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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18B390 it is the complementary color #E74C6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18B390. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18B390 shade: #1DB38B, #2EC59E, #3FD7B1, #50E9C4 and #61FBD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18B390. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18B390 shade: #18B390, #07A17D, #008F6A, #007D57 and #006B44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18B390 shade: #18B390, #18B366, #18B33C, #1DB318 and #47B318

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18B390 shade: #18B390, #18ACB3, #1882B3, #1859B3 and #182FB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18B390 shade matches the following richer shades: #18B390 and #07C499

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18B390 shade: #18B390, #28A387, #39927E, #498275 and #5A716C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18B390 shade: #18B33C, #18B366, #18B38F, #18AEB3 and #1885B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18B390 shade: #0E6A56, #138F73, #18B390, #1DD7AD and #3AE4BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18B390 shade: #18B390, #181DB3 and #B35118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18B390 shade: #18B390, #8F18B3 and #B38F18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18B390 shade: #18B390, #181DB3, #B3183C and #B3AE18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18B390 shade: #18B390, #4118B3, #B3183C and #8AB318

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 20 / 30

HEX #18B390

RGB 24 179 144

HSL 166.45, 0.76%, 0.4%

LAB 65.32, -45.71, 7.37

 

Complementary color

CMYK 0 / 67 / 52 / 9

HEX #E74C6F

RGB 231 76 111

HSL 346.45, 0.76%, 0.6%

LAB 55.39, 61.96, 14.31

 

CMYK 84 / 0 / 22 / 30

HEX #1DB38B

RGB 29 179 139

HSL 164, 0.72%, 0.41%

LAB 65.25, -46.58, 10.04

 

CMYK 77 / 0 / 20 / 23

HEX #2EC59E

RGB 46 197 158

HSL 164.5, 0.62%, 0.48%

LAB 71.54, -47.59, 8.65

 

CMYK 71 / 0 / 18 / 16

HEX #3FD7B1

RGB 63 215 177

HSL 165, 0.66%, 0.55%

LAB 77.78, -48.28, 7.4

 

CMYK 66 / 0 / 16 / 9

HEX #50E9C4

RGB 80 233 196

HSL 165.49, 0.78%, 0.61%

LAB 83.95, -48.74, 6.26

 

CMYK 61 / 0 / 14 / 2

HEX #61FBD7

RGB 97 251 215

HSL 165.97, 0.95%, 0.68%

LAB 90.06, -49.04, 5.21

 

CMYK 87 / 0 / 20 / 30

HEX #18B390

RGB 24 179 144

HSL 166.45, 0.76%, 0.4%

LAB 65.32, -45.71, 7.37

 

CMYK 96 / 0 / 22 / 37

HEX #07A17D

RGB 7 161 125

HSL 165.97, 0.92%, 0.33%

LAB 58.99, -44.11, 8.91

 

CMYK 100 / 0 / 26 / 44

HEX #008F6A

RGB 0 143 106

HSL 164.48, 1%, 0.28%

LAB 52.6, -41.95, 10.64

 

CMYK 100 / 0 / 30 / 51

HEX #007D57

RGB 0 125 87

HSL 161.76, 1%, 0.25%

LAB 46.12, -39.4, 12.55

 

CMYK 100 / 0 / 36 / 58

HEX #006B44

RGB 0 107 68

HSL 158.13, 1%, 0.21%

LAB 39.47, -36.72, 14.58

 

CMYK 87 / 0 / 20 / 30

HEX #18B390

RGB 24 179 144

HSL 166.45, 0.76%, 0.4%

LAB 65.32, -45.71, 7.37

 

CMYK 87 / 0 / 43 / 30

HEX #18B366

RGB 24 179 102

HSL 150.19, 0.76%, 0.4%

LAB 64.48, -55.08, 28.95

 

CMYK 87 / 0 / 66 / 30

HEX #18B33C

RGB 24 179 60

HSL 133.94, 0.76%, 0.4%

LAB 63.97, -61.26, 48.59

 

CMYK 84 / 0 / 87 / 30

HEX #1DB318

RGB 29 179 24

HSL 118.06, 0.76%, 0.4%

LAB 63.81, -63.45, 60.39

 

CMYK 60 / 0 / 87 / 30

HEX #47B318

RGB 71 179 24

HSL 101.81, 0.76%, 0.4%

LAB 64.68, -56.01, 61.49

 

CMYK 87 / 0 / 20 / 30

HEX #18B390

RGB 24 179 144

HSL 166.45, 0.76%, 0.4%

LAB 65.32, -45.71, 7.37

 

CMYK 87 / 4 / 0 / 30

HEX #18ACB3

RGB 24 172 179

HSL 182.71, 0.76%, 0.4%

LAB 64.12, -32.59, -13.84

 

CMYK 87 / 27 / 0 / 30

HEX #1882B3

RGB 24 130 179

HSL 198.97, 0.76%, 0.4%

LAB 51.17, -10.62, -33.75

 

CMYK 87 / 50 / 0 / 30

HEX #1859B3

RGB 24 89 179

HSL 214.84, 0.76%, 0.4%

LAB 38.89, 14.85, -53.29

 

CMYK 87 / 74 / 0 / 30

HEX #182FB3

RGB 24 47 179

HSL 231.1, 0.76%, 0.4%

LAB 28.07, 42.35, -70.99

 

CMYK 87 / 0 / 20 / 30

HEX #18B390

RGB 24 179 144

HSL 166.45, 0.76%, 0.4%

LAB 65.32, -45.71, 7.37

 

CMYK 96 / 0 / 22 / 23

HEX #07C499

RGB 7 196 153

HSL 166.35, 0.93%, 0.4%

LAB 70.75, -51.12, 10.18

 

