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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B6815 it is the complementary color #E497EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B6815. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B6815 shade: #206810, #317A23, #428C36, #539E49 and #64B05C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B6815. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B6815 shade: #1B6815, #0A5602, #004400, #003200 and #002000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B6815 shade: #1B6915, #326915, #496915, #5F6915 and #695D15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B6815 shade: #1B6915, #156926, #15693C, #156953 and #156969

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B6815 shade matches the following richer shades: #1B6915, #12740B and #0A7E01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B6815 shade: #1B6915, #245F1F, #2D552A, #364A34 and #3F403E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B6815 shade: #496915, #336915, #1C6915, #156925 and #15693B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B6815 shade: #092507, #12470E, #1B6915, #248C1C and #2DAE23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B6815 shade: #1B6815, #156069 and #69153E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B6815 shade: #1B6815, #151C69 and #69151C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B6815 shade: #1B6815, #156069, #621569 and #691F15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B6815 shade: #1B6815, #154669, #621569 and #693815

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 80 / 59

HEX #1B6815

RGB 27 104 21

HSL 115.66, 0.66%, 0.25%

LAB 38.18, -39.69, 37.46

 

Complementary color

CMYK 3 / 35 / 0 / 8

HEX #E497EA

RGB 228 151 234

HSL 295.66, 0.66%, 0.75%

LAB 72.61, 41.96, -30.22

 

CMYK 69 / 0 / 85 / 59

HEX #206810

RGB 32 104 16

HSL 109.09, 0.73%, 0.24%

LAB 38.28, -38.94, 39.36

 

CMYK 60 / 0 / 71 / 52

HEX #317A23

RGB 49 122 35

HSL 110.34, 0.55%, 0.31%

LAB 45.21, -39.99, 39.18

 

CMYK 53 / 0 / 61 / 45

HEX #428C36

RGB 66 140 54

HSL 111.63, 0.44%, 0.38%

LAB 52.04, -40.44, 38.21

 

CMYK 47 / 0 / 54 / 38

HEX #539E49

RGB 83 158 73

HSL 112.94, 0.37%, 0.45%

LAB 58.76, -40.57, 36.97

 

CMYK 43 / 0 / 48 / 31

HEX #64B05C

RGB 100 176 92

HSL 114.29, 0.35%, 0.53%

LAB 65.38, -40.52, 35.68

 

CMYK 74 / 0 / 80 / 59

HEX #1B6815

RGB 27 104 21

HSL 115.66, 0.66%, 0.25%

LAB 38.18, -39.69, 37.46

 

CMYK 88 / 0 / 98 / 66

HEX #0A5602

RGB 10 86 2

HSL 114.29, 0.95%, 0.17%

LAB 31.17, -37.55, 37.16

 

CMYK 100 / 0 / 100 / 73

HEX #004400

RGB 0 68 0

HSL 120, 1%, 0.13%

LAB 24.11, -33.32, 31.71

 

CMYK 100 / 0 / 100 / 80

HEX #003200

RGB 0 50 0

HSL 120, 1%, 0.1%

LAB 16.9, -27.33, 23.7

 

CMYK 100 / 0 / 100 / 87

HEX #002000

RGB 0 32 0

HSL 120, 1%, 0.06%

LAB 9.26, -18.77, 13.51

 

CMYK 74 / 0 / 80 / 59

HEX #1B6915

RGB 27 105 21

HSL 115.71, 0.67%, 0.25%

LAB 38.53, -40.05, 37.81

 

CMYK 52 / 0 / 80 / 59

HEX #326915

RGB 50 105 21

HSL 99.29, 0.67%, 0.25%

LAB 39.3, -33.88, 38.82

 

CMYK 30 / 0 / 80 / 59

HEX #496915

RGB 73 105 21

HSL 82.86, 0.67%, 0.25%

LAB 40.53, -25.14, 40.43

 

CMYK 10 / 0 / 80 / 59

HEX #5F6915

RGB 95 105 21

HSL 67.14, 0.67%, 0.25%

LAB 42.14, -15.3, 42.52

 

CMYK 0 / 11 / 80 / 59

HEX #695D15

RGB 105 93 21

HSL 51.43, 0.67%, 0.25%

LAB 39.39, -3.68, 40.29

 

CMYK 74 / 0 / 80 / 59

HEX #1B6915

RGB 27 105 21

HSL 115.71, 0.67%, 0.25%

LAB 38.53, -40.05, 37.81

 

CMYK 80 / 0 / 64 / 59

HEX #156926

RGB 21 105 38

HSL 132.14, 0.67%, 0.25%

LAB 38.56, -39.32, 30.22

 

CMYK 80 / 0 / 43 / 59

HEX #15693C

RGB 21 105 60

HSL 147.86, 0.67%, 0.25%

LAB 38.88, -35.53, 18.54

 

CMYK 80 / 0 / 21 / 59

HEX #156953

RGB 21 105 83

HSL 164.29, 0.67%, 0.25%

LAB 39.39, -29.95, 5.5

 

CMYK 80 / 0 / 0 / 59

HEX #156969

RGB 21 105 105

HSL 180, 0.67%, 0.25%

LAB 40.05, -23.3, -6.94

 

CMYK 74 / 0 / 80 / 59

HEX #1B6915

RGB 27 105 21

HSL 115.71, 0.67%, 0.25%

LAB 38.53, -40.05, 37.81

 

CMYK 84 / 0 / 91 / 55

HEX #12740B

RGB 18 116 11

HSL 116, 0.83%, 0.25%

LAB 42.22, -45.91, 44.22

 

CMYK 92 / 0 / 99 / 51

HEX #0A7E01

RGB 10 126 1

HSL 115.68, 0.98%, 0.25%

LAB 45.62, -50.27, 49.23

 

