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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #199472 it is the complementary color #E66B8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #199472. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #199472 shade: #1E946D, #2FA680, #40B893, #51CAA6 and #62DCB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #199472. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #199472 shade: #199472, #08825F, #00704C, #005E39 and #004C26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #199472 shade: #199472, #199451, #19942F, #239419 and #449419

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #199472 shade: #199472, #199493, #197394, #195294 and #193194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #199472 shade matches the following richer shades: #199472 and #0BA278

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #199472 shade: #199472, #27866B, #357865, #436A5F and #515C59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #199472 shade: #19942F, #199450, #199471, #199492 and #197594

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #199472 shade: #0D4D3B, #137057, #199472, #1FB78D and #25DAA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #199472 shade: #199472, #192394 and #944019

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #199472 shade: #199472, #711994 and #947119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #199472 shade: #199472, #192394, #94193C and #948919

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #199472 shade: #199472, #331994, #94193C and #799419

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 23 / 42

HEX #199472

RGB 25 148 114

HSL 163.41, 0.71%, 0.34%

LAB 54.66, -40.33, 9.01

 

Complementary color

CMYK 0 / 53 / 39 / 10

HEX #E66B8D

RGB 230 107 141

HSL 343.41, 0.71%, 0.66%

LAB 61.01, 50.99, 4.7

 

CMYK 80 / 0 / 26 / 42

HEX #1E946D

RGB 30 148 109

HSL 160.17, 0.66%, 0.35%

LAB 54.62, -41.04, 11.8

 

CMYK 72 / 0 / 23 / 35

HEX #2FA680

RGB 47 166 128

HSL 160.84, 0.56%, 0.42%

LAB 61.16, -41.77, 10.38

 

CMYK 65 / 0 / 20 / 28

HEX #40B893

RGB 64 184 147

HSL 161.5, 0.48%, 0.49%

LAB 67.63, -42.19, 9.12

 

CMYK 60 / 0 / 18 / 21

HEX #51CAA6

RGB 81 202 166

HSL 162.15, 0.53%, 0.55%

LAB 74.03, -42.4, 7.98

 

CMYK 55 / 0 / 16 / 14

HEX #62DCB9

RGB 98 220 185

HSL 162.79, 0.64%, 0.62%

LAB 80.34, -42.49, 6.94

 

CMYK 83 / 0 / 23 / 42

HEX #199472

RGB 25 148 114

HSL 163.41, 0.71%, 0.34%

LAB 54.66, -40.33, 9.01

 

CMYK 94 / 0 / 27 / 49

HEX #08825F

RGB 8 130 95

HSL 162.79, 0.88%, 0.27%

LAB 48.06, -38.92, 10.62

 

CMYK 100 / 0 / 32 / 56

HEX #00704C

RGB 0 112 76

HSL 160.71, 1%, 0.22%

LAB 41.39, -36.81, 12.48

 

CMYK 100 / 0 / 39 / 63

HEX #005E39

RGB 0 94 57

HSL 156.38, 1%, 0.18%

LAB 34.6, -34.05, 14.57

 

CMYK 100 / 0 / 50 / 70

HEX #004C26

RGB 0 76 38

HSL 150, 1%, 0.15%

LAB 27.6, -31.07, 16.82

 

CMYK 83 / 0 / 23 / 42

HEX #199472

RGB 25 148 114

HSL 163.41, 0.71%, 0.34%

LAB 54.66, -40.33, 9.01

 

CMYK 83 / 0 / 45 / 42

HEX #199451

RGB 25 148 81

HSL 147.32, 0.71%, 0.34%

LAB 54.01, -47.65, 26.52

 

CMYK 83 / 0 / 68 / 42

HEX #19942F

RGB 25 148 47

HSL 130.73, 0.71%, 0.34%

LAB 53.59, -52.63, 42.83

 

CMYK 76 / 0 / 83 / 42

HEX #239419

RGB 35 148 25

HSL 115.12, 0.71%, 0.34%

LAB 53.61, -53.03, 50.94

 

CMYK 54 / 0 / 83 / 42

HEX #449419

RGB 68 148 25

HSL 99.02, 0.71%, 0.34%

LAB 54.53, -45.42, 52.12

 

CMYK 83 / 0 / 23 / 42

HEX #199472

RGB 25 148 114

HSL 163.41, 0.71%, 0.34%

LAB 54.66, -40.33, 9.01

 

CMYK 83 / 0 / 1 / 42

HEX #199493

RGB 25 148 147

HSL 179.51, 0.71%, 0.34%

LAB 55.58, -30.97, -8.56

 

CMYK 83 / 22 / 0 / 42

HEX #197394

RGB 25 115 148

HSL 196.1, 0.71%, 0.34%

LAB 45.09, -13.35, -25.12

 

CMYK 83 / 45 / 0 / 42

HEX #195294

RGB 25 82 148

HSL 212.2, 0.71%, 0.34%

LAB 34.76, 7.09, -41.42

 

CMYK 83 / 67 / 0 / 42

HEX #193194

RGB 25 49 148

HSL 228.29, 0.71%, 0.34%

LAB 25.39, 29.63, -56.63

 

CMYK 83 / 0 / 23 / 42

HEX #199472

RGB 25 148 114

HSL 163.41, 0.71%, 0.34%

LAB 54.66, -40.33, 9.01

 

CMYK 93 / 0 / 26 / 36

HEX #0BA278

RGB 11 162 120

HSL 163.31, 0.87%, 0.34%

LAB 59.22, -45.6, 12.04

 

