0.21%

LAB 29.71, -15.01, -9.35

 

CMYK 74 / 29 / 0 / 67

HEX #163C54

RGB 22 60 84

HSL 203.23, 0.58%, 0.21%

LAB 23.81, -4.51, -18.42

 

CMYK 74 / 0 / 51 / 67

HEX #165429

RGB 22 84 41

HSL 138.39, 0.58%, 0.21%

LAB 31.05, -30.31, 19.52

 

CMYK 86 / 0 / 60 / 64

HEX #0D5D25

RGB 13 93 37

HSL 138, 0.75%, 0.21%

LAB 34.08, -36.15, 25.47

 

CMYK 95 / 0 / 66 / 60

HEX #056522

RGB 5 101 34

HSL 138.13, 0.91%, 0.21%

LAB 36.85, -40.38, 30.21

 

CMYK 74 / 0 / 51 / 67

HEX #165429

RGB 22 84 41

HSL 138.39, 0.58%, 0.21%

LAB 31.05, -30.31, 19.52

 

CMYK 59 / 0 / 41 / 71

HEX #1F4B2C

RGB 31 75 44

HSL 137.73, 0.42%, 0.21%

LAB 28.13, -23.3, 13.99

 

CMYK 42 / 0 / 28 / 74

HEX #274330

RGB 39 67 48

HSL 139.29, 0.26%, 0.21%

LAB 25.74, -15.54, 8.27

 

CMYK 17 / 0 / 12 / 77

HEX #303A33

RGB 48 58 51

HSL 138, 0.09%, 0.21%

LAB 23.32, -5.87, 2.96

 

CMYK 0 / 14 / 5 / 78

HEX #393136

RGB 57 49 54

HSL 322.5, 0.08%, 0.21%

LAB 21.33, 4.67, -1.85

 

CMYK 57 / 0 / 74 / 67

HEX #245416

RGB 36 84 22

HSL 106.45, 0.58%, 0.21%

LAB 31.29, -29.28, 30.08

 

CMYK 74 / 0 / 71 / 67

HEX #165418

RGB 22 84 24

HSL 121.94, 0.58%, 0.21%

LAB 30.82, -32.89, 28.49

 

CMYK 74 / 0 / 51 / 67

HEX #165429

RGB 22 84 41

HSL 138.39, 0.58%, 0.21%

LAB 31.05, -30.31, 19.52

 

CMYK 74 / 0 / 32 / 67

HEX #165439

RGB 22 84 57

HSL 153.87, 0.58%, 0.21%

LAB 31.36, -26.82, 10.23

 

CMYK 74 / 0 / 12 / 67

HEX #16544A

RGB 22 84 74

HSL 170.32, 0.58%, 0.21%

LAB 31.82, -22.11, 0.17

 

CMYK 74 / 0 / 53 / 93

HEX #051309

RGB 5 19 9

HSL 137.14, 0.58%, 0.05%

LAB 4.68, -6.03, 3.2

 

CMYK 75 / 0 / 52 / 80

HEX #0D3419

RGB 13 52 25

HSL 138.46, 0.6%, 0.13%

LAB 18.42, -21.02, 13.15

 

CMYK 74 / 0 / 51 / 67

HEX #165429

RGB 22 84 41

HSL 138.39, 0.58%, 0.21%

LAB 31.05, -30.31, 19.52

 

CMYK 74 / 0 / 51 / 54

HEX #1F7539

RGB 31 117 57

HSL 138.14, 0.58%, 0.29%

LAB 43.23, -39.26, 25.85

 

CMYK 74 / 0 / 52 / 42

HEX #279548

RGB 39 149 72

HSL 138, 0.59%, 0.37%

LAB 54.44, -47.65, 31.88

 

CMYK 73 / 0 / 51 / 66

HEX #17562A

RGB 23 86 42

HSL 138.1, 0.58%, 0.21%

LAB 31.82, -30.77, 19.92

 

CMYK 74 / 37 / 0 / 67

HEX #163554

RGB 22 53 84

HSL 210, 0.58%, 0.21%

LAB 21.42, 0.23, -22.17

 

CMYK 0 / 74 / 67 / 67

HEX #54161C

RGB 84 22 28

HSL 354.19, 0.58%, 0.21%

LAB 18.11, 29.08, 12.29

 

CMYK 73 / 0 / 51 / 66

HEX #17562A

RGB 23 86 42

HSL 138.1, 0.58%, 0.21%

LAB 31.82, -30.77, 19.92

 

CMYK 51 / 74 / 0 / 67

HEX #291654

RGB 41 22 84

HSL 258.39, 0.58%, 0.21%

LAB 13.74, 26.26, -34.42

 

CMYK 0 / 51 / 74 / 67

HEX #542916

RGB 84 41 22

HSL 18.39, 0.58%, 0.21%

LAB 22.05, 18.13, 21.12

 

CMYK 73 / 0 / 51 / 66

HEX #17562A

RGB 23 86 42

HSL 138.1, 0.58%, 0.21%

LAB 31.82, -30.77, 19.92

 

CMYK 74 / 37 / 0 / 67

HEX #163554

RGB 22 53 84

HSL 210, 0.58%, 0.21%

LAB 21.42, 0.23, -22.17

 

CMYK 0 / 74 / 23 / 67

HEX #541641

RGB 84 22 65

HSL 318.39, 0.58%, 0.21%

LAB 19.39, 33.5, -11.96

 

CMYK 0 / 37 / 74 / 67

HEX #543516

RGB 84 53 22

HSL 30, 0.58%, 0.21%

LAB 25.23, 10.57, 24.7

 

CMYK 73 / 0 / 51 / 66

HEX #17562A

RGB 23 86 42

HSL 138.1, 0.58%, 0.21%

LAB 31.82, -30.77, 19.92

 

CMYK 74 / 60 / 0 / 67

HEX #162254

RGB 22 34 84

HSL 228.39, 0.58%, 0.21%

LAB 15.25, 14.07, -32.04

 

CMYK 0 / 74 / 23 / 67

HEX #541641

RGB 84 22 65

HSL 318.39, 0.58%, 0.21%

LAB 19.39, 33.5, -11.96

 

CMYK 0 / 14 / 74 / 67

HEX #544816

RGB 84 72 22

HSL 48.39, 0.58%, 0.21%

LAB 30.82, -1.45, 30.69

 

Description

Color code: HEX #17562A | qconv.com Color code: HEX #17562A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 86 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 86 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 51 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 51% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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