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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 185 42 it is the complementary color RGB 27 70 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 185 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 185 42 shade: RGB 233 185 37, RGB 250 203 56, RGB 255 221 75, RGB 255 239 94 and RGB 255 255 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 185 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 185 42 shade: RGB 228 185 42, RGB 211 167 23, RGB 194 149 4, RGB 177 131 0 and RGB 160 113 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 185 42 shade: RGB 228 185 41, RGB 228 134 41, RGB 228 84 41 and RGB 228 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 185 42 shade: RGB 228 185 41, RGB 221 228 41, RGB 171 228 41, RGB 120 228 41 and RGB 70 228 41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 185 42 shade matches the following richer shades: RGB 228 185 41 and RGB 248 195 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 185 42 shade: RGB 228 185 41, RGB 209 174 61, RGB 189 164 80, RGB 170 154 99 and RGB 151 143 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 185 42 shade: RGB 228 85 41, RGB 228 135 41, RGB 228 185 41, RGB 222 228 41 and RGB 172 228 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 185 42 shade: RGB 167 133 20, RGB 203 162 25, RGB 228 185 41, RGB 233 197 78 and RGB 237 209 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 185 42 shade: RGB 228 185 42, RGB 47 228 41 and RGB 110 41 228

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 185 42 shade: RGB 228 185 42, RGB 41 228 185 and RGB 185 41 228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 185 42 shade: RGB 228 185 42, RGB 47 228 41, RGB 41 85 228 and RGB 222 41 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 185 42 shade: RGB 228 185 42, RGB 41 228 91, RGB 41 85 228 and RGB 228 41 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 82 / 11

HEX #E4B92A

RGB 228 185 42

HSL 46.13, 0.78%, 0.53%

LAB 76.9, 2.57, 71.52

 

Complementary color

CMYK 87 / 67 / 0 / 16

HEX #1B46D5

RGB 27 70 213

HSL 226.13, 0.78%, 0.47%

LAB 36.78, 40.62, -76.54

 

CMYK 0 / 21 / 84 / 9

HEX #E9B925

RGB 233 185 37

HSL 45.31, 0.82%, 0.53%

LAB 77.37, 4.59, 73.5

 

CMYK 0 / 19 / 78 / 2

HEX #FACB38

RGB 250 203 56

HSL 45.46, 0.95%, 0.6%

LAB 83.61, 3.09, 73.97

 

CMYK 0 / 13 / 71 / 0

HEX #FFDD4B

RGB 255 221 75

HSL 48.67, 1%, 0.65%

LAB 88.68, -3.2, 72.29

 

CMYK 0 / 6 / 63 / 0

HEX #FFEF5E

RGB 255 239 94

HSL 54.04, 1%, 0.68%

LAB 93.36, -11.16, 69.69

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF71

RGB 255 255 113

HSL 60, 1%, 0.72%

LAB 97.62, -17.7, 66.42

 

CMYK 0 / 19 / 82 / 11

HEX #E4B92A

RGB 228 185 42

HSL 46.13, 0.78%, 0.53%

LAB 76.9, 2.57, 71.52

 

CMYK 0 / 21 / 89 / 17

HEX #D3A717

RGB 211 167 23

HSL 45.96, 0.8%, 0.46%

LAB 70.56, 4.19, 70.37

 

CMYK 0 / 23 / 98 / 24

HEX #C29504

RGB 194 149 4

HSL 45.79, 0.96%, 0.39%

LAB 64.14, 6.06, 67.82

 

CMYK 0 / 26 / 100 / 31

HEX #B18300

RGB 177 131 0

HSL 44.41, 1%, 0.35%

LAB 57.64, 8.21, 63.04

 

CMYK 0 / 29 / 100 / 37

HEX #A07100

RGB 160 113 0

HSL 42.38, 1%, 0.31%

LAB 51.02, 10.51, 57.61

 

