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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CAA3F it is the complementary color #E355C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CAA3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CAA3F shade: #21AA3A, #32BC4D, #43CE60, #54E073 and #65F286

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CAA3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CAA3F shade: #1CAA3F, #0B982C, #008619, #007406 and #006200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CAA3F shade: #1BAB3F, #1FAB1B, #45AB1B, #6CAB1B and #93AB1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CAA3F shade: #1BAB3F, #1BAB65, #1BAB8C, #1BA3AB and #1B7CAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CAA3F shade matches the following richer shades: #1BAB3F and #0BBB36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CAA3F shade: #1BAB3F, #2B9A47, #3C8A4F, #4C7A57 and #5C6A5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CAA3F shade: #46AB1B, #20AB1B, #1BAB3D, #1BAB63 and #1BAB89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CAA3F shade: #106424, #168732, #1BAB3F, #21CE4C and #3ADE62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CAA3F shade: #1CAA3F, #1B6CAB and #AB1B33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CAA3F shade: #1CAA3F, #3D1BAB and #AB3D1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CAA3F shade: #1CAA3F, #1B6CAB, #AB1B89 and #AB591B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CAA3F shade: #1CAA3F, #1B42AB, #AB1B89 and #AB841B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 63 / 33

HEX #1CAA3F

RGB 28 170 63

HSL 134.79, 0.72%, 0.39%

LAB 61.09, -57.66, 44.09

 

Complementary color

CMYK 0 / 63 / 15 / 11

HEX #E355C0

RGB 227 85 192

HSL 314.79, 0.72%, 0.61%

LAB 58.63, 66.38, -28.32

 

CMYK 81 / 0 / 66 / 33

HEX #21AA3A

RGB 33 170 58

HSL 130.95, 0.67%, 0.4%

LAB 61.11, -57.67, 46.34

 

CMYK 73 / 0 / 59 / 26

HEX #32BC4D

RGB 50 188 77

HSL 131.74, 0.58%, 0.47%

LAB 67.41, -59.01, 45.05

 

CMYK 67 / 0 / 53 / 19

HEX #43CE60

RGB 67 206 96

HSL 132.52, 0.59%, 0.54%

LAB 73.66, -59.84, 43.65

 

CMYK 63 / 0 / 49 / 12

HEX #54E073

RGB 84 224 115

HSL 133.29, 0.69%, 0.6%

LAB 79.86, -60.33, 42.24

 

CMYK 58 / 0 / 45 / 5

HEX #65F286

RGB 101 242 134

HSL 134.04, 0.84%, 0.67%

LAB 86, -60.58, 40.86

 

CMYK 84 / 0 / 63 / 33

HEX #1CAA3F

RGB 28 170 63

HSL 134.79, 0.72%, 0.39%

LAB 61.09, -57.66, 44.09

 

CMYK 93 / 0 / 71 / 40

HEX #0B982C

RGB 11 152 44

HSL 134.04, 0.87%, 0.32%

LAB 54.77, -55.47, 45.31

 

CMYK 100 / 0 / 81 / 47

HEX #008619

RGB 0 134 25

HSL 131.19, 1%, 0.26%

LAB 48.41, -52.29, 45.89

 

CMYK 100 / 0 / 95 / 55

HEX #007406

RGB 0 116 6

HSL 123.1, 1%, 0.23%

LAB 42.01, -47.91, 45.09

 

CMYK 100 / 0 / 100 / 62

HEX #006200

RGB 0 98 0

HSL 120, 1%, 0.19%

LAB 35.47, -42.76, 41.27

 

CMYK 84 / 0 / 63 / 33

HEX #1BAB3F

RGB 27 171 63

HSL 135, 0.73%, 0.39%

LAB 61.41, -58.09, 44.45

 

CMYK 82 / 0 / 84 / 33

HEX #1FAB1B

RGB 31 171 27

HSL 118.33, 0.73%, 0.39%

LAB 61.22, -60.69, 57.35

 