CMYK 87 / 0 / 20 / 30

HEX #18B390

RGB 24 179 144

HSL 166.45, 0.76%, 0.4%

LAB 65.32, -45.71, 7.37

 

CMYK 75 / 0 / 17 / 36

HEX #28A387

RGB 40 163 135

HSL 166.34, 0.61%, 0.4%

LAB 60.24, -39.68, 5.13

 

CMYK 61 / 0 / 14 / 43

HEX #39927E

RGB 57 146 126

HSL 166.52, 0.44%, 0.4%

LAB 55, -31.53, 2.73

 

CMYK 44 / 0 / 10 / 49

HEX #498275

RGB 73 130 117

HSL 166.32, 0.28%, 0.4%

LAB 50.29, -22.06, 1.19

 

CMYK 20 / 0 / 4 / 56

HEX #5A716C

RGB 90 113 108

HSL 166.96, 0.11%, 0.4%

LAB 45.73, -9.58, -0.03

 

CMYK 87 / 0 / 66 / 30

HEX #18B33C

RGB 24 179 60

HSL 133.94, 0.76%, 0.4%

LAB 63.97, -61.26, 48.59

 

CMYK 87 / 0 / 43 / 30

HEX #18B366

RGB 24 179 102

HSL 150.19, 0.76%, 0.4%

LAB 64.48, -55.08, 28.95

 

CMYK 87 / 0 / 20 / 30

HEX #18B38F

RGB 24 179 143

HSL 166.06, 0.76%, 0.4%

LAB 65.29, -45.96, 7.89

 

CMYK 87 / 3 / 0 / 30

HEX #18AEB3

RGB 24 174 179

HSL 181.94, 0.76%, 0.4%

LAB 64.74, -33.54, -12.91

 

CMYK 87 / 26 / 0 / 30

HEX #1885B3

RGB 24 133 179

HSL 197.81, 0.76%, 0.4%

LAB 52.09, -12.32, -32.31

 

CMYK 87 / 0 / 19 / 58

HEX #0E6A56

RGB 14 106 86

HSL 166.96, 0.77%, 0.24%

LAB 39.7, -30.37, 4.12

 

CMYK 87 / 0 / 20 / 44

HEX #138F73

RGB 19 143 115

HSL 166.45, 0.77%, 0.32%

LAB 52.97, -38.46, 6.03

 

CMYK 87 / 0 / 20 / 30

HEX #18B390

RGB 24 179 144

HSL 166.45, 0.76%, 0.4%

LAB 65.32, -45.71, 7.37

 

CMYK 87 / 0 / 20 / 16

HEX #1DD7AD

RGB 29 215 173

HSL 166.45, 0.76%, 0.48%

LAB 77.21, -52.66, 8.65

 

CMYK 75 / 0 / 17 / 11

HEX #3AE4BD

RGB 58 228 189

HSL 166.24, 0.76%, 0.56%

LAB 81.87, -51.35, 6.9

 

CMYK 87 / 0 / 20 / 30

HEX #18B390

RGB 24 179 144

HSL 166.45, 0.76%, 0.4%

LAB 65.32, -45.71, 7.37

 

CMYK 87 / 84 / 0 / 30

HEX #181DB3

RGB 24 29 179

HSL 238.06, 0.76%, 0.4%

LAB 24.73, 51.95, -76.53

 

CMYK 0 / 55 / 87 / 30

HEX #B35118

RGB 179 81 24

HSL 22.06, 0.76%, 0.4%

LAB 46.36, 36.8, 49.05

 

CMYK 87 / 0 / 20 / 30

HEX #18B390

RGB 24 179 144

HSL 166.45, 0.76%, 0.4%

LAB 65.32, -45.71, 7.37

 

CMYK 20 / 87 / 0 / 30

HEX #8F18B3

RGB 143 24 179

HSL 286.06, 0.76%, 0.4%

LAB 37.39, 66.25, -55.24

 

CMYK 0 / 20 / 87 / 30

HEX #B38F18

RGB 179 143 24

HSL 46.06, 0.76%, 0.4%

LAB 61.04, 2.89, 61.15

 

CMYK 87 / 0 / 20 / 30

HEX #18B390

RGB 24 179 144

HSL 166.45, 0.76%, 0.4%

LAB 65.32, -45.71, 7.37

 

CMYK 87 / 84 / 0 / 30

HEX #181DB3

RGB 24 29 179

HSL 238.06, 0.76%, 0.4%

LAB 24.73, 51.95, -76.53

 

CMYK 0 / 87 / 66 / 30

HEX #B3183C

RGB 179 24 60

HSL 346.06, 0.76%, 0.4%

LAB 38.83, 59.71, 21.64

 

CMYK 0 / 3 / 87 / 30

HEX #B3AE18

RGB 179 174 24

HSL 58.06, 0.76%, 0.4%

LAB 69.41, -13.61, 67.98

 

CMYK 87 / 0 / 20 / 30

HEX #18B390

RGB 24 179 144

HSL 166.45, 0.76%, 0.4%

LAB 65.32, -45.71, 7.37

 

CMYK 64 / 87 / 0 / 30

HEX #4118B3

RGB 65 24 179

HSL 255.87, 0.76%, 0.4%

LAB 26.83, 56.41, -72.96

 

CMYK 0 / 87 / 66 / 30

HEX #B3183C

RGB 179 24 60

HSL 346.06, 0.76%, 0.4%

LAB 38.83, 59.71, 21.64

 

CMYK 23 / 0 / 87 / 30

HEX #8AB318

RGB 138 179 24

HSL 75.87, 0.76%, 0.4%

LAB 67.81, -33.5, 65.41

 

Description

Color code: HEX #18B390 | qconv.com Color code: HEX #18B390 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 179 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 179 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 20 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 20% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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