CMYK 0 / 19 / 82 / 11

HEX #E4B929

RGB 228 185 41

HSL 46.2, 0.78%, 0.53%

LAB 76.89, 2.54, 71.8

 

CMYK 0 / 41 / 82 / 11

HEX #E48629

RGB 228 134 41

HSL 29.84, 0.78%, 0.53%

LAB 64.73, 29.58, 61.23

 

CMYK 0 / 63 / 82 / 11

HEX #E45429

RGB 228 84 41

HSL 13.8, 0.78%, 0.53%

LAB 55.07, 53.98, 52.56

 

CMYK 0 / 82 / 82 / 11

HEX #E42929

RGB 228 41 41

HSL 0, 0.78%, 0.53%

LAB 49.79, 68.53, 47.67

 

CMYK 0 / 19 / 82 / 11

HEX #E4B929

RGB 228 185 41

HSL 46.2, 0.78%, 0.53%

LAB 76.89, 2.54, 71.8

 

CMYK 3 / 0 / 82 / 11

HEX #DDE429

RGB 221 228 41

HSL 62.25, 0.78%, 0.53%

LAB 87.49, -22.09, 80.59

 

CMYK 25 / 0 / 82 / 11

HEX #ABE429

RGB 171 228 41

HSL 78.29, 0.78%, 0.53%

LAB 84.12, -42.05, 76.36

 

CMYK 47 / 0 / 82 / 11

HEX #78E429

RGB 120 228 41

HSL 94.65, 0.78%, 0.53%

LAB 81.64, -59.48, 73.22

 

CMYK 69 / 0 / 82 / 11

HEX #46E429

RGB 70 228 41

HSL 110.7, 0.78%, 0.53%

LAB 80.15, -71.5, 71.31

 

CMYK 0 / 19 / 82 / 11

HEX #E4B929

RGB 228 185 41

HSL 46.2, 0.78%, 0.53%

LAB 76.89, 2.54, 71.8

 

CMYK 0 / 21 / 91 / 3

HEX #F8C316

RGB 248 195 22

HSL 45.93, 0.94%, 0.53%

LAB 81.32, 5.54, 80.41

 

CMYK 0 / 19 / 82 / 11

HEX #E4B929

RGB 228 185 41

HSL 46.2, 0.78%, 0.53%

LAB 76.89, 2.54, 71.8

 

CMYK 0 / 17 / 71 / 18

HEX #D1AE3D

RGB 209 174 61

HSL 45.81, 0.62%, 0.53%

LAB 72.34, 0.89, 59.98

 

CMYK 0 / 13 / 58 / 26

HEX #BDA450

RGB 189 164 80

HSL 46.24, 0.45%, 0.53%

LAB 67.98, -1.21, 46.23

 

CMYK 0 / 9 / 42 / 33

HEX #AA9A63

RGB 170 154 99

HSL 46.48, 0.29%, 0.53%

LAB 63.8, -2.09, 30.99

 

CMYK 0 / 5 / 21 / 41

HEX #978F77

RGB 151 143 119

HSL 45, 0.13%, 0.53%

LAB 59.49, -1.15, 13.85

 

CMYK 0 / 63 / 82 / 11

HEX #E45529

RGB 228 85 41

HSL 14.12, 0.78%, 0.53%

LAB 55.23, 53.55, 52.71

 

CMYK 0 / 41 / 82 / 11

HEX #E48729

RGB 228 135 41

HSL 30.16, 0.78%, 0.53%

LAB 64.95, 29.06, 61.43

 

CMYK 0 / 19 / 82 / 11

HEX #E4B929

RGB 228 185 41

HSL 46.2, 0.78%, 0.53%

LAB 76.89, 2.54, 71.8

 

CMYK 3 / 0 / 82 / 11

HEX #DEE429

RGB 222 228 41

HSL 61.93, 0.78%, 0.53%

LAB 87.57, -21.68, 80.68

 

CMYK 25 / 0 / 82 / 11

HEX #ACE429

RGB 172 228 41

HSL 77.97, 0.78%, 0.53%

LAB 84.18, -41.67, 76.44

 