CMYK 60 / 0 / 84 / 33

HEX #45AB1B

RGB 69 171 27

HSL 102.5, 0.73%, 0.39%

LAB 62.06, -53.56, 58.43

 

CMYK 37 / 0 / 84 / 33

HEX #6CAB1B

RGB 108 171 27

HSL 86.25, 0.73%, 0.39%

LAB 63.67, -41.38, 60.47

 

CMYK 14 / 0 / 84 / 33

HEX #93AB1B

RGB 147 171 27

HSL 70, 0.73%, 0.39%

LAB 66.07, -25.89, 63.49

 

CMYK 84 / 0 / 63 / 33

HEX #1BAB3F

RGB 27 171 63

HSL 135, 0.73%, 0.39%

LAB 61.41, -58.09, 44.45

 

CMYK 84 / 0 / 41 / 33

HEX #1BAB65

RGB 27 171 101

HSL 150.83, 0.73%, 0.39%

LAB 61.91, -52.11, 26.12

 

CMYK 84 / 0 / 18 / 33

HEX #1BAB8C

RGB 27 171 140

HSL 167.08, 0.73%, 0.39%

LAB 62.72, -43.17, 5.87

 

CMYK 84 / 5 / 0 / 33

HEX #1BA3AB

RGB 27 163 171

HSL 183.33, 0.73%, 0.39%

LAB 61.1, -30.56, -13.9

 

CMYK 84 / 27 / 0 / 33

HEX #1B7CAB

RGB 27 124 171

HSL 199.58, 0.73%, 0.39%

LAB 48.99, -9.88, -32.52

 

CMYK 84 / 0 / 63 / 33

HEX #1BAB3F

RGB 27 171 63

HSL 135, 0.73%, 0.39%

LAB 61.41, -58.09, 44.45

 

CMYK 94 / 0 / 71 / 27

HEX #0BBB36

RGB 11 187 54

HSL 134.66, 0.89%, 0.39%

LAB 66.43, -65.13, 53.61

 

CMYK 84 / 0 / 63 / 33

HEX #1BAB3F

RGB 27 171 63

HSL 135, 0.73%, 0.39%

LAB 61.41, -58.09, 44.45

 

CMYK 72 / 0 / 54 / 40

HEX #2B9A47

RGB 43 154 71

HSL 135.14, 0.56%, 0.39%

LAB 56.17, -48.98, 34.53

 

CMYK 57 / 0 / 43 / 46

HEX #3C8A4F

RGB 60 138 79

HSL 134.62, 0.39%, 0.39%

LAB 51.5, -37.6, 24.52

 

CMYK 38 / 0 / 29 / 52

HEX #4C7A57

RGB 76 122 87

HSL 134.35, 0.23%, 0.39%

LAB 47.16, -23.81, 14.31

 

CMYK 13 / 0 / 10 / 58

HEX #5C6A5F

RGB 92 106 95

HSL 132.86, 0.07%, 0.39%

LAB 43.37, -7.67, 4.39

 

CMYK 59 / 0 / 84 / 33

HEX #46AB1B

RGB 70 171 27

HSL 102.08, 0.73%, 0.39%

LAB 62.09, -53.3, 58.47

 

CMYK 81 / 0 / 84 / 33

HEX #20AB1B

RGB 32 171 27

HSL 117.92, 0.73%, 0.39%

LAB 61.23, -60.57, 57.37

 

CMYK 84 / 0 / 64 / 33

HEX #1BAB3D

RGB 27 171 61

HSL 134.17, 0.73%, 0.39%

LAB 61.39, -58.33, 45.32

 

CMYK 84 / 0 / 42 / 33

HEX #1BAB63

RGB 27 171 99

HSL 150, 0.73%, 0.39%

LAB 61.88, -52.5, 27.14

 

CMYK 84 / 0 / 20 / 33

HEX #1BAB89

RGB 27 171 137

HSL 165.83, 0.73%, 0.39%

LAB 62.65, -43.95, 7.43

 

