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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A6A2C it is the complementary color #E595D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A6A2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1A6A2C shade: #1F6A27, #307C3A, #418E4D, #52A060 and #63B273

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A6A2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1A6A2C shade: #1A6A2C, #095819, #004606, #003400 and #002200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1A6A2C shade: #196A2C, #1D6A19, #336A19, #496A19 and #5E6A19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1A6A2C shade: #196A2C, #196A41, #196A57, #19676A and #19526A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1A6A2C shade matches the following richer shades: #196A2C, #0F7526 and #048020

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1A6A2C shade: #196A2C, #246031, #2F5537, #3A4A3D and #443F43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1A6A2C shade: #336A19, #1D6A19, #196A2B, #196A40 and #196A56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1A6A2C shade: #092810, #11491E, #196A2C, #218B39 and #29AD47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1A6A2C shade: #1A6A2C, #19496A and #6A1928

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1A6A2C shade: #1A6A2C, #2B196A and #6A2B19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1A6A2C shade: #1A6A2C, #19496A, #6A1959 and #6A3B19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1A6A2C shade: #1A6A2C, #19306A, #6A1959 and #6A5319

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 58 / 58

HEX #1A6A2C

RGB 26 106 44

HSL 133.5, 0.61%, 0.26%

LAB 39.09, -37.97, 27.77

 

Complementary color

CMYK 0 / 35 / 8 / 10

HEX #E595D3

RGB 229 149 211

HSL 313.5, 0.61%, 0.74%

LAB 71.46, 39.23, -19.33

 

CMYK 71 / 0 / 63 / 58

HEX #1F6A27

RGB 31 106 39

HSL 126.4, 0.55%, 0.27%

LAB 39.15, -37.69, 30.46

 

CMYK 61 / 0 / 53 / 51

HEX #307C3A

RGB 48 124 58

HSL 127.89, 0.44%, 0.34%

LAB 46.11, -38.22, 28.99

 

CMYK 54 / 0 / 46 / 44

HEX #418E4D

RGB 65 142 77

HSL 129.35, 0.37%, 0.41%

LAB 52.96, -38.34, 27.52

 

CMYK 49 / 0 / 40 / 37

HEX #52A060

RGB 82 160 96

HSL 130.77, 0.32%, 0.47%

LAB 59.69, -38.26, 26.13

 

CMYK 44 / 0 / 35 / 30

HEX #63B273

RGB 99 178 115

HSL 132.15, 0.34%, 0.54%

LAB 66.31, -38.07, 24.84

 

CMYK 75 / 0 / 58 / 58

HEX #1A6A2C

RGB 26 106 44

HSL 133.5, 0.61%, 0.26%

LAB 39.09, -37.97, 27.77

 

CMYK 90 / 0 / 72 / 65

HEX #095819

RGB 9 88 25

HSL 132.15, 0.81%, 0.19%

LAB 32.05, -36.48, 29.27

 

CMYK 100 / 0 / 91 / 73

HEX #004606

RGB 0 70 6

HSL 125.14, 1%, 0.14%

LAB 24.93, -33.44, 30.07

 

CMYK 100 / 0 / 100 / 80

HEX #003400

RGB 0 52 0

HSL 120, 1%, 0.1%

LAB 17.72, -28.01, 24.69

 

CMYK 100 / 0 / 100 / 87

HEX #002200

RGB 0 34 0

HSL 120, 1%, 0.07%

LAB 10.14, -20.27, 14.75

 

CMYK 76 / 0 / 58 / 58

HEX #196A2C

RGB 25 106 44

HSL 134.07, 0.62%, 0.26%

LAB 39.06, -38.16, 27.74

 

CMYK 73 / 0 / 76 / 58

HEX #1D6A19

RGB 29 106 25

HSL 117.04, 0.62%, 0.26%

LAB 38.97, -39.67, 36.7

 

