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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18FFA3 it is the complementary color #E7005C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18FFA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18FFA3 shade: #1DFF9E, #2EFFB1, #3FFFC4, #50FFD7 and #61FFEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18FFA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18FFA3 shade: #18FFA3, #07ED90, #00DB7D, #00C96A and #00B757

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18FFA3 shade: #19FFA3, #19FF65, #19FF27, #49FF19 and #86FF19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18FFA3 shade: #19FFA3, #19FFE1, #19DEFF, #19A0FF and #1962FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18FFA3 shade matches the following richer shades: #19FFA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18FFA3 shade: #19FFA3, #2CEC9F, #3ED99C, #51C798 and #63B494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18FFA3 shade: #19FF28, #19FF66, #19FFA3, #19FFE0 and #19E0FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18FFA3 shade: #00C577, #00EF8F, #19FFA3, #42FFB4 and #6CFFC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18FFA3 shade: #18FFA3, #1947FF and #FF4719

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18FFA3 shade: #18FFA3, #A319FF and #FFA319

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18FFA3 shade: #18FFA3, #1947FF, #FF1975 and #FFD119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18FFA3 shade: #18FFA3, #3019FF, #FF1975 and #E8FF19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 36 / 0

HEX #18FFA3

RGB 24 255 163

HSL 156.1, 1%, 0.55%

LAB 89.09, -69.9, 30.31

 

Complementary color

CMYK 0 / 100 / 60 / 9

HEX #E7005C

RGB 231 0 92

HSL 336.1, 1%, 0.45%

LAB 49.21, 76.94, 17.3

 

CMYK 89 / 0 / 38 / 0

HEX #1DFF9E

RGB 29 255 158

HSL 154.25, 1%, 0.56%

LAB 89.04, -70.6, 32.75

 

CMYK 82 / 0 / 31 / 0

HEX #2EFFB1

RGB 46 255 177

HSL 157.61, 1%, 0.59%

LAB 89.52, -65.65, 23.86

 

CMYK 75 / 0 / 23 / 0

HEX #3FFFC4

RGB 63 255 196

HSL 161.56, 1%, 0.62%

LAB 90.12, -59.87, 15.01

 

CMYK 69 / 0 / 16 / 0

HEX #50FFD7

RGB 80 255 215

HSL 166.29, 1%, 0.66%

LAB 90.84, -53.33, 6.28

 

CMYK 62 / 0 / 8 / 0

HEX #61FFEA

RGB 97 255 234

HSL 172.03, 1%, 0.69%

LAB 91.69, -46.14, -2.28

 

CMYK 91 / 0 / 36 / 0

HEX #18FFA3

RGB 24 255 163

HSL 156.1, 1%, 0.55%

LAB 89.09, -69.9, 30.31

 

CMYK 97 / 0 / 39 / 7

HEX #07ED90

RGB 7 237 144

HSL 155.74, 0.94%, 0.48%

LAB 83.25, -68.02, 32.04

 

CMYK 100 / 0 / 43 / 14

HEX #00DB7D

RGB 0 219 125

HSL 154.25, 1%, 0.43%

LAB 77.37, -65.71, 33.89

 

CMYK 100 / 0 / 47 / 21

HEX #00C96A

RGB 0 201 106

HSL 151.64, 1%, 0.39%

LAB 71.43, -63.08, 35.81

 

CMYK 100 / 0 / 52 / 28

HEX #00B757

RGB 0 183 87

HSL 148.52, 1%, 0.36%

LAB 65.4, -60.3, 37.74

 

CMYK 90 / 0 / 36 / 0

HEX #19FFA3

RGB 25 255 163

HSL 156, 1%, 0.55%

LAB 89.1, -69.85, 30.32

 

CMYK 90 / 0 / 60 / 0

HEX #19FF65

RGB 25 255 101

HSL 139.83, 1%, 0.55%

LAB 88.29, -79.54, 58.48

 

CMYK 90 / 0 / 85 / 0

HEX #19FF27

RGB 25 255 39

HSL 123.65, 1%, 0.55%

LAB 87.91, -84.36, 78.53

 

CMYK 71 / 0 / 90 / 0

HEX #49FF19

RGB 73 255 25

HSL 107.48, 1%, 0.55%

LAB 88.45, -79.68, 81.67

 

CMYK 47 / 0 / 90 / 0

HEX #86FF19

RGB 134 255 25

HSL 91.57, 1%, 0.55%

LAB 90.16, -65.7, 83.8

 

CMYK 90 / 0 / 36 / 0

HEX #19FFA3

RGB 25 255 163

HSL 156, 1%, 0.55%

LAB 89.1, -69.85, 30.32

 

CMYK 90 / 0 / 12 / 0

HEX #19FFE1

RGB 25 255 225

HSL 172.17, 1%, 0.55%

LAB 90.4, -55.65, 0.37

 

CMYK 90 / 13 / 0 / 0

HEX #19DEFF

RGB 25 222 255

HSL 188.61, 1%, 0.55%

LAB 81.66, -32.48, -28.45

 

CMYK 90 / 37 / 0 / 0

HEX #19A0FF

RGB 25 160 255

HSL 204.78, 1%, 0.55%

LAB 63.81, 0.25, -56.32

 

CMYK 90 / 62 / 0 / 0

HEX #1962FF

RGB 25 98 255

HSL 220.96, 1%, 0.55%

LAB 47.19, 38.4, -83.19

 

CMYK 90 / 0 / 36 / 0

HEX #19FFA3

RGB 25 255 163

HSL 156, 1%, 0.55%

LAB 89.1, -69.85, 30.32

 