CMYK 0 / 20 / 88 / 35

HEX #A78514

RGB 167 133 20

HSL 46.12, 0.79%, 0.37%

LAB 57.12, 2.84, 58.45

 

CMYK 0 / 20 / 88 / 20

HEX #CBA219

RGB 203 162 25

HSL 46.18, 0.78%, 0.45%

LAB 68.47, 3.37, 67.94

 

CMYK 0 / 19 / 82 / 11

HEX #E4B929

RGB 228 185 41

HSL 46.2, 0.78%, 0.53%

LAB 76.89, 2.54, 71.8

 

CMYK 0 / 15 / 67 / 9

HEX #E9C54E

RGB 233 197 78

HSL 46.06, 0.78%, 0.61%

LAB 80.63, 0.01, 62.24

 

CMYK 0 / 12 / 51 / 7

HEX #EDD173

RGB 237 209 115

HSL 46.23, 0.77%, 0.69%

LAB 84.4, -1.91, 49.78

 

CMYK 0 / 19 / 82 / 11

HEX #E4B92A

RGB 228 185 42

HSL 46.13, 0.78%, 0.53%

LAB 76.9, 2.57, 71.52

 

CMYK 79 / 0 / 82 / 11

HEX #2FE429

RGB 47 228 41

HSL 118.07, 0.78%, 0.53%

LAB 79.76, -74.92, 70.81

 

CMYK 52 / 82 / 0 / 11

HEX #6E29E4

RGB 110 41 228

HSL 262.14, 0.78%, 0.53%

LAB 38.73, 67.45, -81.72

 

CMYK 0 / 19 / 82 / 11

HEX #E4B92A

RGB 228 185 42

HSL 46.13, 0.78%, 0.53%

LAB 76.9, 2.57, 71.52

 

CMYK 82 / 0 / 19 / 11

HEX #29E4B9

RGB 41 228 185

HSL 166.2, 0.78%, 0.53%

LAB 81.54, -54.01, 8.51

 

CMYK 19 / 82 / 0 / 11

HEX #B929E4

RGB 185 41 228

HSL 286.2, 0.78%, 0.53%

LAB 48.89, 78.03, -64.71

 

CMYK 0 / 19 / 82 / 11

HEX #E4B92A

RGB 228 185 42

HSL 46.13, 0.78%, 0.53%

LAB 76.9, 2.57, 71.52

 

CMYK 79 / 0 / 82 / 11

HEX #2FE429

RGB 47 228 41

HSL 118.07, 0.78%, 0.53%

LAB 79.76, -74.92, 70.81

 

CMYK 82 / 63 / 0 / 11

HEX #2955E4

RGB 41 85 228

HSL 225.88, 0.78%, 0.53%

LAB 42.11, 37.55, -76.34

 

CMYK 3 / 82 / 0 / 11

HEX #DE29E4

RGB 222 41 228

HSL 298.07, 0.78%, 0.53%

LAB 54.78, 84.38, -54.92

 

CMYK 0 / 19 / 82 / 11

HEX #E4B92A

RGB 228 185 42

HSL 46.13, 0.78%, 0.53%

LAB 76.9, 2.57, 71.52

 

CMYK 82 / 0 / 60 / 11

HEX #29E45B

RGB 41 228 91

HSL 136.04, 0.78%, 0.53%

LAB 80.02, -71.39, 53.33

 

CMYK 82 / 63 / 0 / 11

HEX #2955E4

RGB 41 85 228

HSL 225.88, 0.78%, 0.53%

LAB 42.11, 37.55, -76.34

 

CMYK 0 / 82 / 22 / 11

HEX #E429B2

RGB 228 41 178

HSL 316.04, 0.78%, 0.53%

LAB 53.27, 78.67, -28.52

 

Description

Color code: RGB 228 185 42 | qconv.com Color code: RGB 228 185 42 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 185 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 185 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 82 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 82% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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