CMYK 83 / 0 / 23 / 42

HEX #199472

RGB 25 148 114

HSL 163.41, 0.71%, 0.34%

LAB 54.66, -40.33, 9.01

 

CMYK 71 / 0 / 20 / 47

HEX #27866B

RGB 39 134 107

HSL 162.95, 0.55%, 0.34%

LAB 50.15, -34.18, 6.66

 

CMYK 56 / 0 / 16 / 53

HEX #357865

RGB 53 120 101

HSL 162.99, 0.39%, 0.34%

LAB 45.81, -26.26, 4.02

 

CMYK 37 / 0 / 10 / 58

HEX #436A5F

RGB 67 106 95

HSL 163.08, 0.23%, 0.34%

LAB 41.73, -16.52, 1.81

 

CMYK 12 / 0 / 3 / 64

HEX #515C59

RGB 81 92 89

HSL 163.64, 0.06%, 0.34%

LAB 38.07, -4.95, 0.27

 

CMYK 83 / 0 / 68 / 42

HEX #19942F

RGB 25 148 47

HSL 130.73, 0.71%, 0.34%

LAB 53.59, -52.63, 42.83

 

CMYK 83 / 0 / 46 / 42

HEX #199450

RGB 25 148 80

HSL 146.83, 0.71%, 0.34%

LAB 53.99, -47.83, 27.04

 

CMYK 83 / 0 / 24 / 42

HEX #199471

RGB 25 148 113

HSL 162.93, 0.71%, 0.34%

LAB 54.64, -40.59, 9.55

 

CMYK 83 / 0 / 1 / 42

HEX #199492

RGB 25 148 146

HSL 179.02, 0.71%, 0.34%

LAB 55.54, -31.28, -8.03

 

CMYK 83 / 21 / 0 / 42

HEX #197594

RGB 25 117 148

HSL 195.12, 0.71%, 0.34%

LAB 45.73, -14.48, -24.13

 

CMYK 83 / 0 / 23 / 70

HEX #0D4D3B

RGB 13 77 59

HSL 163.13, 0.71%, 0.18%

LAB 28.67, -24.47, 5.16

 

CMYK 83 / 0 / 22 / 56

HEX #137057

RGB 19 112 87

HSL 163.87, 0.71%, 0.26%

LAB 41.87, -32.31, 6.62

 

CMYK 83 / 0 / 23 / 42

HEX #199472

RGB 25 148 114

HSL 163.41, 0.71%, 0.34%

LAB 54.66, -40.33, 9.01

 

CMYK 83 / 0 / 23 / 28

HEX #1FB78D

RGB 31 183 141

HSL 163.42, 0.71%, 0.42%

LAB 66.58, -47.54, 10.83

 

CMYK 83 / 0 / 23 / 15

HEX #25DAA8

RGB 37 218 168

HSL 163.43, 0.71%, 0.5%

LAB 78.09, -54.48, 12.58

 

CMYK 83 / 0 / 23 / 42

HEX #199472

RGB 25 148 114

HSL 163.41, 0.71%, 0.34%

LAB 54.66, -40.33, 9.01

 

CMYK 83 / 76 / 0 / 42

HEX #192394

RGB 25 35 148

HSL 235.12, 0.71%, 0.34%

LAB 22.11, 38.57, -62.02

 

CMYK 0 / 57 / 83 / 42

HEX #944019

RGB 148 64 25

HSL 19.02, 0.71%, 0.34%

LAB 37.9, 33.11, 39.24

 

CMYK 83 / 0 / 23 / 42

HEX #199472

RGB 25 148 114

HSL 163.41, 0.71%, 0.34%

LAB 54.66, -40.33, 9.01

 

CMYK 24 / 83 / 0 / 42

HEX #711994

RGB 113 25 148

HSL 282.93, 0.71%, 0.34%

LAB 30.26, 54.87, -48.29

 

CMYK 0 / 24 / 83 / 42

HEX #947119

RGB 148 113 25

HSL 42.93, 0.71%, 0.34%

LAB 49.71, 5.45, 49.92

 

CMYK 83 / 0 / 23 / 42

HEX #199472

RGB 25 148 114

HSL 163.41, 0.71%, 0.34%

LAB 54.66, -40.33, 9.01

 

CMYK 83 / 76 / 0 / 42

HEX #192394

RGB 25 35 148

HSL 235.12, 0.71%, 0.34%

LAB 22.11, 38.57, -62.02

 

CMYK 0 / 83 / 59 / 42

HEX #94193C

RGB 148 25 60

HSL 342.93, 0.71%, 0.34%

LAB 32.52, 50.94, 12.12

 

CMYK 0 / 7 / 83 / 42

HEX #948919

RGB 148 137 25

HSL 54.63, 0.71%, 0.34%

LAB 56.34, -7.97, 55.7

 

CMYK 83 / 0 / 23 / 42

HEX #199472

RGB 25 148 114

HSL 163.41, 0.71%, 0.34%

LAB 54.66, -40.33, 9.01

 

CMYK 66 / 83 / 0 / 42

HEX #331994

RGB 51 25 148

HSL 252.68, 0.71%, 0.34%

LAB 22.08, 46.03, -62.03

 

CMYK 0 / 83 / 59 / 42

HEX #94193C

RGB 148 25 60

HSL 342.93, 0.71%, 0.34%

LAB 32.52, 50.94, 12.12

 

CMYK 18 / 0 / 83 / 42

HEX #799419

RGB 121 148 25

HSL 73.17, 0.71%, 0.34%

LAB 57.38, -25.75, 55.75

 

Description

Color code: HEX #199472 | qconv.com Color code: HEX #199472 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 148 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 148 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 23 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 23% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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