CMYK 84 / 0 / 64 / 61

HEX #106424

RGB 16 100 36

HSL 134.29, 0.72%, 0.23%

LAB 36.65, -38.5, 29.02

 

CMYK 84 / 0 / 63 / 47

HEX #168732

RGB 22 135 50

HSL 134.87, 0.72%, 0.31%

LAB 49.17, -48.27, 36.52

 

CMYK 84 / 0 / 63 / 33

HEX #1BAB3F

RGB 27 171 63

HSL 135, 0.73%, 0.39%

LAB 61.41, -58.09, 44.45

 

CMYK 84 / 0 / 63 / 19

HEX #21CE4C

RGB 33 206 76

HSL 134.91, 0.72%, 0.47%

LAB 72.88, -67.08, 51.69

 

CMYK 74 / 0 / 56 / 13

HEX #3ADE62

RGB 58 222 98

HSL 134.63, 0.71%, 0.55%

LAB 78.48, -66.52, 48.45

 

CMYK 84 / 0 / 63 / 33

HEX #1CAA3F

RGB 28 170 63

HSL 134.79, 0.72%, 0.39%

LAB 61.09, -57.66, 44.09

 

CMYK 84 / 37 / 0 / 33

HEX #1B6CAB

RGB 27 108 171

HSL 206.25, 0.73%, 0.39%

LAB 44.09, -0.29, -40.26

 

CMYK 0 / 84 / 70 / 33

HEX #AB1B33

RGB 171 27 51

HSL 350, 0.73%, 0.39%

LAB 37.26, 56.4, 25

 

CMYK 84 / 0 / 63 / 33

HEX #1CAA3F

RGB 28 170 63

HSL 134.79, 0.72%, 0.39%

LAB 61.09, -57.66, 44.09

 

CMYK 64 / 84 / 0 / 33

HEX #3D1BAB

RGB 61 27 171

HSL 254.17, 0.73%, 0.39%

LAB 25.91, 52.74, -69.69

 

CMYK 0 / 64 / 84 / 33

HEX #AB3D1B

RGB 171 61 27

HSL 14.17, 0.73%, 0.39%

LAB 41.33, 43.47, 42.9

 

CMYK 84 / 0 / 63 / 33

HEX #1CAA3F

RGB 28 170 63

HSL 134.79, 0.72%, 0.39%

LAB 61.09, -57.66, 44.09

 

CMYK 84 / 37 / 0 / 33

HEX #1B6CAB

RGB 27 108 171

HSL 206.25, 0.73%, 0.39%

LAB 44.09, -0.29, -40.26

 

CMYK 0 / 84 / 20 / 33

HEX #AB1B89

RGB 171 27 137

HSL 314.17, 0.73%, 0.39%

LAB 39.99, 64.24, -25.42

 

CMYK 0 / 48 / 84 / 33

HEX #AB591B

RGB 171 89 27

HSL 25.83, 0.73%, 0.39%

LAB 46.82, 29.4, 47.78

 

CMYK 84 / 0 / 63 / 33

HEX #1CAA3F

RGB 28 170 63

HSL 134.79, 0.72%, 0.39%

LAB 61.09, -57.66, 44.09

 

CMYK 84 / 61 / 0 / 33

HEX #1B42AB

RGB 27 66 171

HSL 223.75, 0.73%, 0.39%

LAB 31.97, 27.32, -59.8

 

CMYK 0 / 84 / 20 / 33

HEX #AB1B89

RGB 171 27 137

HSL 314.17, 0.73%, 0.39%

LAB 39.99, 64.24, -25.42

 

CMYK 0 / 23 / 84 / 33

HEX #AB841B

RGB 171 132 27

HSL 43.75, 0.73%, 0.39%

LAB 57.31, 5.41, 56.85

 

Description

Color code: HEX #1CAA3F | qconv.com Color code: HEX #1CAA3F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 170 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 170 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 63 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 63% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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