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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B46D5 it is the complementary color #E4B92A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B46D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B46D5 shade: #2046D0, #3158E3, #426AF6, #537CFF and #648EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B46D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B46D5 shade: #1B46D5, #0A34C2, #0022AF, #00109C and #000089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B46D5 shade: #1A45D5, #211AD5, #531AD5, #861AD5 and #B81AD5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B46D5 shade: #1A45D5 and #1A1AD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B46D5 shade matches the following richer shades: #1A45D5 and #063BE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B46D5 shade: #1A45D5, #2D50C1, #415AAE, #54649B and #676F87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B46D5 shade: #1AA9D5, #1A77D5, #1A45D5, #201AD5 and #521AD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B46D5 shade: #112D8B, #1539B0, #1A45D5, #335CE5 and #5779EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B46D5 shade: #1B46D5, #CF1AD5 and #90D51A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B46D5 shade: #1B46D5, #D51A45 and #45D51A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B46D5 shade: #1B46D5, #CF1AD5, #D5A91A and #20D51A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B46D5 shade: #1B46D5, #D51AA3, #D5A91A and #1AD54C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 67 / 0 / 16

HEX #1B46D5

RGB 27 70 213

HSL 226.13, 0.78%, 0.47%

LAB 36.78, 40.62, -76.54

 

Complementary color

CMYK 0 / 19 / 82 / 11

HEX #E4B92A

RGB 228 185 42

HSL 46.13, 0.78%, 0.53%

LAB 76.9, 2.57, 71.52

 

CMYK 85 / 66 / 0 / 18

HEX #2046D0

RGB 32 70 208

HSL 227.05, 0.73%, 0.47%

LAB 36.45, 39.07, -74.19

 

CMYK 78 / 61 / 0 / 11

HEX #3158E3

RGB 49 88 227

HSL 226.85, 0.76%, 0.54%

LAB 43.03, 35.96, -74.25

 

CMYK 73 / 57 / 0 / 4

HEX #426AF6

RGB 66 106 246

HSL 226.67, 0.91%, 0.61%

LAB 49.64, 33.25, -74.12

 

CMYK 67 / 51 / 0 / 0

HEX #537CFF

RGB 83 124 255

HSL 225.7, 1%, 0.66%

LAB 55.56, 27.49, -69.48

 

CMYK 61 / 44 / 0 / 0

HEX #648EFF

RGB 100 142 255

HSL 223.74, 1%, 0.7%

LAB 61.02, 19.35, -60.64

 

CMYK 87 / 67 / 0 / 16

HEX #1B46D5

RGB 27 70 213

HSL 226.13, 0.78%, 0.47%

LAB 36.78, 40.62, -76.54

 

CMYK 95 / 73 / 0 / 24

HEX #0A34C2

RGB 10 52 194

HSL 226.3, 0.9%, 0.4%

LAB 30.44, 44.17, -75.96

 

CMYK 100 / 81 / 0 / 31

HEX #0022AF

RGB 0 34 175

HSL 228.34, 1%, 0.34%

LAB 24.45, 47.58, -74.61

 

CMYK 100 / 90 / 0 / 39

HEX #00109C

RGB 0 16 156

HSL 233.85, 1%, 0.31%

LAB 19.1, 49.82, -71.98

 

CMYK 100 / 100 / 0 / 46

HEX #000089

RGB 0 0 137

HSL 240, 1%, 0.27%

LAB 14.44, 49.9, -67.96

 

CMYK 88 / 68 / 0 / 16

HEX #1A45D5

RGB 26 69 213

HSL 226.2, 0.78%, 0.47%

LAB 36.52, 41.19, -76.96

 

CMYK 85 / 88 / 0 / 16

HEX #211AD5

RGB 33 26 213

HSL 242.25, 0.78%, 0.47%

LAB 29.07, 63.38, -89.3

 

CMYK 61 / 88 / 0 / 16

HEX #531AD5

RGB 83 26 213

HSL 258.29, 0.78%, 0.47%

LAB 32.66, 66.03, -83.23

 

CMYK 37 / 88 / 0 / 16

HEX #861AD5

RGB 134 26 213

HSL 274.65, 0.78%, 0.47%

LAB 38.92, 71.26, -72.7

 

CMYK 14 / 88 / 0 / 16

HEX #B81AD5

RGB 184 26 213

HSL 290.7, 0.78%, 0.47%

LAB 46.62, 78.44, -59.82

 

CMYK 88 / 68 / 0 / 16

HEX #1A45D5

RGB 26 69 213

HSL 226.2, 0.78%, 0.47%

LAB 36.52, 41.19, -76.96

 

CMYK 88 / 88 / 0 / 16

HEX #1A1AD5

RGB 26 26 213

HSL 240, 0.78%, 0.47%

LAB 28.81, 63.2, -89.75

 

CMYK 88 / 68 / 0 / 16

HEX #1A45D5

RGB 26 69 213

HSL 226.2, 0.78%, 0.47%

LAB 36.52, 41.19, -76.96

 

CMYK 97 / 75 / 0 / 9

HEX #063BE8

RGB 6 59 232

HSL 225.93, 0.95%, 0.47%

LAB 35.97, 53.24, -88.76

 

CMYK 88 / 68 / 0 / 16

HEX #1A45D5

RGB 26 69 213

HSL 226.2, 0.78%, 0.47%

LAB 36.52, 41.19, -76.96

 

CMYK 77 / 59 / 0 / 24

HEX #2D50C1

RGB 45 80 193

HSL 225.81, 0.62%, 0.47%

LAB 38.1, 28.17, -62.74

 