CMYK 52 / 0 / 76 / 58

HEX #336A19

RGB 51 106 25

HSL 100.74, 0.62%, 0.26%

LAB 39.72, -33.67, 37.7

 

CMYK 31 / 0 / 76 / 58

HEX #496A19

RGB 73 106 25

HSL 84.44, 0.62%, 0.26%

LAB 40.89, -25.38, 39.26

 

CMYK 11 / 0 / 76 / 58

HEX #5E6A19

RGB 94 106 25

HSL 68.89, 0.62%, 0.26%

LAB 42.4, -16.09, 41.24

 

CMYK 76 / 0 / 58 / 58

HEX #196A2C

RGB 25 106 44

HSL 134.07, 0.62%, 0.26%

LAB 39.06, -38.16, 27.74

 

CMYK 76 / 0 / 39 / 58

HEX #196A41

RGB 25 106 65

HSL 149.63, 0.62%, 0.26%

LAB 39.41, -34.25, 16.33

 

CMYK 76 / 0 / 18 / 58

HEX #196A57

RGB 25 106 87

HSL 165.93, 0.62%, 0.26%

LAB 39.92, -28.74, 3.85

 

CMYK 76 / 3 / 0 / 58

HEX #19676A

RGB 25 103 106

HSL 182.22, 0.62%, 0.26%

LAB 39.49, -21.42, -8.38

 

CMYK 76 / 23 / 0 / 58

HEX #19526A

RGB 25 82 106

HSL 197.78, 0.62%, 0.26%

LAB 32.44, -9.49, -19.14

 

CMYK 76 / 0 / 58 / 58

HEX #196A2C

RGB 25 106 44

HSL 134.07, 0.62%, 0.26%

LAB 39.06, -38.16, 27.74

 

CMYK 87 / 0 / 68 / 54

HEX #0F7526

RGB 15 117 38

HSL 133.53, 0.77%, 0.26%

LAB 42.71, -44.39, 34.89

 

CMYK 97 / 0 / 75 / 50

HEX #048020

RGB 4 128 32

HSL 133.55, 0.94%, 0.26%

LAB 46.4, -49.58, 41.39

 

CMYK 76 / 0 / 58 / 58

HEX #196A2C

RGB 25 106 44

HSL 134.07, 0.62%, 0.26%

LAB 39.06, -38.16, 27.74

 

CMYK 63 / 0 / 49 / 62

HEX #246031

RGB 36 96 49

HSL 133, 0.45%, 0.26%

LAB 35.91, -30.78, 21.14

 

CMYK 45 / 0 / 35 / 67

HEX #2F5537

RGB 47 85 55

HSL 132.63, 0.29%, 0.26%

LAB 32.65, -20.98, 13.38

 

CMYK 22 / 0 / 18 / 71

HEX #3A4A3D

RGB 58 74 61

HSL 131.25, 0.12%, 0.26%

LAB 29.75, -9.39, 5.7

 

CMYK 0 / 7 / 1 / 73

HEX #443F43

RGB 68 63 67

HSL 312, 0.04%, 0.26%

LAB 27.27, 3.01, -1.67

 

CMYK 52 / 0 / 76 / 58

HEX #336A19

RGB 51 106 25

HSL 100.74, 0.62%, 0.26%

LAB 39.72, -33.67, 37.7

 

CMYK 73 / 0 / 76 / 58

HEX #1D6A19

RGB 29 106 25

HSL 117.04, 0.62%, 0.26%

LAB 38.97, -39.67, 36.7

 

CMYK 76 / 0 / 59 / 58

HEX #196A2B

RGB 25 106 43

HSL 133.33, 0.62%, 0.26%

LAB 39.05, -38.31, 28.25

 

CMYK 76 / 0 / 40 / 58

HEX #196A40

RGB 25 106 64

HSL 148.89, 0.62%, 0.26%

LAB 39.39, -34.47, 16.89

 

CMYK 76 / 0 / 19 / 58

HEX #196A56

RGB 25 106 86

HSL 165.19, 0.62%, 0.26%

LAB 39.89, -29.02, 4.41

 

