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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1861D6 it is the complementary color #E79E29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1861D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1861D6 shade: #1D61D1, #2E73E4, #3F85F7, #5097FF and #61A9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1861D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1861D6 shade: #1861D6, #074FC3, #003DB0, #002B9D and #00198A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1861D6 shade: #1761D7, #172DD7, #3517D7, #6917D7 and #9D17D7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1861D6 shade: #1761D7, #172DD7 and #1717D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1861D6 shade matches the following richer shades: #1761D7 and #045DEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1861D6 shade: #1761D7, #2B66C4, #3E6AB0, #526F9D and #65738A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1861D6 shade: #17CAD7, #1797D7, #1764D7, #1731D7 and #3117D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1861D6 shade: #0F408D, #1350B2, #1761D7, #3077E8 and #558FEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1861D6 shade: #1861D6, #B117D7 and #B1D717

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1861D6 shade: #1861D6, #D71764 and #64D717

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1861D6 shade: #1861D6, #B117D7, #D78B17 and #3ED717

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1861D6 shade: #1861D6, #D717C4, #D78B17 and #17D72B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 55 / 0 / 16

HEX #1861D6

RGB 24 97 214

HSL 216.95, 0.8%, 0.47%

LAB 43.65, 23.42, -65.86

 

Complementary color

CMYK 0 / 32 / 82 / 9

HEX #E79E29

RGB 231 158 41

HSL 36.95, 0.8%, 0.53%

LAB 70.6, 18.11, 66.51

 

CMYK 86 / 54 / 0 / 18

HEX #1D61D1

RGB 29 97 209

HSL 217.33, 0.76%, 0.47%

LAB 43.38, 21.78, -63.44

 

CMYK 80 / 50 / 0 / 11

HEX #2E73E4

RGB 46 115 228

HSL 217.25, 0.77%, 0.54%

LAB 50.03, 18.91, -63.44

 

CMYK 74 / 46 / 0 / 3

HEX #3F85F7

RGB 63 133 247

HSL 217.17, 0.92%, 0.61%

LAB 56.63, 16.53, -63.37

 

CMYK 69 / 41 / 0 / 0

HEX #5097FF

RGB 80 151 255

HSL 215.66, 1%, 0.66%

LAB 62.56, 10.76, -58.24

 

CMYK 62 / 34 / 0 / 0

HEX #61A9FF

RGB 97 169 255

HSL 212.66, 1%, 0.69%

LAB 68.12, 3.04, -49.38

 

CMYK 89 / 55 / 0 / 16

HEX #1861D6

RGB 24 97 214

HSL 216.95, 0.8%, 0.47%

LAB 43.65, 23.42, -65.86

 

CMYK 96 / 59 / 0 / 24

HEX #074FC3

RGB 7 79 195

HSL 217.02, 0.93%, 0.4%

LAB 37.07, 27.08, -65.63

 

CMYK 100 / 65 / 0 / 31

HEX #003DB0

RGB 0 61 176

HSL 219.2, 1%, 0.35%

LAB 30.57, 31.34, -65.08

 

CMYK 100 / 73 / 0 / 38

HEX #002B9D

RGB 0 43 157

HSL 223.57, 1%, 0.31%

LAB 24.2, 35.8, -64.12

 

CMYK 100 / 82 / 0 / 46

HEX #00198A

RGB 0 25 138

HSL 229.13, 1%, 0.27%

LAB 18.05, 39.74, -62.55

 

CMYK 89 / 55 / 0 / 16

HEX #1761D7

RGB 23 97 215

HSL 216.88, 0.81%, 0.47%

LAB 43.71, 23.76, -66.34

 

CMYK 89 / 79 / 0 / 16

HEX #172DD7

RGB 23 45 215

HSL 233.13, 0.81%, 0.47%

LAB 31.73, 55.52, -86.04

 

CMYK 75 / 89 / 0 / 16

HEX #3517D7

RGB 53 23 215

HSL 249.38, 0.81%, 0.47%

LAB 30.1, 65.61, -88.72

 

CMYK 51 / 89 / 0 / 16

HEX #6917D7

RGB 105 23 215

HSL 265.63, 0.81%, 0.47%

LAB 35.05, 69.2, -80.36

 

CMYK 27 / 89 / 0 / 16

HEX #9D17D7

RGB 157 23 215

HSL 281.88, 0.81%, 0.47%

LAB 42.29, 75.31, -68.2

 

CMYK 89 / 55 / 0 / 16

HEX #1761D7

RGB 23 97 215

HSL 216.88, 0.81%, 0.47%

LAB 43.71, 23.76, -66.34

 

CMYK 89 / 79 / 0 / 16

HEX #172DD7

RGB 23 45 215

HSL 233.13, 0.81%, 0.47%

LAB 31.73, 55.52, -86.04

 

CMYK 89 / 89 / 0 / 16

HEX #1717D7

RGB 23 23 215

HSL 240, 0.81%, 0.47%

LAB 28.65, 64.68, -91.18

 

CMYK 89 / 55 / 0 / 16

HEX #1761D7

RGB 23 97 215

HSL 216.88, 0.81%, 0.47%

LAB 43.71, 23.76, -66.34

 

CMYK 98 / 60 / 0 / 8

HEX #045DEB

RGB 4 93 235

HSL 216.88, 0.97%, 0.47%

LAB 44.02, 33.44, -77.19

 

CMYK 89 / 55 / 0 / 16

HEX #1761D7

RGB 23 97 215

HSL 216.88, 0.81%, 0.47%

LAB 43.71, 23.76, -66.34

 