CMYK 74 / 0 / 80 / 59

HEX #1B6915

RGB 27 105 21

HSL 115.71, 0.67%, 0.25%

LAB 38.53, -40.05, 37.81

 

CMYK 62 / 0 / 67 / 63

HEX #245F1F

RGB 36 95 31

HSL 115.31, 0.51%, 0.25%

LAB 35.32, -33.02, 30.15

 

CMYK 47 / 0 / 51 / 67

HEX #2D552A

RGB 45 85 42

HSL 115.81, 0.34%, 0.25%

LAB 32.31, -24.07, 20.72

 

CMYK 27 / 0 / 30 / 71

HEX #364A34

RGB 54 74 52

HSL 114.55, 0.17%, 0.25%

LAB 29.23, -12.9, 10.68

 

CMYK 2 / 0 / 3 / 75

HEX #3F403E

RGB 63 64 62

HSL 90, 0.02%, 0.25%

LAB 26.94, -0.87, 1.07

 

CMYK 30 / 0 / 80 / 59

HEX #496915

RGB 73 105 21

HSL 82.86, 0.67%, 0.25%

LAB 40.53, -25.14, 40.43

 

CMYK 51 / 0 / 80 / 59

HEX #336915

RGB 51 105 21

HSL 98.57, 0.67%, 0.25%

LAB 39.35, -33.54, 38.88

 

CMYK 73 / 0 / 80 / 59

HEX #1C6915

RGB 28 105 21

HSL 115, 0.67%, 0.25%

LAB 38.56, -39.85, 37.84

 

CMYK 80 / 0 / 65 / 59

HEX #156925

RGB 21 105 37

HSL 131.43, 0.67%, 0.25%

LAB 38.54, -39.45, 30.71

 

CMYK 80 / 0 / 44 / 59

HEX #15693B

RGB 21 105 59

HSL 147.14, 0.67%, 0.25%

LAB 38.86, -35.74, 19.1

 

CMYK 76 / 0 / 81 / 85

HEX #092507

RGB 9 37 7

HSL 116, 0.68%, 0.09%

LAB 11.93, -18.16, 14.46

 

CMYK 75 / 0 / 80 / 72

HEX #12470E

RGB 18 71 14

HSL 115.79, 0.67%, 0.17%

LAB 25.76, -29.71, 27.74

 

CMYK 74 / 0 / 80 / 59

HEX #1B6915

RGB 27 105 21

HSL 115.71, 0.67%, 0.25%

LAB 38.53, -40.05, 37.81

 

CMYK 74 / 0 / 80 / 45

HEX #248C1C

RGB 36 140 28

HSL 115.71, 0.67%, 0.33%

LAB 50.94, -50.03, 47.49

 

CMYK 74 / 0 / 80 / 32

HEX #2DAE23

RGB 45 174 35

HSL 115.68, 0.67%, 0.41%

LAB 62.47, -59.17, 56.35

 

CMYK 74 / 0 / 80 / 59

HEX #1B6815

RGB 27 104 21

HSL 115.66, 0.66%, 0.25%

LAB 38.18, -39.69, 37.46

 

CMYK 80 / 9 / 0 / 59

HEX #156069

RGB 21 96 105

HSL 186.43, 0.67%, 0.25%

LAB 37.01, -18.5, -11.51

 

CMYK 0 / 80 / 41 / 59

HEX #69153E

RGB 105 21 62

HSL 330.71, 0.67%, 0.25%

LAB 23.3, 39.84, -3.58

 

CMYK 74 / 0 / 80 / 59

HEX #1B6815

RGB 27 104 21

HSL 115.66, 0.66%, 0.25%

LAB 38.18, -39.69, 37.46

 

CMYK 80 / 73 / 0 / 59

HEX #151C69

RGB 21 28 105

HSL 235, 0.67%, 0.25%

LAB 15.54, 26.75, -45.55

 

CMYK 0 / 80 / 73 / 59

HEX #69151C

RGB 105 21 28

HSL 355, 0.67%, 0.25%

LAB 22.39, 36.93, 18.6

 

CMYK 74 / 0 / 80 / 59

HEX #1B6815

RGB 27 104 21

HSL 115.66, 0.66%, 0.25%

LAB 38.18, -39.69, 37.46

 

CMYK 80 / 9 / 0 / 59

HEX #156069

RGB 21 96 105

HSL 186.43, 0.67%, 0.25%

LAB 37.01, -18.5, -11.51

 

CMYK 7 / 80 / 0 / 59

HEX #621569

RGB 98 21 105

HSL 295, 0.67%, 0.25%

LAB 24.17, 44.64, -31.09

 

CMYK 0 / 70 / 80 / 59

HEX #691F15

RGB 105 31 21

HSL 7.14, 0.67%, 0.25%

LAB 23.79, 32.43, 24.75

 

CMYK 74 / 0 / 80 / 59

HEX #1B6815

RGB 27 104 21

HSL 115.66, 0.66%, 0.25%

LAB 38.18, -39.69, 37.46

 

CMYK 80 / 33 / 0 / 59

HEX #154669

RGB 21 70 105

HSL 205, 0.67%, 0.25%

LAB 28.27, -2.87, -25.02

 

CMYK 7 / 80 / 0 / 59

HEX #621569

RGB 98 21 105

HSL 295, 0.67%, 0.25%

LAB 24.17, 44.64, -31.09

 

CMYK 0 / 47 / 80 / 59

HEX #693815

RGB 105 56 21

HSL 25, 0.67%, 0.25%

LAB 29.12, 18.77, 30.32

 

Description

Color code: HEX #1B6815 | qconv.com Color code: HEX #1B6815 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 104 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 104 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 80 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 80% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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