CMYK 78 / 0 / 60 / 84

HEX #092810

RGB 9 40 16

HSL 133.55, 0.63%, 0.1%

LAB 13.31, -18.07, 12.21

 

CMYK 77 / 0 / 59 / 71

HEX #11491E

RGB 17 73 30

HSL 133.93, 0.62%, 0.18%

LAB 26.67, -28.63, 20.46

 

CMYK 76 / 0 / 58 / 58

HEX #196A2C

RGB 25 106 44

HSL 134.07, 0.62%, 0.26%

LAB 39.06, -38.16, 27.74

 

CMYK 76 / 0 / 59 / 45

HEX #218B39

RGB 33 139 57

HSL 133.58, 0.62%, 0.34%

LAB 50.79, -47.21, 35.04

 

CMYK 76 / 0 / 59 / 32

HEX #29AD47

RGB 41 173 71

HSL 133.64, 0.62%, 0.42%

LAB 62.35, -56.03, 41.9

 

CMYK 75 / 0 / 58 / 58

HEX #1A6A2C

RGB 26 106 44

HSL 133.5, 0.61%, 0.26%

LAB 39.09, -37.97, 27.77

 

CMYK 76 / 31 / 0 / 58

HEX #19496A

RGB 25 73 106

HSL 204.44, 0.62%, 0.26%

LAB 29.44, -3.84, -23.81

 

CMYK 0 / 76 / 62 / 58

HEX #6A1928

RGB 106 25 40

HSL 348.89, 0.62%, 0.26%

LAB 23.38, 36.54, 11.74

 

CMYK 75 / 0 / 58 / 58

HEX #1A6A2C

RGB 26 106 44

HSL 133.5, 0.61%, 0.26%

LAB 39.09, -37.97, 27.77

 

CMYK 59 / 76 / 0 / 58

HEX #2B196A

RGB 43 25 106

HSL 253.33, 0.62%, 0.26%

LAB 16.75, 31.98, -44.15

 

CMYK 0 / 59 / 76 / 58

HEX #6A2B19

RGB 106 43 25

HSL 13.33, 0.62%, 0.26%

LAB 26.34, 26.92, 25.16

 

CMYK 75 / 0 / 58 / 58

HEX #1A6A2C

RGB 26 106 44

HSL 133.5, 0.61%, 0.26%

LAB 39.09, -37.97, 27.77

 

CMYK 76 / 31 / 0 / 58

HEX #19496A

RGB 25 73 106

HSL 204.44, 0.62%, 0.26%

LAB 29.44, -3.84, -23.81

 

CMYK 0 / 76 / 16 / 58

HEX #6A1959

RGB 106 25 89

HSL 312.59, 0.62%, 0.26%

LAB 25.2, 42.39, -18.87

 

CMYK 0 / 44 / 76 / 58

HEX #6A3B19

RGB 106 59 25

HSL 25.19, 0.62%, 0.26%

LAB 30.06, 17.64, 29.21

 

CMYK 75 / 0 / 58 / 58

HEX #1A6A2C

RGB 26 106 44

HSL 133.5, 0.61%, 0.26%

LAB 39.09, -37.97, 27.77

 

CMYK 76 / 55 / 0 / 58

HEX #19306A

RGB 25 48 106

HSL 222.96, 0.62%, 0.26%

LAB 21.44, 13.41, -36.57

 

CMYK 0 / 76 / 16 / 58

HEX #6A1959

RGB 106 25 89

HSL 312.59, 0.62%, 0.26%

LAB 25.2, 42.39, -18.87

 

CMYK 0 / 22 / 76 / 58

HEX #6A5319

RGB 106 83 25

HSL 42.96, 0.62%, 0.26%

LAB 36.59, 2.98, 35.93

 

Description

Color code: HEX #1A6A2C | qconv.com Color code: HEX #1A6A2C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 106 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 106 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 58 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 58% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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