CMYK 78 / 48 / 0 / 23

HEX #2B66C4

RGB 43 102 196

HSL 216.86, 0.64%, 0.47%

LAB 44.24, 14.77, -54.55

 

CMYK 65 / 40 / 0 / 31

HEX #3E6AB0

RGB 62 106 176

HSL 216.84, 0.48%, 0.47%

LAB 44.9, 7.59, -41.83

 

CMYK 48 / 29 / 0 / 38

HEX #526F9D

RGB 82 111 157

HSL 216.8, 0.31%, 0.47%

LAB 46.44, 2.55, -28.17

 

CMYK 27 / 17 / 0 / 46

HEX #65738A

RGB 101 115 138

HSL 217.3, 0.15%, 0.47%

LAB 48.09, 0.33, -14.3

 

CMYK 89 / 6 / 0 / 16

HEX #17CAD7

RGB 23 202 215

HSL 184.06, 0.81%, 0.47%

LAB 74.4, -35.63, -18.1

 

CMYK 89 / 30 / 0 / 16

HEX #1797D7

RGB 23 151 215

HSL 200, 0.81%, 0.47%

LAB 59.18, -9.4, -41.58

 

CMYK 89 / 53 / 0 / 16

HEX #1764D7

RGB 23 100 215

HSL 215.94, 0.81%, 0.47%

LAB 44.52, 21.81, -65.02

 

CMYK 89 / 77 / 0 / 16

HEX #1731D7

RGB 23 49 215

HSL 231.88, 0.81%, 0.47%

LAB 32.45, 53.45, -84.85

 

CMYK 77 / 89 / 0 / 16

HEX #3117D7

RGB 49 23 215

HSL 248.13, 0.81%, 0.47%

LAB 29.84, 65.44, -89.15

 

CMYK 89 / 55 / 0 / 45

HEX #0F408D

RGB 15 64 141

HSL 216.67, 0.81%, 0.31%

LAB 28.62, 15.63, -47.05

 

CMYK 89 / 55 / 0 / 30

HEX #1350B2

RGB 19 80 178

HSL 216.98, 0.81%, 0.39%

LAB 36.16, 20.12, -57.13

 

CMYK 89 / 55 / 0 / 16

HEX #1761D7

RGB 23 97 215

HSL 216.88, 0.81%, 0.47%

LAB 43.71, 23.76, -66.34

 

CMYK 79 / 49 / 0 / 9

HEX #3077E8

RGB 48 119 232

HSL 216.85, 0.8%, 0.55%

LAB 51.44, 18.08, -63.41

 

CMYK 64 / 39 / 0 / 7

HEX #558FEC

RGB 85 143 236

HSL 216.95, 0.8%, 0.63%

LAB 59.56, 9.81, -52.56

 

CMYK 89 / 55 / 0 / 16

HEX #1861D6

RGB 24 97 214

HSL 216.95, 0.8%, 0.47%

LAB 43.65, 23.42, -65.86

 

CMYK 18 / 89 / 0 / 16

HEX #B117D7

RGB 177 23 215

HSL 288.13, 0.81%, 0.47%

LAB 45.45, 78.2, -62.92

 

CMYK 18 / 0 / 89 / 16

HEX #B1D717

RGB 177 215 23

HSL 71.88, 0.81%, 0.47%

LAB 80.74, -34.4, 77.28

 

CMYK 89 / 55 / 0 / 16

HEX #1861D6

RGB 24 97 214

HSL 216.95, 0.8%, 0.47%

LAB 43.65, 23.42, -65.86

 

CMYK 0 / 89 / 53 / 16

HEX #D71764

RGB 215 23 100

HSL 335.94, 0.81%, 0.47%

LAB 46.95, 71.47, 8.74

 

CMYK 53 / 0 / 89 / 16

HEX #64D717

RGB 100 215 23

HSL 95.94, 0.81%, 0.47%

LAB 76.9, -61.11, 72.54

 

CMYK 89 / 55 / 0 / 16

HEX #1861D6

RGB 24 97 214

HSL 216.95, 0.8%, 0.47%

LAB 43.65, 23.42, -65.86

 

CMYK 18 / 89 / 0 / 16

HEX #B117D7

RGB 177 23 215

HSL 288.13, 0.81%, 0.47%

LAB 45.45, 78.2, -62.92

 

CMYK 0 / 35 / 89 / 16

HEX #D78B17

RGB 215 139 23

HSL 36.25, 0.81%, 0.47%

LAB 64.14, 21, 65.59

 

CMYK 71 / 0 / 89 / 16

HEX #3ED717

RGB 62 215 23

HSL 107.81, 0.81%, 0.47%

LAB 75.88, -69.62, 71.26

 

CMYK 89 / 55 / 0 / 16

HEX #1861D6

RGB 24 97 214

HSL 216.95, 0.8%, 0.47%

LAB 43.65, 23.42, -65.86

 

CMYK 0 / 89 / 9 / 16

HEX #D717C4

RGB 215 23 196

HSL 305.94, 0.81%, 0.47%

LAB 50.74, 81.62, -43.13

 

CMYK 0 / 35 / 89 / 16

HEX #D78B17

RGB 215 139 23

HSL 36.25, 0.81%, 0.47%

LAB 64.14, 21, 65.59

 

CMYK 89 / 0 / 80 / 16

HEX #17D72B

RGB 23 215 43

HSL 126.25, 0.81%, 0.47%

LAB 75.42, -73.33, 66.17

 

Description

Color code: HEX #1861D6 | qconv.com Color code: HEX #1861D6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 97 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 97 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 55 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 55% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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