CMYK 63 / 48 / 0 / 32

HEX #415AAE

RGB 65 90 174

HSL 226.24, 0.46%, 0.47%

LAB 40.4, 17.63, -47.83

 

CMYK 46 / 35 / 0 / 39

HEX #54649B

RGB 84 100 155

HSL 226.48, 0.3%, 0.47%

LAB 43.31, 9.23, -31.88

 

CMYK 24 / 18 / 0 / 47

HEX #676F87

RGB 103 111 135

HSL 225, 0.13%, 0.47%

LAB 46.98, 2.6, -14.19

 

CMYK 88 / 21 / 0 / 16

HEX #1AA9D5

RGB 26 169 213

HSL 194.12, 0.78%, 0.47%

LAB 64.48, -19.76, -32.19

 

CMYK 88 / 44 / 0 / 16

HEX #1A77D5

RGB 26 119 213

HSL 210.16, 0.78%, 0.47%

LAB 49.76, 9.08, -55.42

 

CMYK 88 / 68 / 0 / 16

HEX #1A45D5

RGB 26 69 213

HSL 226.2, 0.78%, 0.47%

LAB 36.52, 41.19, -76.96

 

CMYK 85 / 88 / 0 / 16

HEX #201AD5

RGB 32 26 213

HSL 241.93, 0.78%, 0.47%

LAB 29.03, 63.35, -89.37

 

CMYK 62 / 88 / 0 / 16

HEX #521AD5

RGB 82 26 213

HSL 257.97, 0.78%, 0.47%

LAB 32.56, 65.95, -83.4

 

CMYK 88 / 68 / 0 / 45

HEX #112D8B

RGB 17 45 139

HSL 226.23, 0.78%, 0.31%

LAB 23.2, 28.21, -54.65

 

CMYK 88 / 68 / 0 / 31

HEX #1539B0

RGB 21 57 176

HSL 226.06, 0.79%, 0.39%

LAB 29.96, 34.81, -66.08

 

CMYK 88 / 68 / 0 / 16

HEX #1A45D5

RGB 26 69 213

HSL 226.2, 0.78%, 0.47%

LAB 36.52, 41.19, -76.96

 

CMYK 78 / 60 / 0 / 10

HEX #335CE5

RGB 51 92 229

HSL 226.18, 0.77%, 0.55%

LAB 44.25, 34.34, -73.38

 

CMYK 63 / 48 / 0 / 8

HEX #5779EA

RGB 87 121 234

HSL 226.12, 0.78%, 0.63%

LAB 53.64, 22.79, -60.9

 

CMYK 87 / 67 / 0 / 16

HEX #1B46D5

RGB 27 70 213

HSL 226.13, 0.78%, 0.47%

LAB 36.78, 40.62, -76.54

 

CMYK 3 / 88 / 0 / 16

HEX #CF1AD5

RGB 207 26 213

HSL 298.07, 0.78%, 0.47%

LAB 50.46, 82.23, -53.44

 

CMYK 32 / 0 / 88 / 16

HEX #90D51A

RGB 144 213 26

HSL 82.14, 0.78%, 0.47%

LAB 78.22, -46.11, 73.9

 

CMYK 87 / 67 / 0 / 16

HEX #1B46D5

RGB 27 70 213

HSL 226.13, 0.78%, 0.47%

LAB 36.78, 40.62, -76.54

 

CMYK 0 / 88 / 68 / 16

HEX #D51A45

RGB 213 26 69

HSL 346.2, 0.78%, 0.47%

LAB 46.06, 68.65, 26.64

 

CMYK 68 / 0 / 88 / 16

HEX #45D51A

RGB 69 213 26

HSL 106.2, 0.78%, 0.47%

LAB 75.41, -67.62, 70.39

 

CMYK 87 / 67 / 0 / 16

HEX #1B46D5

RGB 27 70 213

HSL 226.13, 0.78%, 0.47%

LAB 36.78, 40.62, -76.54

 

CMYK 3 / 88 / 0 / 16

HEX #CF1AD5

RGB 207 26 213

HSL 298.07, 0.78%, 0.47%

LAB 50.46, 82.23, -53.44

 

CMYK 0 / 21 / 88 / 16

HEX #D5A91A

RGB 213 169 26

HSL 45.88, 0.78%, 0.47%

LAB 71.28, 4.07, 70.38

 

CMYK 85 / 0 / 88 / 16

HEX #20D51A

RGB 32 213 26

HSL 118.07, 0.78%, 0.47%

LAB 74.81, -72.87, 69.63

 

CMYK 87 / 67 / 0 / 16

HEX #1B46D5

RGB 27 70 213

HSL 226.13, 0.78%, 0.47%

LAB 36.78, 40.62, -76.54

 

CMYK 0 / 88 / 23 / 16

HEX #D51AA3

RGB 213 26 163

HSL 316.04, 0.78%, 0.47%

LAB 48.92, 76.57, -26.65

 

CMYK 0 / 21 / 88 / 16

HEX #D5A91A

RGB 213 169 26

HSL 45.88, 0.78%, 0.47%

LAB 71.28, 4.07, 70.38

 

CMYK 88 / 0 / 64 / 16

HEX #1AD54C

RGB 26 213 76

HSL 136.04, 0.78%, 0.47%

LAB 75.03, -69.8, 54.07

 

Description

Color code: HEX #1B46D5 | qconv.com Color code: HEX #1B46D5 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 70 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 70 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 67 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 67% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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