CMYK 90 / 0 / 36 / 0

HEX #19FFA3

RGB 25 255 163

HSL 156, 1%, 0.55%

LAB 89.1, -69.85, 30.32

 

CMYK 81 / 0 / 33 / 7

HEX #2CEC9F

RGB 44 236 159

HSL 155.94, 0.83%, 0.55%

LAB 83.46, -62.66, 24.74

 

CMYK 71 / 0 / 28 / 15

HEX #3ED99C

RGB 62 217 156

HSL 156.39, 0.67%, 0.55%

LAB 77.9, -54.05, 18.71

 

CMYK 59 / 0 / 24 / 22

HEX #51C798

RGB 81 199 152

HSL 156.1, 0.51%, 0.55%

LAB 72.8, -44.3, 13.78

 

CMYK 45 / 0 / 18 / 29

HEX #63B494

RGB 99 180 148

HSL 156.3, 0.35%, 0.55%

LAB 67.6, -32.43, 8.68

 

CMYK 90 / 0 / 84 / 0

HEX #19FF28

RGB 25 255 40

HSL 123.91, 1%, 0.55%

LAB 87.91, -84.31, 78.32

 

CMYK 90 / 0 / 60 / 0

HEX #19FF66

RGB 25 255 102

HSL 140.09, 1%, 0.55%

LAB 88.3, -79.42, 58.07

 

CMYK 90 / 0 / 36 / 0

HEX #19FFA3

RGB 25 255 163

HSL 156, 1%, 0.55%

LAB 89.1, -69.85, 30.32

 

CMYK 90 / 0 / 12 / 0

HEX #19FFE0

RGB 25 255 224

HSL 171.91, 1%, 0.55%

LAB 90.37, -55.91, 0.85

 

CMYK 90 / 12 / 0 / 0

HEX #19E0FF

RGB 25 224 255

HSL 188.09, 1%, 0.55%

LAB 82.24, -33.43, -27.56

 

CMYK 100 / 0 / 40 / 23

HEX #00C577

RGB 0 197 119

HSL 156.24, 1%, 0.39%

LAB 70.36, -59.34, 27.77

 

CMYK 100 / 0 / 40 / 6

HEX #00EF8F

RGB 0 239 143

HSL 155.9, 1%, 0.47%

LAB 83.82, -69.07, 33.3

 

CMYK 90 / 0 / 36 / 0

HEX #19FFA3

RGB 25 255 163

HSL 156, 1%, 0.55%

LAB 89.1, -69.85, 30.32

 

CMYK 74 / 0 / 29 / 0

HEX #42FFB4

RGB 66 255 180

HSL 156.19, 1%, 0.63%

LAB 89.85, -62.98, 22.82

 

CMYK 58 / 0 / 23 / 0

HEX #6CFFC4

RGB 108 255 196

HSL 155.92, 1%, 0.71%

LAB 91.1, -52.92, 16.52

 

CMYK 91 / 0 / 36 / 0

HEX #18FFA3

RGB 24 255 163

HSL 156.1, 1%, 0.55%

LAB 89.09, -69.9, 30.31

 

CMYK 90 / 72 / 0 / 0

HEX #1947FF

RGB 25 71 255

HSL 228, 1%, 0.55%

LAB 41.11, 54.68, -93.19

 

CMYK 0 / 72 / 90 / 0

HEX #FF4719

RGB 255 71 25

HSL 12, 1%, 0.55%

LAB 57.88, 67.36, 63.16

 

CMYK 91 / 0 / 36 / 0

HEX #18FFA3

RGB 24 255 163

HSL 156.1, 1%, 0.55%

LAB 89.09, -69.9, 30.31

 

CMYK 36 / 90 / 0 / 0

HEX #A319FF

RGB 163 25 255

HSL 276, 1%, 0.55%

LAB 46.58, 83.45, -83.8

 

CMYK 0 / 36 / 90 / 0

HEX #FFA319

RGB 255 163 25

HSL 36, 1%, 0.55%

LAB 74.52, 25.23, 75.13

 

CMYK 91 / 0 / 36 / 0

HEX #18FFA3

RGB 24 255 163

HSL 156.1, 1%, 0.55%

LAB 89.09, -69.9, 30.31

 

CMYK 90 / 72 / 0 / 0

HEX #1947FF

RGB 25 71 255

HSL 228, 1%, 0.55%

LAB 41.11, 54.68, -93.19

 

CMYK 0 / 90 / 54 / 0

HEX #FF1975

RGB 255 25 117

HSL 336, 1%, 0.55%

LAB 55.32, 81.71, 11.29

 

CMYK 0 / 18 / 90 / 0

HEX #FFD119

RGB 255 209 25

HSL 48, 1%, 0.55%

LAB 85.47, 1.37, 83.37

 

CMYK 91 / 0 / 36 / 0

HEX #18FFA3

RGB 24 255 163

HSL 156.1, 1%, 0.55%

LAB 89.09, -69.9, 30.31

 

CMYK 81 / 90 / 0 / 0

HEX #3019FF

RGB 48 25 255

HSL 246, 1%, 0.55%

LAB 35.09, 75.27, -103.17

 

CMYK 0 / 90 / 54 / 0

HEX #FF1975

RGB 255 25 117

HSL 336, 1%, 0.55%

LAB 55.32, 81.71, 11.29

 

CMYK 9 / 0 / 90 / 0

HEX #E8FF19

RGB 232 255 25

HSL 66, 1%, 0.55%

LAB 95.47, -30.65, 90.3

 

Description

Color code: HEX #18FFA3 | qconv.com Color code: HEX #18FFA3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 255 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 255 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 36 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 36% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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